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Constellation Lyra - K-Pax
Songs like
Constellation Lyra - K-Pax (Original Motion Picture Soundtrack)
by
Edward Shearmur
Based on a tempo of (+/- 10%) and a similar genre
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Clint Mansell
"We're Not Programs, GERTY, We're People...
89 bpm • C Maj • 05:10 • -22.73db
37% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Prisoners
89 bpm • C min • 06:59 • -17db
26% Popularity • 10% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Michael Giacchino
Labor Of Love
89 bpm • D Maj • 02:51 • -18.46db
33% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Edward Shearmur
Constellation Lyra - K-Pax
89 bpm • D# min • 02:41 • -18db
17% Popularity • 16% Danceability • 24% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Carter Burwell
Tree of Memory
89 bpm • D min • 04:01 • -25.44db
12% Popularity • 11% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Jamin Winans
Between The Light
89 bpm • A min • 05:35 • -16.63db
13% Popularity • 15% Danceability • 24% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Clint Mansell
Day and Night Shall Not Cease
88 bpm • G Maj • 05:49 • -15.01db
8% Popularity • 9% Danceability • 8% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Burkhard Dallwitz
Flashback
90 bpm • C Maj • 01:20 • -28.35db
27% Popularity • 13% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Henry Jackman
The Gettysburg Address
88 bpm • F Maj • 02:21 • -16db
11% Popularity • 10% Danceability • 22% Energy • 16% Liveness
97% Instrumentalness • 3% Positiveness
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Edward Shearmur
Shearmur, Goodall: Theme [Johnny English...
89 bpm • G Maj • 03:21 • -8.57db
23% Popularity • 52% Danceability • 82% Energy • 69% Liveness
89% Instrumentalness • 68% Positiveness
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Éric Serra
Human Nature
88 bpm • B min • 02:02 • -26.56db
34% Popularity • 18% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Ciaran Hope
Mother Teresa
90 bpm • B min • 02:55 • -30.91db
19% Popularity • 11% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Roque Baños
El Collar
90 bpm • F# min • 03:35 • -28db
23% Popularity • 14% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Harald Kloser
You Came For Me
90 bpm • F Maj • 02:06 • -19db
36% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
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Jamin Winans
Jacob's Chain
90 bpm • A# Maj • 02:53 • -12.67db
16% Popularity • 52% Danceability • 41% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Fernando Velázquez
My Boys, I Cannot See Them
88 bpm • C min • 03:53 • -24.53db
10% Popularity • 9% Danceability • 4% Energy • 12% Liveness
34% Instrumentalness • 3% Positiveness
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Craig Armstrong
The Great Misunderstanding
88 bpm • C# min • 02:24 • -23.06db
27% Popularity • 32% Danceability • 4% Energy • 13% Liveness
45% Instrumentalness • 4% Positiveness
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Conrad Pope
Such Stuff That Dreams Are Made of
88 bpm • E Maj • 03:37 • -23.98db
18% Popularity • 9% Danceability • 5% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
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Atticus Ross
The Purpose
90 bpm • F min • 01:59 • -18.08db
24% Popularity • 15% Danceability • 13% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Three Eyed Raven
90 bpm • F min • 03:58 • -26.03db
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Jamin Winans
Remember
90 bpm • A min • 03:08 • -20.33db
11% Popularity • 14% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Earth
87 bpm • E Maj • 02:35 • -22.46db
38% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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Alan Silvestri
They're Sending Me To Vietnam
91 bpm • A# Maj • 02:20 • -35.9db
29% Popularity • 19% Danceability • 1% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
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Jeff Beal
One Bite At A Time
91 bpm • F Maj • 02:30 • -17db
35% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Atticus Ross
The Passenger
90 bpm • G# Maj • 01:55 • -21.07db
21% Popularity • 15% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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The Prestige
Colorado Springs
91 bpm • A min • 04:15 • -24.21db
24% Popularity • 26% Danceability • 11% Energy • 18% Liveness
89% Instrumentalness • 3% Positiveness
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Nick Glennie-Smith
That's A Nice Day
87 bpm • F min • 02:42 • -19.89db
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Clinton Shorter
Back to D9
91 bpm • C# Maj • 01:45 • -21.27db
14% Popularity • 22% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Carter Burwell
Follow Your Feet
87 bpm • D Maj • 03:09 • -27db
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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Burkhard Dallwitz
Tibet
91 bpm • E min • 05:26 • -16db
28% Popularity • 13% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Atticus Ross
Movement
91 bpm • A min • 03:04 • -18.57db
16% Popularity • 28% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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BBC Concert Orchestra
Shores of Respite
87 bpm • F Maj • 02:15 • -11.63db
2% Popularity • 27% Danceability • 45% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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John Ottman
How Could You Leave Us
87 bpm • D min • 05:47 • -19db
24% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Michael Giacchino
The Gathering
87 bpm • C# Maj • 04:19 • -19.05db
22% Popularity • 10% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 3% Positiveness
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Roque Baños
Abandon Ship
92 bpm • F min • 06:09 • -15.38db
31% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Jamin Winans
The Journey
87 bpm • A min • 01:34 • -22.71db
11% Popularity • 24% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Marcel Barsotti
Pope Joan (Main Theme)
87 bpm • G min • 02:34 • -19.14db
15% Popularity • 12% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Edward Shearmur
A Wedding
92 bpm • D Maj • 00:55 • -22.9db
4% Popularity • 14% Danceability • 8% Energy • 12% Liveness
52% Instrumentalness • 16% Positiveness
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Burkhard Dallwitz
Truman Sets Sail
86 bpm • F min • 01:57 • -16.87db
27% Popularity • 14% Danceability • 19% Energy • 37% Liveness
88% Instrumentalness • 7% Positiveness
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Michael Giacchino
The Constant
87 bpm • F Maj • 03:52 • -20.78db
21% Popularity • 9% Danceability • 9% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Roque Baños
The Story Is Told
92 bpm • G# Maj • 06:41 • -24db
28% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Alan Silvestri
Small Moves
86 bpm • E Maj • 05:34 • -35.73db
23% Popularity • 12% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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M83
Losing Control
92 bpm • D Maj • 03:56 • -18.9db
31% Popularity • 32% Danceability • 9% Energy • 22% Liveness
91% Instrumentalness • 4% Positiveness
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Armand Amar
Home, Pt. II
92 bpm • C# min • 03:41 • -20db
25% Popularity • 12% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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John Frizzell
Resolution
92 bpm • C min • 02:29 • -21db
14% Popularity • 32% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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John Powell
Man Versus Man
92 bpm • B Maj • 05:45 • -15.56db
22% Popularity • 42% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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David Wingo
At The Beach
86 bpm • E min • 02:20 • -10.55db
19% Popularity • 10% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Éric Serra
Leeloominai
86 bpm • B min • 01:41 • -24.1db
35% Popularity • 13% Danceability • 13% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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John Powell
Chaos / Email
92 bpm • C# Maj • 04:17 • -16.2db
11% Popularity • 32% Danceability • 27% Energy • 39% Liveness
82% Instrumentalness • 4% Positiveness
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Tyler Bates
Glory
85 bpm • G Maj • 01:43 • -13.17db
29% Popularity • 21% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Edward Shearmur
Finding Frankie
85 bpm • G Maj • 05:00 • -15.68db
2% Popularity • 16% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Craig Armstrong
You Kept My Letters
85 bpm • D min • 01:22 • -23.93db
32% Popularity • 10% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Mark McKenzie
What's Your Dream?
93 bpm • G Maj • 02:37 • -20.66db
30% Popularity • 14% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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M83
Radiation Zone
93 bpm • C# Maj • 04:11 • -13.54db
28% Popularity • 26% Danceability • 46% Energy • 7% Liveness
83% Instrumentalness • 9% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
35% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Michael Giacchino
Ji Yeon
85 bpm • A# Maj • 03:07 • -25.53db
20% Popularity • 22% Danceability • 4% Energy • 36% Liveness
68% Instrumentalness • 4% Positiveness
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Howard Shore
The Leave Taking
85 bpm • E min • 03:41 • -30.26db
42% Popularity • 11% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Clint Mansell
Stay with Me
84 bpm • G min • 03:36 • -21.93db
34% Popularity • 10% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Alan Silvestri
Really Confused
84 bpm • G Maj • 01:18 • -32.63db
24% Popularity • 15% Danceability • 1% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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M83
Ashes of Our Fathers
94 bpm • B Maj • 03:30 • -13.18db
29% Popularity • 28% Danceability • 43% Energy • 16% Liveness
93% Instrumentalness • 22% Positiveness
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B.S.O. Varios
Hypatia's Last Walk
84 bpm • D min • 02:32 • -19.56db
9% Popularity • 17% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
No way out
84 bpm • G Maj • 03:59 • -9.42db
19% Popularity • 42% Danceability • 39% Energy • 21% Liveness
67% Instrumentalness • 24% Positiveness
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Jacob Shea
Mayflies
84 bpm • A# min • 04:24 • -16.22db
22% Popularity • 14% Danceability • 54% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
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Howard Shore
Courthouse
84 bpm • B min • 01:11 • -22.79db
37% Popularity • 41% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Craig Armstrong
Storm
84 bpm • C min • 03:00 • -9db
30% Popularity • 8% Danceability • 41% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Ryan Amon
I Don't Want To Die
84 bpm • C min • 01:36 • -23.31db
30% Popularity • 12% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
The Legend Of Tarzan
95 bpm • A min • 02:36 • -13.25db
28% Popularity • 12% Danceability • 44% Energy • 15% Liveness
97% Instrumentalness • 6% Positiveness
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Stephan Zacharias
Hoffnung am Ende der Welt
84 bpm • D min • 03:21 • -24.57db
19% Popularity • 15% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Burkhard Dallwitz
A New Life
95 bpm • A# min • 02:01 • -11db
22% Popularity • 65% Danceability • 77% Energy • 48% Liveness
83% Instrumentalness • 44% Positiveness
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Marc Streitenfeld
You Are Gonna Die
84 bpm • D# Maj • 03:14 • -20.04db
24% Popularity • 8% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Jamin Winans
John's Walk
95 bpm • F Maj • 02:52 • -13db
30% Popularity • 54% Danceability • 61% Energy • 12% Liveness
97% Instrumentalness • 8% Positiveness
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B.S.O. Varios
The Skies Do Not Fall
83 bpm • E min • 04:09 • -12.47db
13% Popularity • 16% Danceability • 35% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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M83
Waking Up
96 bpm • C min • 04:09 • -13db
48% Popularity • 40% Danceability • 50% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
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Ramin Djawadi
I Need You by My Side (Bonus Track)
83 bpm • G# Maj • 02:36 • -18.91db
36% Popularity • 8% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
27% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Elliot Goldenthal
JD Dies
82 bpm • G# Maj • 03:54 • -18.57db
27% Popularity • 8% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Jamin Winans
Ink and The Storytellers
95 bpm • F# min • 02:41 • -12.7db
13% Popularity • 45% Danceability • 72% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Last Of The Dogmen
Last of the Dogmen
82 bpm • C Maj • 03:16 • -19.81db
10% Popularity • 11% Danceability • 17% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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John Powell
Dedication
82 bpm • C Maj • 03:51 • -26.41db
14% Popularity • 11% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Giacchino
LAX
82 bpm • C Maj • 04:09 • -19.12db
22% Popularity • 17% Danceability • 5% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
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Roque Baños
Arriving Nickerson's Lair
82 bpm • C min • 02:51 • -25.13db
17% Popularity • 12% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Éric Serra
Cute Name
82 bpm • A min • 03:28 • -13.25db
24% Popularity • 9% Danceability • 62% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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John Debney
Xan And Duma Say Goodbye
82 bpm • A Maj • 03:24 • -18.93db
10% Popularity • 27% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Burkhard Dallwitz
Lake Baikal
97 bpm • E min • 03:35 • -16db
11% Popularity • 12% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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John Powell
Bourne Gets Well
82 bpm • F# Maj • 01:21 • -18.2db
30% Popularity • 46% Danceability • 23% Energy • 23% Liveness
91% Instrumentalness • 9% Positiveness
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Rupert Gregson-Williams
Mary is Dead
82 bpm • C Maj • 01:45 • -25.76db
29% Popularity • 8% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Craig Armstrong
Armstrong: Immensities
82 bpm • C Maj • 02:41 • -21.88db
16% Popularity • 8% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
38% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Atticus Ross
Panoramic
82 bpm • B Maj • 07:11 • -21db
38% Popularity • 11% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Edward Shearmur
Thank You Child
82 bpm • A min • 02:04 • -24.09db
3% Popularity • 23% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Jóhann Jóhannsson
The Lord's Prayer
82 bpm • D min • 02:31 • -20.93db
29% Popularity • 8% Danceability • 14% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
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Michael Giacchino
John Carter of Mars
81 bpm • A min • 08:53 • -17db
19% Popularity • 8% Danceability • 11% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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John Powell
Funeral Pyre
98 bpm • D min • 02:21 • -18.13db
26% Popularity • 14% Danceability • 26% Energy • 20% Liveness
97% Instrumentalness • 11% Positiveness
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John Powell
Coming Home
81 bpm • F# min • 03:19 • -14.96db
17% Popularity • 11% Danceability • 26% Energy • 18% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Clint Eastwood
Jimmy's Anguish
81 bpm • C Maj • 03:09 • -19.98db
11% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Angelo Milli
Sarah
81 bpm • G Maj • 02:09 • -27.6db
17% Popularity • 14% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
The Spelling Board
97 bpm • A# Maj • 00:59 • -28.9db
43% Popularity • 12% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Constellation Lyra - K-Pax