Songs like Concerto in C minor for Cello, Strings and Basso continuo, RV 401: III. Allegro ma non molto by Antonio Vivaldi

166 bpm • B min • 02:53 • -23.9db

16% Popularity • 31% Danceability • 11% Energy • 17% Liveness
79% Instrumentalness • 54% Positiveness

167 bpm • D min • 02:17 • -19.19db

7% Popularity • 32% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness

167 bpm • C# Maj • 04:11 • -20.23db

10% Popularity • 34% Danceability • 12% Energy • 15% Liveness
82% Instrumentalness • 37% Positiveness

170 bpm • G# min • 01:26 • -21.65db

15% Popularity • 14% Danceability • 11% Energy • 35% Liveness
1% Instrumentalness • 16% Positiveness

160 bpm • A Maj • 02:05 • -24.31db

3% Popularity • 30% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 51% Positiveness

173 bpm • C# min • 04:12 • -17.62db

23% Popularity • 29% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness

166 bpm • D min • 02:31 • -20.95db

16% Popularity • 13% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness

174 bpm • A min • 11:42 • -27.26db

21% Popularity • 15% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 14% Positiveness

173 bpm • C min • 02:25 • -27.81db

12% Popularity • 16% Danceability • 3% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness

158 bpm • G Maj • 02:25 • -15.3db

44% Popularity • 10% Danceability • 21% Energy • 37% Liveness
84% Instrumentalness • 5% Positiveness

153 bpm • C Maj • 03:05 • -22.95db

0% Popularity • 24% Danceability • 17% Energy • 4% Liveness
66% Instrumentalness • 16% Positiveness

153 bpm • E Maj • 01:10 • -23.3db

37% Popularity • 59% Danceability • 32% Energy • 22% Liveness
98% Instrumentalness • 92% Positiveness

167 bpm • D Maj • 02:21 • -20.09db

6% Popularity • 20% Danceability • 14% Energy • 15% Liveness
20% Instrumentalness • 10% Positiveness

180 bpm • D min • 03:20 • -32db

22% Popularity • 8% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness

151 bpm • D min • 03:53 • -35.21db

5% Popularity • 21% Danceability • 2% Energy • 37% Liveness
6% Instrumentalness • 10% Positiveness

149 bpm • D Maj • 03:44 • -21db

39% Popularity • 43% Danceability • 16% Energy • 14% Liveness
49% Instrumentalness • 79% Positiveness

187 bpm • E Maj • 02:37 • -21.89db

51% Popularity • 38% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 78% Positiveness

151 bpm • E Maj • 02:08 • -17.98db

37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness

149 bpm • D# min • 05:51 • -25.66db

13% Popularity • 25% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness

147 bpm • G min • 05:06 • -16.96db

5% Popularity • 27% Danceability • 35% Energy • 4% Liveness
76% Instrumentalness • 45% Positiveness

146 bpm • C# Maj • 02:24 • -14db

50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness

145 bpm • D min • 04:33 • -17db

35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness

146 bpm • D Maj • 02:11 • -22.86db

46% Popularity • 43% Danceability • 10% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness

144 bpm • E Maj • 02:53 • -15.59db

33% Popularity • 35% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness

168 bpm • B Maj • 01:21 • -16.31db

17% Popularity • 17% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness

144 bpm • G Maj • 03:44 • -21.35db

45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness

144 bpm • A min • 05:20 • -12.13db

0% Popularity • 55% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness

142 bpm • G# Maj • 04:39 • -21.88db

1% Popularity • 36% Danceability • 22% Energy • 20% Liveness
50% Instrumentalness • 50% Positiveness

169 bpm • G min • 02:39 • -15.19db

21% Popularity • 39% Danceability • 34% Energy • 31% Liveness
84% Instrumentalness • 77% Positiveness

163 bpm • C# Maj • 03:24 • -20db

16% Popularity • 39% Danceability • 22% Energy • 10% Liveness
66% Instrumentalness • 64% Positiveness

162 bpm • C# Maj • 03:24 • -18.93db

10% Popularity • 46% Danceability • 32% Energy • 5% Liveness
91% Instrumentalness • 65% Positiveness

170 bpm • E min • 03:04 • -21db

11% Popularity • 28% Danceability • 18% Energy • 38% Liveness
7% Instrumentalness • 10% Positiveness

173 bpm • G min • 04:36 • -26.38db

8% Popularity • 9% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness

173 bpm • G min • 01:38 • -16db

41% Popularity • 22% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 23% Positiveness

173 bpm • F min • 03:00 • -16db

30% Popularity • 40% Danceability • 27% Energy • 9% Liveness
78% Instrumentalness • 32% Positiveness

174 bpm • A# Maj • 03:00 • -22.26db

23% Popularity • 10% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness

157 bpm • C min • 02:38 • -17db

37% Popularity • 26% Danceability • 34% Energy • 18% Liveness
89% Instrumentalness • 44% Positiveness

176 bpm • C Maj • 02:23 • -15db

45% Popularity • 45% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness

177 bpm • D min • 02:10 • -23.58db

41% Popularity • 17% Danceability • 7% Energy • 18% Liveness
89% Instrumentalness • 7% Positiveness

154 bpm • A min • 04:37 • -29db

12% Popularity • 48% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness

152 bpm • C Maj • 03:11 • -16.14db

32% Popularity • 44% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness

152 bpm • C min • 02:42 • -14db

38% Popularity • 35% Danceability • 50% Energy • 22% Liveness
85% Instrumentalness • 38% Positiveness

151 bpm • G min • 05:15 • -18.3db

29% Popularity • 28% Danceability • 17% Energy • 29% Liveness
44% Instrumentalness • 4% Positiveness

150 bpm • E min • 03:21 • -21.03db

22% Popularity • 42% Danceability • 21% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness

149 bpm • G# min • 03:07 • -19.55db

7% Popularity • 44% Danceability • 20% Energy • 17% Liveness
14% Instrumentalness • 62% Positiveness

147 bpm • C# min • 05:22 • -21.35db

8% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness

147 bpm • G min • 02:01 • -10.55db

41% Popularity • 33% Danceability • 71% Energy • 34% Liveness
73% Instrumentalness • 49% Positiveness

144 bpm • C# Maj • 03:50 • -21db

53% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness

145 bpm • E min • 01:01 • -19db

60% Popularity • 40% Danceability • 23% Energy • 15% Liveness
64% Instrumentalness • 83% Positiveness

144 bpm • F Maj • 03:01 • -18.77db

9% Popularity • 30% Danceability • 7% Energy • 12% Liveness
12% Instrumentalness • 32% Positiveness

144 bpm • G min • 04:46 • -16.3db

15% Popularity • 32% Danceability • 23% Energy • 17% Liveness
2% Instrumentalness • 21% Positiveness

143 bpm • G# Maj • 00:59 • -12db

11% Popularity • 28% Danceability • 12% Energy • 20% Liveness
3% Instrumentalness • 25% Positiveness

143 bpm • F Maj • 02:08 • -15.51db

7% Popularity • 40% Danceability • 43% Energy • 35% Liveness
51% Instrumentalness • 49% Positiveness

142 bpm • E min • 02:12 • -18.49db

43% Popularity • 44% Danceability • 10% Energy • 8% Liveness
81% Instrumentalness • 73% Positiveness

143 bpm • C# min • 03:02 • -18.32db

9% Popularity • 51% Danceability • 22% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness

142 bpm • A# Maj • 02:08 • -24.16db

34% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness

222 bpm • C# Maj • 01:28 • -21.25db

34% Popularity • 55% Danceability • 1% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness

142 bpm • C Maj • 02:24 • -24.03db

30% Popularity • 59% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 67% Positiveness