Songs like Concerto No. 12 In E Major RV 265: III. Allegro by Accademia Bizantina
Based on a tempo of (+/- 10%) and a similar genre
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Francesco Maria Veracini
Overture No. 6 in B-Flat Major: III. All...
155 bpm • C# min • 02:48 • -12.72db
9% Popularity • 44% Danceability • 30% Energy • 14% Liveness
32% Instrumentalness • 60% Positiveness
9% Popularity • 44% Danceability • 30% Energy • 14% Liveness
32% Instrumentalness • 60% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins in G Major for ...
157 bpm • D Maj • 03:32 • -17db
15% Popularity • 46% Danceability • 29% Energy • 11% Liveness
8% Instrumentalness • 65% Positiveness
15% Popularity • 46% Danceability • 29% Energy • 11% Liveness
8% Instrumentalness • 65% Positiveness
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Henry Eccles
Violin Sonata in G Minor: II. Courante
156 bpm • F# min • 01:41 • -17db
15% Popularity • 46% Danceability • 21% Energy • 11% Liveness
22% Instrumentalness • 64% Positiveness
15% Popularity • 46% Danceability • 21% Energy • 11% Liveness
22% Instrumentalness • 64% Positiveness
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Alessandro Marcello
Concerto in D Minor, RV 565: IV. Andante...
150 bpm • C# min • 03:21 • -23.93db
10% Popularity • 40% Danceability • 3% Energy • 9% Liveness
23% Instrumentalness • 47% Positiveness
10% Popularity • 40% Danceability • 3% Energy • 9% Liveness
23% Instrumentalness • 47% Positiveness
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Georg Caspar Schürmann
Schürmann: Die getreue Alceste: Sinfoni...
148 bpm • C# min • 01:08 • -17.66db
14% Popularity • 44% Danceability • 62% Energy • 51% Liveness
97% Instrumentalness • 66% Positiveness
14% Popularity • 44% Danceability • 62% Energy • 51% Liveness
97% Instrumentalness • 66% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 3 in C Major, Wq. 1...
148 bpm • B Maj • 02:41 • -15.9db
10% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
10% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
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Arcangelo Corelli
Sonata No. 12 in D minor "Follia", Op. 5...
147 bpm • B Maj • 02:01 • -17db
9% Popularity • 37% Danceability • 34% Energy • 25% Liveness
47% Instrumentalness • 35% Positiveness
9% Popularity • 37% Danceability • 34% Energy • 25% Liveness
47% Instrumentalness • 35% Positiveness
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Accademia Bizantina
Concerto No. 11 In D Minor RV 565: IV. A...
148 bpm • C# min • 02:15 • -20.09db
5% Popularity • 36% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 46% Positiveness
5% Popularity • 36% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 46% Positiveness
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George Frideric Handel
Organ Concerto No. 1 in G minor, Op. 4 N...
147 bpm • F# Maj • 03:57 • -18.3db
5% Popularity • 41% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
5% Popularity • 41% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
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Pietro Locatelli
Concerto grosso in B-Flat Major, Op. 1 N...
146 bpm • E Maj • 01:15 • -12.47db
15% Popularity • 60% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 60% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Modo Antiquo
Concerto III Do minore RV 119: Allegro
146 bpm • C min • 02:12 • -17.33db
24% Popularity • 31% Danceability • 31% Energy • 8% Liveness
90% Instrumentalness • 48% Positiveness
24% Popularity • 31% Danceability • 31% Energy • 8% Liveness
90% Instrumentalness • 48% Positiveness
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Carl Philipp Emanuel Bach
Oboe Concerto in E-Flat Major, H. 468, W...
146 bpm • D Maj • 05:59 • -20db
8% Popularity • 31% Danceability • 13% Energy • 18% Liveness
73% Instrumentalness • 43% Positiveness
8% Popularity • 31% Danceability • 13% Energy • 18% Liveness
73% Instrumentalness • 43% Positiveness
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Pasquale Anfossi
Salve Regina: No. 2., Ad te clamamus
144 bpm • B Maj • 01:58 • -16.76db
15% Popularity • 34% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 34% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Accademia Bizantina
Concerto A Quattro No. 1 In Sol Minore: ...
147 bpm • F# min • 03:36 • -15.55db
2% Popularity • 34% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 34% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Christoph Willibald Gluck
Don Juan ou le Festin de pierre, Wq. 52:...
144 bpm • G# Maj • 01:22 • -27.02db
9% Popularity • 35% Danceability • 4% Energy • 23% Liveness
94% Instrumentalness • 59% Positiveness
9% Popularity • 35% Danceability • 4% Energy • 23% Liveness
94% Instrumentalness • 59% Positiveness
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Francesco Geminiani
Concerto Grosso in E Minor, Op. 3, No. 3...
144 bpm • E min • 03:24 • -15db
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
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Antonio Vivaldi
Sinfonia al santo sepolcro in B Minor, R...
167 bpm • A# min • 02:20 • -28.42db
8% Popularity • 11% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Concerto Grosso No. 3 in F Major: IV. La...
167 bpm • D min • 01:21 • -19db
42% Popularity • 17% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness
42% Popularity • 17% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness
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Tarquinio Merula
Canzoni overo sonate concertate per chie...
168 bpm • B Maj • 02:42 • -17.04db
18% Popularity • 27% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 27% Danceability • 27% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Accademia Bizantina
Concerto No. 5 In A Major RV 519: III. A...
146 bpm • G# Maj • 02:37 • -18.05db
7% Popularity • 51% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
7% Popularity • 51% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Pasquale Anfossi
Salve Regina: No. 6., O clemens
143 bpm • B Maj • 01:36 • -21.43db
20% Popularity • 25% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 25% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
Concerto for Violin And Strings in E Min...
143 bpm • F# Maj • 03:50 • -16.79db
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
69% Instrumentalness • 77% Positiveness
24% Popularity • 47% Danceability • 22% Energy • 5% Liveness
69% Instrumentalness • 77% Positiveness
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Johann Adolf Hasse
Cleofide: Act II Scene 4: Aria: Generoso...
143 bpm • G# Maj • 03:39 • -19.7db
14% Popularity • 52% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 52% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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William Boyce
Symphony No. 8 in D Minor, Op. 2, "Worce...
142 bpm • C# min • 04:05 • -24db
16% Popularity • 48% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 58% Positiveness
16% Popularity • 48% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 58% Positiveness
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Accademia Bizantina
Concerto No. 6 In A Minor RV 356: III. P...
145 bpm • G# min • 02:13 • -16.45db
9% Popularity • 41% Danceability • 33% Energy • 12% Liveness
82% Instrumentalness • 70% Positiveness
9% Popularity • 41% Danceability • 33% Energy • 12% Liveness
82% Instrumentalness • 70% Positiveness
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George Frideric Handel
Israel In Egypt, HWV 54: 1. Prelude
170 bpm • F# min • 01:45 • -34.74db
10% Popularity • 8% Danceability • 1% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 1% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Concerto per violino in si bemolle maggi...
142 bpm • E Maj • 04:12 • -21.09db
13% Popularity • 40% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 40% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
143 bpm • F# Maj • 02:16 • -17.82db
9% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 44% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 1 Sinf...
170 bpm • G# Maj • 02:05 • -20.77db
19% Popularity • 22% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
19% Popularity • 22% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 47% Positiveness
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Jean-Marie Leclair
Concerto 1 in D Minor, Op. 7: III. Vivac...
142 bpm • C# min • 04:10 • -15db
14% Popularity • 43% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 53% Positiveness
14% Popularity • 43% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 53% Positiveness
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Accademia Bizantina
Concerto No. 1 In D Major RV 549: III. A...
144 bpm • C# Maj • 02:27 • -18.88db
7% Popularity • 33% Danceability • 25% Energy • 11% Liveness
17% Instrumentalness • 46% Positiveness
7% Popularity • 33% Danceability • 25% Energy • 11% Liveness
17% Instrumentalness • 46% Positiveness
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Arcangelo Corelli
Sonata No. 12 in D minor "Follia", Op. 5...
141 bpm • B Maj • 01:02 • -17.58db
8% Popularity • 51% Danceability • 39% Energy • 19% Liveness
2% Instrumentalness • 66% Positiveness
8% Popularity • 51% Danceability • 39% Energy • 19% Liveness
2% Instrumentalness • 66% Positiveness
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Tafelmusik Baroque Orchestra
Antonio Vivaldi: Concerto For 2 Violins ...
141 bpm • G# min • 03:19 • -21.85db
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
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Giovanni Battista Sammartini
Sonata for 2 Recorders and Basso Continu...
140 bpm • C# min • 01:35 • -25.49db
30% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
30% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
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Giuseppe Torelli
Concerto No 5 in G minor - Allegro
140 bpm • F# min • 01:36 • -16db
25% Popularity • 57% Danceability • 34% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
25% Popularity • 57% Danceability • 34% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
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Pasquale Anfossi
Salve Regina: No. 5., Et Jesu benedictum
140 bpm • B Maj • 01:22 • -25.77db
21% Popularity • 30% Danceability • 7% Energy • 15% Liveness
17% Instrumentalness • 9% Positiveness
21% Popularity • 30% Danceability • 7% Energy • 15% Liveness
17% Instrumentalness • 9% Positiveness
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Accademia Bizantina
Concerto Per Violoncello, Archi E Basso ...
141 bpm • C# min • 03:03 • -16.2db
3% Popularity • 38% Danceability • 27% Energy • 24% Liveness
54% Instrumentalness • 34% Positiveness
3% Popularity • 38% Danceability • 27% Energy • 24% Liveness
54% Instrumentalness • 34% Positiveness
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Arcangelo Corelli
Sonata Da Chiesa No. 1 in D Major, Op. 5...
141 bpm • G# Maj • 00:56 • -16db
13% Popularity • 47% Danceability • 51% Energy • 15% Liveness
43% Instrumentalness • 95% Positiveness
13% Popularity • 47% Danceability • 51% Energy • 15% Liveness
43% Instrumentalness • 95% Positiveness
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Tomaso Albinoni
Concerto in B-Flat Minor, Op. VIII No. 3...
171 bpm • G min • 02:24 • -19.63db
10% Popularity • 12% Danceability • 13% Energy • 24% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 13% Energy • 24% Liveness
86% Instrumentalness • 4% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
35% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
35% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Niccolò Jommelli
La Betulia liberata: Aria "Prigionier ch...
139 bpm • C# Maj • 07:51 • -22.44db
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Pasquale Anfossi
Salve Regina: No. 4., Eja ergo advocata ...
140 bpm • D Maj • 02:37 • -20.03db
17% Popularity • 32% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 32% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Jean-Philippe Rameau
6 Concerts transcrits en sextuor / 5e co...
173 bpm • C min • 04:10 • -19.33db
13% Popularity • 20% Danceability • 22% Energy • 34% Liveness
81% Instrumentalness • 34% Positiveness
13% Popularity • 20% Danceability • 22% Energy • 34% Liveness
81% Instrumentalness • 34% Positiveness
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Daniel Purcell
Sonata sesta for violino solo: VI. Alleg...
139 bpm • E min • 01:08 • -18.89db
23% Popularity • 47% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 21% Positiveness
23% Popularity • 47% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 21% Positiveness
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Arcangelo Corelli
Sonata Da Camera No. 8 in E minor, Op. 5...
173 bpm • D# min • 02:41 • -22.96db
18% Popularity • 12% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 12% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Evaristo Felice Dall'Abaco
Concerto à più instrumenti in D Major,...
139 bpm • C# Maj • 03:56 • -15db
15% Popularity • 44% Danceability • 36% Energy • 11% Liveness
27% Instrumentalness • 52% Positiveness
15% Popularity • 44% Danceability • 36% Energy • 11% Liveness
27% Instrumentalness • 52% Positiveness
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Jean-Marie Leclair
Violin Concerto in D Minor, Op. 7 No. 1:...
173 bpm • C# min • 04:12 • -17.62db
25% Popularity • 29% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 29% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Pasquale Anfossi
Salve Regina
139 bpm • F# Maj • 01:50 • -21.1db
19% Popularity • 38% Danceability • 11% Energy • 52% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 38% Danceability • 11% Energy • 52% Liveness
0% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
Tito Manlio, Opera in 3 acts, RV 738, Si...
139 bpm • F# Maj • 01:58 • -17.06db
12% Popularity • 43% Danceability • 34% Energy • 13% Liveness
25% Instrumentalness • 46% Positiveness
12% Popularity • 43% Danceability • 34% Energy • 13% Liveness
25% Instrumentalness • 46% Positiveness
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Giovanni Battista Sammartini
Symphony in C Major, J-C 4: I. Allegriss...
138 bpm • B Maj • 05:06 • -17.53db
9% Popularity • 51% Danceability • 30% Energy • 11% Liveness
49% Instrumentalness • 44% Positiveness
9% Popularity • 51% Danceability • 30% Energy • 11% Liveness
49% Instrumentalness • 44% Positiveness
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Arcangelo Corelli
Sonata Da Camera No. 7 in D minor, Op. 5...
139 bpm • C# min • 02:03 • -22.59db
20% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Joachim Quantz
Flute Sonata in G Major, QV 1:105: I. Al...
138 bpm • F# min • 03:21 • -19.58db
8% Popularity • 44% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 44% Danceability • 23% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Alessandro Scarlatti
Concerto Grosso No. 3 in F Major: II. La...
138 bpm • D min • 00:55 • -18.02db
30% Popularity • 24% Danceability • 10% Energy • 12% Liveness
14% Instrumentalness • 6% Positiveness
30% Popularity • 24% Danceability • 10% Energy • 12% Liveness
14% Instrumentalness • 6% Positiveness
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Modo Antiquo
Concerto I in Sol minore RV 157: Allegro
138 bpm • G min • 02:03 • -15.96db
11% Popularity • 52% Danceability • 51% Energy • 17% Liveness
96% Instrumentalness • 72% Positiveness
11% Popularity • 52% Danceability • 51% Energy • 17% Liveness
96% Instrumentalness • 72% Positiveness
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Antonio Vivaldi
Juditha Triumphans, RV 644, Pt. 1: O qua...
173 bpm • G min • 01:38 • -16db
40% Popularity • 22% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 23% Positiveness
40% Popularity • 22% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 23% Positiveness
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Giovanni Benedetto Platti
Concerto grosso No. 10 in F Major: I. Pr...
174 bpm • E Maj • 02:24 • -22db
14% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Jean-Féry Rebel
Les Caractères de la Danse: XIV. Sonate
138 bpm • C# Maj • 01:21 • -14db
12% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
12% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: III....
137 bpm • C min • 05:24 • -19db
15% Popularity • 47% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
15% Popularity • 47% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: I. Overture
137 bpm • D min • 02:08 • -17.89db
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
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Carl Philipp Emanuel Bach
Symphony in A Major, H. 660, Wq. 182/4: ...
137 bpm • G# Maj • 04:10 • -21db
15% Popularity • 44% Danceability • 20% Energy • 14% Liveness
39% Instrumentalness • 74% Positiveness
15% Popularity • 44% Danceability • 20% Energy • 14% Liveness
39% Instrumentalness • 74% Positiveness
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Accademia Bizantina
II - Allegro from: Concerto No. 6 in E M...
137 bpm • D# Maj • 01:58 • -16.9db
3% Popularity • 41% Danceability • 22% Energy • 8% Liveness
39% Instrumentalness • 58% Positiveness
3% Popularity • 41% Danceability • 22% Energy • 8% Liveness
39% Instrumentalness • 58% Positiveness
► Preview
George Frideric Handel
Organ Concerto No. 2 in B flat, Op. 4 No...
175 bpm • F# min • 01:10 • -23.19db
6% Popularity • 20% Danceability • 3% Energy • 26% Liveness
42% Instrumentalness • 42% Positiveness
6% Popularity • 20% Danceability • 3% Energy • 26% Liveness
42% Instrumentalness • 42% Positiveness
► Preview
Antonio Vivaldi
Concerto for 2 Trumpets in C Major, RV 5...
137 bpm • B Maj • 03:06 • -15.81db
14% Popularity • 43% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 75% Positiveness
14% Popularity • 43% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 75% Positiveness
► Preview
Pietro Locatelli
Concerto Grosso in F Major, Op. 1, No. 1...
137 bpm • C Maj • 01:40 • -15db
36% Popularity • 58% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 58% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Jean-Philippe Rameau
Zaïs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
18% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
18% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
► Preview
Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
136 bpm • G# min • 01:38 • -14db
19% Popularity • 38% Danceability • 34% Energy • 32% Liveness
48% Instrumentalness • 64% Positiveness
19% Popularity • 38% Danceability • 34% Energy • 32% Liveness
48% Instrumentalness • 64% Positiveness
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Francesco Gasparini
Destati Lidia mia: Lidia, il sonno sai c...
136 bpm • C# Maj • 03:22 • -25db
6% Popularity • 46% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
6% Popularity • 46% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Accademia Bizantina
Concerto Per Violoncello, Archi E Basso ...
136 bpm • C# min • 02:46 • -15.54db
2% Popularity • 32% Danceability • 31% Energy • 12% Liveness
24% Instrumentalness • 37% Positiveness
2% Popularity • 32% Danceability • 31% Energy • 12% Liveness
24% Instrumentalness • 37% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Magnificat in G Minor, RV 610b:...
177 bpm • A# Maj • 01:33 • -21db
17% Popularity • 28% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 28% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Henry Purcell
Pausanius, the Betrayer of his Country. ...
136 bpm • F# Maj • 03:17 • -17db
8% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • B Maj • 05:52 • -21db
12% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Alessandro Scarlatti
Concerto Grosso No. 3 in F Major: III. A...
135 bpm • F Maj • 01:39 • -15db
35% Popularity • 59% Danceability • 24% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
35% Popularity • 59% Danceability • 24% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
135 bpm • G# Maj • 03:22 • -19.07db
14% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
14% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
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Michel Blavet
Concerto in A Minor for Flute and String...
135 bpm • G# min • 04:49 • -16.68db
11% Popularity • 45% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 55% Positiveness
11% Popularity • 45% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 55% Positiveness
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Antonio Vivaldi
Il Giustino, RV 717, Act I, Sinfonia: I....
136 bpm • F# Maj • 02:27 • -16.59db
10% Popularity • 47% Danceability • 30% Energy • 32% Liveness
93% Instrumentalness • 50% Positiveness
10% Popularity • 47% Danceability • 30% Energy • 32% Liveness
93% Instrumentalness • 50% Positiveness
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Francesco Maria Veracini
Overture No. 6 in B-Flat Major: I. Alleg...
178 bpm • F# min • 03:33 • -14.05db
26% Popularity • 29% Danceability • 29% Energy • 21% Liveness
92% Instrumentalness • 47% Positiveness
26% Popularity • 29% Danceability • 29% Energy • 21% Liveness
92% Instrumentalness • 47% Positiveness
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Johann Sebastian Bach
Die Kunst der Fuge, BWV 1080 - Arr. for ...
135 bpm • C# min • 04:17 • -16.66db
7% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Charles Avison
Concerto in D Minor; Op. 6 No. 5: II. Al...
135 bpm • C# min • 01:45 • -14.66db
17% Popularity • 57% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 83% Positiveness
17% Popularity • 57% Danceability • 27% Energy • 7% Liveness
2% Instrumentalness • 83% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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Henry Purcell
O dive custos Auriacae domus, Z504
134 bpm • F# min • 06:59 • -15.99db
8% Popularity • 26% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Il Giustino, RV 717, Act I, Scene 8: Ved...
135 bpm • A# min • 04:45 • -17.83db
8% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Concerto in D Major, Op. 6 No. 1: II. La...
134 bpm • C Maj • 02:48 • -20db
11% Popularity • 26% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 24% Positiveness
11% Popularity • 26% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 24% Positiveness
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Alessandro Marcello
Concerto in D Minor: I. Andante e spicca...
180 bpm • D min • 02:49 • -18db
25% Popularity • 34% Danceability • 12% Energy • 8% Liveness
44% Instrumentalness • 55% Positiveness
25% Popularity • 34% Danceability • 12% Energy • 8% Liveness
44% Instrumentalness • 55% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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Pietro Locatelli
Concerto XI Ã 5 en Ut Mineur, Op. 1: I....
134 bpm • B min • 02:30 • -19db
9% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Giovanni Battista Sammartini
Concerto in C major for violoncello picc...
133 bpm • F# Maj • 04:08 • -20.19db
19% Popularity • 48% Danceability • 16% Energy • 16% Liveness
71% Instrumentalness • 65% Positiveness
19% Popularity • 48% Danceability • 16% Energy • 16% Liveness
71% Instrumentalness • 65% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
24% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Riccardo Broschi
Artasere, Act III Scene 1: Aria "Son qua...
133 bpm • C# Maj • 07:34 • -15.87db
9% Popularity • 43% Danceability • 36% Energy • 20% Liveness
29% Instrumentalness • 56% Positiveness
9% Popularity • 43% Danceability • 36% Energy • 20% Liveness
29% Instrumentalness • 56% Positiveness
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Giovanni Battista Pergolesi
La serva padrona, symphonia avanti l'ope...
132 bpm • C# Maj • 01:34 • -20.59db
21% Popularity • 49% Danceability • 18% Energy • 24% Liveness
18% Instrumentalness • 62% Positiveness
21% Popularity • 49% Danceability • 18% Energy • 24% Liveness
18% Instrumentalness • 62% Positiveness
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Francesco Maria Veracini
Ouverture No. 6 in G Minor: I: Allegro
182 bpm • F# min • 03:26 • -13db
9% Popularity • 26% Danceability • 27% Energy • 14% Liveness
32% Instrumentalness • 52% Positiveness
9% Popularity • 26% Danceability • 27% Energy • 14% Liveness
32% Instrumentalness • 52% Positiveness
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Pietro Locatelli
Concerto Grosso in F Major, Op. 1, No. 7...
133 bpm • C Maj • 02:07 • -15.37db
27% Popularity • 59% Danceability • 33% Energy • 7% Liveness
94% Instrumentalness • 32% Positiveness
27% Popularity • 59% Danceability • 33% Energy • 7% Liveness
94% Instrumentalness • 32% Positiveness
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Accademia Bizantina
Sinfonia A Quattro In Fa Maggiore: I. Al...
132 bpm • B Maj • 03:23 • -14.5db
3% Popularity • 48% Danceability • 30% Energy • 36% Liveness
1% Instrumentalness • 51% Positiveness
3% Popularity • 48% Danceability • 30% Energy • 36% Liveness
1% Instrumentalness • 51% Positiveness
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Antonio Vivaldi
Concerto for Violin and Organ in D Minor...
133 bpm • C# min • 02:08 • -22.3db
8% Popularity • 48% Danceability • 23% Energy • 19% Liveness
2% Instrumentalness • 16% Positiveness
8% Popularity • 48% Danceability • 23% Energy • 19% Liveness
2% Instrumentalness • 16% Positiveness
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Francesco Mancini
Concerto VIII in C Minor from 24 Concert...
183 bpm • B min • 01:16 • -20db
22% Popularity • 39% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 39% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
