Songs like Conrad by Ben Howard
Based on a tempo of (+/- 10%) and a similar genre
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Woodlock
Forever Ago
82 bpm • A Maj • 04:42 • -17db
52% Popularity • 43% Danceability • 20% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
52% Popularity • 43% Danceability • 20% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
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Charlie Cunningham
Sink In
82 bpm • G# min • 03:20 • -15.41db
46% Popularity • 51% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
46% Popularity • 51% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Ray LaMontagne
Empty
82 bpm • D Maj • 05:17 • -13.93db
45% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Nick Mulvey
House Of Saint Give Me
82 bpm • F Maj • 04:12 • -10.87db
28% Popularity • 53% Danceability • 43% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
28% Popularity • 53% Danceability • 43% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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Boy & Bear
Just Dumb
82 bpm • G Maj • 05:13 • -13db
35% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Gregory Alan Isakov
San Luis
82 bpm • G min • 04:32 • -12.76db
72% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
72% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
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Ben Howard
Conrad
82 bpm • A Maj • 06:08 • -12db
55% Popularity • 57% Danceability • 32% Energy • 8% Liveness
52% Instrumentalness • 18% Positiveness
55% Popularity • 57% Danceability • 32% Energy • 8% Liveness
52% Instrumentalness • 18% Positiveness
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Kings of Leon
WALLS
83 bpm • G# Maj • 05:29 • -14.34db
64% Popularity • 56% Danceability • 32% Energy • 11% Liveness
47% Instrumentalness • 11% Positiveness
64% Popularity • 56% Danceability • 32% Energy • 11% Liveness
47% Instrumentalness • 11% Positiveness
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Benjamin Francis Leftwich
Atlas Hands
83 bpm • F# Maj • 02:53 • -11.89db
52% Popularity • 63% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 63% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Nick Mulvey
April
81 bpm • G min • 04:08 • -10.42db
44% Popularity • 30% Danceability • 42% Energy • 10% Liveness
11% Instrumentalness • 9% Positiveness
44% Popularity • 30% Danceability • 42% Energy • 10% Liveness
11% Instrumentalness • 9% Positiveness
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Damien Rice
Delicate
81 bpm • F Maj • 05:12 • -14.5db
56% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
56% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Leif Vollebekk
Vancouver Time
81 bpm • A Maj • 04:37 • -13db
47% Popularity • 82% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 82% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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The Barr Brothers
Love Ain't Enough
81 bpm • F Maj • 04:50 • -9db
36% Popularity • 60% Danceability • 61% Energy • 19% Liveness
32% Instrumentalness • 61% Positiveness
36% Popularity • 60% Danceability • 61% Energy • 19% Liveness
32% Instrumentalness • 61% Positiveness
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Bon Iver
29 #Strafford APTS
81 bpm • E Maj • 04:05 • -14.68db
52% Popularity • 29% Danceability • 23% Energy • 11% Liveness
41% Instrumentalness • 16% Positiveness
52% Popularity • 29% Danceability • 23% Energy • 11% Liveness
41% Instrumentalness • 16% Positiveness
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Chris Staples
Walking With a Stranger
81 bpm • D Maj • 02:48 • -15db
52% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
52% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
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Charlie Cunningham
Don't Go Far
81 bpm • E Maj • 03:39 • -16.11db
43% Popularity • 62% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
43% Popularity • 62% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
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Stu Larsen
San Francisco
84 bpm • D Maj • 04:06 • -11db
39% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Leif Vollebekk
Off The Main Drag
83 bpm • E Maj • 03:44 • -16db
34% Popularity • 47% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 47% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Ben Howard
Only Love
80 bpm • G# Maj • 04:09 • -10db
69% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Donovan Woods
Portland, Maine
80 bpm • E Maj • 03:23 • -14db
60% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
60% Popularity • 61% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 16% Positiveness
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Dotan
Bones
80 bpm • D# Maj • 03:50 • -13.7db
39% Popularity • 70% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
39% Popularity • 70% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
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Iron & Wine
Call It Dreaming
80 bpm • F Maj • 03:51 • -9.97db
68% Popularity • 51% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
68% Popularity • 51% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The xx
Replica
80 bpm • G# Maj • 04:09 • -11db
48% Popularity • 62% Danceability • 44% Energy • 18% Liveness
50% Instrumentalness • 51% Positiveness
48% Popularity • 62% Danceability • 44% Energy • 18% Liveness
50% Instrumentalness • 51% Positiveness
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The Middle East
Deep Water
80 bpm • A# Maj • 10:16 • -14.13db
15% Popularity • 61% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
15% Popularity • 61% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Billie Marten
Heavy Weather
80 bpm • E min • 04:12 • -12db
32% Popularity • 33% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 33% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
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Chet Faker
To Me
80 bpm • A# Maj • 05:14 • -10.66db
30% Popularity • 40% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
30% Popularity • 40% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Boy & Bear
A Moment's Grace
84 bpm • A min • 04:52 • -9.1db
31% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Allman Brown
Sweetest Thing
80 bpm • D Maj • 03:38 • -9.31db
60% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Staves
Facing West
84 bpm • E Maj • 02:39 • -14db
35% Popularity • 58% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 58% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Ben Howard
She Treats Me Well
80 bpm • C min • 05:17 • -12.6db
54% Popularity • 62% Danceability • 49% Energy • 7% Liveness
31% Instrumentalness • 60% Positiveness
54% Popularity • 62% Danceability • 49% Energy • 7% Liveness
31% Instrumentalness • 60% Positiveness
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Lucy Rose
Night Bus
80 bpm • E Maj • 03:24 • -11.87db
32% Popularity • 56% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 56% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Alexi Murdoch
The Light (Her Hands Were Leaves)
85 bpm • F Maj • 04:50 • -16.21db
28% Popularity • 45% Danceability • 21% Energy • 18% Liveness
77% Instrumentalness • 5% Positiveness
28% Popularity • 45% Danceability • 21% Energy • 18% Liveness
77% Instrumentalness • 5% Positiveness
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Lord Huron
She Lit a Fire
85 bpm • C Maj • 04:30 • -6.67db
59% Popularity • 48% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
59% Popularity • 48% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Middle East
Blood
79 bpm • B Maj • 05:26 • -8.59db
45% Popularity • 47% Danceability • 48% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
45% Popularity • 47% Danceability • 48% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
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Hollow Coves
Home
85 bpm • C# Maj • 03:22 • -12db
45% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Ben Howard
Keep Your Head Up
79 bpm • E min • 04:24 • -9db
67% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
67% Popularity • 51% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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S. Carey
Yellowstone
79 bpm • A# min • 03:50 • -11db
37% Popularity • 44% Danceability • 52% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
37% Popularity • 44% Danceability • 52% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
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Villagers
The Soul Serene
79 bpm • G Maj • 04:10 • -10.79db
32% Popularity • 35% Danceability • 33% Energy • 7% Liveness
14% Instrumentalness • 23% Positiveness
32% Popularity • 35% Danceability • 33% Energy • 7% Liveness
14% Instrumentalness • 23% Positiveness
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The Head And The Heart
Another Story
86 bpm • F Maj • 04:34 • -10db
62% Popularity • 26% Danceability • 44% Energy • 27% Liveness
15% Instrumentalness • 11% Positiveness
62% Popularity • 26% Danceability • 44% Energy • 27% Liveness
15% Instrumentalness • 11% Positiveness
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Michael Kiwanuka
Home Again
86 bpm • A min • 03:29 • -11.47db
68% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
68% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Cinematic Orchestra
That Home
85 bpm • A Maj • 01:43 • -14.21db
72% Popularity • 41% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
72% Popularity • 41% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Charlie Cunningham
Headlights
86 bpm • A Maj • 03:32 • -15.47db
49% Popularity • 62% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
49% Popularity • 62% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
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Gregory Alan Isakov
Chemicals
78 bpm • C Maj • 03:19 • -13.6db
58% Popularity • 61% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 27% Positiveness
58% Popularity • 61% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 27% Positiveness
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Phosphorescent
Song for Zula
86 bpm • E Maj • 06:10 • -8.26db
62% Popularity • 49% Danceability • 62% Energy • 5% Liveness
54% Instrumentalness • 52% Positiveness
62% Popularity • 49% Danceability • 62% Energy • 5% Liveness
54% Instrumentalness • 52% Positiveness
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Ben Howard
I Will Be Blessed
77 bpm • C Maj • 05:31 • -13.18db
42% Popularity • 44% Danceability • 36% Energy • 39% Liveness
3% Instrumentalness • 27% Positiveness
42% Popularity • 44% Danceability • 36% Energy • 39% Liveness
3% Instrumentalness • 27% Positiveness
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Nick Mulvey
Imogen
87 bpm • F Maj • 04:15 • -6.89db
50% Popularity • 49% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 49% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Boy & Bear
Fall At Your Feet
87 bpm • C min • 04:31 • -6.6db
54% Popularity • 41% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 41% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Hollow Coves
Ran Away
87 bpm • C Maj • 04:15 • -11db
29% Popularity • 47% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
29% Popularity • 47% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
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Dermot Kennedy
A closeness
77 bpm • F Maj • 04:11 • -9.47db
47% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Bibio
Petals
77 bpm • A min • 02:36 • -8db
54% Popularity • 31% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
54% Popularity • 31% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Ben Howard
Time Is Dancing - Live
77 bpm • A# Maj • 04:18 • -7.43db
30% Popularity • 57% Danceability • 51% Energy • 71% Liveness
79% Instrumentalness • 38% Positiveness
30% Popularity • 57% Danceability • 51% Energy • 71% Liveness
79% Instrumentalness • 38% Positiveness
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I Am Oak
Woandering
88 bpm • E Maj • 03:44 • -13.15db
46% Popularity • 69% Danceability • 26% Energy • 34% Liveness
49% Instrumentalness • 21% Positiveness
46% Popularity • 69% Danceability • 26% Energy • 34% Liveness
49% Instrumentalness • 21% Positiveness
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Bon Iver
Skinny Love
76 bpm • E min • 03:58 • -14.03db
72% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
72% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Ray LaMontagne
Such A Simple Thing
76 bpm • A# Maj • 04:56 • -11.22db
62% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
62% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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James Vincent McMorrow
Hear The Noise That Moves So Soft And Lo...
76 bpm • C Maj • 04:00 • -12.07db
24% Popularity • 47% Danceability • 38% Energy • 9% Liveness
7% Instrumentalness • 38% Positiveness
24% Popularity • 47% Danceability • 38% Energy • 9% Liveness
7% Instrumentalness • 38% Positiveness
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Leif Vollebekk
Elegy
89 bpm • G# Maj • 05:24 • -9.75db
47% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Gregory Alan Isakov
Liars
76 bpm • C Maj • 05:16 • -11.08db
46% Popularity • 23% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 14% Positiveness
46% Popularity • 23% Danceability • 25% Energy • 12% Liveness
5% Instrumentalness • 14% Positiveness
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The Barr Brothers
You Would Have to Lose Your Mind
89 bpm • F# min • 06:21 • -8db
42% Popularity • 34% Danceability • 45% Energy • 12% Liveness
72% Instrumentalness • 24% Positiveness
42% Popularity • 34% Danceability • 45% Energy • 12% Liveness
72% Instrumentalness • 24% Positiveness
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Iron & Wine
The Trapeze Swinger
75 bpm • D Maj • 09:31 • -12.16db
51% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Bahamas
Lost In The Light
76 bpm • D Maj • 03:56 • -8.8db
68% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
68% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ben Howard
Depth Over Distance
75 bpm • D min • 04:48 • -11.1db
51% Popularity • 26% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
51% Popularity • 26% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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The War On Drugs
Strangest Thing
75 bpm • E Maj • 06:41 • -6db
50% Popularity • 35% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
50% Popularity • 35% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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KALEO
All the Pretty Girls
75 bpm • C# Maj • 04:29 • -6.61db
72% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
72% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Lucy Rose
Strangest Of Ways
90 bpm • B min • 03:26 • -13.12db
36% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 71% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Sufjan Stevens
Should Have Known Better
91 bpm • G Maj • 05:07 • -20.7db
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
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Rhye
Open
91 bpm • C Maj • 03:37 • -10.96db
60% Popularity • 55% Danceability • 32% Energy • 28% Liveness
9% Instrumentalness • 23% Positiveness
60% Popularity • 55% Danceability • 32% Energy • 28% Liveness
9% Instrumentalness • 23% Positiveness
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Ben Howard
Further Away
75 bpm • C# Maj • 04:26 • -13db
39% Popularity • 69% Danceability • 39% Energy • 10% Liveness
4% Instrumentalness • 22% Positiveness
39% Popularity • 69% Danceability • 39% Energy • 10% Liveness
4% Instrumentalness • 22% Positiveness
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Foy Vance
Into the Fire
74 bpm • A# Maj • 04:40 • -15.39db
31% Popularity • 44% Danceability • 29% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
31% Popularity • 44% Danceability • 29% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
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Charlie Cunningham
You Sigh
91 bpm • F# Maj • 02:58 • -9.97db
58% Popularity • 63% Danceability • 45% Energy • 14% Liveness
6% Instrumentalness • 68% Positiveness
58% Popularity • 63% Danceability • 45% Energy • 14% Liveness
6% Instrumentalness • 68% Positiveness
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Still Parade
Actors
91 bpm • F# min • 04:01 • -12.84db
29% Popularity • 52% Danceability • 49% Energy • 21% Liveness
79% Instrumentalness • 36% Positiveness
29% Popularity • 52% Danceability • 49% Energy • 21% Liveness
79% Instrumentalness • 36% Positiveness
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Foals
London Thunder
92 bpm • F# Maj • 04:14 • -9.75db
52% Popularity • 48% Danceability • 36% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
52% Popularity • 48% Danceability • 36% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Peter Bradley Adams
My Arms Were Always Around You
91 bpm • C# Maj • 03:20 • -12.25db
59% Popularity • 64% Danceability • 44% Energy • 11% Liveness
46% Instrumentalness • 42% Positiveness
59% Popularity • 64% Danceability • 44% Energy • 11% Liveness
46% Instrumentalness • 42% Positiveness
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Beta Radio
On Your Horizon
92 bpm • C Maj • 04:52 • -15db
46% Popularity • 36% Danceability • 29% Energy • 9% Liveness
27% Instrumentalness • 24% Positiveness
46% Popularity • 36% Danceability • 29% Energy • 9% Liveness
27% Instrumentalness • 24% Positiveness
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Blanco White
Colder Heavens - Acoustic Version
92 bpm • C min • 03:56 • -10.52db
45% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Puzzle Muteson
By Night
92 bpm • B min • 03:38 • -12.15db
44% Popularity • 48% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
44% Popularity • 48% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Editors
The Phone Book
92 bpm • C# Maj • 04:31 • -9.31db
46% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
46% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Old Sea Brigade
Tidal Wave
93 bpm • C Maj • 03:17 • -10.24db
56% Popularity • 77% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 28% Positiveness
56% Popularity • 77% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 28% Positiveness
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Novo Amor
Terraform
72 bpm • B Maj • 04:11 • -11.49db
51% Popularity • 48% Danceability • 22% Energy • 28% Liveness
38% Instrumentalness • 19% Positiveness
51% Popularity • 48% Danceability • 22% Energy • 28% Liveness
38% Instrumentalness • 19% Positiveness
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RY X
YaYaYa
93 bpm • C# min • 03:49 • -15.36db
51% Popularity • 48% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
51% Popularity • 48% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Blanco White
Colder Heavens
92 bpm • C min • 04:33 • -9.91db
58% Popularity • 46% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 46% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Leif Vollebekk
Transatlantic Flight
72 bpm • C Maj • 06:49 • -10db
46% Popularity • 58% Danceability • 31% Energy • 9% Liveness
5% Instrumentalness • 25% Positiveness
46% Popularity • 58% Danceability • 31% Energy • 9% Liveness
5% Instrumentalness • 25% Positiveness
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The Lumineers
My Eyes
94 bpm • E Maj • 03:36 • -8.34db
51% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
51% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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George Ezra
Barcelona
94 bpm • F Maj • 03:08 • -9.33db
67% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
67% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Novo Amor
Carry You
93 bpm • G Maj • 04:33 • -7.99db
68% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
68% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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Henry Green
Electric Feel
94 bpm • D# min • 03:19 • -16.44db
55% Popularity • 40% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 40% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Villagers
Dawning On Me
95 bpm • G Maj • 03:19 • -14.32db
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Leif Vollebekk
Long Blue Light
72 bpm • A Maj • 03:20 • -9.11db
65% Popularity • 55% Danceability • 48% Energy • 16% Liveness
11% Instrumentalness • 51% Positiveness
65% Popularity • 55% Danceability • 48% Energy • 16% Liveness
11% Instrumentalness • 51% Positiveness
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Big Red Machine
I Won't Run From It
95 bpm • F# min • 03:38 • -8.2db
45% Popularity • 62% Danceability • 72% Energy • 15% Liveness
11% Instrumentalness • 66% Positiveness
45% Popularity • 62% Danceability • 72% Energy • 15% Liveness
11% Instrumentalness • 66% Positiveness
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Bright Eyes
First Day of My Life
95 bpm • C# min • 03:08 • -14.37db
68% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
68% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ocie Elliott
Down by the Water
95 bpm • E Maj • 02:58 • -12db
74% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
74% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Head And The Heart
Lost in My Mind
95 bpm • D Maj • 04:19 • -9db
61% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Bombay Bicycle Club
You Already Know
95 bpm • D Maj • 04:22 • -16db
44% Popularity • 66% Danceability • 21% Energy • 10% Liveness
7% Instrumentalness • 50% Positiveness
44% Popularity • 66% Danceability • 21% Energy • 10% Liveness
7% Instrumentalness • 50% Positiveness
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Donovan Woods
Put On, Cologne
96 bpm • C# Maj • 02:47 • -11db
39% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 55% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Blind Pilot
The Story I Heard
96 bpm • C# Maj • 04:33 • -13db
53% Popularity • 74% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 74% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Keaton Henson
You Don't Know How Lucky You Are
96 bpm • D Maj • 03:48 • -8.56db
44% Popularity • 39% Danceability • 31% Energy • 11% Liveness
58% Instrumentalness • 11% Positiveness
44% Popularity • 39% Danceability • 31% Energy • 11% Liveness
58% Instrumentalness • 11% Positiveness
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Nick Mulvey
Meet Me There
97 bpm • E Maj • 03:26 • -7.49db
57% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jake Bugg
Simple As This
97 bpm • G# Maj • 03:19 • -8.09db
56% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Tall Heights
Horse to Water
97 bpm • F# min • 04:04 • -9.14db
51% Popularity • 52% Danceability • 62% Energy • 50% Liveness
7% Instrumentalness • 51% Positiveness
51% Popularity • 52% Danceability • 62% Energy • 50% Liveness
7% Instrumentalness • 51% Positiveness
