Songs like Conchita (Cha-Cha Version) by Lou Bega
Based on a tempo of (+/- 10%) and a similar genre
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Dj Berta
Batango - Bachatango
128 bpm • A min • 03:19 • -4db
20% Popularity • 86% Danceability • 79% Energy • 5% Liveness
84% Instrumentalness • 98% Positiveness
20% Popularity • 86% Danceability • 79% Energy • 5% Liveness
84% Instrumentalness • 98% Positiveness
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Ametista
Encanto - Radio
128 bpm • E min • 03:02 • -3.87db
20% Popularity • 92% Danceability • 73% Energy • 8% Liveness
90% Instrumentalness • 90% Positiveness
20% Popularity • 92% Danceability • 73% Energy • 8% Liveness
90% Instrumentalness • 90% Positiveness
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Lou Bega
Sweet Like Cola - Coca Club Mix
128 bpm • C# Maj • 04:14 • -4.71db
18% Popularity • 71% Danceability • 91% Energy • 2% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 71% Danceability • 91% Energy • 2% Liveness
0% Instrumentalness • 93% Positiveness
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Latin Soul Syndicate
The Funky Cha Cha
128 bpm • C Maj • 04:02 • -3.9db
8% Popularity • 91% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 98% Positiveness
8% Popularity • 91% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 98% Positiveness
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DJ DLVG
Oye Como Va (Remix 14) - ChaCha / 32 BPM
128 bpm • C Maj • 02:23 • -8.75db
23% Popularity • 86% Danceability • 83% Energy • 10% Liveness
34% Instrumentalness • 97% Positiveness
23% Popularity • 86% Danceability • 83% Energy • 10% Liveness
34% Instrumentalness • 97% Positiveness
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Roberto Scaglioni
Danza burlesque - Tango burlesque
128 bpm • G Maj • 03:11 • -5.24db
25% Popularity • 84% Danceability • 90% Energy • 14% Liveness
62% Instrumentalness • 80% Positiveness
25% Popularity • 84% Danceability • 90% Energy • 14% Liveness
62% Instrumentalness • 80% Positiveness
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Dj Berta
Loca Loca - Remix
128 bpm • A min • 03:32 • -4db
23% Popularity • 74% Danceability • 91% Energy • 2% Liveness
58% Instrumentalness • 94% Positiveness
23% Popularity • 74% Danceability • 91% Energy • 2% Liveness
58% Instrumentalness • 94% Positiveness
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HEY NA NA NA
Hey (Nah Neh Nah)
128 bpm • F# Maj • 03:17 • -6db
28% Popularity • 81% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 81% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Lou Bega
Conchita (Cha-Cha Version)
128 bpm • D Maj • 03:45 • -7.36db
33% Popularity • 86% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 86% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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J.P. Sam
Daddy (Cha Cha Cha / 32 Bpm)
128 bpm • F# Maj • 03:47 • -4.95db
7% Popularity • 78% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 78% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Chino Espinoza y Los Duenos del Son
Yeah! - Como Goza Mi Morena
128 bpm • G min • 03:48 • -3.96db
8% Popularity • 86% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 86% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Roberto Scaglioni
Disco tango - Disco tango
128 bpm • G Maj • 03:21 • -4.83db
25% Popularity • 87% Danceability • 90% Energy • 5% Liveness
82% Instrumentalness • 88% Positiveness
25% Popularity • 87% Danceability • 90% Energy • 5% Liveness
82% Instrumentalness • 88% Positiveness
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Dj Berta
Africa bum bum - Ballo di gruppo dance
128 bpm • C# Maj • 03:27 • -5.86db
27% Popularity • 91% Danceability • 72% Energy • 6% Liveness
36% Instrumentalness • 97% Positiveness
27% Popularity • 91% Danceability • 72% Energy • 6% Liveness
36% Instrumentalness • 97% Positiveness
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Gerli Padar
Do You Always (Tango)
128 bpm • A min • 03:37 • -7.14db
20% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Lou Bega
Vamos A La Playa
128 bpm • F# min • 03:14 • -6.36db
7% Popularity • 88% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 88% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Cha Cha MC
Let's Cha Cha
128 bpm • A# Maj • 04:01 • -7.05db
18% Popularity • 91% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 91% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Banda Arte Latino
Mucho Mambo Sway
128 bpm • C# Maj • 03:26 • -4db
14% Popularity • 76% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 76% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Orchester Werner Tauber
La cucaracha
128 bpm • G# Maj • 02:38 • -7.76db
6% Popularity • 73% Danceability • 65% Energy • 37% Liveness
6% Instrumentalness • 93% Positiveness
6% Popularity • 73% Danceability • 65% Energy • 37% Liveness
6% Instrumentalness • 93% Positiveness
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Dj Berta
Clap and Dance - Ballo di gruppo
128 bpm • C Maj • 03:14 • -2.77db
16% Popularity • 73% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 98% Positiveness
16% Popularity • 73% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 98% Positiveness
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Baila Mambo
Mambo Craze
128 bpm • G# Maj • 04:20 • -7.38db
13% Popularity • 71% Danceability • 92% Energy • 54% Liveness
15% Instrumentalness • 81% Positiveness
13% Popularity • 71% Danceability • 92% Energy • 54% Liveness
15% Instrumentalness • 81% Positiveness
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Lou Bega
Gimme Hope Jo'Anna
128 bpm • F Maj • 04:02 • -5.16db
25% Popularity • 77% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 77% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Liaison Classique
Tango de Salòn
128 bpm • F# min • 02:23 • -4.58db
21% Popularity • 84% Danceability • 64% Energy • 22% Liveness
1% Instrumentalness • 81% Positiveness
21% Popularity • 84% Danceability • 64% Energy • 22% Liveness
1% Instrumentalness • 81% Positiveness
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Gianni Coletti
Like a Virgin - Original Swing Mix
128 bpm • G Maj • 01:17 • -8db
19% Popularity • 82% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 82% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Mark Kingswood
Dancing on a Monday
128 bpm • E min • 02:38 • -5db
35% Popularity • 65% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 65% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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The Columbia Ballroom Orchestra
Quien Sera
128 bpm • G min • 02:14 • -15.79db
25% Popularity • 82% Danceability • 43% Energy • 28% Liveness
94% Instrumentalness • 97% Positiveness
25% Popularity • 82% Danceability • 43% Energy • 28% Liveness
94% Instrumentalness • 97% Positiveness
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Orchester Etienne Cap
Little Spanish cha cha
128 bpm • B min • 02:42 • -6.26db
12% Popularity • 86% Danceability • 69% Energy • 6% Liveness
67% Instrumentalness • 95% Positiveness
12% Popularity • 86% Danceability • 69% Energy • 6% Liveness
67% Instrumentalness • 95% Positiveness
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Dean Martin
Cha Cha Cha D'Amour (Melodie D'Amour)
128 bpm • F Maj • 02:20 • -14db
44% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Ludwig van Beethoven
Mondschein III
128 bpm • C# min • 03:36 • -12.87db
6% Popularity • 58% Danceability • 40% Energy • 20% Liveness
42% Instrumentalness • 62% Positiveness
6% Popularity • 58% Danceability • 40% Energy • 20% Liveness
42% Instrumentalness • 62% Positiveness
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Orchester Werner Tauber
Pata Pata
128 bpm • G# Maj • 02:48 • -4db
14% Popularity • 77% Danceability • 87% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
14% Popularity • 77% Danceability • 87% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
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Italian Ballroom
Ciliegi rosa - Cha cha cha 32 bpm
128 bpm • D# Maj • 03:45 • -7.77db
29% Popularity • 80% Danceability • 79% Energy • 4% Liveness
93% Instrumentalness • 97% Positiveness
29% Popularity • 80% Danceability • 79% Energy • 4% Liveness
93% Instrumentalness • 97% Positiveness
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The Manhattan Transfer
The Speak Up Mambo (CUENTAME)
129 bpm • F min • 03:00 • -5.71db
35% Popularity • 78% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 78% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Ottawan
Shalala Song
127 bpm • G Maj • 03:40 • -6.87db
32% Popularity • 88% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 88% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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David Blanco
Botao en Madrid
127 bpm • C Maj • 05:18 • -5.62db
10% Popularity • 77% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 77% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Ricky Martin
Amor
127 bpm • G min • 03:27 • -3.28db
31% Popularity • 68% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 68% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Orchestra Mario Riccardi
Me Gusta la Vida
127 bpm • G min • 04:01 • -1.66db
18% Popularity • 62% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 62% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Italian Ballroom
Patricia / Bandido - Cha cha cha 32 bpm
127 bpm • C Maj • 05:11 • -4.21db
20% Popularity • 82% Danceability • 85% Energy • 6% Liveness
23% Instrumentalness • 96% Positiveness
20% Popularity • 82% Danceability • 85% Energy • 6% Liveness
23% Instrumentalness • 96% Positiveness
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Dr. Victor & the Rasta Rebels
Shame and Scandal
129 bpm • G Maj • 03:38 • -8.22db
11% Popularity • 88% Danceability • 80% Energy • 8% Liveness
7% Instrumentalness • 98% Positiveness
11% Popularity • 88% Danceability • 80% Energy • 8% Liveness
7% Instrumentalness • 98% Positiveness
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Willy Chirino
Drive My Car
127 bpm • G Maj • 02:48 • -4.83db
13% Popularity • 85% Danceability • 83% Energy • 37% Liveness
29% Instrumentalness • 96% Positiveness
13% Popularity • 85% Danceability • 83% Energy • 37% Liveness
29% Instrumentalness • 96% Positiveness
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Lou Bega
Just A Gigolo / I Ain't Got Nobody (Offi...
127 bpm • G# Maj • 03:49 • -5.21db
23% Popularity • 67% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 67% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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José Feliciano
La Ultima Noche
129 bpm • G Maj • 03:42 • -6.73db
25% Popularity • 81% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 81% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Orchestra Bagutti
Bom bom
127 bpm • A min • 03:32 • -4.79db
19% Popularity • 85% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 85% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Edmondo Comandini
Toca la Luna - Cha cha cha
127 bpm • A min • 03:42 • -6.45db
24% Popularity • 86% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 86% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Tito Puente
Shing-A Tin Tin
130 bpm • F Maj • 02:14 • -6.75db
21% Popularity • 71% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 71% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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La Bomba
Chiquitan 2000 - Single Mix
126 bpm • C min • 03:13 • -4.59db
8% Popularity • 64% Danceability • 95% Energy • 13% Liveness
16% Instrumentalness • 96% Positiveness
8% Popularity • 64% Danceability • 95% Energy • 13% Liveness
16% Instrumentalness • 96% Positiveness
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Carlos Jean
Mira pa' dentro
126 bpm • D# min • 02:56 • -5db
19% Popularity • 83% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 83% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Ballroom Orchestra
In a Cha Cha Mood
126 bpm • F Maj • 03:27 • -9db
27% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Della Reese
Tea For Two
126 bpm • G# Maj • 02:10 • -8.75db
21% Popularity • 84% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 84% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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El Rubio Loco
Bachata de Amor - Bachatam Remix
130 bpm • F Maj • 03:39 • -5.44db
25% Popularity • 78% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 78% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Lou Bega
Mambo - Havanna Club Mix
126 bpm • A# min • 05:48 • -6.7db
17% Popularity • 77% Danceability • 93% Energy • 20% Liveness
83% Instrumentalness • 90% Positiveness
17% Popularity • 77% Danceability • 93% Energy • 20% Liveness
83% Instrumentalness • 90% Positiveness
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El Gato DJ
Ola Ola
130 bpm • F min • 03:31 • -5.2db
14% Popularity • 81% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 81% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Los Del Rio
Conga
126 bpm • C Maj • 03:23 • -5.52db
35% Popularity • 86% Danceability • 95% Energy • 29% Liveness
1% Instrumentalness • 92% Positiveness
35% Popularity • 86% Danceability • 95% Energy • 29% Liveness
1% Instrumentalness • 92% Positiveness
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![Muevelo cover art]()
Rey Ruiz
Muevelo
130 bpm • A# min • 04:18 • -4db
37% Popularity • 86% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 86% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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The Dancelife Studio Orchestra & Singers
Sway (Cha Cha Cha / 32 Bpm)
126 bpm • D min • 02:20 • -13.98db
18% Popularity • 68% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 68% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Athos Bassissi
Mi Sentimiento (BachaTango) - Accordeon
126 bpm • G min • 03:48 • -4db
28% Popularity • 88% Danceability • 68% Energy • 7% Liveness
62% Instrumentalness • 90% Positiveness
28% Popularity • 88% Danceability • 68% Energy • 7% Liveness
62% Instrumentalness • 90% Positiveness
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Lou Bega
Give It Up
126 bpm • D# Maj • 03:29 • -5db
19% Popularity • 80% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 80% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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El Rubio Loco
Cha Charanga
130 bpm • A Maj • 03:44 • -3.61db
33% Popularity • 87% Danceability • 95% Energy • 3% Liveness
2% Instrumentalness • 97% Positiveness
33% Popularity • 87% Danceability • 95% Energy • 3% Liveness
2% Instrumentalness • 97% Positiveness
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Michael Alan Levine
Noche Caliente
130 bpm • C min • 02:31 • -8.89db
17% Popularity • 75% Danceability • 75% Energy • 13% Liveness
71% Instrumentalness • 96% Positiveness
17% Popularity • 75% Danceability • 75% Energy • 13% Liveness
71% Instrumentalness • 96% Positiveness
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Tim Tim
Pata Pata
130 bpm • D# Maj • 03:07 • -2.97db
32% Popularity • 83% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 83% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Mad Manoush
Tango
130 bpm • G min • 03:28 • -4.98db
31% Popularity • 85% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 85% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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![Don't Wanna See You Cry (Bachata Version) [Remix] cover art](https://i.scdn.co/image/ab67616d00001e020f6fbd70d7bf2f26f648ad5a)
Hantos Djay
Don't Wanna See You Cry (Bachata Version...
130 bpm • C Maj • 02:44 • -6.11db
13% Popularity • 80% Danceability • 91% Energy • 73% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 80% Danceability • 91% Energy • 73% Liveness
0% Instrumentalness • 95% Positiveness
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Lou Bega
Mambo Mambo
130 bpm • C# Maj • 03:01 • -3.4db
34% Popularity • 74% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 74% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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El Rubio Loco
La Fumadora - Cha Cha
130 bpm • C Maj • 03:45 • -6.41db
18% Popularity • 83% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 83% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Leo Wilber
Welcome To Havana
130 bpm • A min • 04:23 • -1.87db
16% Popularity • 78% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 78% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Rey Ruiz
El Diablo Anda Suelto
130 bpm • D Maj • 04:14 • -3.79db
32% Popularity • 84% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 84% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Michael Bublé
Sway - Ralphi's Salsation Edit
126 bpm • A min • 03:10 • -4.38db
17% Popularity • 71% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 71% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Pussycat Dolls
Sway
126 bpm • G min • 03:10 • -5.82db
53% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
53% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Lou Bega
I Got Style
130 bpm • A min • 03:30 • -4.82db
10% Popularity • 81% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 81% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Massimo Siviero
Pulcinella - Tarantella
130 bpm • A Maj • 03:34 • -8.96db
22% Popularity • 81% Danceability • 74% Energy • 4% Liveness
86% Instrumentalness • 96% Positiveness
22% Popularity • 81% Danceability • 74% Energy • 4% Liveness
86% Instrumentalness • 96% Positiveness
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Orchestra Alec Medina
No Smoke
126 bpm • C# min • 03:40 • -8.39db
7% Popularity • 80% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 80% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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![Ay Mujer cover art]()
Rey Ruiz
Ay Mujer
126 bpm • F# Maj • 03:39 • -3.46db
24% Popularity • 90% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 90% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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La Maxima 79
Habia Cavour
126 bpm • D Maj • 05:12 • -5.53db
29% Popularity • 89% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 89% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Michael Andrew & Swingerhead
He WantsTo Cha Cha ( She Just Wants To T...
126 bpm • F Maj • 04:19 • -7db
13% Popularity • 85% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 85% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Orquesta Marc Ventura
Levantando las Manos
130 bpm • C Maj • 04:07 • -5.75db
18% Popularity • 84% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 84% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Arthur Murray Orchestra
Ole Guapa
126 bpm • A Maj • 02:30 • -9.04db
20% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Lou Bega
Gentleman - Radio Edit
131 bpm • C Maj • 03:26 • -5.56db
21% Popularity • 88% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 88% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Jennifer Lopez
Let's Get Loud
131 bpm • F min • 03:58 • -4.81db
71% Popularity • 82% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
71% Popularity • 82% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Leslie Cartaya
No Pares
125 bpm • F Maj • 03:59 • -7db
14% Popularity • 80% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 86% Positiveness
14% Popularity • 80% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 86% Positiveness
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La Fiesta
Let'S Get Loud
131 bpm • F min • 03:59 • -3.27db
11% Popularity • 84% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 84% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Ulrich Florian
The Startled Hummingbird
125 bpm • E min • 05:01 • -5.32db
12% Popularity • 78% Danceability • 67% Energy • 7% Liveness
87% Instrumentalness • 89% Positiveness
12% Popularity • 78% Danceability • 67% Energy • 7% Liveness
87% Instrumentalness • 89% Positiveness
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DJ DLVG
Carino (Remix 14) - ChaCha / 32 BPM
125 bpm • A# min • 02:22 • -10.96db
27% Popularity • 80% Danceability • 66% Energy • 6% Liveness
25% Instrumentalness • 82% Positiveness
27% Popularity • 80% Danceability • 66% Energy • 6% Liveness
25% Instrumentalness • 82% Positiveness
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The Soft Soles
Torn Apart
125 bpm • G# Maj • 02:48 • -6.01db
13% Popularity • 83% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 83% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Natalie Cole
Oye Como Va
125 bpm • D Maj • 05:00 • -5.19db
29% Popularity • 78% Danceability • 83% Energy • 76% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 78% Danceability • 83% Energy • 76% Liveness
0% Instrumentalness • 92% Positiveness
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Lou Bega
Angelina
125 bpm • C Maj • 03:17 • -6db
42% Popularity • 91% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
42% Popularity • 91% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Andy Fortuna
Hot Tamale
125 bpm • F min • 03:02 • -4.73db
24% Popularity • 67% Danceability • 82% Energy • 13% Liveness
86% Instrumentalness • 97% Positiveness
24% Popularity • 67% Danceability • 82% Energy • 13% Liveness
86% Instrumentalness • 97% Positiveness
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McEndoz
Limonata Cha Cha
125 bpm • G Maj • 03:12 • -3.83db
6% Popularity • 81% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
6% Popularity • 81% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Arthur Murray Orchestra
Clases De Cha Cha Cha (Cha-Cha-Cha Class...
125 bpm • D Maj • 02:38 • -9.64db
26% Popularity • 87% Danceability • 67% Energy • 24% Liveness
60% Instrumentalness • 91% Positiveness
26% Popularity • 87% Danceability • 67% Energy • 24% Liveness
60% Instrumentalness • 91% Positiveness
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Orchester Werner Tauber
Gipsy Tango
132 bpm • D min • 02:44 • -5.61db
20% Popularity • 64% Danceability • 68% Energy • 34% Liveness
1% Instrumentalness • 83% Positiveness
20% Popularity • 64% Danceability • 68% Energy • 34% Liveness
1% Instrumentalness • 83% Positiveness
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Bobby Morganstein
Volver a Verti
124 bpm • A# min • 04:04 • -7.18db
10% Popularity • 88% Danceability • 79% Energy • 7% Liveness
23% Instrumentalness • 99% Positiveness
10% Popularity • 88% Danceability • 79% Energy • 7% Liveness
23% Instrumentalness • 99% Positiveness
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Ludwig van Beethoven
Mondschein Sonata III
132 bpm • C# min • 03:29 • -11.22db
11% Popularity • 59% Danceability • 48% Energy • 14% Liveness
42% Instrumentalness • 66% Positiveness
11% Popularity • 59% Danceability • 48% Energy • 14% Liveness
42% Instrumentalness • 66% Positiveness
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Dany Brillant
Dans ta chambre
132 bpm • C# min • 04:14 • -2.87db
14% Popularity • 90% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 90% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Sergei Rachmaninoff
Rock Me Rachmaninoff
132 bpm • A Maj • 03:06 • -11.26db
5% Popularity • 77% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
5% Popularity • 77% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
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Cafe Latino
Medley: Café Latino / Oye Como Va / Gua...
132 bpm • C Maj • 07:33 • -6.71db
18% Popularity • 79% Danceability • 87% Energy • 21% Liveness
8% Instrumentalness • 93% Positiveness
18% Popularity • 79% Danceability • 87% Energy • 21% Liveness
8% Instrumentalness • 93% Positiveness
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Versaillesstation
Frénésie
124 bpm • G# Maj • 02:55 • -8db
24% Popularity • 75% Danceability • 70% Energy • 26% Liveness
92% Instrumentalness • 98% Positiveness
24% Popularity • 75% Danceability • 70% Energy • 26% Liveness
92% Instrumentalness • 98% Positiveness
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Cantovano and His Orchestra
FrenesÃ
124 bpm • G# Maj • 02:53 • -8db
27% Popularity • 75% Danceability • 70% Energy • 25% Liveness
92% Instrumentalness • 98% Positiveness
27% Popularity • 75% Danceability • 70% Energy • 25% Liveness
92% Instrumentalness • 98% Positiveness
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Orchester Werner Tauber
Auf in den Kampf Torero
124 bpm • A# Maj • 02:01 • -4.05db
9% Popularity • 80% Danceability • 88% Energy • 5% Liveness
58% Instrumentalness • 95% Positiveness
9% Popularity • 80% Danceability • 88% Energy • 5% Liveness
58% Instrumentalness • 95% Positiveness
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The Ballroom Dance Orchestra
Cha Cha Cuba Libre
132 bpm • C Maj • 03:10 • -7db
10% Popularity • 71% Danceability • 59% Energy • 19% Liveness
2% Instrumentalness • 87% Positiveness
10% Popularity • 71% Danceability • 59% Energy • 19% Liveness
2% Instrumentalness • 87% Positiveness
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Gerli Padar
Tomorrow Never Dies (Cha Cha)
124 bpm • C min • 03:28 • -7.73db
11% Popularity • 74% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 74% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Orquesta La Palabra
I'm Going To Shenzhen
124 bpm • G min • 04:42 • -7db
10% Popularity • 77% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 77% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
