Songs like Consolation by Jon Brion
Based on a tempo of (+/- 10%) and a similar genre
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Jon Brion
Peer Pressure
68 bpm • E Maj • 01:12 • -21.73db
47% Popularity • 23% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Will Bates
Palimpsest
68 bpm • G# Maj • 01:55 • -30db
36% Popularity • 39% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
36% Popularity • 39% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Ari Posner
My Daughter Anne
68 bpm • C min • 02:00 • -32db
37% Popularity • 13% Danceability • 0% Energy • 14% Liveness
36% Instrumentalness • 8% Positiveness
37% Popularity • 13% Danceability • 0% Energy • 14% Liveness
36% Instrumentalness • 8% Positiveness
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pedram
Song of the Fireflies
68 bpm • F Maj • 03:33 • -31.76db
32% Popularity • 32% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
32% Popularity • 32% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Tatiana Lisovskaya
I See Nothing But Eternity
68 bpm • C Maj • 04:28 • -22.54db
25% Popularity • 24% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
25% Popularity • 24% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Emile Pandolfi
Moon River
68 bpm • C Maj • 04:19 • -21.73db
45% Popularity • 35% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 11% Positiveness
45% Popularity • 35% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 11% Positiveness
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Son Lux
Let Me Go
68 bpm • B Maj • 02:01 • -20db
29% Popularity • 22% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jonny Greenwood
I'll Follow Tomorrow
68 bpm • B min • 01:20 • -30.91db
33% Popularity • 30% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 30% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Ben Salisbury
Ava
68 bpm • F# Maj • 02:22 • -36.53db
42% Popularity • 20% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
42% Popularity • 20% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Nicola Piovani
Hungry Mina
68 bpm • G Maj • 01:20 • -32.67db
37% Popularity • 20% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
37% Popularity • 20% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Daniel Hart
Post Pie
68 bpm • F Maj • 04:05 • -21.98db
21% Popularity • 7% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
21% Popularity • 7% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Yehezkel Raz
Closing Time
68 bpm • E Maj • 01:03 • -35db
58% Popularity • 30% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 46% Positiveness
58% Popularity • 30% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 46% Positiveness
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Ryuichi Sakamoto
Memory Bank
68 bpm • F min • 04:16 • -17.9db
18% Popularity • 15% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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William Ross
Rivers
68 bpm • G Maj • 01:13 • -29.99db
39% Popularity • 14% Danceability • 4% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
39% Popularity • 14% Danceability • 4% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
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Jon Brion
Consolation
68 bpm • F Maj • 01:18 • -21db
42% Popularity • 22% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
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Graham Reynolds
Door, Teacup, Wine Glass, Bed
69 bpm • G Maj • 01:12 • -22.58db
21% Popularity • 38% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 21% Positiveness
21% Popularity • 38% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 21% Positiveness
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Christopher Bear
I Remember You
67 bpm • C Maj • 02:24 • -16.57db
41% Popularity • 14% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Austin Farwell
City Lights
69 bpm • D# Maj • 02:01 • -25.96db
61% Popularity • 27% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
61% Popularity • 27% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Clint Mansell
Blossoming Chestnut Trees
67 bpm • D min • 04:54 • -16.81db
20% Popularity • 7% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Amelia Warner
Rights Of Women
69 bpm • C Maj • 01:12 • -24db
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Peter Gregson
Marie-Claire's Toys
67 bpm • B min • 01:10 • -41.15db
31% Popularity • 25% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
31% Popularity • 25% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
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Million Eyes
A Bed of Flowers
69 bpm • F# Maj • 02:17 • -19.95db
50% Popularity • 14% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
50% Popularity • 14% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Bryce Dessner
The Orphan
69 bpm • F Maj • 02:31 • -34.76db
22% Popularity • 17% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
22% Popularity • 17% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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Yehezkel Raz
Laniakea
67 bpm • G# Maj • 03:08 • -41.97db
42% Popularity • 17% Danceability • 0% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
42% Popularity • 17% Danceability • 0% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Valentin Hadjadj
Brotherhood
67 bpm • G min • 03:35 • -27.6db
26% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
26% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Jonny Greenwood
House of Woodcock
67 bpm • D min • 03:53 • -17.01db
47% Popularity • 25% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
47% Popularity • 25% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Aska Matsumiya
Chasing Yesterday
67 bpm • D# Maj • 02:38 • -20.02db
17% Popularity • 22% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Crater
69 bpm • B min • 02:00 • -21.5db
44% Popularity • 23% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
44% Popularity • 23% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Tatiana Lisovskaya
The Splendor
69 bpm • C Maj • 02:53 • -14.69db
13% Popularity • 55% Danceability • 6% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
13% Popularity • 55% Danceability • 6% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
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Peter Broderick
Pt. 5, Harmony Acceptance
69 bpm • F# Maj • 01:02 • -17.14db
34% Popularity • 18% Danceability • 38% Energy • 12% Liveness
99% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 38% Energy • 12% Liveness
99% Instrumentalness • 5% Positiveness
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Graham Reynolds
Before Midnight
69 bpm • D Maj • 01:26 • -16.69db
30% Popularity • 54% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 54% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
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Michael Andrews
Cellar Door
67 bpm • F min • 01:03 • -15.65db
41% Popularity • 33% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 33% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Gordon
The Scent of Petrichor
66 bpm • B min • 02:31 • -19.04db
53% Popularity • 44% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
53% Popularity • 44% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Bryce Dessner
Be Funny When You Can
66 bpm • F Maj • 03:26 • -31.79db
23% Popularity • 17% Danceability • 3% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
23% Popularity • 17% Danceability • 3% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
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Alexandre Desplat
Laurie and Jo on the Hill
66 bpm • F Maj • 01:01 • -21.04db
55% Popularity • 29% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 18% Positiveness
55% Popularity • 29% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 18% Positiveness
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Brad Oberhofer
5am Walk Home Alone
70 bpm • B min • 02:05 • -31.85db
43% Popularity • 41% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
43% Popularity • 41% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Nels Cline
DIRTY BABY: Part II
70 bpm • F Maj • 03:37 • -19.19db
1% Popularity • 41% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 41% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Jordan Seigel
Counting the Days
66 bpm • D Maj • 01:11 • -18.54db
48% Popularity • 12% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
48% Popularity • 12% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Oberhofer
Following the Clock to Sleep
70 bpm • C Maj • 02:09 • -34db
49% Popularity • 52% Danceability • 0% Energy • 33% Liveness
97% Instrumentalness • 4% Positiveness
49% Popularity • 52% Danceability • 0% Energy • 33% Liveness
97% Instrumentalness • 4% Positiveness
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Infinity Ripple
The Streets of Belgrade
70 bpm • E min • 02:21 • -15.49db
47% Popularity • 37% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
47% Popularity • 37% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Christopher Bear
Bedroom
70 bpm • C min • 02:33 • -17.17db
39% Popularity • 23% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
39% Popularity • 23% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Luke Faulkner
Clouds
66 bpm • D# Maj • 02:59 • -25db
59% Popularity • 41% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
59% Popularity • 41% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Alex Weston
Ye Ye
70 bpm • F Maj • 01:00 • -22db
27% Popularity • 16% Danceability • 4% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 4% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Anthony Willis
Romance Suite
70 bpm • E Maj • 03:32 • -21.26db
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Jacob LaVallee
Enigma
66 bpm • F# Maj • 02:24 • -18db
58% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
58% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Gabríel Ólafs
The Lily
66 bpm • G Maj • 04:04 • -28.38db
21% Popularity • 6% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
21% Popularity • 6% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Nathan Johnson
The Wake
70 bpm • G min • 01:32 • -22.61db
36% Popularity • 58% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 58% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Oliver Coates
Swimming pool - sky
70 bpm • F# Maj • 02:55 • -33.34db
26% Popularity • 15% Danceability • 1% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 1% Energy • 24% Liveness
93% Instrumentalness • 4% Positiveness
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Trevor Kowalski
Remarkable Convictions
70 bpm • F min • 02:57 • -16db
40% Popularity • 15% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Alaskan Tapes
All We Can't See
70 bpm • A# min • 01:56 • -29.64db
39% Popularity • 22% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
39% Popularity • 22% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Arcade Fire
Morning Talk / Supersymmetry
70 bpm • G# Maj • 04:13 • -21.17db
40% Popularity • 10% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
40% Popularity • 10% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Tatiana Lisovskaya
Van Gogh Theme (Just Piano) III
70 bpm • D min • 07:29 • -26.09db
21% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
21% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Austin Farwell
By the Seaside
71 bpm • C Maj • 02:01 • -22.4db
52% Popularity • 26% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
52% Popularity • 26% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Michael Andrews
Rosie Darko
65 bpm • D# Maj • 01:25 • -19.67db
35% Popularity • 36% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
35% Popularity • 36% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Bryce Dessner
I Won't Remember?
65 bpm • F Maj • 02:40 • -20.43db
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Raphaelle Thibaut
I Gotta Laugh
71 bpm • G Maj • 01:26 • -39.79db
27% Popularity • 13% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
27% Popularity • 13% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
Everyone's Gone
65 bpm • D min • 02:41 • -37.04db
37% Popularity • 7% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 7% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Jordan Seigel
Campfire Laments
65 bpm • C Maj • 01:01 • -34.25db
47% Popularity • 23% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
47% Popularity • 23% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Jonny Greenwood
Never Cursed
71 bpm • A# min • 03:45 • -16.28db
28% Popularity • 14% Danceability • 19% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 19% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
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Disasterpeace
Paper Lanterns
65 bpm • C Maj • 01:40 • -28.65db
29% Popularity • 19% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
29% Popularity • 19% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Bryce Dessner
Happy Sad Empty Full
71 bpm • F Maj • 02:24 • -19.53db
26% Popularity • 7% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 9% Positiveness
26% Popularity • 7% Danceability • 19% Energy • 11% Liveness
78% Instrumentalness • 9% Positiveness
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Michael Brook
Candace
65 bpm • C Maj • 01:46 • -21.59db
24% Popularity • 41% Danceability • 6% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
24% Popularity • 41% Danceability • 6% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Christopher Spelman
Flushing Meadow
71 bpm • A Maj • 01:05 • -27.55db
41% Popularity • 24% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
41% Popularity • 24% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Steven Price
You Stop My Heart
71 bpm • E min • 01:17 • -32.96db
43% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Eamonn Watt
Reflections
65 bpm • D# Maj • 03:27 • -32db
42% Popularity • 21% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
42% Popularity • 21% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
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Alexandre Desplat
Dr March's Daughters
65 bpm • F Maj • 04:46 • -17.45db
36% Popularity • 18% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
36% Popularity • 18% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Bryce Dessner
The Orphan Returns
65 bpm • F Maj • 01:23 • -32.57db
21% Popularity • 14% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
21% Popularity • 14% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Radical Face
Waltzing In The Ashes
72 bpm • F# min • 02:09 • -18.61db
43% Popularity • 20% Danceability • 9% Energy • 11% Liveness
67% Instrumentalness • 15% Positiveness
43% Popularity • 20% Danceability • 9% Energy • 11% Liveness
67% Instrumentalness • 15% Positiveness
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Amelia Warner
We Shall Become The Same
71 bpm • A min • 01:34 • -16.57db
30% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
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Brad Oberhofer
Eulogy
64 bpm • F Maj • 03:40 • -38.16db
36% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
36% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Martin Phipps
Nikolai
64 bpm • G# min • 02:09 • -30.08db
31% Popularity • 16% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Ryuichi Sakamoto
Reunion
72 bpm • F# min • 02:39 • -23.05db
37% Popularity • 14% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Aska Matsumiya
After the Rain
72 bpm • F Maj • 02:32 • -19.92db
17% Popularity • 21% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 18% Positiveness
17% Popularity • 21% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 18% Positiveness
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Ilan Eshkeri
Butterfly
72 bpm • E min • 01:37 • -17db
48% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
48% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Arcade Fire
Some Other Place
72 bpm • C# min • 03:38 • -24.11db
40% Popularity • 8% Danceability • 3% Energy • 14% Liveness
64% Instrumentalness • 6% Positiveness
40% Popularity • 8% Danceability • 3% Energy • 14% Liveness
64% Instrumentalness • 6% Positiveness
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Michael Giacchino
A Butterfly's Wings
72 bpm • F Maj • 01:16 • -25.06db
34% Popularity • 26% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
34% Popularity • 26% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Bryce Dessner
You'll See A Lot Of Bad But It's Beautif...
73 bpm • F Maj • 03:19 • -26.33db
19% Popularity • 7% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 7% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Disasterpeace
Rings of Grain
73 bpm • B Maj • 01:17 • -25.4db
27% Popularity • 14% Danceability • 0% Energy • 13% Liveness
64% Instrumentalness • 3% Positiveness
27% Popularity • 14% Danceability • 0% Energy • 13% Liveness
64% Instrumentalness • 3% Positiveness
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Herdís Stefánsdóttir
Daniel and Natasha
64 bpm • E Maj • 01:10 • -30db
29% Popularity • 55% Danceability • 2% Energy • 10% Liveness
72% Instrumentalness • 42% Positiveness
29% Popularity • 55% Danceability • 2% Energy • 10% Liveness
72% Instrumentalness • 42% Positiveness
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Emile Mosseri
Birdslingers
64 bpm • D# Maj • 01:52 • -20.17db
40% Popularity • 59% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
40% Popularity • 59% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Flavia Cortez
silbermond
63 bpm • F# Maj • 02:49 • -28.8db
40% Popularity • 11% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
40% Popularity • 11% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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George Fenton
If Only
63 bpm • G Maj • 01:06 • -20db
48% Popularity • 36% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
48% Popularity • 36% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
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Jon Brion
Coffee Shop
73 bpm • B min • 00:34 • -21.7db
30% Popularity • 42% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 22% Positiveness
30% Popularity • 42% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 22% Positiveness
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Marco Beltrami
Encouraging Feedback
63 bpm • E Maj • 02:09 • -16.6db
29% Popularity • 28% Danceability • 18% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 18% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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John Lunn
Such Good Luck
73 bpm • G Maj • 02:52 • -16.81db
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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Emile Mosseri
Garden of Eden
73 bpm • D Maj • 01:36 • -16db
43% Popularity • 21% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
43% Popularity • 21% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Brad Oberhofer
Life Has Passed Me By
73 bpm • C Maj • 02:50 • -38db
38% Popularity • 11% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
38% Popularity • 11% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Franz Gordon
Two Weeks in July
73 bpm • D min • 03:29 • -20.03db
47% Popularity • 34% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
47% Popularity • 34% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Bryce Dessner
Who's Taking Care of Jesse?
63 bpm • F Maj • 02:04 • -24.69db
32% Popularity • 22% Danceability • 12% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 12% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Flatsound
We Could Live Near the Beach
63 bpm • D Maj • 08:20 • -25.11db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Hammock
Eliel
74 bpm • D Maj • 04:19 • -25.4db
32% Popularity • 22% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
32% Popularity • 22% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Emile Mosseri
Intro
74 bpm • C# Maj • 01:38 • -17db
46% Popularity • 14% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
46% Popularity • 14% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Brad Oberhofer
Does Your Heart Skip A Beat? - Instrumen...
63 bpm • F# Maj • 01:01 • -37.41db
49% Popularity • 23% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 63% Positiveness
49% Popularity • 23% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 63% Positiveness
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Geoff Zanelli
I Do Nothing Every Day
74 bpm • G Maj • 02:57 • -18db
23% Popularity • 20% Danceability • 13% Energy • 17% Liveness
80% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 13% Energy • 17% Liveness
80% Instrumentalness • 4% Positiveness
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Valentin Hadjadj
Remi’s Concert
75 bpm • E min • 04:12 • -20.49db
27% Popularity • 16% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Jon Brion
Something You Can't Return To
62 bpm • D min • 03:04 • -24.42db
25% Popularity • 35% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
25% Popularity • 35% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Trevor Gureckis
Beautiful Things
75 bpm • F# min • 03:13 • -16db
19% Popularity • 19% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Emile Mosseri
Big Country
62 bpm • G# Maj • 02:16 • -19.03db
52% Popularity • 25% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
52% Popularity • 25% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
