Songs like Concerto grosso no.1 (1976-77): 1. Preludio: Andante by Alfred Schnittke
Based on a tempo of (+/- 10%) and a similar genre
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Anton Webern
Two Pieces for Cello and Piano (1899 Ver...
93 bpm • G Maj • 02:40 • -30db
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
19% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 1. Prelu...
93 bpm • C min • 04:58 • -21db
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Hans Rott
Suite in B-Flat Major, Nowak 34 (Excerpt...
93 bpm • A# Maj • 02:33 • -25.75db
21% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
21% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
93 bpm • B min • 07:01 • -25.18db
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
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Claude Debussy
Nocturnes, CD 98: III. Sirènes
93 bpm • F# Maj • 09:47 • -24.89db
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Schnittke: String Quartet No. 3: II. Agi...
93 bpm • D Maj • 08:12 • -17.85db
6% Popularity • 31% Danceability • 23% Energy • 29% Liveness
51% Instrumentalness • 4% Positiveness
6% Popularity • 31% Danceability • 23% Energy • 29% Liveness
51% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Toccata & Fugue in D Minor, BWV 565
93 bpm • D min • 09:06 • -20.13db
18% Popularity • 15% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
18% Popularity • 15% Danceability • 15% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
92 bpm • B min • 03:21 • -23.3db
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Kurt Atterberg
Suite No. 3, Op. 19, No. 1 (version for ...
94 bpm • C# min • 02:33 • -18db
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Piano Sonata No. 2: I. Moderato
92 bpm • C# Maj • 06:00 • -28.86db
1% Popularity • 33% Danceability • 14% Energy • 6% Liveness
75% Instrumentalness • 4% Positiveness
1% Popularity • 33% Danceability • 14% Energy • 6% Liveness
75% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Deux Sérénades (Written for Hilary Hah...
92 bpm • A min • 07:50 • -25.19db
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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György Ligeti
Cello Sonata: I. Dialogo
94 bpm • F Maj • 03:58 • -24db
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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ЧЕПЦОВ Александр
A PLAY ABOUT GHOSTS
95 bpm • A# min • 02:46 • -18.89db
9% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
9% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
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Alfred Schnittke
Concerto for Choir: IV. Complete this Wo...
92 bpm • G Maj • 06:08 • -18.63db
9% Popularity • 11% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
9% Popularity • 11% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Reinhold Glière
8 Pieces, Op. 39: III. Berceuse
95 bpm • G Maj • 03:34 • -30.26db
11% Popularity • 12% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
11% Popularity • 12% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
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Mieczysław Weinberg
Cello Concerto in C Minor, Op. 43: I. Ad...
91 bpm • A# Maj • 04:05 • -22db
12% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
12% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda: L...
95 bpm • F min • 02:50 • -37db
27% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
27% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Concerto Grosso No. 1: I. Preludio
95 bpm • G Maj • 05:15 • -19.89db
2% Popularity • 12% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
2% Popularity • 12% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
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Lajos Lencsés
4 Vocalises, Op. 212 (arr. L. Lencses): ...
95 bpm • F# min • 01:16 • -19db
20% Popularity • 17% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
20% Popularity • 17% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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György Ligeti
Ligeti: Romanian Concerto: I. Andantino
91 bpm • C Maj • 03:01 • -30.21db
9% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Béla Bartók
6 Roumanian Folk Dances, BB 68, Sz. 56: ...
91 bpm • B min • 01:05 • -34.03db
35% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
35% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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True LUFS Project
Carmina
90 bpm • C Maj • 01:51 • -15.95db
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
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Alfred Schnittke
Concerto Grosso No. 1: V. Rondo
95 bpm • C Maj • 06:51 • -14.25db
7% Popularity • 32% Danceability • 37% Energy • 11% Liveness
78% Instrumentalness • 9% Positiveness
7% Popularity • 32% Danceability • 37% Energy • 11% Liveness
78% Instrumentalness • 9% Positiveness
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Mieczysław Weinberg
Aria, Op. 9
90 bpm • A# Maj • 03:46 • -22.1db
13% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Fauré: Élégie, Op. 24
90 bpm • G# Maj • 06:46 • -26db
22% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
22% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Herbert Howells
Elegy for Solo Viola, String Quartet and...
90 bpm • C min • 10:44 • -23.39db
13% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
90 bpm • G min • 01:00 • -27.83db
20% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
20% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
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Alfred Schnittke
Seid nuchtern und wachet … (Faust Cant...
91 bpm • F Maj • 03:06 • -27.64db
1% Popularity • 12% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
1% Popularity • 12% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
96 bpm • D min • 01:08 • -17db
30% Popularity • 36% Danceability • 50% Energy • 84% Liveness
93% Instrumentalness • 25% Positiveness
30% Popularity • 36% Danceability • 50% Energy • 84% Liveness
93% Instrumentalness • 25% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: II. Vocali...
97 bpm • F# min • 05:01 • -19db
20% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
20% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
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Marko Celesty
Calm Cascades
89 bpm • G Maj • 01:56 • -31.27db
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Maya Badian
Violin Concerto: I. Prelude
97 bpm • C# Maj • 06:45 • -25.97db
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
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Alfred Schnittke
Concerto Grosso No. 3: 2. Risoluto
95 bpm • G# Maj • 03:40 • -19.02db
16% Popularity • 37% Danceability • 28% Energy • 12% Liveness
61% Instrumentalness • 18% Positiveness
16% Popularity • 37% Danceability • 28% Energy • 12% Liveness
61% Instrumentalness • 18% Positiveness
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Ludwig van Beethoven
Violin Concerto In D, Op. 61: 3. Rondo (...
89 bpm • D Maj • 10:20 • -21db
4% Popularity • 37% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 19% Positiveness
4% Popularity • 37% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 19% Positiveness
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Manuel de Falla
Asturiana - I
89 bpm • F min • 02:51 • -36.31db
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 20 in C Minor ...
88 bpm • G# Maj • 01:38 • -21.71db
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Alfred Schnittke
Requiem: Domine Jesu Christe
96 bpm • G# Maj • 01:19 • -28.29db
3% Popularity • 12% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
3% Popularity • 12% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle ent...
98 bpm • F# min • 03:40 • -14.38db
32% Popularity • 47% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 47% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Violin Concerto In D, Op. 61: 2. Larghet...
88 bpm • G Maj • 09:57 • -31.11db
2% Popularity • 19% Danceability • 2% Energy • 15% Liveness
7% Instrumentalness • 4% Positiveness
2% Popularity • 19% Danceability • 2% Energy • 15% Liveness
7% Instrumentalness • 4% Positiveness
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Frederick Delius
2 Aquarelles: No. 1. Lento, ma non tropp...
88 bpm • A# Maj • 02:03 • -21db
36% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 4. Caden...
96 bpm • D Maj • 02:31 • -17.81db
5% Popularity • 47% Danceability • 12% Energy • 26% Liveness
20% Instrumentalness • 10% Positiveness
5% Popularity • 47% Danceability • 12% Energy • 26% Liveness
20% Instrumentalness • 10% Positiveness
► Preview
Anna Clyne
DANCE: II. if you’ve torn the bandage ...
99 bpm • G Maj • 04:10 • -16.44db
15% Popularity • 28% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
15% Popularity • 28% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
► Preview
Pēteris Vasks
Violin Concerto “Distant light” (199...
87 bpm • E min • 06:44 • -25.08db
8% Popularity • 10% Danceability • 8% Energy • 36% Liveness
19% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 8% Energy • 36% Liveness
19% Instrumentalness • 3% Positiveness
► Preview
John Ireland
Mother and Child: No. 3. Hope (arr. J. L...
99 bpm • E min • 01:31 • -29db
25% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
25% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Alfred Schnittke
Concerto Grosso No. 3: 1. Allegro
90 bpm • C min • 02:39 • -19.07db
16% Popularity • 26% Danceability • 29% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
16% Popularity • 26% Danceability • 29% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
► Preview
Lili Boulanger
D'un soir triste
87 bpm • C Maj • 10:41 • -23db
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
► Preview
Gian Carlo Menotti
Concerto for Violin and Orchestra: II. A...
87 bpm • D Maj • 08:27 • -31.25db
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
KNOXVILLETRACKZ
SBP
100 bpm • F# Maj • 01:04 • -45.36db
21% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
21% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
► Preview
Alfred Schnittke
Agony / Waltz
96 bpm • D# Maj • 02:14 • -11.17db
20% Popularity • 49% Danceability • 46% Energy • 26% Liveness
45% Instrumentalness • 22% Positiveness
20% Popularity • 49% Danceability • 46% Energy • 26% Liveness
45% Instrumentalness • 22% Positiveness
► Preview
Antonín Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
32% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
32% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
► Preview
Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Alexander Glazunov
2 Pieces for Cello & Orchestra, Op. 20: ...
99 bpm • D Maj • 02:49 • -19db
21% Popularity • 27% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 40% Positiveness
21% Popularity • 27% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 40% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Samy Moussa
Violin Concerto “Adrano”: I. circa 4...
87 bpm • G Maj • 05:31 • -27.05db
10% Popularity • 11% Danceability • 3% Energy • 8% Liveness
59% Instrumentalness • 3% Positiveness
10% Popularity • 11% Danceability • 3% Energy • 8% Liveness
59% Instrumentalness • 3% Positiveness
► Preview
Alfred Schnittke
Requiem: Benedictus
90 bpm • D Maj • 01:41 • -38.86db
3% Popularity • 10% Danceability • 0% Energy • 9% Liveness
4% Instrumentalness • 3% Positiveness
3% Popularity • 10% Danceability • 0% Energy • 9% Liveness
4% Instrumentalness • 3% Positiveness
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Jean Sibelius
The Swan of Tuonela, Op. 22, No. 2
86 bpm • E min • 08:00 • -26.41db
27% Popularity • 17% Danceability • 7% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 7% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32, Acte I, Scène...
86 bpm • D Maj • 07:33 • -28.99db
33% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
100 bpm • G Maj • 01:57 • -35db
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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William Walton
2 Pieces for Strings from Henry V: No. 1...
86 bpm • E min • 03:07 • -30db
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 6. Postl...
90 bpm • F Maj • 02:08 • -35.81db
5% Popularity • 11% Danceability • 1% Energy • 5% Liveness
78% Instrumentalness • 8% Positiveness
5% Popularity • 11% Danceability • 1% Energy • 5% Liveness
78% Instrumentalness • 8% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Carl Orff
Musik zur Nacht: Siziliano (Carl Orff) f...
100 bpm • C Maj • 01:34 • -36.75db
34% Popularity • 20% Danceability • 1% Energy • 20% Liveness
35% Instrumentalness • 51% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 20% Liveness
35% Instrumentalness • 51% Positiveness
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Ernst von Dohnányi
Ruralia Hungarica, Op. 32b: Andante ruba...
86 bpm • G min • 06:44 • -22.55db
8% Popularity • 12% Danceability • 7% Energy • 34% Liveness
79% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 7% Energy • 34% Liveness
79% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Der Bote
86 bpm • C Maj • 09:13 • -39db
8% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 0% Energy • 37% Liveness
4% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Concerto Grosso No. 2: I. Andantino - Al...
89 bpm • G Maj • 06:57 • -15.13db
0% Popularity • 41% Danceability • 41% Energy • 28% Liveness
68% Instrumentalness • 20% Positiveness
0% Popularity • 41% Danceability • 41% Energy • 28% Liveness
68% Instrumentalness • 20% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, L. 91: I. Nuages (Arr. by Den...
86 bpm • C Maj • 08:03 • -40.37db
19% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
19% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Requiem: 9. Hostias
88 bpm • A min • 01:19 • -18.37db
3% Popularity • 17% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
3% Popularity • 17% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Charles Wuorinen
Josquiniana: I. Helas madame
101 bpm • D min • 03:16 • -30db
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
18% Instrumentalness • 10% Positiveness
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
18% Instrumentalness • 10% Positiveness
► Preview
Helvi Leiviskä
Orchestral Suite No. 2, Op. 11: III. Keh...
85 bpm • A min • 04:03 • -25.73db
14% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Gustav Holst
Japanese Suite, Op. 33: VI. Finale: Danc...
101 bpm • C min • 01:46 • -16.19db
38% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
38% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
► Preview
Lili Boulanger
Nocturne
85 bpm • F Maj • 03:18 • -26db
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Alfred Schnittke
Hommage à Grieg
88 bpm • G Maj • 05:21 • -26.27db
0% Popularity • 10% Danceability • 8% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 8% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
