Songs like Consolations, S172/R12: No. 2. Un poco piu mosso by Franz Liszt
Based on a tempo of (+/- 10%) and a similar genre
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Erik Satie
3 Gymnopédies: No. 3, Lent et grave
76 bpm • G Maj • 02:34 • -38.69db
35% Popularity • 44% Danceability • 0% Energy • 13% Liveness
97% Instrumentalness • 48% Positiveness
35% Popularity • 44% Danceability • 0% Energy • 13% Liveness
97% Instrumentalness • 48% Positiveness
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Francis Poulenc
Nocturne No. 7 in Eb Major, FP. 56
76 bpm • F min • 02:04 • -28db
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
76 bpm • F# Maj • 02:23 • -33db
45% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
45% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Franz Liszt
Consolations, S172/R12: No. 2. Un poco p...
76 bpm • B Maj • 03:23 • -37db
34% Popularity • 28% Danceability • 1% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
34% Popularity • 28% Danceability • 1% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
76 bpm • F# min • 03:01 • -23db
33% Popularity • 30% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
33% Popularity • 30% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97: VIII. Romance
76 bpm • C# Maj • 06:33 • -29.13db
29% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
29% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Bedřich Smetana
CharakterstĂĽcke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Christian Sinding
6 Stucke, Op. 32: 6 Pieces, Op. 32: No. ...
76 bpm • F min • 02:55 • -27db
32% Popularity • 15% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Franz Liszt
Trois Ă©tudes de concert in D-Flat Major...
76 bpm • C# Maj • 05:26 • -27.08db
34% Popularity • 23% Danceability • 5% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
34% Popularity • 23% Danceability • 5% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Johannes Brahms
Intermezzo No. 1 in E-Flat Major, Op. 11...
76 bpm • D# Maj • 05:34 • -28.02db
30% Popularity • 45% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
30% Popularity • 45% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 2...
76 bpm • C# Maj • 04:08 • -28.42db
25% Popularity • 23% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Erik Satie
Pièces froides: II. Airs à faire fuir ...
76 bpm • G Maj • 01:46 • -34.26db
42% Popularity • 38% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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Frédéric Chopin
Chopin: Piano Sonata No. 1 in C Minor, O...
76 bpm • C min • 09:24 • -22db
50% Popularity • 23% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
50% Popularity • 23% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Franz Liszt
Romance oubliee
76 bpm • F# min • 04:49 • -32db
30% Popularity • 12% Danceability • 1% Energy • 20% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 1% Energy • 20% Liveness
15% Instrumentalness • 4% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Slavonic Dance for Four Hands in E Minor...
77 bpm • C Maj • 03:18 • -24.51db
36% Popularity • 36% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
36% Popularity • 36% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Erik Satie
Première Gymnopédie
76 bpm • G Maj • 03:24 • -35.42db
55% Popularity • 59% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 31% Positiveness
55% Popularity • 59% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 31% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Romance pour cor et orches...
75 bpm • F Maj • 04:00 • -27.13db
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 1 Nar...
75 bpm • D# Maj • 01:51 • -33.24db
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Frederick Delius
Three Piano Preludes: No. 2
75 bpm • A Maj • 01:08 • -35.57db
38% Popularity • 6% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
38% Popularity • 6% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Morceaux, Op. 51: No. 6. Valse sentime...
77 bpm • F min • 04:55 • -34db
20% Popularity • 29% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
20% Popularity • 29% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
56% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Franz Liszt
Liebestraume, S541/R211: No. 3. Nocturne...
76 bpm • G# Maj • 03:46 • -22db
25% Popularity • 24% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
25% Popularity • 24% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux: Saint-Saens - C...
75 bpm • F# Maj • 02:48 • -36.73db
48% Popularity • 18% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
48% Popularity • 18% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
46% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
46% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Maria Szymanowska
Nocturne in B-Flat Major
78 bpm • A# Maj • 05:36 • -21db
19% Popularity • 29% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 29% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Peter Schmalfuss
Deux Arabesques: No. 1 in E major
74 bpm • F# min • 03:55 • -27.62db
30% Popularity • 34% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
30% Popularity • 34% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
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Franz Liszt
Liebestraum No. 1 in A Flat Major, S. 54...
75 bpm • C# Maj • 07:37 • -31db
26% Popularity • 20% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Guillaume Tell (William Tell): Overture ...
74 bpm • G Maj • 02:17 • -39db
36% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
36% Popularity • 41% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
13 Preludes, Op. 32: No. 5 in G Major. M...
74 bpm • G Maj • 03:13 • -38db
44% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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Joseph Haydn
Sonata No. 13, Hob. XVI:6: Sonata No. 13...
74 bpm • G min • 04:42 • -28.44db
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Anton Rubinstein
Melody in F Major, Op. 3, No. 1
74 bpm • F Maj • 04:32 • -29db
19% Popularity • 36% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
19% Popularity • 36% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
53% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 11 in B Major
74 bpm • B Maj • 01:43 • -33.14db
51% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Federico Mompou
MĂşsica Callada III
74 bpm • A# Maj • 01:45 • -33db
33% Popularity • 27% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 24% Positiveness
33% Popularity • 27% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 24% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
53% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
53% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Franz Liszt
3 Études de concert, S. 144: No. 2, La ...
74 bpm • C# Maj • 04:54 • -23.33db
23% Popularity • 18% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Frédéric Chopin
3 Nocturnes, Op. 9: I. Larghetto
74 bpm • A# min • 05:52 • -29.03db
45% Popularity • 34% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 34% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Lang Lang
Children's Corner, CD 119: I. Doctor Gra...
74 bpm • F Maj • 02:47 • -22.61db
37% Popularity • 27% Danceability • 7% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 27% Danceability • 7% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 4 ...
78 bpm • D Maj • 04:36 • -27.93db
27% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
27% Popularity • 28% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Ivan Sings "Andantino"
74 bpm • G# Maj • 01:49 • -25.63db
50% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
50% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
► Preview
John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Alexander Scriabin
5 Preludes, Op. 16: IV. Prelude No. 4 in...
79 bpm • D# min • 01:01 • -42db
58% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
58% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
► Preview
Florence Beatrice Price
Adoration
79 bpm • G Maj • 03:38 • -25.57db
39% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
39% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
Préludes / Book 1, L. 117: 8. La fille ...
73 bpm • D# min • 02:30 • -38.22db
52% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
52% Popularity • 31% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 22% Positiveness
► Preview
Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
44% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
44% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich: Fugue No. 7 In A Major
79 bpm • A Maj • 02:43 • -26db
36% Popularity • 22% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
36% Popularity • 22% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
► Preview
Francis Poulenc
Nocturnes n°4 en ut mineur
73 bpm • C Maj • 01:28 • -28.78db
46% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
46% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Federico Mompou
Damunt de tu Només les flors
73 bpm • F min • 04:12 • -27.57db
21% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
Franz Liszt
Années de pèlerinage, 1ère année "Su...
73 bpm • G# Maj • 02:41 • -32.86db
25% Popularity • 22% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
25% Popularity • 22% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
44% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
44% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
73 bpm • F Maj • 04:44 • -27db
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
56% Popularity • 52% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 3 Carillon
72 bpm • F Maj • 01:35 • -31.25db
62% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
62% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Blagoje Bersa
Notturno, Op. 38
72 bpm • C# Maj • 04:49 • -31.28db
16% Popularity • 26% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 26% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Franz Liszt
Via Crucis, S53/R534: Station XIV: Jesus...
80 bpm • G min • 04:33 • -30.38db
19% Popularity • 14% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Mikhail Glinka
La separation, Nocturne in F Minor
72 bpm • F min • 04:28 • -23.32db
20% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Jules Massenet
ThaĂŻs: MĂ©ditation (Arr. for Cello & Pi...
80 bpm • D Maj • 05:46 • -27db
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 15, Sostenuto
72 bpm • C# Maj • 05:39 • -24db
41% Popularity • 38% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
41% Popularity • 38% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Franz Liszt
Nuages gris, S.199
72 bpm • A# Maj • 03:02 • -40.25db
17% Popularity • 31% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
17% Popularity • 31% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Claude Debussy
Symphony in B Minor (arr. T. Finno for o...
72 bpm • D Maj • 02:45 • -24.78db
52% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
52% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Prelude In B Minor Opus 104a No.2
81 bpm • B min • 01:30 • -18.88db
53% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
53% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: 15. Waltz in A Flat
72 bpm • G# Maj • 01:29 • -27db
39% Popularity • 49% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
39% Popularity • 49% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Liszt
Les jeux d'eau Ă la Villa d'Este
72 bpm • F# Maj • 07:48 • -27.57db
24% Popularity • 26% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Nora Mercz
6 Morceaux, Op. 51: No. 6. Valse sentime...
71 bpm • F min • 02:51 • -26.21db
40% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
40% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Vektersang...
71 bpm • E Maj • 02:39 • -27.45db
27% Popularity • 50% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 21% Positiveness
27% Popularity • 50% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 21% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
29% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
