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Conjure Of Sacrifice
Songs like
Conjure Of Sacrifice
by
Edward Shearmur
Based on a tempo of (+/- 10%) and a similar genre
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Burkhard Dallwitz
Drive
107 bpm • G# Maj • 03:36 • -17.34db
19% Popularity • 69% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Ennio Morricone
The Thing
108 bpm • C# Maj • 04:28 • -21db
18% Popularity • 62% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Marcelo Zarvos
I Want You To Have This - Reprise
107 bpm • D# Maj • 01:10 • -27.19db
36% Popularity • 36% Danceability • 3% Energy • 9% Liveness
100% Instrumentalness • 4% Positiveness
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Mychael Danna
First Night, First Day
109 bpm • G# min • 03:45 • -21db
32% Popularity • 16% Danceability • 13% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Henry Jackman
Cerebro
109 bpm • D Maj • 02:23 • -15db
30% Popularity • 19% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Howard Shore
Flight to the Ford
109 bpm • C Maj • 04:14 • -18db
45% Popularity • 16% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Dario Marianelli
Where Is Winston?
104 bpm • G Maj • 02:43 • -11.89db
24% Popularity • 47% Danceability • 66% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
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Jeff Beal
Losing Rachel
110 bpm • G# Maj • 02:26 • -17db
32% Popularity • 34% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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A.R. Rahman
Divinity Theme
110 bpm • G min • 05:08 • -17.78db
12% Popularity • 16% Danceability • 9% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Creatures
110 bpm • A min • 02:09 • -16.29db
46% Popularity • 34% Danceability • 37% Energy • 25% Liveness
56% Instrumentalness • 6% Positiveness
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Mark Isham
If I Could Kiss You
110 bpm • D Maj • 03:39 • -17.61db
11% Popularity • 75% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Edward Shearmur
Good Morning Bess - K-Pax
110 bpm • A Maj • 02:47 • -25db
25% Popularity • 42% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Dario Marianelli
Starting The Ascent
110 bpm • A# min • 03:06 • -19.31db
22% Popularity • 47% Danceability • 40% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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M83
Tech 49
104 bpm • G Maj • 05:58 • -17.58db
34% Popularity • 22% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Okinawa Battlefield
110 bpm • E min • 03:59 • -19db
33% Popularity • 16% Danceability • 18% Energy • 4% Liveness
90% Instrumentalness • 3% Positiveness
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Harald Kloser
The Day After Tomorrow
110 bpm • C Maj • 03:27 • -20.47db
48% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
What Is War?
104 bpm • A# min • 03:33 • -25.98db
25% Popularity • 24% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Edward Shearmur
4th Of July - K-Pax
110 bpm • E min • 04:14 • -17.75db
16% Popularity • 66% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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David Julyan
Closing Titles
111 bpm • C# min • 04:05 • -15.16db
9% Popularity • 16% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Marco Beltrami
It's Hard To Kill A McClane
110 bpm • C Maj • 03:01 • -13.11db
21% Popularity • 24% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Dario Marianelli
The War Rooms
103 bpm • G# Maj • 02:45 • -20.91db
30% Popularity • 46% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
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Steven Price
The Ocean Returns The Favour
103 bpm • E min • 02:20 • -15db
39% Popularity • 40% Danceability • 36% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
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Burkhard Dallwitz
Reunion
111 bpm • D# Maj • 02:26 • -14db
30% Popularity • 21% Danceability • 18% Energy • 38% Liveness
88% Instrumentalness • 4% Positiveness
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Edward Shearmur
Shearmur: Parachute Drop [Johnny English...
110 bpm • A# min • 02:47 • -10.85db
14% Popularity • 47% Danceability • 70% Energy • 19% Liveness
90% Instrumentalness • 53% Positiveness
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Harald Kloser
Burning Books
111 bpm • E min • 01:42 • -27db
46% Popularity • 22% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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John Powell
Waterloo
103 bpm • C Maj • 10:38 • -13.17db
23% Popularity • 45% Danceability • 64% Energy • 10% Liveness
82% Instrumentalness • 21% Positiveness
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Anne Dudley
Two Brothers
112 bpm • E min • 02:55 • -22db
29% Popularity • 17% Danceability • 8% Energy • 31% Liveness
56% Instrumentalness • 6% Positiveness
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Howard Shore
Brooklyn Heights, Pt. 1
112 bpm • F Maj • 02:16 • -20.12db
20% Popularity • 22% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Shogun's Sentence
103 bpm • C min • 02:04 • -21.92db
50% Popularity • 15% Danceability • 9% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Clint Mansell
The Spirit of the Creator Moved Upon the...
112 bpm • A# Maj • 02:59 • -11.37db
11% Popularity • 26% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Harald Kloser
The End
102 bpm • F Maj • 03:18 • -15db
33% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Henry Jackman
First Class
113 bpm • A# Maj • 03:20 • -11db
52% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Steven Price
The Blue Whale
112 bpm • F# min • 05:12 • -16db
39% Popularity • 17% Danceability • 28% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Howard Shore
The Story Breaks
112 bpm • A min • 01:56 • -21.88db
40% Popularity • 27% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Mychael Danna
Pi and Richard Parker
101 bpm • A min • 02:14 • -27.87db
31% Popularity • 16% Danceability • 3% Energy • 34% Liveness
98% Instrumentalness • 6% Positiveness
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Ilan Eshkeri
Arianne
101 bpm • F min • 01:10 • -33.02db
53% Popularity • 14% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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John Powell
Faces Without Names
113 bpm • E min • 03:31 • -17.29db
22% Popularity • 17% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Kyle Eastwood and Michael Stevens
Main Titles - Letters from Iwo Jima
101 bpm • D min • 04:17 • -12db
31% Popularity • 30% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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David Julyan
Will's Confession
101 bpm • B min • 02:33 • -24.03db
15% Popularity • 14% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Howard Shore
The Thief
113 bpm • B min • 04:20 • -21.24db
30% Popularity • 25% Danceability • 11% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Jeff Russo
Star Trek Picard Main Title
114 bpm • D Maj • 01:43 • -12.88db
30% Popularity • 22% Danceability • 28% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Edward Shearmur
Violet's Story
101 bpm • C Maj • 02:28 • -20.49db
7% Popularity • 37% Danceability • 42% Energy • 9% Liveness
65% Instrumentalness • 35% Positiveness
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John Powell
Six Weeks Ago
101 bpm • E min • 04:31 • -13db
23% Popularity • 29% Danceability • 41% Energy • 8% Liveness
82% Instrumentalness • 13% Positiveness
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Marc Streitenfeld
Pact Sworn in Blood
100 bpm • E min • 02:52 • -19db
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Burkhard Dallwitz
Underground
114 bpm • F# Maj • 00:57 • -14.92db
23% Popularity • 52% Danceability • 41% Energy • 11% Liveness
82% Instrumentalness • 34% Positiveness
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Dario Marianelli
Setting Off From Kathmandu
100 bpm • A# Maj • 01:16 • -20.02db
43% Popularity • 37% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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John Beal
Judge Dredd Trailer
100 bpm • D Maj • 00:57 • -10.69db
26% Popularity • 49% Danceability • 52% Energy • 14% Liveness
84% Instrumentalness • 70% Positiveness
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Edward Shearmur
A Dream
101 bpm • D Maj • 01:33 • -23.68db
5% Popularity • 25% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Henry Jackman
Skydiving
114 bpm • D Maj • 03:37 • -11.81db
31% Popularity • 22% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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John Debney
Eliza's Theme
100 bpm • C min • 01:31 • -21.11db
31% Popularity • 15% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Kyle Eastwood and Michael Stevens
End Titles Part 1 - Letters from Iwo Jim...
100 bpm • D min • 02:55 • -14.76db
18% Popularity • 16% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Graeme Revell
One Speed
100 bpm • C min • 03:08 • -12db
19% Popularity • 22% Danceability • 66% Energy • 9% Liveness
96% Instrumentalness • 19% Positiveness
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Éric Serra
The Goldeneye Overture (Part I: Half Of ...
99 bpm • A# min • 04:21 • -15.14db
28% Popularity • 42% Danceability • 53% Energy • 28% Liveness
88% Instrumentalness • 36% Positiveness
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Edward Shearmur
Back At The Base
100 bpm • F min • 02:49 • -29.74db
3% Popularity • 14% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Steve Jablonsky
Sector 6
115 bpm • C Maj • 02:49 • -15db
16% Popularity • 36% Danceability • 51% Energy • 14% Liveness
77% Instrumentalness • 10% Positiveness
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Jeff Beal
House Of Cards Main Title Season 2
99 bpm • A min • 03:18 • -16db
30% Popularity • 42% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Anne Dudley
Fresh Paint
115 bpm • D min • 02:01 • -19db
34% Popularity • 20% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Graeme Revell
Birth Of The Legend
115 bpm • G# Maj • 06:17 • -22db
26% Popularity • 35% Danceability • 19% Energy • 10% Liveness
73% Instrumentalness • 5% Positiveness
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Rob Lane
Opening Titles
99 bpm • D min • 02:44 • -11.22db
33% Popularity • 47% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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M83
Earth 2077
99 bpm • D min • 02:22 • -10.66db
40% Popularity • 22% Danceability • 54% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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John Powell
Thinking Of Marie
99 bpm • C# min • 03:51 • -29.51db
25% Popularity • 13% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Jeff Beal
House Of Cards Theme
99 bpm • A min • 03:27 • -13db
20% Popularity • 48% Danceability • 53% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
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David Julyan
Opening Titles / Blood Drips
116 bpm • C# Maj • 02:48 • -23.37db
14% Popularity • 23% Danceability • 15% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The World in the Room
99 bpm • A# Maj • 01:37 • -22.65db
39% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
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Alejandro Amenábar
A Good Mother - Instrumental
98 bpm • C# Maj • 05:42 • -23.96db
13% Popularity • 13% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Howard Shore
The Directories
117 bpm • C min • 02:40 • -17.65db
25% Popularity • 31% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Marco Beltrami
A Quiet Life
117 bpm • E Maj • 02:58 • -22db
38% Popularity • 18% Danceability • 23% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Jeff Beal
House Of Cards Main Title Theme
99 bpm • A min • 01:49 • -12.68db
43% Popularity • 48% Danceability • 49% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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David Hirschfelder
Espiritu Esa Ala
98 bpm • C Maj • 02:21 • -11.26db
9% Popularity • 22% Danceability • 50% Energy • 13% Liveness
86% Instrumentalness • 11% Positiveness
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Don Davis
The Power Plant
117 bpm • C min • 02:41 • -12.67db
21% Popularity • 20% Danceability • 63% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
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David Newman
Baby Walks
118 bpm • G Maj • 01:34 • -14db
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
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Howard Shore
Delivering the News
117 bpm • A min • 03:40 • -23.58db
29% Popularity • 38% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Christophe Beck
Angel of Verdun (Main Title)
118 bpm • G Maj • 02:56 • -26.14db
27% Popularity • 41% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Jeff Beal
Forward March
117 bpm • C Maj • 02:02 • -17.37db
34% Popularity • 65% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Roque Baños
Essex Leaving Harbor
118 bpm • G# Maj • 03:06 • -15.56db
21% Popularity • 52% Danceability • 57% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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Jed Kurzel
Alien Covenant Theme
118 bpm • C Maj • 01:42 • -18db
30% Popularity • 25% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Edward Shearmur
An Aquatic Escape
119 bpm • F min • 02:29 • -12.9db
2% Popularity • 18% Danceability • 51% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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Burkhard Dallwitz
Lake Baikal
97 bpm • E min • 03:35 • -16db
11% Popularity • 12% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Nick Glennie-Smith
Look Around You
119 bpm • F min • 08:45 • -19.88db
29% Popularity • 17% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 2% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Angelo Milli
Leaving Home
119 bpm • A min • 02:25 • -24.92db
16% Popularity • 18% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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M83
Raven Rock
120 bpm • F min • 04:33 • -17db
35% Popularity • 18% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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John Murphy
Sunshine (Adagio in D Minor)
119 bpm • G Maj • 04:44 • -9.46db
50% Popularity • 17% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Mark Isham
Daniel and Ruth
120 bpm • G Maj • 02:10 • -21.71db
35% Popularity • 19% Danceability • 7% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Burkhard Dallwitz
It's a Life
120 bpm • E Maj • 01:29 • -22db
36% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
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Dario Marianelli
The Dominoes Fall
120 bpm • A min • 05:28 • -20.06db
22% Popularity • 41% Danceability • 37% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Marco Beltrami
I, Robot Theme (End Credits)
120 bpm • C# Maj • 03:15 • -11.6db
18% Popularity • 48% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
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M83
Waking Up
96 bpm • C min • 04:09 • -13db
49% Popularity • 40% Danceability • 50% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
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Edward Shearmur
Ben Escapes
120 bpm • C# Maj • 03:12 • -17.3db
5% Popularity • 29% Danceability • 31% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
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Henry Jackman
Mutant and Proud
120 bpm • C Maj • 03:27 • -15db
23% Popularity • 17% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Steve Jablonsky
The Island Awaits You
120 bpm • A min • 02:21 • -19.1db
35% Popularity • 18% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Roque Baños
Chase Walking Nantucket
120 bpm • D min • 02:05 • -16db
25% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Randy Newman
Real Rain
95 bpm • G Maj • 04:31 • -25.5db
16% Popularity • 19% Danceability • 7% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
M83
Fearful Odds
120 bpm • F min • 03:09 • -12.85db
48% Popularity • 40% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
John Powell
Jason Is Reborn
120 bpm • F# Maj • 04:04 • -15.75db
18% Popularity • 18% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Burkhard Dallwitz
A New Life
95 bpm • A# min • 02:01 • -11db
22% Popularity • 65% Danceability • 77% Energy • 48% Liveness
83% Instrumentalness • 44% Positiveness
► Preview
Harald Kloser
Hall's Plan
95 bpm • D# Maj • 00:53 • -26.62db
40% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Michael Giacchino
London Calling
121 bpm • F min • 02:10 • -26.23db
38% Popularity • 29% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Conjure Of Sacrifice