Songs like Concerto Grosso No. 6 in D Major (after D. Scarlatti): II. Con furia by Charles Avison
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Caldara
Sinfonia No. 8 in si bemolle maggiore (G...
149 bpm • A# Maj • 01:02 • -17.28db
26% Popularity • 20% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Georg Caspar Schürmann
Schürmann: Die getreue Alceste: Sinfoni...
148 bpm • C# min • 01:08 • -17.66db
14% Popularity • 44% Danceability • 62% Energy • 51% Liveness
97% Instrumentalness • 66% Positiveness
14% Popularity • 44% Danceability • 62% Energy • 51% Liveness
97% Instrumentalness • 66% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 3 in C Major, Wq. 1...
148 bpm • B Maj • 02:41 • -15.9db
11% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
11% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
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Joseph Haydn
Baryton Trio in D Major, Hob. XI:69: II....
150 bpm • C# Maj • 01:57 • -26.18db
14% Popularity • 24% Danceability • 3% Energy • 9% Liveness
70% Instrumentalness • 25% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 9% Liveness
70% Instrumentalness • 25% Positiveness
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Alessandro Marcello
Concerto in D Minor, RV 565: IV. Andante...
150 bpm • C# min • 03:21 • -23.93db
10% Popularity • 40% Danceability • 3% Energy • 9% Liveness
23% Instrumentalness • 47% Positiveness
10% Popularity • 40% Danceability • 3% Energy • 9% Liveness
23% Instrumentalness • 47% Positiveness
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Alessandro Scarlatti
A battaglia, pensieri: Sinfonia
146 bpm • C Maj • 01:39 • -18.7db
22% Popularity • 30% Danceability • 19% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
22% Popularity • 30% Danceability • 19% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Johann Stamitz
Symphony in G Major, Op. 3 No. 1, WolS G...
146 bpm • F# Maj • 02:16 • -16.99db
12% Popularity • 51% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 62% Positiveness
12% Popularity • 51% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 62% Positiveness
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Pietro Locatelli
Concerto grosso in B-Flat Major, Op. 1 N...
146 bpm • E Maj • 01:15 • -12.47db
14% Popularity • 60% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 60% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Carl Philipp Emanuel Bach
Sonate en la mineur, Wq. 154 (H.576): So...
150 bpm • B Maj • 05:30 • -17.78db
10% Popularity • 38% Danceability • 24% Energy • 43% Liveness
1% Instrumentalness • 41% Positiveness
10% Popularity • 38% Danceability • 24% Energy • 43% Liveness
1% Instrumentalness • 41% Positiveness
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Johan Helmich Roman
Overture in G Minor
145 bpm • G min • 03:21 • -17.92db
16% Popularity • 38% Danceability • 18% Energy • 39% Liveness
89% Instrumentalness • 33% Positiveness
16% Popularity • 38% Danceability • 18% Energy • 39% Liveness
89% Instrumentalness • 33% Positiveness
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Francesco Geminiani
Concerto Grosso in E Minor, Op. 3, No. 3...
144 bpm • E min • 03:24 • -15db
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629, Act I: Rondeau
154 bpm • A Maj • 01:03 • -17.01db
14% Popularity • 32% Danceability • 14% Energy • 19% Liveness
74% Instrumentalness • 81% Positiveness
14% Popularity • 32% Danceability • 14% Energy • 19% Liveness
74% Instrumentalness • 81% Positiveness
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Giuseppe Antonio Brescianello
Overture in G Minor: VII. Rigaudon
154 bpm • F# min • 01:36 • -18.17db
20% Popularity • 42% Danceability • 25% Energy • 18% Liveness
95% Instrumentalness • 58% Positiveness
20% Popularity • 42% Danceability • 25% Energy • 18% Liveness
95% Instrumentalness • 58% Positiveness
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Tomaso Albinoni
Concerto a 5 in E Minor, Op. 5, No. 9: I...
143 bpm • B Maj • 01:09 • -18.43db
24% Popularity • 30% Danceability • 24% Energy • 20% Liveness
80% Instrumentalness • 22% Positiveness
24% Popularity • 30% Danceability • 24% Energy • 20% Liveness
80% Instrumentalness • 22% Positiveness
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Carl Philipp Emanuel Bach
Symphony in C Major, H. 659, Wq. 182/3: ...
151 bpm • G# min • 02:37 • -22.98db
17% Popularity • 44% Danceability • 20% Energy • 21% Liveness
66% Instrumentalness • 76% Positiveness
17% Popularity • 44% Danceability • 20% Energy • 21% Liveness
66% Instrumentalness • 76% Positiveness
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Francesco Maria Veracini
Overture No. 6 in B-Flat Major: III. All...
155 bpm • C# min • 02:48 • -12.72db
9% Popularity • 44% Danceability • 30% Energy • 14% Liveness
32% Instrumentalness • 60% Positiveness
9% Popularity • 44% Danceability • 30% Energy • 14% Liveness
32% Instrumentalness • 60% Positiveness
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Alessandro Marcello
Concerto di Flauti, S.D945: III. Presto
143 bpm • G Maj • 01:19 • -21.65db
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
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George Frideric Handel
Concerto for recorder in F Major: II. Al...
143 bpm • E Maj • 01:47 • -14db
8% Popularity • 57% Danceability • 35% Energy • 20% Liveness
84% Instrumentalness • 93% Positiveness
8% Popularity • 57% Danceability • 35% Energy • 20% Liveness
84% Instrumentalness • 93% Positiveness
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William Boyce
Symphony No. 8 in D Minor, Op. 2, "Worce...
142 bpm • C# min • 04:05 • -24db
16% Popularity • 48% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 58% Positiveness
16% Popularity • 48% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 58% Positiveness
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Louis-Antoine Dornel
Suitte en Trio No. 3 in E Minor, Op. 1: ...
142 bpm • D# min • 01:45 • -19.71db
18% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
18% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Francesco Geminiani
Violin Sonata Op. 1 No. 1 in G Major: I....
141 bpm • F# Maj • 02:42 • -18.54db
0% Popularity • 18% Danceability • 17% Energy • 14% Liveness
32% Instrumentalness • 23% Positiveness
0% Popularity • 18% Danceability • 17% Energy • 14% Liveness
32% Instrumentalness • 23% Positiveness
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James Oswald
Airs for the Summer: Myrtle: II. Allegro
141 bpm • A Maj • 01:12 • -10.13db
16% Popularity • 41% Danceability • 33% Energy • 12% Liveness
27% Instrumentalness • 93% Positiveness
16% Popularity • 41% Danceability • 33% Energy • 12% Liveness
27% Instrumentalness • 93% Positiveness
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Antonio Vivaldi
Violin Concerto in D Minor, RV 813: III....
141 bpm • C# min • 02:21 • -15.22db
22% Popularity • 40% Danceability • 34% Energy • 11% Liveness
12% Instrumentalness • 50% Positiveness
22% Popularity • 40% Danceability • 34% Energy • 11% Liveness
12% Instrumentalness • 50% Positiveness
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George Frideric Handel
Concerto-Pasticcio in C Major: IV. Alleg...
142 bpm • G Maj • 05:36 • -12.9db
15% Popularity • 36% Danceability • 34% Energy • 12% Liveness
57% Instrumentalness • 35% Positiveness
15% Popularity • 36% Danceability • 34% Energy • 12% Liveness
57% Instrumentalness • 35% Positiveness
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Charles Avison
Concerto in D Major, Op. 6 No. 6: II. Co...
141 bpm • C# Maj • 04:54 • -15.24db
7% Popularity • 44% Danceability • 37% Energy • 29% Liveness
91% Instrumentalness • 73% Positiveness
7% Popularity • 44% Danceability • 37% Energy • 29% Liveness
91% Instrumentalness • 73% Positiveness
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Carl Heinrich Graun
Harpsichord Concerto in D Major, WVC:XII...
141 bpm • C# Maj • 05:47 • -14.77db
14% Popularity • 42% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
14% Popularity • 42% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Giovanni Battista Sammartini
Sonata for 2 Recorders and Basso Continu...
140 bpm • C# min • 01:35 • -25.49db
30% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
30% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
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Carl Philipp Emanuel Bach
Symphony in B Minor, H. 661, Wq. 182/5: ...
140 bpm • C# Maj • 03:41 • -22.75db
13% Popularity • 35% Danceability • 9% Energy • 20% Liveness
30% Instrumentalness • 28% Positiveness
13% Popularity • 35% Danceability • 9% Energy • 20% Liveness
30% Instrumentalness • 28% Positiveness
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Antonio Vivaldi
Concerto Alla Rustica for Strings in G M...
158 bpm • C# Maj • 01:11 • -12.63db
9% Popularity • 36% Danceability • 37% Energy • 25% Liveness
2% Instrumentalness • 65% Positiveness
9% Popularity • 36% Danceability • 37% Energy • 25% Liveness
2% Instrumentalness • 65% Positiveness
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Johann Joachim Quantz
Flute Concerto in C Minor, QV 5:38: II. ...
140 bpm • D# min • 07:41 • -26db
10% Popularity • 18% Danceability • 2% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
10% Popularity • 18% Danceability • 2% Energy • 12% Liveness
31% Instrumentalness • 14% Positiveness
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![Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] cover art](https://i.scdn.co/image/ab67616d00001e02fe833cbdd39d5fa4fc6d784d)
Charles Avison
Concerto grosso No. 6 in D Major: II. Co...
140 bpm • G# Maj • 01:16 • -24.42db
19% Popularity • 41% Danceability • 14% Energy • 10% Liveness
24% Instrumentalness • 54% Positiveness
19% Popularity • 41% Danceability • 14% Energy • 10% Liveness
24% Instrumentalness • 54% Positiveness
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Johann Adolf Hasse
Hasse: Demofoonte, Sinfonia: III. Presto
159 bpm • C# Maj • 01:30 • -15.14db
15% Popularity • 44% Danceability • 34% Energy • 9% Liveness
81% Instrumentalness • 94% Positiveness
15% Popularity • 44% Danceability • 34% Energy • 9% Liveness
81% Instrumentalness • 94% Positiveness
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Franz Benda
Violin Sonata in E-Flat Major: III. Alle...
139 bpm • A Maj • 03:11 • -23.09db
19% Popularity • 43% Danceability • 5% Energy • 36% Liveness
2% Instrumentalness • 69% Positiveness
19% Popularity • 43% Danceability • 5% Energy • 36% Liveness
2% Instrumentalness • 69% Positiveness
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![Sonata sesta for violino solo: VI. Allegro [2] cover art](https://i.scdn.co/image/ab67616d00001e02327a8ecd78d1bd9a98479fdf)
Daniel Purcell
Sonata sesta for violino solo: VI. Alleg...
139 bpm • E min • 01:08 • -18.89db
23% Popularity • 47% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 21% Positiveness
23% Popularity • 47% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 21% Positiveness
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Giovanni Battista Sammartini
Symphony in C Major, J-C 4: I. Allegriss...
138 bpm • B Maj • 05:06 • -17.53db
10% Popularity • 51% Danceability • 30% Energy • 11% Liveness
49% Instrumentalness • 44% Positiveness
10% Popularity • 51% Danceability • 30% Energy • 11% Liveness
49% Instrumentalness • 44% Positiveness
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Johann Joachim Quantz
Flute Sonata in G Major, QV 1:105: I. Al...
138 bpm • F# min • 03:21 • -19.58db
9% Popularity • 44% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 44% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VII....
138 bpm • C# min • 01:06 • -23.44db
17% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
17% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
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Charles Avison
Concerto grosso No. 6 in D Major: II. Co...
139 bpm • C# Maj • 01:16 • -23.76db
22% Popularity • 38% Danceability • 15% Energy • 18% Liveness
69% Instrumentalness • 77% Positiveness
22% Popularity • 38% Danceability • 15% Energy • 18% Liveness
69% Instrumentalness • 77% Positiveness
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Jean-Philippe Rameau
Anacréon - original version / Scene 5: ...
138 bpm • F Maj • 01:03 • -21.69db
9% Popularity • 53% Danceability • 29% Energy • 18% Liveness
41% Instrumentalness • 92% Positiveness
9% Popularity • 53% Danceability • 29% Energy • 18% Liveness
41% Instrumentalness • 92% Positiveness
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Jean-Féry Rebel
Les Caractères de la Danse: XIV. Sonate
138 bpm • C# Maj • 01:21 • -14db
13% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
13% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
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Carl Philipp Emanuel Bach
Symphony in G Major, H. 657, Wq. 182/1: ...
138 bpm • F# Maj • 04:06 • -20.91db
14% Popularity • 46% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 67% Positiveness
14% Popularity • 46% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 67% Positiveness
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Alessandro Marcello
Concerto XVI In Fa Maggiore, Per Due Obo...
138 bpm • B Maj • 02:16 • -20.69db
10% Popularity • 35% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 41% Positiveness
10% Popularity • 35% Danceability • 8% Energy • 13% Liveness
73% Instrumentalness • 41% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: III....
137 bpm • C min • 05:24 • -19db
20% Popularity • 47% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
20% Popularity • 47% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: I. Overture
137 bpm • D min • 02:08 • -17.89db
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
Concerto for 2 Trumpets in C Major, RV 5...
137 bpm • B Maj • 03:06 • -15.81db
14% Popularity • 43% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 75% Positiveness
14% Popularity • 43% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 75% Positiveness
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Giovanni Battista Sammartini
Symphony in C Major, J-C 4: III. Allegri...
137 bpm • F# Maj • 03:44 • -18.13db
9% Popularity • 51% Danceability • 10% Energy • 9% Liveness
37% Instrumentalness • 45% Positiveness
9% Popularity • 51% Danceability • 10% Energy • 9% Liveness
37% Instrumentalness • 45% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
136 bpm • G# min • 01:38 • -14db
19% Popularity • 38% Danceability • 34% Energy • 32% Liveness
48% Instrumentalness • 64% Positiveness
19% Popularity • 38% Danceability • 34% Energy • 32% Liveness
48% Instrumentalness • 64% Positiveness
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Charles Avison
Concerto in D Major, Op. 6 No. 6: III. A...
163 bpm • C# min • 01:55 • -22db
17% Popularity • 19% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
17% Popularity • 19% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Alessandro Scarlatti
Sei Concerti in sette parti: No. 3 in F ...
136 bpm • E Maj • 01:41 • -12.27db
12% Popularity • 40% Danceability • 38% Energy • 13% Liveness
86% Instrumentalness • 46% Positiveness
12% Popularity • 40% Danceability • 38% Energy • 13% Liveness
86% Instrumentalness • 46% Positiveness
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Francesco Mancini
Concerto VIII in C Minor from 24 Concert...
135 bpm • B min • 01:48 • -17.2db
22% Popularity • 45% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
22% Popularity • 45% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
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Antonio Vivaldi
Violin Concerto in A Minor, RV 356: I. A...
136 bpm • G# min • 02:30 • -15.66db
21% Popularity • 50% Danceability • 32% Energy • 16% Liveness
56% Instrumentalness • 68% Positiveness
21% Popularity • 50% Danceability • 32% Energy • 16% Liveness
56% Instrumentalness • 68% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
21% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
21% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
135 bpm • G# Maj • 03:22 • -19.07db
14% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
14% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
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Charles Avison
Concerto Grosso No. 2 in G Major (after ...
135 bpm • C# Maj • 07:15 • -22.98db
6% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in E Minor, Op. 3, No. 3...
135 bpm • F# min • 01:07 • -15.32db
25% Popularity • 70% Danceability • 21% Energy • 16% Liveness
46% Instrumentalness • 62% Positiveness
25% Popularity • 70% Danceability • 21% Energy • 16% Liveness
46% Instrumentalness • 62% Positiveness
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Michel Blavet
Concerto in A Minor for Flute and String...
135 bpm • G# min • 04:49 • -16.68db
11% Popularity • 45% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 55% Positiveness
11% Popularity • 45% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 55% Positiveness
► Preview
Leonardo Ortensio Salvatore di Leo
Cello Concerto No.1 in A major, L. 20: I...
135 bpm • G# Maj • 03:21 • -14db
7% Popularity • 25% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 25% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Giovanni Battista Sammartini
Symphony in D Minor, J-C 23: III. Presto
135 bpm • C# min • 03:40 • -20db
12% Popularity • 52% Danceability • 13% Energy • 13% Liveness
11% Instrumentalness • 38% Positiveness
12% Popularity • 52% Danceability • 13% Energy • 13% Liveness
11% Instrumentalness • 38% Positiveness
► Preview
James Oswald
Airs for the Autumn: Night Shade: I. Ari...
135 bpm • C# Maj • 01:09 • -13.75db
22% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Charles Avison
Concerto in D Minor; Op. 6 No. 5: II. Al...
135 bpm • C# min • 01:45 • -14.66db
17% Popularity • 57% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 83% Positiveness
17% Popularity • 57% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 83% Positiveness
► Preview
Arcangelo Corelli
Concerto in D Major, Op. 6 No. 1: III. L...
165 bpm • D min • 03:16 • -22.5db
8% Popularity • 9% Danceability • 6% Energy • 18% Liveness
3% Instrumentalness • 10% Positiveness
8% Popularity • 9% Danceability • 6% Energy • 18% Liveness
3% Instrumentalness • 10% Positiveness
► Preview
Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
15% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
15% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: III. Ada...
134 bpm • F# min • 01:01 • -25.8db
19% Popularity • 25% Danceability • 2% Energy • 10% Liveness
18% Instrumentalness • 18% Positiveness
19% Popularity • 25% Danceability • 2% Energy • 10% Liveness
18% Instrumentalness • 18% Positiveness
► Preview
Carl Philipp Emanuel Bach
Hamburg Symphony No. 5 in B Minor, Wq. 1...
134 bpm • D# min • 03:50 • -17.71db
13% Popularity • 33% Danceability • 16% Energy • 42% Liveness
50% Instrumentalness • 26% Positiveness
13% Popularity • 33% Danceability • 16% Energy • 42% Liveness
50% Instrumentalness • 26% Positiveness
► Preview
Antonio Vivaldi
Concerto for Violin and Organ in D Minor...
133 bpm • C# min • 02:08 • -22.3db
8% Popularity • 48% Danceability • 23% Energy • 19% Liveness
2% Instrumentalness • 16% Positiveness
8% Popularity • 48% Danceability • 23% Energy • 19% Liveness
2% Instrumentalness • 16% Positiveness
► Preview
Charles Avison
Concerto Grosso No. 4 in A Minor (after ...
135 bpm • G# min • 01:52 • -18.59db
5% Popularity • 40% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
5% Popularity • 40% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Arcangelo Corelli
Concerto in D Major, Op. 6 No. 1: II. La...
134 bpm • C Maj • 02:48 • -20db
10% Popularity • 26% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 24% Positiveness
10% Popularity • 26% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 24% Positiveness
► Preview
Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
► Preview
Giovanni Battista Sammartini
Concerto in C major for violoncello picc...
133 bpm • F# Maj • 04:08 • -20.19db
18% Popularity • 48% Danceability • 16% Energy • 16% Liveness
71% Instrumentalness • 65% Positiveness
18% Popularity • 48% Danceability • 16% Energy • 16% Liveness
71% Instrumentalness • 65% Positiveness
► Preview
George Frideric Handel
Trio Sonata in G Minor, Op. 2 No. 8, HWV...
133 bpm • F# min • 02:13 • -21.46db
11% Popularity • 36% Danceability • 16% Energy • 5% Liveness
28% Instrumentalness • 68% Positiveness
11% Popularity • 36% Danceability • 16% Energy • 5% Liveness
28% Instrumentalness • 68% Positiveness
► Preview
Giovanni Battista Pergolesi
La serva padrona, symphonia avanti l'ope...
132 bpm • C# Maj • 01:34 • -20.59db
21% Popularity • 49% Danceability • 18% Energy • 24% Liveness
18% Instrumentalness • 62% Positiveness
21% Popularity • 49% Danceability • 18% Energy • 24% Liveness
18% Instrumentalness • 62% Positiveness
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Charles Avison
Concerto in C Major, Op. 6 No. 9: II. Co...
135 bpm • G# min • 03:49 • -16.18db
5% Popularity • 54% Danceability • 32% Energy • 10% Liveness
59% Instrumentalness • 71% Positiveness
5% Popularity • 54% Danceability • 32% Energy • 10% Liveness
59% Instrumentalness • 71% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Air...
133 bpm • G# min • 01:21 • -33.04db
30% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
30% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
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Carl Philipp Emanuel Bach
Symphony in G Major, H. 657, Wq. 182/1: ...
132 bpm • F# Maj • 03:34 • -18.49db
17% Popularity • 36% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
17% Popularity • 36% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
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Pietro Locatelli
Violin Concerto in A Major, Op. 3 No. 11...
132 bpm • A Maj • 06:24 • -21.7db
13% Popularity • 39% Danceability • 8% Energy • 6% Liveness
41% Instrumentalness • 24% Positiveness
13% Popularity • 39% Danceability • 8% Energy • 6% Liveness
41% Instrumentalness • 24% Positiveness
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František Tůma
Sinfonia a quattro: I. Allegro assai
132 bpm • C# Maj • 02:01 • -25.43db
10% Popularity • 39% Danceability • 14% Energy • 13% Liveness
85% Instrumentalness • 53% Positiveness
10% Popularity • 39% Danceability • 14% Energy • 13% Liveness
85% Instrumentalness • 53% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 3:...
168 bpm • G# Maj • 02:04 • -21.99db
7% Popularity • 12% Danceability • 7% Energy • 12% Liveness
77% Instrumentalness • 37% Positiveness
7% Popularity • 12% Danceability • 7% Energy • 12% Liveness
77% Instrumentalness • 37% Positiveness
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Charles Avison
Concerto Grosso No. 6 in D Major (after ...
168 bpm • D min • 01:55 • -20db
18% Popularity • 21% Danceability • 3% Energy • 8% Liveness
39% Instrumentalness • 15% Positiveness
18% Popularity • 21% Danceability • 3% Energy • 8% Liveness
39% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Sonata in B-flat Major, No. 2: I. Grave
132 bpm • A Maj • 02:48 • -17.06db
19% Popularity • 18% Danceability • 12% Energy • 24% Liveness
5% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 12% Energy • 24% Liveness
5% Instrumentalness • 4% Positiveness
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Christoph Graupner
Overture for Flute and Bassoon in G Majo...
131 bpm • F# Maj • 01:02 • -19db
25% Popularity • 63% Danceability • 21% Energy • 22% Liveness
32% Instrumentalness • 96% Positiveness
25% Popularity • 63% Danceability • 21% Energy • 22% Liveness
32% Instrumentalness • 96% Positiveness
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Alessandro Scarlatti
Sinfonia No. 9 in G Minor, RosS 533.9: I...
131 bpm • F# min • 01:19 • -21.97db
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
131 bpm • G# min • 05:45 • -15db
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
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Giovanni Battista Sammartini
Symphony in C Major, J-C 4: II. Andante ...
131 bpm • F# Maj • 03:33 • -25.22db
11% Popularity • 32% Danceability • 4% Energy • 13% Liveness
65% Instrumentalness • 18% Positiveness
11% Popularity • 32% Danceability • 4% Energy • 13% Liveness
65% Instrumentalness • 18% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
132 bpm • C# min • 01:47 • -19db
20% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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George Frideric Handel
Israel In Egypt, HWV 54: 1. Prelude
170 bpm • F# min • 01:45 • -34.74db
10% Popularity • 8% Danceability • 1% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 1% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto grosso in G Minor, Op. 6 No. 8 ...
131 bpm • G min • 01:22 • -16.44db
27% Popularity • 31% Danceability • 14% Energy • 29% Liveness
87% Instrumentalness • 23% Positiveness
27% Popularity • 31% Danceability • 14% Energy • 29% Liveness
87% Instrumentalness • 23% Positiveness
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Francesco Geminiani
Violin Sonata Op. 1 No. 1 in G Major: II...
131 bpm • C# Maj • 01:53 • -17.56db
0% Popularity • 45% Danceability • 35% Energy • 30% Liveness
89% Instrumentalness • 53% Positiveness
0% Popularity • 45% Danceability • 35% Energy • 30% Liveness
89% Instrumentalness • 53% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: VIII. A...
131 bpm • F# Maj • 01:05 • -16.86db
23% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
23% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Nicola Matteis
Allegro
131 bpm • D# min • 02:01 • -17.55db
15% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
15% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 1 Sinf...
170 bpm • G# Maj • 02:05 • -20.77db
19% Popularity • 22% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
19% Popularity • 22% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
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Evaristo Felice Dall'Abaco
Concerto à più istrumenti, Op. 6, Conc...
130 bpm • F# Maj • 03:26 • -18.27db
8% Popularity • 54% Danceability • 19% Energy • 14% Liveness
22% Instrumentalness • 32% Positiveness
8% Popularity • 54% Danceability • 19% Energy • 14% Liveness
22% Instrumentalness • 32% Positiveness
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Pietro Locatelli
Il pianto d'Arianna in E-Flat Major, Op....
130 bpm • B min • 01:39 • -10.96db
15% Popularity • 31% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 31% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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Johann Christoph Friedrich Bach
Symphony in E-Flat Major, W. I/10: II. A...
171 bpm • C min • 05:06 • -23.27db
8% Popularity • 17% Danceability • 5% Energy • 9% Liveness
55% Instrumentalness • 9% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 9% Liveness
55% Instrumentalness • 9% Positiveness
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
130 bpm • G# Maj • 04:43 • -20.34db
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Francesco Maria Veracini
Concerto à otto stromenti in D Major: I...
130 bpm • C# Maj • 08:07 • -14.91db
10% Popularity • 42% Danceability • 36% Energy • 20% Liveness
89% Instrumentalness • 31% Positiveness
10% Popularity • 42% Danceability • 36% Energy • 20% Liveness
89% Instrumentalness • 31% Positiveness
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Tomaso Albinoni
Concerto in B-Flat Minor, Op. VIII No. 3...
171 bpm • G min • 02:24 • -19.63db
9% Popularity • 12% Danceability • 13% Energy • 24% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 13% Energy • 24% Liveness
86% Instrumentalness • 4% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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Pietro Locatelli
Sei Introduttioni teatrali, Op. 4, No. 1...
130 bpm • C# Maj • 01:37 • -17db
14% Popularity • 51% Danceability • 28% Energy • 24% Liveness
3% Instrumentalness • 87% Positiveness
14% Popularity • 51% Danceability • 28% Energy • 24% Liveness
3% Instrumentalness • 87% Positiveness
