Songs like Concerto No. 1 in F Minor: IV. Amoroso by Francesco Durante
Based on a tempo of (+/- 10%) and a similar genre
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Francesco Durante
Durante: Messa a 5 voci: "Domine Fili un...
117 bpm • C# Maj • 01:53 • -16.73db
17% Popularity • 49% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 49% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: VI. Et m...
116 bpm • D# min • 03:40 • -27db
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Alessandro Stradella
San Giovanni Battista: Deste un tempo
116 bpm • D Maj • 01:19 • -17db
21% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: I. Ad pede...
116 bpm • C min • 08:49 • -22db
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
118 bpm • C# min • 03:26 • -24db
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
116 bpm • C# Maj • 05:51 • -20.07db
11% Popularity • 35% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
11% Popularity • 35% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
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Francesco Durante
Concerto No. 2 in G Minor: I. Affettuoso
117 bpm • B min • 02:39 • -22.99db
2% Popularity • 17% Danceability • 5% Energy • 30% Liveness
49% Instrumentalness • 7% Positiveness
2% Popularity • 17% Danceability • 5% Energy • 30% Liveness
49% Instrumentalness • 7% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus (Psalm 19): Gloria
115 bpm • A# Maj • 01:55 • -16db
15% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
15% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
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Marie-Nicole Lemieux
Ave Regina coelorum (Sentimenti devoti e...
119 bpm • D min • 03:26 • -18db
10% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Luigi Rossi
Rossi / Arr. Pluhar: L'Orfeo, Act 2: "Mi...
119 bpm • D min • 05:11 • -19.44db
9% Popularity • 26% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
9% Popularity • 26% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
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Henry Purcell
Strike the viol
119 bpm • C# min • 02:03 • -19db
9% Popularity • 60% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 60% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Isabella Leonarda
12 Sonatas, Op. 16, Sonata prima: I. All...
115 bpm • D# min • 00:52 • -19.8db
10% Popularity • 45% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 61% Positiveness
10% Popularity • 45% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 61% Positiveness
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Francesco Durante
Magnificat (Formerly Attrib. Pergolesi):...
116 bpm • G min • 01:44 • -17.97db
12% Popularity • 33% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 33% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Jean-Baptiste Lully
Te Deum: In Te, Domine, speravi
119 bpm • B Maj • 01:52 • -19db
17% Popularity • 62% Danceability • 27% Energy • 13% Liveness
29% Instrumentalness • 68% Positiveness
17% Popularity • 62% Danceability • 27% Energy • 13% Liveness
29% Instrumentalness • 68% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308: Sinfo...
115 bpm • C Maj • 01:34 • -18db
18% Popularity • 26% Danceability • 13% Energy • 18% Liveness
27% Instrumentalness • 40% Positiveness
18% Popularity • 26% Danceability • 13% Energy • 18% Liveness
27% Instrumentalness • 40% Positiveness
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Wolfgang Amadeus Mozart
Zaïde - Arie: Ruhe Sanft, Mein Holdes L...
119 bpm • G Maj • 07:12 • -24db
21% Popularity • 32% Danceability • 6% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 6% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Morte col fier...
120 bpm • F# min • 04:12 • -13.86db
8% Popularity • 47% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 47% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Francesco Durante
Concerto No. 4 in E Minor: II. Ricercar ...
116 bpm • D# min • 01:51 • -19.79db
3% Popularity • 46% Danceability • 10% Energy • 9% Liveness
55% Instrumentalness • 37% Positiveness
3% Popularity • 46% Danceability • 10% Energy • 9% Liveness
55% Instrumentalness • 37% Positiveness
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Dies irae dies illa
115 bpm • F min • 01:07 • -13db
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
120 bpm • A Maj • 02:06 • -24db
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue: Ou...
114 bpm • F# Maj • 02:32 • -19.21db
9% Popularity • 28% Danceability • 19% Energy • 12% Liveness
66% Instrumentalness • 60% Positiveness
9% Popularity • 28% Danceability • 19% Energy • 12% Liveness
66% Instrumentalness • 60% Positiveness
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Alessandro Stradella
Sinfonia
120 bpm • C# Maj • 02:01 • -20.19db
22% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
22% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
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Johann Christian Bach
Magnificat, W. E22: Et misericordia eius...
120 bpm • B min • 01:10 • -22db
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
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Francesco Durante
De lamentatione Jeremiæ prophetæ, Lect...
115 bpm • E Maj • 02:43 • -17.51db
1% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 32% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Henry Purcell
Abdelazer: Air
114 bpm • F# min • 01:23 • -27db
27% Popularity • 62% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
27% Popularity • 62% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: IV. Wie l...
120 bpm • D# Maj • 05:02 • -26.38db
12% Popularity • 19% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
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Jean-Philippe Rameau
Rameau: Les Boréades: Contredanse en ro...
120 bpm • B Maj • 03:16 • -17.32db
7% Popularity • 49% Danceability • 31% Energy • 9% Liveness
54% Instrumentalness • 52% Positiveness
7% Popularity • 49% Danceability • 31% Energy • 9% Liveness
54% Instrumentalness • 52% Positiveness
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Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 1. Exsultate...
121 bpm • F Maj • 04:38 • -24db
14% Popularity • 34% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 34% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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Joseph Haydn
Mass No. 7 in B-Flat Major, Hob. XXII:7,...
121 bpm • G min • 03:16 • -17.71db
9% Popularity • 23% Danceability • 18% Energy • 33% Liveness
74% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 18% Energy • 33% Liveness
74% Instrumentalness • 6% Positiveness
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Francesco Durante
Concerto for Strings No. 1 in F Minor: I...
120 bpm • E min • 04:19 • -21.58db
1% Popularity • 25% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 7% Positiveness
1% Popularity • 25% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 7% Positiveness
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Igor Stravinsky
Stravinsky: Pulcinella: II. Serenata. �...
121 bpm • A# Maj • 09:46 • -25.04db
0% Popularity • 35% Danceability • 4% Energy • 18% Liveness
74% Instrumentalness • 22% Positiveness
0% Popularity • 35% Danceability • 4% Energy • 18% Liveness
74% Instrumentalness • 22% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 2:...
113 bpm • F# min • 02:58 • -15db
12% Popularity • 32% Danceability • 28% Energy • 58% Liveness
12% Instrumentalness • 17% Positiveness
12% Popularity • 32% Danceability • 28% Energy • 58% Liveness
12% Instrumentalness • 17% Positiveness
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Herman Finkers
Missa Sancti Georgii: IV. Sanctus
113 bpm • E Maj • 02:53 • -23.05db
12% Popularity • 24% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 16% Positiveness
12% Popularity • 24% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Major, K. 317 "Coronation": V....
121 bpm • C Maj • 03:21 • -18.74db
14% Popularity • 27% Danceability • 12% Energy • 5% Liveness
28% Instrumentalness • 7% Positiveness
14% Popularity • 27% Danceability • 12% Energy • 5% Liveness
28% Instrumentalness • 7% Positiveness
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Joseph Haydn
The Creation, Hob.XXI,2: Pt. 3, Praise t...
114 bpm • A# Maj • 03:29 • -14.61db
3% Popularity • 44% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 44% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Francesco Durante
Concerto No. 8 in A Major, "La Pazzia": ...
113 bpm • G# Maj • 09:12 • -22.17db
2% Popularity • 30% Danceability • 4% Energy • 17% Liveness
57% Instrumentalness • 10% Positiveness
2% Popularity • 30% Danceability • 4% Energy • 17% Liveness
57% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: IX. Esur...
113 bpm • D# Maj • 03:14 • -25.01db
18% Popularity • 32% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 32% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Giulio Caccini
All'imperio d'Amore: 5. Ineffabile ardor...
113 bpm • A# Maj • 01:00 • -17db
36% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Domenico Sarro
Sarro: Messa a 5 voci: "Laudamus te"
113 bpm • G# min • 03:28 • -16.15db
17% Popularity • 30% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 30% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Te Deum, K. 141
121 bpm • C Maj • 07:36 • -17.2db
10% Popularity • 31% Danceability • 25% Energy • 23% Liveness
1% Instrumentalness • 19% Positiveness
10% Popularity • 31% Danceability • 25% Energy • 23% Liveness
1% Instrumentalness • 19% Positiveness
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Alessandro Scarlatti
Cantata per la Notte del SS. Natale: "Al...
121 bpm • C# Maj • 02:37 • -13.27db
16% Popularity • 51% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 51% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Francesco Durante
Concerto for Strings No. 5 in A Major: I...
114 bpm • A# min • 03:55 • -25.55db
1% Popularity • 24% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
1% Popularity • 24% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
121 bpm • D Maj • 01:56 • -14.74db
10% Popularity • 40% Danceability • 42% Energy • 38% Liveness
86% Instrumentalness • 60% Positiveness
10% Popularity • 40% Danceability • 42% Energy • 38% Liveness
86% Instrumentalness • 60% Positiveness
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Jean-Philippe Rameau
Rameau : Hippolyte et Aricie : Overture
113 bpm • C min • 02:46 • -18db
9% Popularity • 34% Danceability • 34% Energy • 42% Liveness
84% Instrumentalness • 55% Positiveness
9% Popularity • 34% Danceability • 34% Energy • 42% Liveness
84% Instrumentalness • 55% Positiveness
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Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
24% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Herman Finkers
Missa Sancti Georgii: VI. Agnus Dei
112 bpm • G# min • 02:55 • -28.68db
12% Popularity • 17% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Nicol Matt
Missa Brevis In C Major Kv 259, Orgelsol...
122 bpm • C Maj • 00:55 • -12.15db
10% Popularity • 40% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 40% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 39% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act III, Scen...
112 bpm • F# Maj • 03:28 • -19.1db
21% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 30% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Thomas Hengelbrock
Miserere in C minor: Gloria Patri I
122 bpm • D# min • 03:32 • -18.45db
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Francesco Durante
Concerto for Strings No. 1 in F Minor: I...
112 bpm • E min • 01:55 • -21.33db
1% Popularity • 30% Danceability • 9% Energy • 42% Liveness
57% Instrumentalness • 24% Positiveness
1% Popularity • 30% Danceability • 9% Energy • 42% Liveness
57% Instrumentalness • 24% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
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Joseph Haydn
Mass No. 7 in B-Flat Major, Hob. XXII:7,...
112 bpm • D# Maj • 04:53 • -20.57db
5% Popularity • 29% Danceability • 12% Energy • 24% Liveness
13% Instrumentalness • 18% Positiveness
5% Popularity • 29% Danceability • 12% Energy • 24% Liveness
13% Instrumentalness • 18% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
112 bpm • F# min • 01:04 • -19.15db
22% Popularity • 23% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 23% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Magnificat in D Major: I. Magnificat
112 bpm • D Maj • 03:34 • -18.08db
8% Popularity • 32% Danceability • 28% Energy • 10% Liveness
62% Instrumentalness • 34% Positiveness
8% Popularity • 32% Danceability • 28% Energy • 10% Liveness
62% Instrumentalness • 34% Positiveness
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Carl Heinrich Graun
Rodelinda, regina de' Langobardi (Act 1)...
123 bpm • D# Maj • 05:48 • -18.53db
9% Popularity • 51% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 41% Positiveness
9% Popularity • 51% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 41% Positiveness
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Tovijs Lifsics
Concerto for Organ No. 2: I. Affetuoso -...
123 bpm • G min • 06:25 • -13.49db
1% Popularity • 24% Danceability • 24% Energy • 18% Liveness
92% Instrumentalness • 12% Positiveness
1% Popularity • 24% Danceability • 24% Energy • 18% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Francesco Durante
Magnificat (Formerly Attrib. Pergolesi):...
112 bpm • D min • 01:47 • -18.03db
8% Popularity • 42% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 42% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act III - Tru...
112 bpm • C# Maj • 02:39 • -25db
27% Popularity • 44% Danceability • 7% Energy • 5% Liveness
93% Instrumentalness • 29% Positiveness
27% Popularity • 44% Danceability • 7% Energy • 5% Liveness
93% Instrumentalness • 29% Positiveness
► Preview
Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
André Campra
Messe de requiem: II. Kyrie
111 bpm • D# min • 03:58 • -19db
10% Popularity • 22% Danceability • 18% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
10% Popularity • 22% Danceability • 18% Energy • 9% Liveness
11% Instrumentalness • 5% Positiveness
► Preview
Luigi Boccherini
Stabat Mater in F Minor, G. 532: I. Stab...
111 bpm • F min • 04:17 • -21.86db
12% Popularity • 25% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Pietro Locatelli
Concerto Grosso in F Major, Op. 1, No. 1...
123 bpm • F Maj • 01:34 • -18.1db
38% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Francesco Durante
Concerto No. 8 in A Major, "La Pazzia": ...
111 bpm • D# Maj • 03:08 • -20.5db
1% Popularity • 56% Danceability • 5% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
1% Popularity • 56% Danceability • 5% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
► Preview
Domenico Scarlatti
Stabat Mater pour dix voix et basse cont...
123 bpm • B min • 03:02 • -21.54db
17% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Madrigali guerrieri: No. 1, Sonnet by an...
123 bpm • G Maj • 09:54 • -18.68db
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Wolfgang Amadeus Mozart
III. Tu virginum corona
124 bpm • A Maj • 06:09 • -23db
9% Popularity • 30% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 30% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Joseph Haydn
Te Deum in C major, H. 23c/2
111 bpm • C Maj • 08:20 • -23db
10% Popularity • 43% Danceability • 14% Energy • 10% Liveness
14% Instrumentalness • 12% Positiveness
10% Popularity • 43% Danceability • 14% Energy • 10% Liveness
14% Instrumentalness • 12% Positiveness
► Preview
Francesco Durante
Concerto for Strings No. 5 in A Major: I...
111 bpm • G# Maj • 01:12 • -18.55db
1% Popularity • 58% Danceability • 22% Energy • 9% Liveness
54% Instrumentalness • 35% Positiveness
1% Popularity • 58% Danceability • 22% Energy • 9% Liveness
54% Instrumentalness • 35% Positiveness
► Preview
Marc-Antoine Charpentier
Te Deum: II. Te Deum Laudamus
111 bpm • C# Maj • 01:18 • -19db
19% Popularity • 21% Danceability • 19% Energy • 13% Liveness
61% Instrumentalness • 45% Positiveness
19% Popularity • 21% Danceability • 19% Energy • 13% Liveness
61% Instrumentalness • 45% Positiveness
► Preview
Felix Mendelssohn
Elijah, Op. 70: "Blessed Are the Men Who...
124 bpm • G Maj • 03:51 • -19.01db
9% Popularity • 17% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 2: "Oft she visits...
110 bpm • D Maj • 03:25 • -20.29db
17% Popularity • 52% Danceability • 13% Energy • 39% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 52% Danceability • 13% Energy • 39% Liveness
0% Instrumentalness • 27% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
124 bpm • D# Maj • 05:11 • -20.94db
23% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
23% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
125 bpm • G Maj • 04:11 • -31db
21% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Francesco Durante
Magnificat (Formerly Attrib. Pergolesi):...
110 bpm • A# Maj • 02:48 • -16.6db
11% Popularity • 48% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 48% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Dietrich Buxtehude
Fürwahr er trug unsere Krankheit, BuxWV...
125 bpm • C min • 11:32 • -22.47db
10% Popularity • 23% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 6% Positiveness
10% Popularity • 23% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 6% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
18% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
18% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Michael Haydn
Missa pro defuncto Archiepiscopo Sigismu...
125 bpm • C min • 01:08 • -16.18db
23% Popularity • 44% Danceability • 22% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
23% Popularity • 44% Danceability • 22% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Aria "Morte co...
125 bpm • F# min • 04:04 • -16.43db
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Alessandro Scarlatti
La Giuditta: Part I: Aria: Turbe timide,...
109 bpm • B Maj • 00:56 • -18.26db
17% Popularity • 53% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 53% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Francesco Durante
De lamentatione Jeremiæ prophetæ, Lect...
124 bpm • F# min • 02:05 • -18.32db
1% Popularity • 44% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 44% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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Felix Mendelssohn
Paulus: I. Teil: Nr. 1 Chor "Herr, der d...
125 bpm • A Maj • 04:30 • -17.54db
19% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
19% Popularity • 30% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 1. Exsultate...
125 bpm • F Maj • 04:21 • -14db
18% Popularity • 40% Danceability • 20% Energy • 34% Liveness
5% Instrumentalness • 33% Positiveness
18% Popularity • 40% Danceability • 20% Energy • 34% Liveness
5% Instrumentalness • 33% Positiveness
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William Christie
Purcell : King Arthur : Act 5 Chaconne
125 bpm • D# Maj • 03:29 • -25.92db
12% Popularity • 31% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
12% Popularity • 31% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
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Georg Anton Kreusser
11. Aria: So stehet ein Berg Gottes
125 bpm • C Maj • 06:00 • -17.7db
9% Popularity • 39% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
9% Popularity • 39% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: VI. "Te ergo quaesumus"
109 bpm • C# Maj • 02:25 • -31.08db
19% Popularity • 20% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 9% Positiveness
19% Popularity • 20% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 9% Positiveness
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Francesco Durante
Concerto for Strings No. 4 in E Minor: I...
124 bpm • D# min • 01:49 • -19.59db
0% Popularity • 45% Danceability • 13% Energy • 7% Liveness
48% Instrumentalness • 48% Positiveness
0% Popularity • 45% Danceability • 13% Energy • 7% Liveness
48% Instrumentalness • 48% Positiveness
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Théodore Dubois
3 extraits de la Messe des Morts: Agnus ...
109 bpm • F min • 03:53 • -30.02db
15% Popularity • 17% Danceability • 2% Energy • 13% Liveness
27% Instrumentalness • 6% Positiveness
15% Popularity • 17% Danceability • 2% Energy • 13% Liveness
27% Instrumentalness • 6% Positiveness
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Michael Haydn
Missa pro defuncto Archiepiscopo Sigismu...
126 bpm • D# Maj • 02:26 • -18.65db
13% Popularity • 39% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 39% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Was mir behagt, ist nur die muntre Jagd!...
126 bpm • A# Maj • 03:57 • -17.29db
14% Popularity • 33% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 33% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Pasquale Anfossi
Salve Regina: No. 3., Ad te suspiramus
108 bpm • G Maj • 02:37 • -22.94db
21% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
21% Popularity • 29% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe" (...
126 bpm • C Maj • 04:37 • -25db
17% Popularity • 32% Danceability • 8% Energy • 40% Liveness
5% Instrumentalness • 14% Positiveness
17% Popularity • 32% Danceability • 8% Energy • 40% Liveness
5% Instrumentalness • 14% Positiveness
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Francesco Durante
Magnificat (Formerly Attrib. Pergolesi):...
110 bpm • A# Maj • 03:40 • -15.67db
6% Popularity • 32% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
6% Popularity • 32% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Richard Wagner
Dors, mon enfant, WWV 53 (Arr. Fontanell...
126 bpm • F Maj • 02:20 • -20.55db
13% Popularity • 31% Danceability • 9% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
13% Popularity • 31% Danceability • 9% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Jesu, der du meine Seele, BWV 78: Duet A...
126 bpm • A Maj • 04:50 • -24.19db
13% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 43% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Claudio Monteverdi
Monteverdi: Madrigals, Book 8: Ballo, SV...
127 bpm • A min • 03:06 • -18.62db
22% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
22% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
