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Concrete Reservation
Songs like
Concrete Reservation
by
Syl Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Ann Peebles
I Pity the Fool
90 bpm • F Maj • 02:59 • -7.07db
30% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Sugar Pie DeSanto
Git Back
90 bpm • G# Maj • 03:01 • -8db
22% Popularity • 72% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Sharon Jones & The Dap-Kings
Be Easy
90 bpm • G Maj • 03:03 • -9db
54% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Eunice Collins
At the Hotel (Mixed)
90 bpm • B min • 03:38 • -11.8db
47% Popularity • 79% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Clarence Reid
Till I Get My Share
90 bpm • A# min • 02:27 • -4.63db
30% Popularity • 70% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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O.V. Wright
A Nickel And A Nail
90 bpm • C Maj • 03:42 • -10db
26% Popularity • 64% Danceability • 52% Energy • 19% Liveness
3% Instrumentalness • 68% Positiveness
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Bobby Patterson
How Do You Spell Love
90 bpm • A# min • 02:20 • -10.61db
29% Popularity • 75% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 96% Positiveness
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The Meters
Tippi-Toes
90 bpm • G Maj • 02:29 • -13.44db
40% Popularity • 76% Danceability • 53% Energy • 5% Liveness
77% Instrumentalness • 82% Positiveness
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Lee Dorsey
Get out of My Life Woman
90 bpm • F# Maj • 02:26 • -11db
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Syl Johnson
Concrete Reservation
90 bpm • A min • 02:27 • -7db
41% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Bill Withers
Better off Dead
91 bpm • F Maj • 02:14 • -10db
52% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Saun & Starr
Big Wheel
91 bpm • C# min • 03:18 • -6db
51% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Dee Edwards
(I Can) Deal with That
91 bpm • C# Maj • 03:39 • -8.83db
35% Popularity • 59% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Dyke & The Blazers
It's Your Thing
89 bpm • F# Maj • 02:30 • -11db
20% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Lyn Christopher
Take Me With You
91 bpm • A# min • 03:07 • -11.69db
31% Popularity • 66% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Syl Johnson
Come Together
89 bpm • B Maj • 03:15 • -9db
28% Popularity • 84% Danceability • 50% Energy • 13% Liveness
2% Instrumentalness • 72% Positiveness
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Menahan Street Band
Make the Road By Walking
91 bpm • A# min • 03:03 • -8.39db
49% Popularity • 62% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 90% Positiveness
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Ripple
I Don’t Know What It Is, But It Sure I...
91 bpm • A# min • 03:27 • -6.93db
37% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Renaldo Domino
Let Me Come Within
91 bpm • D Maj • 02:29 • -8.57db
21% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Sweet Charles
Hang Out & Hustle
91 bpm • F Maj • 04:08 • -6.91db
15% Popularity • 81% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Baby Huey
Mighty Mighty
91 bpm • E Maj • 02:49 • -6db
25% Popularity • 44% Danceability • 90% Energy • 47% Liveness
1% Instrumentalness • 82% Positiveness
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Bobby Rush
Chicken Heads
89 bpm • A Maj • 02:34 • -8.47db
36% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The Meters
Here Comes the Meter Man
91 bpm • C Maj • 02:55 • -10.47db
35% Popularity • 57% Danceability • 89% Energy • 5% Liveness
3% Instrumentalness • 90% Positiveness
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Charles Bradley
Heart of Gold
91 bpm • E min • 03:03 • -7.62db
62% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Willie Wright
I'm So Happy Now
89 bpm • C# min • 04:33 • -6.53db
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Jean Knight
You Think You're Hot Stuff
89 bpm • G# Maj • 02:29 • -13.2db
28% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Baby Huey
Hard Times
91 bpm • A min • 03:23 • -5.82db
51% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Darondo
Sexy Mama
88 bpm • B min • 03:55 • -10db
31% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Ohio Players
Here Today Gone Tomorrow
92 bpm • C Maj • 03:35 • -10.17db
29% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Elvin Spencer
Lift This Hurt
92 bpm • F min • 02:41 • -9db
21% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Syl Johnson
I Hear the Love Chimes
92 bpm • G# min • 02:44 • -10.2db
47% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Joyce Williams
The First Thing I Do in the Morning
92 bpm • G min • 02:55 • -7.64db
19% Popularity • 66% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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The Deacons
A Drop in the Bucket
92 bpm • G Maj • 02:56 • -6.39db
15% Popularity • 58% Danceability • 94% Energy • 34% Liveness
21% Instrumentalness • 72% Positiveness
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Ann Peebles
Somebody's on Your Case
92 bpm • G Maj • 02:24 • -7.61db
39% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Eugene McDaniels
Cherrystones
88 bpm • F min • 03:11 • -10db
33% Popularity • 62% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 93% Positiveness
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O.V. Wright
I've Been Searching
88 bpm • F# Maj • 02:39 • -10.6db
23% Popularity • 75% Danceability • 46% Energy • 8% Liveness
4% Instrumentalness • 66% Positiveness
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Syl Johnson
Let Yourself Go
88 bpm • G# Maj • 03:11 • -10.07db
34% Popularity • 66% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 54% Positiveness
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Donny Hathaway
Little Ghetto Boy
92 bpm • F# min • 03:52 • -7.52db
37% Popularity • 54% Danceability • 51% Energy • 60% Liveness
0% Instrumentalness • 59% Positiveness
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Irma Thomas
In Between Tears
92 bpm • F Maj • 02:36 • -5.95db
35% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Clarence Reid
Masterpiece
92 bpm • D# Maj • 02:52 • -2.36db
31% Popularity • 52% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Darondo
I Want Your Love so Bad
92 bpm • A Maj • 04:10 • -9.04db
31% Popularity • 55% Danceability • 51% Energy • 66% Liveness
15% Instrumentalness • 52% Positiveness
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O.V. Wright
Eight Men And Four Women
92 bpm • D min • 02:58 • -16.9db
24% Popularity • 60% Danceability • 15% Energy • 51% Liveness
0% Instrumentalness • 49% Positiveness
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Syl Johnson
Don't Give It Away
92 bpm • C# min • 02:48 • -5.68db
10% Popularity • 69% Danceability • 60% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
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The Whatnauts
Message from a Black Man
92 bpm • A# min • 03:01 • -16db
34% Popularity • 50% Danceability • 22% Energy • 47% Liveness
74% Instrumentalness • 64% Positiveness
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Tami Lynn
Mojo Hannah
92 bpm • D# Maj • 03:25 • -8.25db
11% Popularity • 70% Danceability • 79% Energy • 64% Liveness
0% Instrumentalness • 80% Positiveness
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Clarence Carter
Doin' Our Thing
93 bpm • D# Maj • 02:28 • -14.52db
23% Popularity • 68% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Shelley Fisher
I'll Leave You Girl
93 bpm • G# Maj • 02:38 • -5.1db
8% Popularity • 56% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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O.V. Wright
Don't Let My Baby Ride
88 bpm • C min • 03:04 • -13.1db
23% Popularity • 67% Danceability • 40% Energy • 22% Liveness
19% Instrumentalness • 53% Positiveness
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Dry Bread
Words to My Song
93 bpm • C# min • 03:06 • -8.44db
39% Popularity • 56% Danceability • 90% Energy • 8% Liveness
56% Instrumentalness • 89% Positiveness
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24 Carat Black
Foodstamps
93 bpm • C Maj • 06:27 • -8.58db
18% Popularity • 69% Danceability • 68% Energy • 4% Liveness
50% Instrumentalness • 80% Positiveness
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Rufus Thomas
Funky Way
93 bpm • G# Maj • 02:58 • -10.93db
18% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Sharon Jones & The Dap-Kings
Come and Be a Winner
93 bpm • D min • 02:56 • -8.15db
62% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Willie West
I'm Still a Man (Lord Have Mercy)
87 bpm • C Maj • 04:11 • -9.16db
36% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Eddie Bo
Lover and a Friend
93 bpm • A# min • 02:29 • -14.72db
19% Popularity • 72% Danceability • 56% Energy • 6% Liveness
13% Instrumentalness • 97% Positiveness
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The Five Stairsteps
Don't Change Your Love - Buddha Remaster...
93 bpm • A Maj • 02:48 • -7.01db
19% Popularity • 59% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Mad Lads
Get Out of My Life
93 bpm • G Maj • 03:06 • -14db
16% Popularity • 73% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Charles Bradley
Strictly Reserved for You
87 bpm • F Maj • 03:42 • -6db
45% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Syl Johnson
Right On
93 bpm • A min • 07:13 • -7.26db
15% Popularity • 74% Danceability • 86% Energy • 37% Liveness
1% Instrumentalness • 85% Positiveness
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Ohio Players
Here Today And Gone Tomorrow
93 bpm • C Maj • 03:32 • -11.11db
24% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Garner
I Got Some, Pt. 1
93 bpm • A Maj • 02:53 • -7db
23% Popularity • 64% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Milton Wright
Keep It Up
93 bpm • D Maj • 04:12 • -7db
41% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Edwin Starr
Easin' In
87 bpm • F# Maj • 03:14 • -11.15db
47% Popularity • 84% Danceability • 40% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
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Charles Bradley
The World (Is Going Up in Flames)
87 bpm • F min • 03:22 • -8db
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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William DeVaughn
Be Thankful for What You Got (Pt. 1 & Pt...
93 bpm • C# min • 07:09 • -13.29db
51% Popularity • 79% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 84% Positiveness
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Lee Dorsey
A Lover Was Born
93 bpm • A# min • 02:54 • -8.47db
19% Popularity • 77% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Bill Withers
Lonely Town, Lonely Street
87 bpm • F# min • 03:45 • -12.1db
46% Popularity • 81% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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King Floyd
I Feel Like Dynamite
93 bpm • F# Maj • 03:18 • -14db
42% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
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Allen Toussaint
All I Want Is You - Remastered
93 bpm • G Maj • 02:11 • -4.58db
29% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Lee Fields & The Expressions
Problems
86 bpm • D# min • 03:12 • -6.57db
17% Popularity • 75% Danceability • 73% Energy • 6% Liveness
44% Instrumentalness • 96% Positiveness
► Preview
Master Plan Inc
Try It (You'll Like It)
94 bpm • D Maj • 02:23 • -9.9db
28% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Darondo
The Wolf
86 bpm • C Maj • 04:58 • -11db
35% Popularity • 85% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Bill Withers
Kissing My Love
94 bpm • C# Maj • 03:51 • -13.08db
50% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Ike & Tina Turner
Bold Soul Sister
94 bpm • D# Maj • 02:38 • -13db
32% Popularity • 78% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 93% Positiveness
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O.V. Wright
I Don't Do Windows
94 bpm • D Maj • 02:24 • -11.83db
21% Popularity • 70% Danceability • 56% Energy • 6% Liveness
2% Instrumentalness • 90% Positiveness
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Irma Thomas
Ruler Of My Heart
94 bpm • A Maj • 02:39 • -14.18db
50% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
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Sly & The Family Stone
I Cannot Make It
94 bpm • D Maj • 03:18 • -8.32db
21% Popularity • 60% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Little Beaver
Everbody Has Some Dues To Pay
94 bpm • A Maj • 02:20 • -2.52db
29% Popularity • 66% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Syl Johnson
Don't Do It
94 bpm • B min • 02:47 • -12.16db
29% Popularity • 80% Danceability • 37% Energy • 7% Liveness
3% Instrumentalness • 90% Positiveness
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Darondo
Do You Really Love Me
94 bpm • G min • 02:58 • -7.65db
28% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
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Willie Mitchell
Mercy Mercy Mercy - Live
86 bpm • A# Maj • 02:17 • -8.7db
16% Popularity • 56% Danceability • 46% Energy • 86% Liveness
89% Instrumentalness • 75% Positiveness
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Gwen McCrae
Mechanical Body
94 bpm • A# Maj • 02:51 • -3db
30% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Marva Whitney
Nothing I'd Rather Be (Than Your Weaknes...
95 bpm • E min • 03:11 • -7.35db
37% Popularity • 59% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Mary Jane Hooper
I've Got Reasons
95 bpm • A# min • 03:08 • -11db
31% Popularity • 74% Danceability • 63% Energy • 15% Liveness
78% Instrumentalness • 93% Positiveness
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Clarence Reid
Nobody but You Babe
95 bpm • A# Maj • 02:49 • -8.57db
29% Popularity • 67% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Darondo
True
95 bpm • C# min • 04:46 • -9.06db
35% Popularity • 86% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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George Jackson
Aretha, Sing One for Me
86 bpm • C Maj • 02:57 • -10.7db
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Jimmy "Bo" Horne
Clean Up Man
85 bpm • G min • 02:30 • -12.22db
28% Popularity • 75% Danceability • 37% Energy • 6% Liveness
25% Instrumentalness • 68% Positiveness
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Junior Parker
The Outside Man
95 bpm • A Maj • 03:15 • -20db
14% Popularity • 63% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Gene Williams
Don't Let Your Love Fade Away
95 bpm • E min • 02:46 • -7.15db
26% Popularity • 38% Danceability • 60% Energy • 18% Liveness
16% Instrumentalness • 70% Positiveness
► Preview
Ben E. King
Supernatural Thing, Pt. 1
95 bpm • A# min • 04:11 • -10.93db
48% Popularity • 72% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Willie & West
Fairchild
95 bpm • F min • 03:16 • -8.94db
35% Popularity • 82% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Alice Clark
Never Did I Stop Loving You
95 bpm • F Maj • 02:34 • -6.14db
33% Popularity • 46% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Bobby Byrd
You're Welcome, Stop On By
95 bpm • E min • 03:45 • -12db
20% Popularity • 69% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
Lee Dorsey
Get out of My Life, Woman
85 bpm • B Maj • 03:10 • -13db
26% Popularity • 71% Danceability • 43% Energy • 9% Liveness
5% Instrumentalness • 70% Positiveness
► Preview
Darondo
Legs
95 bpm • D Maj • 03:44 • -9db
33% Popularity • 72% Danceability • 79% Energy • 23% Liveness
1% Instrumentalness • 63% Positiveness
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The J.B.'s
Givin' Up Food For Funk
95 bpm • A# min • 03:08 • -10db
32% Popularity • 73% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Rufus Thomas
Sixty Minute Man
85 bpm • C# min • 07:18 • -9.45db
24% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Little Beaver
Everybody Has Some Dues to Pay, Pt. I & ...
95 bpm • A Maj • 04:19 • -13db
11% Popularity • 66% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 77% Positiveness
► Preview
Bobby Byrd
Never Get Enough
95 bpm • A min • 03:17 • -11db
26% Popularity • 82% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Concrete Reservation