Songs like Concerto V en Re Menor para Cuerdas y B.C. ‘in Seven Parts Done from the Lessons of Domenico Scarlatti’ (Londres, 1742-43): Largo by Orquesta Barroca de Sevilla
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Ripa
In memoria aeterna
67 bpm • F min • 05:49 • -24.54db
1% Popularity • 6% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
1% Popularity • 6% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Bartolomeo Bernardi
Concerti á 5 for Little Flaut, Due Viol...
67 bpm • C# Maj • 01:05 • -18.03db
9% Popularity • 21% Danceability • 4% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 4% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Giuseppe Sammartini
Sammartini: Recorder Concerto in F Major...
67 bpm • A min • 04:56 • -21.09db
22% Popularity • 13% Danceability • 11% Energy • 14% Liveness
23% Instrumentalness • 12% Positiveness
22% Popularity • 13% Danceability • 11% Energy • 14% Liveness
23% Instrumentalness • 12% Positiveness
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Joseph Haydn
String Quartet in D Major, Op. 33 #6, H ...
67 bpm • F Maj • 03:45 • -20.73db
8% Popularity • 7% Danceability • 10% Energy • 15% Liveness
8% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 10% Energy • 15% Liveness
8% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Trio Sonata in D Minor, RV 63 "Follia": ...
68 bpm • C# min • 01:15 • -25.72db
20% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Juan Manuel de la Puente
Miserere mei, Deus : XIII. Redde mihi la...
66 bpm • C# min • 00:53 • -11.83db
0% Popularity • 26% Danceability • 28% Energy • 12% Liveness
73% Instrumentalness • 23% Positiveness
0% Popularity • 26% Danceability • 28% Energy • 12% Liveness
73% Instrumentalness • 23% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 2 in B Minor, BWV 1...
65 bpm • A# min • 01:08 • -14.98db
22% Popularity • 45% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 45% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
65 bpm • A# min • 03:14 • -19.78db
17% Popularity • 13% Danceability • 4% Energy • 8% Liveness
44% Instrumentalness • 11% Positiveness
17% Popularity • 13% Danceability • 4% Energy • 8% Liveness
44% Instrumentalness • 11% Positiveness
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Giuseppe Sammartini
Sonata No. 5 in F Major: III. Allegro
67 bpm • F Maj • 02:16 • -12.34db
28% Popularity • 46% Danceability • 36% Energy • 9% Liveness
96% Instrumentalness • 79% Positiveness
28% Popularity • 46% Danceability • 36% Energy • 9% Liveness
96% Instrumentalness • 79% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
69 bpm • C min • 02:26 • -16.37db
16% Popularity • 43% Danceability • 28% Energy • 16% Liveness
13% Instrumentalness • 64% Positiveness
16% Popularity • 43% Danceability • 28% Energy • 16% Liveness
13% Instrumentalness • 64% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: III. Surgite
66 bpm • A Maj • 01:35 • -20.68db
15% Popularity • 32% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 32% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Louis-Antoine Dornel
Trio Sonata in B Minor, Op. 3, No. 3: I....
70 bpm • F Maj • 02:04 • -20.25db
13% Popularity • 20% Danceability • 14% Energy • 13% Liveness
42% Instrumentalness • 7% Positiveness
13% Popularity • 20% Danceability • 14% Energy • 13% Liveness
42% Instrumentalness • 7% Positiveness
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Leopold Mozart
Spängler-Menuett V
65 bpm • D Maj • 01:10 • -18.14db
17% Popularity • 54% Danceability • 10% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
17% Popularity • 54% Danceability • 10% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
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Johann Gottlieb Goldberg
Sonata in C Minor, DürG 14: I. Largo
64 bpm • B min • 02:40 • -18db
7% Popularity • 26% Danceability • 7% Energy • 28% Liveness
41% Instrumentalness • 15% Positiveness
7% Popularity • 26% Danceability • 7% Energy • 28% Liveness
41% Instrumentalness • 15% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
71 bpm • B min • 03:00 • -24.28db
10% Popularity • 16% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
10% Popularity • 16% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Michael Haydn
Missa pro defuncto Archiepiscopo Sigismu...
71 bpm • C min • 04:29 • -24.49db
7% Popularity • 13% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
7% Popularity • 13% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
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Marin Marais
Ariane et Bacchus, Prologue: Ouverture p...
63 bpm • F Maj • 01:56 • -16.98db
14% Popularity • 22% Danceability • 26% Energy • 10% Liveness
48% Instrumentalness • 44% Positiveness
14% Popularity • 22% Danceability • 26% Energy • 10% Liveness
48% Instrumentalness • 44% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Le Carnaval du Parnasse, Prologue Scene ...
63 bpm • G Maj • 01:20 • -18.65db
8% Popularity • 24% Danceability • 8% Energy • 54% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 24% Danceability • 8% Energy • 54% Liveness
0% Instrumentalness • 48% Positiveness
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George Frideric Handel
Susanna HWV 66, Act II: Staccato e non t...
72 bpm • G# min • 02:49 • -20.25db
12% Popularity • 17% Danceability • 10% Energy • 3% Liveness
62% Instrumentalness • 36% Positiveness
12% Popularity • 17% Danceability • 10% Energy • 3% Liveness
62% Instrumentalness • 36% Positiveness
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Pedro Rabassa
Sonata para clave: II. Allegro
63 bpm • A# min • 02:36 • -16.61db
0% Popularity • 16% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 16% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Ignaz Pleyel
SinfonÃa en Re M. BEN 126, para 2 oboes...
72 bpm • G Maj • 05:49 • -25.24db
0% Popularity • 21% Danceability • 2% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 2% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Madrigals Libro, No.6: Moro, Lasso, Al M...
72 bpm • G# min • 03:26 • -24.81db
25% Popularity • 7% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: VIII. Fa...
72 bpm • F# min • 02:03 • -10.42db
0% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Jean-François Dandrieu
Sonate en Sol Mineur, Op. 1 No. 3: I. Ad...
72 bpm • F# min • 01:36 • -13db
13% Popularity • 13% Danceability • 15% Energy • 18% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 15% Energy • 18% Liveness
7% Instrumentalness • 4% Positiveness
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Andre Cardinal Destouches
Le Carnaval et la Folie: Air pour les di...
72 bpm • F# min • 01:10 • -19.9db
10% Popularity • 64% Danceability • 18% Energy • 31% Liveness
1% Instrumentalness • 90% Positiveness
10% Popularity • 64% Danceability • 18% Energy • 31% Liveness
1% Instrumentalness • 90% Positiveness
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Jean-Jacques-Baptiste Anet
Sonata for Violin and Continuo No. 11 in...
61 bpm • B min • 01:49 • -16.47db
8% Popularity • 39% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 39% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Johann Pachelbel
Hexachordum Apollinis: No. 5 in A Minor,...
73 bpm • G# min • 07:13 • -14.49db
16% Popularity • 27% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 27% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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Alessandro Stradella
San Giovanni Battista: Overture
61 bpm • D Maj • 01:54 • -14db
20% Popularity • 47% Danceability • 17% Energy • 23% Liveness
20% Instrumentalness • 33% Positiveness
20% Popularity • 47% Danceability • 17% Energy • 23% Liveness
20% Instrumentalness • 33% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: X. Fac, ...
73 bpm • A Maj • 03:17 • -16.2db
0% Popularity • 30% Danceability • 9% Energy • 21% Liveness
6% Instrumentalness • 7% Positiveness
0% Popularity • 30% Danceability • 9% Energy • 21% Liveness
6% Instrumentalness • 7% Positiveness
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Francesco Maria Veracini
Partenio, Ouverture (1738): I. (Without ...
73 bpm • G# Maj • 01:15 • -17.55db
12% Popularity • 37% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 51% Positiveness
12% Popularity • 37% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 51% Positiveness
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Joseph Barrera
Concierto de Órgano con VV.nes y Oboes:...
73 bpm • E Maj • 02:48 • -16.61db
0% Popularity • 25% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 13% Positiveness
0% Popularity • 25% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 13% Positiveness
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Georg Matthias Monn
Sinfonia G-dur (1749): III. Presto
74 bpm • F# Maj • 01:36 • -19db
18% Popularity • 47% Danceability • 20% Energy • 15% Liveness
8% Instrumentalness • 70% Positiveness
18% Popularity • 47% Danceability • 20% Energy • 15% Liveness
8% Instrumentalness • 70% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: Juravit Dominus: ...
74 bpm • A# min • 01:12 • -20.39db
19% Popularity • 32% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 32% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Salzburger Adventsingen
Hollensteiner Jodler - 2009
74 bpm • F Maj • 01:02 • -26.66db
17% Popularity • 11% Danceability • 3% Energy • 30% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 11% Danceability • 3% Energy • 30% Liveness
4% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: V. Quis ...
74 bpm • B min • 02:55 • -13.96db
0% Popularity • 16% Danceability • 18% Energy • 24% Liveness
4% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 18% Energy • 24% Liveness
4% Instrumentalness • 3% Positiveness
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Luigi Boccherini
Sonata No. 1 in B-Flat Major, G.25: II. ...
74 bpm • A Maj • 08:14 • -20db
7% Popularity • 14% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 14% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Arcangelo Corelli
Concerto grosso in D Major, Op. 6 No. 4 ...
74 bpm • A# min • 01:53 • -25db
8% Popularity • 15% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
8% Popularity • 15% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt I. "Lamentat...
75 bpm • F# min • 02:08 • -26.86db
10% Popularity • 7% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
10% Popularity • 7% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto in A Minor, Wq.170/H.432:...
75 bpm • G min • 07:35 • -25.74db
2% Popularity • 14% Danceability • 3% Energy • 13% Liveness
34% Instrumentalness • 4% Positiveness
2% Popularity • 14% Danceability • 3% Energy • 13% Liveness
34% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Trio Sonata in C Major, BuxWV 256: II. A...
75 bpm • B Maj • 01:43 • -15.26db
16% Popularity • 29% Danceability • 25% Energy • 26% Liveness
11% Instrumentalness • 47% Positiveness
16% Popularity • 29% Danceability • 25% Energy • 26% Liveness
11% Instrumentalness • 47% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: XIIa. Qu...
74 bpm • E min • 03:21 • -20.86db
0% Popularity • 11% Danceability • 6% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 6% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30: Sinfon...
76 bpm • B Maj • 02:47 • -12.41db
0% Popularity • 45% Danceability • 29% Energy • 13% Liveness
62% Instrumentalness • 39% Positiveness
0% Popularity • 45% Danceability • 29% Energy • 13% Liveness
62% Instrumentalness • 39% Positiveness
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Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
76 bpm • C# Maj • 02:27 • -18.86db
20% Popularity • 24% Danceability • 8% Energy • 8% Liveness
78% Instrumentalness • 16% Positiveness
20% Popularity • 24% Danceability • 8% Energy • 8% Liveness
78% Instrumentalness • 16% Positiveness
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Carlo Tessarini
Violin Concerto in G Major, Op. 3, No. 2...
76 bpm • G Maj • 01:28 • -20db
10% Popularity • 22% Danceability • 5% Energy • 20% Liveness
42% Instrumentalness • 32% Positiveness
10% Popularity • 22% Danceability • 5% Energy • 20% Liveness
42% Instrumentalness • 32% Positiveness
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Christoph Graupner
Concerto, GWV 308: III. Largo
76 bpm • A# min • 01:20 • -20.21db
17% Popularity • 30% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 23% Positiveness
17% Popularity • 30% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 23% Positiveness
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Carl Philipp Emanuel Bach
Fantasia in F Major, Wq 59/5
76 bpm • E Maj • 04:53 • -29.15db
8% Popularity • 26% Danceability • 7% Energy • 20% Liveness
95% Instrumentalness • 26% Positiveness
8% Popularity • 26% Danceability • 7% Energy • 20% Liveness
95% Instrumentalness • 26% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: III. O q...
76 bpm • A Maj • 01:50 • -15.72db
0% Popularity • 25% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Juan Manuel de la Puente
Lavanderita soy (Tonada)
76 bpm • G# min • 05:27 • -17.46db
0% Popularity • 51% Danceability • 17% Energy • 10% Liveness
12% Instrumentalness • 33% Positiveness
0% Popularity • 51% Danceability • 17% Energy • 10% Liveness
12% Instrumentalness • 33% Positiveness
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Orquesta Barroca de Sevilla
Scena Non so piu dov'io sia, para tiple ...
76 bpm • C Maj • 09:26 • -19.04db
0% Popularity • 32% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 32% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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António Pereira da Costa
Concerto VI in B Minor: I. Largo
77 bpm • A Maj • 01:15 • -18.35db
15% Popularity • 7% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
15% Popularity • 7% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Francesco Geminiani
12 Concerti grossi After Corelli, No. 4 ...
77 bpm • E Maj • 02:17 • -19.37db
4% Popularity • 60% Danceability • 16% Energy • 14% Liveness
4% Instrumentalness • 71% Positiveness
4% Popularity • 60% Danceability • 16% Energy • 14% Liveness
4% Instrumentalness • 71% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto in A Major, Wq.172/H.439:...
76 bpm • E min • 06:54 • -21.02db
3% Popularity • 42% Danceability • 18% Energy • 24% Liveness
60% Instrumentalness • 19% Positiveness
3% Popularity • 42% Danceability • 18% Energy • 24% Liveness
60% Instrumentalness • 19% Positiveness
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Carlo Tessarini
Violin Concerto in A Major, Op. 3, No. 8...
77 bpm • A Maj • 01:07 • -17.42db
14% Popularity • 35% Danceability • 10% Energy • 9% Liveness
69% Instrumentalness • 85% Positiveness
14% Popularity • 35% Danceability • 10% Energy • 9% Liveness
69% Instrumentalness • 85% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: VII. Eja...
77 bpm • E min • 02:01 • -16.01db
0% Popularity • 30% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 17% Positiveness
0% Popularity • 30% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 17% Positiveness
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Charivari Agréable
Henry Purcell: Two in one upon a Ground
77 bpm • G# min • 03:42 • -21.82db
10% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
10% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Élisabeth Jacquet de La Guerre
Céphale et Procris, Act III Scene 3: Pa...
78 bpm • C Maj • 02:44 • -16.53db
18% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
18% Popularity • 24% Danceability • 25% Energy • 38% Liveness
1% Instrumentalness • 46% Positiveness
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Antonio Ripa
Lamed for soprano, 2 oboes/ flutes, 2 ho...
58 bpm • C# Maj • 02:47 • -15.22db
0% Popularity • 50% Danceability • 22% Energy • 13% Liveness
30% Instrumentalness • 21% Positiveness
0% Popularity • 50% Danceability • 22% Energy • 13% Liveness
30% Instrumentalness • 21% Positiveness
► Preview
Francesco Maria Veracini
Ouverture No. 6 in G Minor: II. Largo
78 bpm • A Maj • 02:17 • -15.64db
17% Popularity • 10% Danceability • 18% Energy • 15% Liveness
78% Instrumentalness • 16% Positiveness
17% Popularity • 10% Danceability • 18% Energy • 15% Liveness
78% Instrumentalness • 16% Positiveness
► Preview
François Francoeur
12 Violin Sonatas, Livre 2, Sonata 12 in...
78 bpm • G min • 03:10 • -20.46db
9% Popularity • 10% Danceability • 12% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
9% Popularity • 10% Danceability • 12% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
► Preview
Juan Francés De Iribarren
Te invocamus (Motete a la SantÃsima Tri...
77 bpm • A min • 03:20 • -18.94db
0% Popularity • 18% Danceability • 6% Energy • 14% Liveness
36% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 6% Energy • 14% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Arcangelo Corelli
Concerto in C Minor, Op. 6 No. 3: III. G...
78 bpm • D# min • 01:38 • -24.75db
16% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Carlo Arrigoni
III. Grave
79 bpm • C# Maj • 01:55 • -16.79db
0% Popularity • 51% Danceability • 12% Energy • 9% Liveness
51% Instrumentalness • 13% Positiveness
0% Popularity • 51% Danceability • 12% Energy • 9% Liveness
51% Instrumentalness • 13% Positiveness
► Preview
Antonio Ripa
Lamentación seconda de Jueves Santo, pa...
79 bpm • B Maj • 02:45 • -12.98db
1% Popularity • 26% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 26% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
George Frideric Handel
Joseph and his Brethren HWV 59, Symphony...
79 bpm • F# Maj • 01:41 • -22.1db
13% Popularity • 16% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
► Preview
Carl Philipp Emanuel Bach
Hamburg Symphony No. 3 in C Major, Wq. 1...
79 bpm • F# Maj • 04:49 • -17.56db
9% Popularity • 36% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 20% Positiveness
9% Popularity • 36% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 20% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: XIIb. Am...
78 bpm • E min • 00:59 • -10.71db
0% Popularity • 35% Danceability • 39% Energy • 9% Liveness
4% Instrumentalness • 15% Positiveness
0% Popularity • 35% Danceability • 39% Energy • 9% Liveness
4% Instrumentalness • 15% Positiveness
► Preview
Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
79 bpm • C Maj • 07:17 • -18.54db
0% Popularity • 17% Danceability • 7% Energy • 17% Liveness
6% Instrumentalness • 7% Positiveness
0% Popularity • 17% Danceability • 7% Energy • 17% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
Giovanni Battista Sammartini
Symphony in C Major, J-C 4: II. Andante
79 bpm • G Maj • 01:34 • -18.34db
21% Popularity • 34% Danceability • 10% Energy • 15% Liveness
34% Instrumentalness • 16% Positiveness
21% Popularity • 34% Danceability • 10% Energy • 15% Liveness
34% Instrumentalness • 16% Positiveness
► Preview
Christoph Graupner
Oboe d'amore Concerto in C Major, GWV 30...
79 bpm • F# Maj • 02:14 • -24.55db
14% Popularity • 29% Danceability • 3% Energy • 11% Liveness
42% Instrumentalness • 19% Positiveness
14% Popularity • 29% Danceability • 3% Energy • 11% Liveness
42% Instrumentalness • 19% Positiveness
► Preview
Luigi Boccherini
Stabat Mater in F Minor, G. 532: IV. Qui...
79 bpm • F min • 01:23 • -25db
17% Popularity • 31% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jean-Baptiste Lully
Te deum, LWV 55: I. Te Deum
79 bpm • A# Maj • 05:39 • -9.92db
20% Popularity • 23% Danceability • 51% Energy • 24% Liveness
24% Instrumentalness • 46% Positiveness
20% Popularity • 23% Danceability • 51% Energy • 24% Liveness
24% Instrumentalness • 46% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: I. Staba...
79 bpm • E min • 05:12 • -18.68db
0% Popularity • 12% Danceability • 5% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 5% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Charles Avison
Concerto Grosso No. 1 in A Major (after ...
79 bpm • G# Maj • 01:37 • -22.25db
15% Popularity • 18% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 18% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Orquesta Barroca de Sevilla
Aria Involarmi il mio tesoro, para tiple...
80 bpm • A# Maj • 03:42 • -15.84db
0% Popularity • 54% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 54% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: IV. Cum dederit
80 bpm • C# Maj • 04:40 • -26.57db
20% Popularity • 10% Danceability • 2% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 2% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
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Anonymous
Anti-Masque
80 bpm • C# Maj • 02:06 • -20.46db
14% Popularity • 42% Danceability • 9% Energy • 28% Liveness
93% Instrumentalness • 40% Positiveness
14% Popularity • 42% Danceability • 9% Energy • 28% Liveness
93% Instrumentalness • 40% Positiveness
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Francesco Bartolomeo Conti
Languet anima mea BWV deest 1006: IV. Ar...
80 bpm • G# min • 06:59 • -21.09db
1% Popularity • 24% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 24% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Luigi Boccherini
Stabat Mater in F Minor, G. 532: III. Qu...
80 bpm • D# Maj • 02:43 • -15.88db
12% Popularity • 38% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 38% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Jean-Marie Leclair
Ouvertures and Trio Sonatas, Op. 13, Son...
80 bpm • A# Maj • 01:58 • -20.21db
16% Popularity • 15% Danceability • 14% Energy • 24% Liveness
68% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 14% Energy • 24% Liveness
68% Instrumentalness • 4% Positiveness
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Johann Stamitz
Symphony in E-Flat Major, Op. 3 No. 4, W...
81 bpm • B min • 02:30 • -23.82db
20% Popularity • 25% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
20% Popularity • 25% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Antonio Vivaldi
Concerto Alla Rustica for Strings in G M...
80 bpm • C# Maj • 01:23 • -12.73db
9% Popularity • 59% Danceability • 51% Energy • 13% Liveness
3% Instrumentalness • 87% Positiveness
9% Popularity • 59% Danceability • 51% Energy • 13% Liveness
3% Instrumentalness • 87% Positiveness
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Johann Friedrich Fasch
Concerto for Trumpet, 2 Oboes, Strings a...
81 bpm • C# Maj • 01:10 • -21db
18% Popularity • 16% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
18% Popularity • 16% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
81 bpm • D# Maj • 01:49 • -21.69db
21% Popularity • 18% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 14% Positiveness
21% Popularity • 18% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 14% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Trio Sonata No. 5 in D Major, Op. 2, Tri...
81 bpm • D# min • 03:14 • -18.65db
11% Popularity • 17% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Joseph-Nicolas-Pancrace Royer
Pyrrhus, Acte III Scène 1: Ritournelle
81 bpm • G# Maj • 00:59 • -17.31db
9% Popularity • 33% Danceability • 28% Energy • 17% Liveness
22% Instrumentalness • 76% Positiveness
9% Popularity • 33% Danceability • 28% Energy • 17% Liveness
22% Instrumentalness • 76% Positiveness
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Orquesta Barroca de Sevilla
SinfonÃa nº 23 en Fa mayor (1783), L. ...
81 bpm • F Maj • 03:21 • -25.06db
0% Popularity • 32% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
0% Popularity • 32% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Francesco Maria Veracini
Ouverture No. 2 in F Major (c 1715): VI....
82 bpm • E Maj • 01:01 • -18.75db
23% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: IVb. Rittorne...
82 bpm • E Maj • 01:09 • -20.17db
19% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Joseph Haydn
Symphony No. 44 in E Minor, Hob.I: 44: I...
82 bpm • E min • 03:23 • -13.08db
0% Popularity • 42% Danceability • 34% Energy • 13% Liveness
93% Instrumentalness • 30% Positiveness
0% Popularity • 42% Danceability • 34% Energy • 13% Liveness
93% Instrumentalness • 30% Positiveness
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George Frideric Handel
Concerto grosso No. 12 in B Minor, Op. 6...
82 bpm • B min • 02:12 • -20.37db
24% Popularity • 20% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 14% Positiveness
24% Popularity • 20% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 14% Positiveness
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Andre Cardinal Destouches
Le Carnaval et la Folie: Gigue
82 bpm • F# min • 01:05 • -17.4db
10% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 61% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Juan Manuel de la Puente
Miserere mei, Deus : XI. Cor mundum crea...
82 bpm • E Maj • 01:17 • -18.06db
0% Popularity • 27% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 27% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Juan Francés De Iribarren
Ego dormivi et somnum cepi (Motete a la ...
83 bpm • A min • 02:42 • -13.76db
0% Popularity • 31% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 31% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Pachelbel
Hexachordum Apollinis: No. 2 in E Minor,...
83 bpm • F# Maj • 08:38 • -14.55db
18% Popularity • 27% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 27% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
83 bpm • G Maj • 06:12 • -16.08db
0% Popularity • 46% Danceability • 39% Energy • 10% Liveness
14% Instrumentalness • 51% Positiveness
0% Popularity • 46% Danceability • 39% Energy • 10% Liveness
14% Instrumentalness • 51% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: I. Si...
84 bpm • D# Maj • 01:29 • -19.18db
21% Popularity • 8% Danceability • 9% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 9% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Francesco Geminiani
12 Concerti grossi After Corelli, No. 4 ...
84 bpm • C# min • 01:43 • -21.77db
5% Popularity • 11% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 12% Positiveness
5% Popularity • 11% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 12% Positiveness
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Juan Manuel de la Puente
Miserere mei, Deus : VII. Ecce enim veri...
83 bpm • G# min • 01:08 • -18.16db
0% Popularity • 37% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 37% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
