Songs like Concierto madrigal - VI. Pastoral (Allegretto) by Slava Grigoryan
Based on a tempo of (+/- 10%) and a similar genre
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Fernando Sor
24 Studies, Op. 35, "Exercises": Study N...
79 bpm • D Maj • 01:44 • -30db
42% Popularity • 28% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
42% Popularity • 28% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
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Federico Moreno Torroba
Suite Castellana: Suite Castellana II. A...
79 bpm • D min • 02:56 • -17.43db
2% Popularity • 42% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
2% Popularity • 42% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Radamés Gnattali
Retratos: 3. Anacleto de Medeiros (schot...
79 bpm • G Maj • 04:22 • -24.91db
0% Popularity • 34% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
0% Popularity • 34% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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V. Asencio
Dipsô
79 bpm • A min • 06:22 • -28.95db
10% Popularity • 52% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
10% Popularity • 52% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Franz Schubert
6 Schubertian Songs: Winterreise, Op. 89...
79 bpm • D Maj • 02:30 • -25.07db
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Jeffrey McFadden
Eagle Soaring
79 bpm • G min • 02:00 • -20db
16% Popularity • 36% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
16% Popularity • 36% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Fernando Sor
Etude No. 6 (arr. of F. Sor: 24 Very Eas...
80 bpm • D Maj • 02:11 • -26db
11% Popularity • 37% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 33% Positiveness
11% Popularity • 37% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 33% Positiveness
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Carlos Seixas
Keyboard Sonata No. 23 in D Minor: I. Ad...
80 bpm • D min • 01:37 • -29.72db
21% Popularity • 40% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
21% Popularity • 40% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Edward Grigoryan
Song for Irina
80 bpm • C Maj • 04:20 • -18.92db
1% Popularity • 43% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
1% Popularity • 43% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Mauro Giuliani
Giuliani: Études for Guitar, Le papillo...
80 bpm • G Maj • 01:06 • -27.04db
22% Popularity • 37% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
22% Popularity • 37% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
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Catharina Josepha Pratten
A Lament
80 bpm • A# Maj • 02:21 • -24.07db
7% Popularity • 47% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 14% Positiveness
7% Popularity • 47% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 14% Positiveness
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Federico Moreno Torroba
Aires de La Mancha (arr. P. Galbraith): ...
80 bpm • F min • 02:29 • -29.58db
24% Popularity • 53% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
24% Popularity • 53% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Slava Grigoryan
Don’s Bat
78 bpm • G Maj • 03:16 • -18.29db
11% Popularity • 53% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 51% Positiveness
11% Popularity • 53% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 51% Positiveness
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Ludwig van Beethoven
Adagio for Mandolin and Harpsichord in E...
80 bpm • D# Maj • 04:32 • -29.22db
12% Popularity • 44% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
12% Popularity • 44% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Isaac Albéniz
Mallorca, Op. 202
78 bpm • D min • 07:19 • -18.31db
34% Popularity • 37% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
34% Popularity • 37% Danceability • 18% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Mauro Giuliani
Variazioni su un tema di Handel, Op. 107
80 bpm • A Maj • 09:26 • -29db
36% Popularity • 24% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
36% Popularity • 24% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Ariel RamÃrez
Alfonsina y el mar (Arr. R. Dyens for Gu...
78 bpm • E min • 05:05 • -29db
18% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
18% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Alonso Mudarra
Fantasia
78 bpm • E Maj • 02:03 • -14.82db
1% Popularity • 28% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 55% Positiveness
1% Popularity • 28% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 55% Positiveness
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Maximo Diego Pujol
Elegia por la muerte de un tanguero (Ele...
77 bpm • D min • 03:03 • -28.99db
23% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
23% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Niccolò Paganini
Guitar Sonata No. 6 in F Major: Minuet -...
77 bpm • C Maj • 04:15 • -26.64db
15% Popularity • 29% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
15% Popularity • 29% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Mark Summer
Julie-O
80 bpm • D Maj • 04:43 • -19db
37% Popularity • 45% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
37% Popularity • 45% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
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Erik Satie
Gymnopédie No. 1 (Arr. for Guitar)
77 bpm • G Maj • 03:27 • -23.15db
11% Popularity • 62% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 62% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Nigel Westlake
In Loving Memory
77 bpm • D Maj • 04:08 • -21.51db
2% Popularity • 20% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
2% Popularity • 20% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Peter Maxwell Davies
Farewell to Stromness (arr. T. Walker)
81 bpm • D Maj • 03:49 • -31.66db
12% Popularity • 34% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
12% Popularity • 34% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
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Roland Dyens
Songe Capricorne
81 bpm • B min • 06:12 • -30db
12% Popularity • 26% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: No. 13. Canco del ...
77 bpm • D Maj • 02:12 • -35.33db
28% Popularity • 19% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
28% Popularity • 19% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
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Francis Kleynjans
Barcarolle #2
77 bpm • D Maj • 01:32 • -18.4db
19% Popularity • 31% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
19% Popularity • 31% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
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Giulio Regondi
Concertina Etude in D Major (Transcr. D....
81 bpm • D Maj • 01:51 • -28.89db
15% Popularity • 26% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 67% Positiveness
15% Popularity • 26% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 67% Positiveness
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Robert de Visée
Pièces de théorbe, Suite in A Minor: I...
77 bpm • A Maj • 02:22 • -25.32db
21% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
21% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Tsuneo Imahori
Stars of Sand
77 bpm • D Maj • 03:29 • -25.61db
36% Popularity • 60% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
36% Popularity • 60% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Sonata "Follia" Op. 5, No. 12: Adagio
82 bpm • C# min • 02:12 • -24db
36% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
36% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
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Slava Grigoryan
Deep Time
82 bpm • D min • 04:59 • -22.95db
5% Popularity • 49% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
5% Popularity • 49% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
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Franz Schubert
6 Schubertian Songs (arr. J. Mertz for g...
82 bpm • D Maj • 03:23 • -32.11db
18% Popularity • 27% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
18% Popularity • 27% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
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Jorge Morel
Prelude (for Olga)
76 bpm • A min • 02:29 • -35.79db
33% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
33% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Anonomous Anonomous
Spanish Romance (Romanza)
82 bpm • E min • 03:07 • -27.68db
17% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
17% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Federico Moreno Torroba
Castellana
82 bpm • E Maj • 04:17 • -29.05db
10% Popularity • 48% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
10% Popularity • 48% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Robert de Visée
De Visée / Transcr. Garcia: Pièces de ...
76 bpm • C Maj • 01:23 • -28db
21% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
21% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
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Slava Grigoryan
Aglow
76 bpm • D Maj • 06:21 • -22.11db
4% Popularity • 36% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
4% Popularity • 36% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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William Lovelady
The Sounds Of Rain (Part 2) - Instrument...
82 bpm • E min • 03:19 • -13.84db
1% Popularity • 28% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 85% Positiveness
1% Popularity • 28% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 85% Positiveness
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JoaquÃn Rodrigo
Junto al Generalife
82 bpm • E min • 05:08 • -27.64db
13% Popularity • 23% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
13% Popularity • 23% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Michael Nicolella
Suite No. 1 in D Major (Orig. G Major), ...
82 bpm • D Maj • 02:34 • -17.48db
14% Popularity • 30% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
14% Popularity • 30% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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JoaquÃn Turina
Sonata D Major, Op. 61: 1. Allegro
76 bpm • G Maj • 04:00 • -24db
24% Popularity • 45% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 36% Positiveness
24% Popularity • 45% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 36% Positiveness
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Carlos Fariñas
Cancion triste (Sad Song)
75 bpm • C Maj • 02:56 • -28db
17% Popularity • 35% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
17% Popularity • 35% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Slava Grigoryan
Thylacine
83 bpm • F# min • 06:17 • -22.87db
4% Popularity • 41% Danceability • 8% Energy • 6% Liveness
42% Instrumentalness • 32% Positiveness
4% Popularity • 41% Danceability • 8% Energy • 6% Liveness
42% Instrumentalness • 32% Positiveness
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Silvius Leopold Weiss
Tombeau sur la Mort de Mr Comte de Logy ...
83 bpm • C min • 07:36 • -24.15db
12% Popularity • 36% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
12% Popularity • 36% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Robert de Visée
De Visée / Transcr. Garcia: Pièces de ...
83 bpm • A min • 01:23 • -27.5db
15% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 75% Positiveness
15% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 75% Positiveness
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Jean-Philippe Rameau
Pièces de clavecin avec une méthode, S...
83 bpm • F# min • 03:04 • -28.03db
17% Popularity • 33% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
17% Popularity • 33% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Isaac Albéniz
Suite espagnole, Op. 47: IV. Cádiz
83 bpm • A Maj • 05:16 • -18.06db
26% Popularity • 43% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
26% Popularity • 43% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
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VinÃcius de Moraes
Euridice
83 bpm • D Maj • 03:35 • -23.65db
1% Popularity • 42% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
1% Popularity • 42% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Federico Moreno Torroba
Romance de los pinos
83 bpm • A Maj • 01:46 • -26.94db
29% Popularity • 50% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
29% Popularity • 50% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Silvius Leopold Weiss
Passacaille - Arranged by Göran Söllsc...
83 bpm • C Maj • 03:26 • -22.44db
19% Popularity • 32% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
19% Popularity • 32% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
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Jane Rutter
Corcovado
75 bpm • A min • 07:30 • -18.54db
1% Popularity • 50% Danceability • 8% Energy • 34% Liveness
90% Instrumentalness • 22% Positiveness
1% Popularity • 50% Danceability • 8% Energy • 34% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
François Couperin
Les Barncades mysterieuses
83 bpm • D Maj • 02:13 • -31.23db
14% Popularity • 30% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 71% Positiveness
14% Popularity • 30% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 71% Positiveness
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Erik Satie
Gymnopédie No. 1 (Orig. for piano, arr....
84 bpm • G Maj • 04:32 • -22.2db
15% Popularity • 39% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
15% Popularity • 39% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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JoaquÃn Rodrigo
Concierto De Aranjuez - Adagio
75 bpm • B min • 11:51 • -19.2db
1% Popularity • 27% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
1% Popularity • 27% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Matthias Lindner
Silhouette
84 bpm • C# Maj • 01:20 • -25.83db
15% Popularity • 51% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
15% Popularity • 51% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Stephen Stubbs
Arpeggiata a mio modo (2004)
84 bpm • D# min • 03:12 • -35.04db
16% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
16% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Fernando Sor
Introduction and Variations on a theme b...
84 bpm • E Maj • 08:22 • -23.15db
9% Popularity • 34% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
9% Popularity • 34% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
► Preview
François Couperin
Vingt-Sixiéme Ordre - L'Epineuse
75 bpm • A min • 04:36 • -26db
35% Popularity • 32% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
35% Popularity • 32% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
► Preview
Slava Grigoryan
Granada (Arr. Slava Grigoryan)
84 bpm • C Maj • 04:42 • -8.58db
0% Popularity • 31% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
0% Popularity • 31% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
► Preview
Miguel Llobet Solés
13 Catalan Folksongs: El testament d'Ame...
84 bpm • D min • 02:01 • -31db
36% Popularity • 40% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 33% Positiveness
36% Popularity • 40% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 33% Positiveness
► Preview
Tan Dun
Eight Memories In Watercolor: VII. Float...
84 bpm • A# min • 01:45 • -35.45db
10% Popularity • 29% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 30% Positiveness
10% Popularity • 29% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 30% Positiveness
► Preview
Andrés Segovia
Aria detta la Frescobalda (arr. A. Segov...
84 bpm • E min • 05:19 • -24.52db
24% Popularity • 46% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
24% Popularity • 46% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
► Preview
Federico Mompou
Variation VIII on a Theme by Chopin
84 bpm • D Maj • 03:17 • -17.99db
0% Popularity • 64% Danceability • 7% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
0% Popularity • 64% Danceability • 7% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
William Walton
5 Bagatelles: III. Alla Cubana
74 bpm • B min • 01:39 • -28db
34% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
34% Popularity • 38% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
► Preview
William Lovelady
Incantation No. 2 - Instrumental
84 bpm • B Maj • 05:44 • -14.45db
0% Popularity • 52% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
0% Popularity • 52% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
► Preview
Napoléon Coste
25 Etudes for Guitar, Op. 38: Etude No. ...
84 bpm • A min • 01:20 • -16db
23% Popularity • 49% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
23% Popularity • 49% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
► Preview
Xuefei Yang
Drunken Ecstasy (arr. Xuefei Yang for gu...
74 bpm • F Maj • 02:07 • -32.11db
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
24% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Eduardo Sainz De La Maza
Campanas del Alba
84 bpm • B min • 03:52 • -27.8db
18% Popularity • 23% Danceability • 12% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
18% Popularity • 23% Danceability • 12% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
► Preview
Enrique Granados
Granados: 12 Danzas españolas: No. 5, A...
74 bpm • E min • 04:30 • -34.04db
22% Popularity • 32% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
22% Popularity • 32% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
► Preview
Fernando Sor
24 Progressive Lessons, Op. 31: No. 2, A...
73 bpm • C Maj • 01:44 • -28db
13% Popularity • 46% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 21% Positiveness
13% Popularity • 46% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Elias Parish Alvars
Introduction & Variations on Favorite Ai...
73 bpm • D# Maj • 01:42 • -29.12db
19% Popularity • 31% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
19% Popularity • 31% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Jaime Mirtenbaum Zenamon
Reflexões No. 6: II. Doloroso
73 bpm • E min • 04:48 • -22.16db
5% Popularity • 24% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
5% Popularity • 24% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
► Preview
JoaquÃn Turina
Fandanguillo. Allegretto tranquillo, Op....
86 bpm • A min • 04:50 • -19.55db
1% Popularity • 42% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
1% Popularity • 42% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Jean-Philippe Rameau
L'entretien des muses, RCT 3/6 (Arr. Gri...
86 bpm • D min • 05:45 • -24.22db
12% Popularity • 37% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 41% Positiveness
12% Popularity • 37% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 41% Positiveness
► Preview
Samuel Diz
La Soledad
86 bpm • C Maj • 01:12 • -19.64db
22% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
22% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
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Stephen Stubbs
Refrain 1
86 bpm • A min • 01:41 • -39.5db
31% Popularity • 27% Danceability • 0% Energy • 6% Liveness
77% Instrumentalness • 12% Positiveness
31% Popularity • 27% Danceability • 0% Energy • 6% Liveness
77% Instrumentalness • 12% Positiveness
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Josquin des Prez
Adieu mes Amours
73 bpm • D min • 01:45 • -25db
17% Popularity • 66% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 60% Positiveness
17% Popularity • 66% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 60% Positiveness
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Giulio Regondi
10 Etudes: I. Etude No. 1: Moderato
86 bpm • C Maj • 03:00 • -21.85db
15% Popularity • 27% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
15% Popularity • 27% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Jane Rutter
Dindi
86 bpm • F# min • 05:05 • -18.47db
3% Popularity • 39% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
3% Popularity • 39% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
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Roland Dyens
Göttingen
86 bpm • A min • 03:48 • -22.38db
27% Popularity • 31% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
27% Popularity • 31% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Edoardo Catemario
Jacinto Chiclana (Piazzolla)
86 bpm • B min • 02:33 • -29.24db
18% Popularity • 50% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
18% Popularity • 50% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 1. Liebesbot...
86 bpm • G Maj • 03:37 • -26.83db
16% Popularity • 35% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
16% Popularity • 35% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
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Francesco da Milano
Fantasia No. 28 (Arr. T. Hoppstock for G...
86 bpm • D# Maj • 00:56 • -21.15db
10% Popularity • 41% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 79% Positiveness
10% Popularity • 41% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 79% Positiveness
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Francisco Calleja
Canción Triste
72 bpm • G min • 05:05 • -31.81db
14% Popularity • 25% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 23% Positiveness
14% Popularity • 25% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 23% Positiveness
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Domenico Scarlatti
Keyboard Sonata in E Major, K.380/L.23/P...
86 bpm • B Maj • 04:26 • -23.22db
14% Popularity • 46% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
14% Popularity • 46% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Marshall (Arr.)
The Girl With The Flaxen Hair
87 bpm • E min • 02:33 • -33.26db
17% Popularity • 40% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
17% Popularity • 40% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Stephen Stubbs
First Descent
87 bpm • A min • 01:17 • -41db
27% Popularity • 45% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 12% Positiveness
27% Popularity • 45% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 12% Positiveness
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Federico Moreno Torroba
Suite Castellana: Suite Castellana III. ...
87 bpm • E Maj • 02:25 • -15.7db
2% Popularity • 36% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
2% Popularity • 36% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Leonard Grigoryan
Júrame (Arr. Leonard Grigoryan)
87 bpm • B Maj • 04:32 • -10.67db
0% Popularity • 40% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 40% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Silvius Leopold Weiss
Lute Sonata in A Major : I. Prelude
87 bpm • G Maj • 01:19 • -27.61db
16% Popularity • 30% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
16% Popularity • 30% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Erik Satie
Gymnopédie No. 3 (Arr. for Guitar)
87 bpm • A min • 02:24 • -23.48db
7% Popularity • 61% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
7% Popularity • 61% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Slava Grigoryan
Hunter’s Edge
87 bpm • G Maj • 03:45 • -19.4db
4% Popularity • 42% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 29% Positiveness
4% Popularity • 42% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 29% Positiveness
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Andrés Segovia
Keyboard Suite No. 4 in D Minor, HWV 437...
87 bpm • D min • 04:01 • -21.45db
28% Popularity • 56% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
28% Popularity • 56% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
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Isaac Albéniz
Suite espagnole, Op. 47: II. Cataluña
71 bpm • G min • 04:35 • -16.39db
28% Popularity • 45% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
28% Popularity • 45% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
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Stephen Stubbs
Refrain 3
88 bpm • A min • 01:50 • -39.48db
24% Popularity • 43% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
24% Popularity • 43% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
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Anonymous
Romance
88 bpm • E min • 01:53 • -29.9db
21% Popularity • 27% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 19% Positiveness
21% Popularity • 27% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 19% Positiveness
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Jane Rutter
Mas Que Nada
88 bpm • C min • 03:46 • -11.56db
3% Popularity • 71% Danceability • 35% Energy • 8% Liveness
76% Instrumentalness • 69% Positiveness
3% Popularity • 71% Danceability • 35% Energy • 8% Liveness
76% Instrumentalness • 69% Positiveness
