Songs like Considering Matthew Shepard, Epilogue: No. 32, All of Us (Live) by Craig Hella Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Samuel Barber
The Lovers, Op. 43 (Arr. Kyr): IX. Cemet...
133 bpm • C# Maj • 05:11 • -23.08db
0% Popularity • 16% Danceability • 4% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 4% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Adolphus Hailstork
Crucifixion
133 bpm • B min • 05:06 • -16.73db
11% Popularity • 21% Danceability • 22% Energy • 28% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 22% Energy • 28% Liveness
74% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Gitanjali Chants
133 bpm • A Maj • 05:04 • -33.69db
1% Popularity • 17% Danceability • 2% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
1% Popularity • 17% Danceability • 2% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
19% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Rose
132 bpm • E min • 03:25 • -15db
38% Popularity • 16% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
38% Popularity • 16% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Samuel Barber
Twelfth night, Op. 42, No. 1
134 bpm • E Maj • 03:57 • -24.23db
3% Popularity • 19% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
3% Popularity • 19% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Nathan James Dearden
i breathe
134 bpm • G min • 05:40 • -27.45db
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
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Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
28% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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BYU Singers
Sleep
134 bpm • C min • 05:52 • -21.97db
16% Popularity • 17% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Susan LaBarr
Grace Before Sleep (Live)
134 bpm • C# Maj • 04:14 • -27.58db
7% Popularity • 19% Danceability • 12% Energy • 70% Liveness
40% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 12% Energy • 70% Liveness
40% Instrumentalness • 4% Positiveness
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Eric William Barnum
Afternoon on a Hill
132 bpm • D Maj • 04:41 • -16db
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
18% Popularity • 29% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 8% Positiveness
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Tarik O'Regan
The Ecstasies Above: I.
132 bpm • G min • 05:34 • -30.04db
2% Popularity • 19% Danceability • 4% Energy • 16% Liveness
14% Instrumentalness • 3% Positiveness
2% Popularity • 19% Danceability • 4% Energy • 16% Liveness
14% Instrumentalness • 3% Positiveness
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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BYU Singers
Cloudburst
132 bpm • E min • 08:25 • -24db
13% Popularity • 16% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Hildegard von Bingen
Ave generosa
134 bpm • A min • 06:32 • -28.47db
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
32% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
12% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard: Epilogue. A...
132 bpm • F Maj • 06:09 • -16.89db
0% Popularity • 29% Danceability • 30% Energy • 78% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 29% Danceability • 30% Energy • 78% Liveness
0% Instrumentalness • 22% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Shawn Kirchner
Soneto 53: Tu sangre en la mia
132 bpm • D# Maj • 03:29 • -26.86db
2% Popularity • 21% Danceability • 4% Energy • 7% Liveness
29% Instrumentalness • 4% Positiveness
2% Popularity • 21% Danceability • 4% Energy • 7% Liveness
29% Instrumentalness • 4% Positiveness
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Stacey V. Gibbs
Hold On!
131 bpm • F# min • 03:37 • -13.51db
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jake Runestad
The Hope of Loving: No. 3, Wondrous Crea...
131 bpm • C min • 00:57 • -21db
5% Popularity • 33% Danceability • 8% Energy • 14% Liveness
11% Instrumentalness • 36% Positiveness
5% Popularity • 33% Danceability • 8% Energy • 14% Liveness
11% Instrumentalness • 36% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Prologue: N...
135 bpm • A Maj • 04:05 • -25.76db
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Now the Powers of Heaven, Op. 58, No. 6
131 bpm • C# Maj • 05:07 • -23db
5% Popularity • 16% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
5% Popularity • 16% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
11% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard: Passion, 22...
135 bpm • D# min • 00:28 • -40.14db
0% Popularity • 37% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 0% Positiveness
0% Popularity • 37% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 0% Positiveness
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Bob Chilcott
The lily and the rose
135 bpm • A min • 03:26 • -23.65db
17% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Pavel Chesnokov
Divine Liturgy of St. John Chrysostom, O...
135 bpm • E Maj • 02:06 • -18.18db
5% Popularity • 21% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
5% Popularity • 21% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
31% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
31% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Jake Runestad
And So I Go On
136 bpm • G Maj • 06:59 • -24.92db
4% Popularity • 15% Danceability • 7% Energy • 8% Liveness
23% Instrumentalness • 3% Positiveness
4% Popularity • 15% Danceability • 7% Energy • 8% Liveness
23% Instrumentalness • 3% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Alexander Dmitriyevich Kastalsky
Znamenny Chant: Today the Virgin, Op. 7b
131 bpm • A# Maj • 01:53 • -24.06db
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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BYU Singers
Water Night
136 bpm • A# min • 05:16 • -22.92db
29% Popularity • 15% Danceability • 4% Energy • 16% Liveness
64% Instrumentalness • 3% Positiveness
29% Popularity • 15% Danceability • 4% Energy • 16% Liveness
64% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
136 bpm • E Maj • 00:39 • -29.15db
14% Popularity • 19% Danceability • 3% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
14% Popularity • 19% Danceability • 3% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
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Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
7% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Cantus
M L K
136 bpm • G Maj • 03:01 • -25.79db
10% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Prayer
136 bpm • A Maj • 04:48 • -22.35db
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Nico Muhly
How Little You Are: Interlude. Springtim...
137 bpm • D Maj • 03:00 • -20.72db
0% Popularity • 45% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
0% Popularity • 45% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Donald Grantham
We Remember Them
130 bpm • C min • 04:37 • -30.94db
5% Popularity • 16% Danceability • 1% Energy • 8% Liveness
6% Instrumentalness • 3% Positiveness
5% Popularity • 16% Danceability • 1% Energy • 8% Liveness
6% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
We Are (Live)
136 bpm • F# Maj • 08:11 • -23.25db
0% Popularity • 24% Danceability • 11% Energy • 67% Liveness
2% Instrumentalness • 16% Positiveness
0% Popularity • 24% Danceability • 11% Energy • 67% Liveness
2% Instrumentalness • 16% Positiveness
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BYU Singers
Go, Lovely Rose
137 bpm • F# Maj • 04:28 • -21.22db
14% Popularity • 19% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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David N. Childs
Weep No more
129 bpm • D Maj • 04:02 • -28.23db
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: X. Benigne fac Domine in bona ...
137 bpm • B min • 01:08 • -31.28db
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
137 bpm • G Maj • 02:32 • -15.56db
15% Popularity • 30% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 30% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
8% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Jonathan Dove
Into Thy Hands
129 bpm • E Maj • 05:44 • -23.15db
10% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Jake Runestad
Spirited Light
138 bpm • C min • 05:01 • -23.18db
1% Popularity • 18% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
► Preview
Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Kinley Lange
Esto les digo
138 bpm • C Maj • 03:16 • -29.69db
19% Popularity • 20% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Craig Hella Johnson
Light of a Clear Blue Morning
138 bpm • E Maj • 04:16 • -28.73db
1% Popularity • 20% Danceability • 6% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 6% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Agnus Dei
128 bpm • A# min • 08:38 • -25.02db
10% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
10% Popularity • 19% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
18% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Jake Runestad
I Will Lift Mine Eyes
128 bpm • C# Maj • 04:36 • -26db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
30% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
27% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
138 bpm • D min • 01:03 • -31.25db
11% Popularity • 55% Danceability • 1% Energy • 22% Liveness
22% Instrumentalness • 39% Positiveness
11% Popularity • 55% Danceability • 1% Energy • 22% Liveness
22% Instrumentalness • 39% Positiveness
► Preview
James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Sjaella
Ave Maria
127 bpm • A# min • 02:40 • -25db
29% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Algirdas Martiniatis
Alleluia
139 bpm • C Maj • 04:19 • -27db
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
11% Popularity • 17% Danceability • 13% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
► Preview
Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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Anna Lapwood
O Nata Lux
139 bpm • C Maj • 04:02 • -29.84db
14% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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The University Of Utah Singers
My Spirit Sang All Day
139 bpm • G Maj • 01:30 • -17.25db
11% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Sure on this Shining Night
127 bpm • C# Maj • 04:31 • -22db
30% Popularity • 22% Danceability • 9% Energy • 10% Liveness
22% Instrumentalness • 6% Positiveness
30% Popularity • 22% Danceability • 9% Energy • 10% Liveness
22% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Ildebrando Pizzetti
Messa di Requiem: Libera Me
126 bpm • D min • 05:37 • -27.63db
3% Popularity • 17% Danceability • 3% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
3% Popularity • 17% Danceability • 3% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Ugis Praulins
Missa rigensis (2002): Kyrie eleison
127 bpm • G min • 03:28 • -22db
7% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
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Samuel Barber
Reincarnations, Op. 16: III. The Coolin'
126 bpm • G min • 04:42 • -32db
13% Popularity • 17% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
126 bpm • A Maj • 05:14 • -24.12db
10% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
10% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
12% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Agnus Dei
126 bpm • A# Maj • 03:36 • -24.65db
19% Popularity • 21% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
19% Popularity • 21% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Þorkell Sigurbjörnsson
Nú hverfur sól à haf
126 bpm • G# min • 03:22 • -28.42db
17% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: V. Agnus dei
126 bpm • E min • 05:11 • -23.31db
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Stacey Philipps
Close Distancing
125 bpm • G Maj • 02:45 • -25.44db
9% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Epilogue: N...
126 bpm • F Maj • 06:06 • -15.49db
17% Popularity • 30% Danceability • 28% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
17% Popularity • 30% Danceability • 28% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
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Alex Berko
Sacred Place: III. Shema
141 bpm • D min • 04:51 • -17db
9% Popularity • 18% Danceability • 13% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 13% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
