Songs like Consolations, S172/R12: No. 3. Lento placido by Franz Liszt
Based on a tempo of (+/- 10%) and a similar genre
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Franz Liszt
Grandes Études de Paganini, S. 141: No....
93 bpm • G# min • 04:51 • -22.03db
38% Popularity • 27% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 42% Positiveness
38% Popularity • 27% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 42% Positiveness
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Dmitry Kabalevsky
Piano Sonatina in C Major, Op. 13, No. 1...
93 bpm • A min • 01:50 • -21db
12% Popularity • 40% Danceability • 20% Energy • 15% Liveness
87% Instrumentalness • 73% Positiveness
12% Popularity • 40% Danceability • 20% Energy • 15% Liveness
87% Instrumentalness • 73% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C Major, Op. 26:...
94 bpm • C Maj • 09:47 • -18.55db
13% Popularity • 30% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
13% Popularity • 30% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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Ernest Chausson
Piano Quartet in A Major, Op. 30: I. Tr�...
92 bpm • C# Maj • 10:07 • -22.1db
12% Popularity • 13% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Vladimir Ashkenazy
Piano Concerto No.2 in G Major, Op. 44: ...
94 bpm • D Maj • 09:34 • -18.61db
14% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
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Peter Schmalfuss
Berceuse, op. 57, Des-Dur: Wiegenlied
94 bpm • C# Maj • 05:15 • -31.48db
22% Popularity • 38% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 8% Positiveness
22% Popularity • 38% Danceability • 3% Energy • 16% Liveness
95% Instrumentalness • 8% Positiveness
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Franz Liszt
Consolations, S172/R12: No. 3. Lento pla...
93 bpm • C# Maj • 03:30 • -38db
17% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
17% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
94 bpm • E Maj • 02:54 • -24.67db
30% Popularity • 28% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
30% Popularity • 28% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Camille Saint-Saëns
Piano concerto No. 2 in G Minor, Op. 22:...
92 bpm • D# Maj • 05:52 • -29.92db
11% Popularity • 33% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
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Franz Liszt
12 Etudes d'execution transcendante, S13...
94 bpm • A# min • 05:16 • -22db
34% Popularity • 30% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
34% Popularity • 30% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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John Field
Kamarinskaya (Air russe varie)
92 bpm • A# Maj • 03:05 • -28db
30% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
30% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
40% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
40% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Aldo Ciccolini
Le Piccadilly
94 bpm • F Maj • 01:35 • -24.16db
19% Popularity • 44% Danceability • 9% Energy • 8% Liveness
83% Instrumentalness • 76% Positiveness
19% Popularity • 44% Danceability • 9% Energy • 8% Liveness
83% Instrumentalness • 76% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
95 bpm • C Maj • 01:06 • -26db
55% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
55% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
91 bpm • G min • 02:47 • -23.25db
31% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
31% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
91 bpm • C# Maj • 02:08 • -30.66db
28% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Preludes and Fugues for Piano, Op. 87: P...
95 bpm • A Maj • 02:11 • -33db
13% Popularity • 38% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
13% Popularity • 38% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 37% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
55% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Cyril Scott
Lullaby, Op. 57 No. 2 (Arr. for Cello & ...
91 bpm • D Maj • 02:19 • -27db
31% Popularity • 13% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
31% Popularity • 13% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
96 bpm • G min • 02:53 • -20.22db
35% Popularity • 42% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 34% Positiveness
35% Popularity • 42% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 34% Positiveness
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AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Franz Liszt
Grandes études de Paganini, S.141: No. ...
96 bpm • G# min • 04:42 • -20.55db
32% Popularity • 30% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
32% Popularity • 30% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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Maria João Pires
Sonata No. 16 in B Flat Major, II. Adagi...
96 bpm • D# Maj • 06:17 • -30.17db
32% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
32% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
45% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
45% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11,...
90 bpm • F# Maj • 08:30 • -28.14db
23% Popularity • 12% Danceability • 3% Energy • 9% Liveness
31% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 3% Energy • 9% Liveness
31% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Praeludium and Allegro
97 bpm • E min • 05:24 • -18.02db
10% Popularity • 39% Danceability • 24% Energy • 19% Liveness
26% Instrumentalness • 29% Positiveness
10% Popularity • 39% Danceability • 24% Energy • 19% Liveness
26% Instrumentalness • 29% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
42% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Clara Schumann
Three Romances for Violin & Piano, Op. 2...
89 bpm • G Maj • 04:01 • -21.42db
12% Popularity • 14% Danceability • 13% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
12% Popularity • 14% Danceability • 13% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
97 bpm • D Maj • 03:08 • -24db
36% Popularity • 38% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
36% Popularity • 38% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
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Benjamin Frith
Nocturne No. 18 In E Major, 'Midi'
97 bpm • E Maj • 06:14 • -30db
19% Popularity • 33% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
19% Popularity • 33% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Franz Liszt
Liszt: Piano Concerto No. 2 in A Major, ...
98 bpm • A Maj • 01:37 • -14.84db
36% Popularity • 36% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 31% Positiveness
36% Popularity • 36% Danceability • 25% Energy • 6% Liveness
95% Instrumentalness • 31% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. Pian...
98 bpm • F min • 03:18 • -29db
34% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Peter Schmalfuss
Walzer, Nr. 14, E-Moll, op. posth.
88 bpm • E Maj • 02:53 • -23db
23% Popularity • 31% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
23% Popularity • 31% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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Sergei Rachmaninoff
Prélude in C sharp minor, Op. 3, No. 2
98 bpm • F# min • 04:06 • -18.44db
15% Popularity • 49% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
15% Popularity • 49% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Arthur Rubinstein
La Plus Que
98 bpm • F# Maj • 03:45 • -25.49db
13% Popularity • 36% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
13% Popularity • 36% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Jean Sibelius
Tempo di valse in F-Sharp Minor, JS 194,...
88 bpm • A Maj • 00:53 • -33.26db
22% Popularity • 15% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 18% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 18% Positiveness
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Franz Liszt
Ellens Gesang III (Ave Maria), S558 no.1...
88 bpm • A# Maj • 05:31 • -30db
15% Popularity • 21% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Muzio Clementi
Keyboard Sonatina In C Major, Op. 36, No...
99 bpm • F Maj • 01:16 • -28db
40% Popularity • 41% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 63% Positiveness
40% Popularity • 41% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 63% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
42% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Robert Schumann
Piano Quartet in E-Flat Major, Op. 47: I...
99 bpm • A# Maj • 07:04 • -29.69db
18% Popularity • 13% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 9% Positiveness
18% Popularity • 13% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 9% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 - For Piano Duet: 15....
87 bpm • A Maj • 01:36 • -25.77db
34% Popularity • 48% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
34% Popularity • 48% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 4 in D-Flat ...
99 bpm • C# Maj • 03:14 • -30.07db
25% Popularity • 48% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
25% Popularity • 48% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Frank Bridge
4 Short Pieces for Violin & Piano, H. 10...
87 bpm • G Maj • 02:32 • -27db
41% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in G Major, Wq. 44: II...
87 bpm • E min • 03:18 • -27db
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
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Sergei Prokofiev
Prokofiev: 10 Pieces from Romeo & Juliet...
99 bpm • A min • 03:58 • -19db
32% Popularity • 36% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
32% Popularity • 36% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 3. Notturno
87 bpm • F# Maj • 04:01 • -28.67db
44% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
44% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 1 in E Major...
88 bpm • A Maj • 01:24 • -38.14db
34% Popularity • 51% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
34% Popularity • 51% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
100 bpm • G Maj • 01:57 • -35db
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
47% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
32% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Ravel: Pavane pour une infante défunte,...
100 bpm • E min • 06:24 • -28.92db
13% Popularity • 48% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
13% Popularity • 48% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Prelude in B minor, BWV 855a (Arr. by Al...
100 bpm • B min • 04:01 • -33.75db
56% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
56% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
► Preview
Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
37% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
37% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Fritz Kreisler
3 Old Viennese Dances: II. Liebesleid
85 bpm • A Maj • 03:35 • -26.03db
23% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
23% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Chanson triste, Op. 40: No. 2
101 bpm • G min • 02:58 • -33db
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Maurice Ravel
Pavane pour une infante défunte
101 bpm • G Maj • 06:07 • -33.33db
7% Popularity • 46% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
7% Popularity • 46% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
► Preview
Gabriel Fauré
Les berceaux, Op. 23, No. 1
85 bpm • C min • 03:07 • -24db
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Lili Boulanger
Nocturne
85 bpm • F Maj • 03:18 • -26db
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
27% Popularity • 13% Danceability • 3% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Prelude & Fugue in C Major (Well-Tempere...
102 bpm • C Maj • 01:26 • -29.53db
38% Popularity • 29% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
38% Popularity • 29% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 57% Positiveness
► Preview
Franz Liszt
Don Sanche (The Castle of Love), S476/R1...
102 bpm • A# Maj • 01:01 • -23.29db
22% Popularity • 35% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 15% Positiveness
22% Popularity • 35% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Johannes Brahms
Capriccio in B Minor, Op. 76, No. 2
84 bpm • B Maj • 03:33 • -31db
25% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
25% Popularity • 36% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Jean Sibelius
6 Impromptus, Op. 5: Impromptu No. 5 in ...
84 bpm • B min • 03:07 • -28db
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
33% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
33% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Vals (Walt...
84 bpm • A Maj • 01:51 • -27.54db
28% Popularity • 50% Danceability • 8% Energy • 7% Liveness
96% Instrumentalness • 36% Positiveness
28% Popularity • 50% Danceability • 8% Energy • 7% Liveness
96% Instrumentalness • 36% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
41% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
84 bpm • C# Maj • 03:49 • -36.72db
24% Popularity • 26% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
24% Popularity • 26% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Květa Novotná
Johann Sebastian Bach: Praeludium I C-Du...
103 bpm • C Maj • 01:31 • -26.12db
33% Popularity • 19% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Clara Schumann
Etude in A-Flat Major
104 bpm • G# Maj • 01:51 • -31db
31% Popularity • 34% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
31% Popularity • 34% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E-Flat Major, S....
84 bpm • G# min • 05:47 • -24db
25% Popularity • 26% Danceability • 7% Energy • 12% Liveness
66% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 7% Energy • 12% Liveness
66% Instrumentalness • 4% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 2. Canone
83 bpm • A# Maj • 02:42 • -23.33db
40% Popularity • 29% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
40% Popularity • 29% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Franz Schubert
Piano Sonata No. 13 in A Major, D. 664: ...
104 bpm • A Maj • 10:39 • -27.32db
7% Popularity • 37% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
7% Popularity • 37% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
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Joseph Haydn
String Quartet No. 53 in D Major, Op. 64...
83 bpm • A Maj • 06:38 • -25.47db
21% Popularity • 11% Danceability • 6% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 6% Energy • 12% Liveness
52% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: A la manière de... Borodine, M. ...
83 bpm • F# Maj • 01:45 • -26.89db
39% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 in B-Flat Minor, Op...
82 bpm • A# min • 07:10 • -15db
7% Popularity • 35% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
7% Popularity • 35% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Franz Liszt
Rakoczy March from Hungarian Rhapsody No...
83 bpm • A Maj • 05:43 • -17.77db
25% Popularity • 32% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
25% Popularity • 32% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: 2. Liebesleid
105 bpm • A Maj • 03:56 • -23.8db
14% Popularity • 28% Danceability • 5% Energy • 8% Liveness
66% Instrumentalness • 11% Positiveness
14% Popularity • 28% Danceability • 5% Energy • 8% Liveness
66% Instrumentalness • 11% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
46% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
46% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Christian Sinding
The Rustle of Spring, Op. 32, No. 3
82 bpm • F min • 02:56 • -26.64db
24% Popularity • 26% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 5% Positiveness
24% Popularity • 26% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 5% Positiveness
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Erik Satie
Les 3 Valses Distinguees Du Precieux Deg...
105 bpm • D Maj • 03:55 • -28.66db
18% Popularity • 53% Danceability • 2% Energy • 19% Liveness
83% Instrumentalness • 13% Positiveness
18% Popularity • 53% Danceability • 2% Energy • 19% Liveness
83% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Fauré: Nocturne No. 1 in E-Flat Minor, ...
82 bpm • B Maj • 01:38 • -39.15db
20% Popularity • 36% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
20% Popularity • 36% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
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Franz Liszt
Liebestraume, S541/R211 : No. 2: Nocturn...
82 bpm • E Maj • 03:51 • -28.78db
19% Popularity • 31% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
19% Popularity • 31% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, Cantata...
82 bpm • G Maj • 04:18 • -33.2db
35% Popularity • 35% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
35% Popularity • 35% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
38% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Robert Schumann
Carnaval, Op. 9: 11. Chiarina
106 bpm • C min • 01:22 • -19.35db
27% Popularity • 37% Danceability • 21% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
27% Popularity • 37% Danceability • 21% Energy • 12% Liveness
89% Instrumentalness • 11% Positiveness
