Songs like Cooper Crow by Clyde Alan Hensley
Based on a tempo of (+/- 10%) and a similar genre
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James McMurtry
Six Year Drought
99 bpm • F# Maj • 05:14 • -8.07db
14% Popularity • 65% Danceability • 61% Energy • 15% Liveness
3% Instrumentalness • 25% Positiveness
14% Popularity • 65% Danceability • 61% Energy • 15% Liveness
3% Instrumentalness • 25% Positiveness
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Clyde Alan Hensley
Cooper Crow
99 bpm • A Maj • 04:07 • -9.78db
0% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Dax Riggs
Living Is Suicide
99 bpm • F# Maj • 01:55 • -6.18db
22% Popularity • 40% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 40% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Dom Ellis
Left to Hold
99 bpm • F Maj • 03:08 • -8.93db
41% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Steve The Trailplayer
All About Love
99 bpm • C Maj • 03:25 • -11.68db
15% Popularity • 35% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 35% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Spirit Of The West
The Mists Of Crofton
100 bpm • A Maj • 03:02 • -10.68db
9% Popularity • 68% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 68% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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The Shipyard Dogs
Remember It All
98 bpm • A Maj • 02:56 • -12.46db
11% Popularity • 57% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 57% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Clyde Alan Hensley
5 Simple Blessings
99 bpm • G Maj • 02:17 • -8.08db
0% Popularity • 57% Danceability • 64% Energy • 12% Liveness
10% Instrumentalness • 64% Positiveness
0% Popularity • 57% Danceability • 64% Energy • 12% Liveness
10% Instrumentalness • 64% Positiveness
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Jose Malibran
Countryboy - Classic Version
98 bpm • G Maj • 02:23 • -9.53db
13% Popularity • 64% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 64% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Trevor Moore
Gary
100 bpm • C Maj • 02:54 • -7.83db
19% Popularity • 59% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 59% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Tom Morello: the Nightwatchman
House Gone up in Flames
100 bpm • C# min • 03:23 • -7.28db
14% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Sal Casabianca
Night Sky
100 bpm • D Maj • 03:59 • -5.4db
26% Popularity • 63% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 63% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Zap City
He's Coming Down the Chimney
98 bpm • G Maj • 03:07 • -13.59db
7% Popularity • 65% Danceability • 50% Energy • 15% Liveness
74% Instrumentalness • 45% Positiveness
7% Popularity • 65% Danceability • 50% Energy • 15% Liveness
74% Instrumentalness • 45% Positiveness
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Clyde Alan Hensley
Day by Day
100 bpm • G Maj • 05:01 • -12.63db
0% Popularity • 76% Danceability • 46% Energy • 12% Liveness
26% Instrumentalness • 62% Positiveness
0% Popularity • 76% Danceability • 46% Energy • 12% Liveness
26% Instrumentalness • 62% Positiveness
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Steve Earle
Now She's Gone
98 bpm • E min • 02:47 • -6.43db
20% Popularity • 55% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
20% Popularity • 55% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 74% Positiveness
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Steve Moore Oldster
Live for Today
97 bpm • A Maj • 02:55 • -9.65db
16% Popularity • 57% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
16% Popularity • 57% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Neil Diamond
Man Of God
101 bpm • C Maj • 04:21 • -8.77db
15% Popularity • 51% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 51% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Crooked Fingers
Valerie
101 bpm • D Maj • 03:18 • -6.34db
10% Popularity • 39% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 39% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Todd Snider
This Land Is Our Land - Purple Version
101 bpm • D min • 04:52 • -11.82db
21% Popularity • 57% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 57% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Clyde Alan Hensley
Sin No More
98 bpm • A# min • 03:26 • -7.46db
0% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Blue October
The 21st
97 bpm • C Maj • 04:08 • -11.49db
21% Popularity • 39% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 39% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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chris collinsworth
Broken and Busted
97 bpm • G Maj • 03:41 • -11.2db
10% Popularity • 41% Danceability • 41% Energy • 21% Liveness
24% Instrumentalness • 44% Positiveness
10% Popularity • 41% Danceability • 41% Energy • 21% Liveness
24% Instrumentalness • 44% Positiveness
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Maye Lalo
Wash Away
97 bpm • C Maj • 05:06 • -12.02db
28% Popularity • 56% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 56% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Billy Bragg
Lonesome Whistle
96 bpm • C Maj • 02:53 • -9.53db
17% Popularity • 61% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 61% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Shakey Graves
If Not For You (Demo)
102 bpm • D Maj • 03:11 • -8.02db
47% Popularity • 63% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
47% Popularity • 63% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Clyde Alan Hensley
Rejoice
101 bpm • G# Maj • 03:09 • -9db
0% Popularity • 46% Danceability • 66% Energy • 11% Liveness
27% Instrumentalness • 50% Positiveness
0% Popularity • 46% Danceability • 66% Energy • 11% Liveness
27% Instrumentalness • 50% Positiveness
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Part Time Baby
Sleepwalking
102 bpm • D Maj • 03:47 • -13.33db
22% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Aaron Black
Hurt
96 bpm • A min • 03:30 • -11.22db
19% Popularity • 50% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 50% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Tim Helnore
Outlaw Man
102 bpm • A min • 03:15 • -7.61db
20% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Steve The Trailplayer
born to fret
102 bpm • G Maj • 02:15 • -10.8db
22% Popularity • 48% Danceability • 43% Energy • 17% Liveness
3% Instrumentalness • 82% Positiveness
22% Popularity • 48% Danceability • 43% Energy • 17% Liveness
3% Instrumentalness • 82% Positiveness
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Steve the Trailplayer
Golden State Blues - Acoustic
96 bpm • B min • 02:10 • -11db
28% Popularity • 64% Danceability • 38% Energy • 18% Liveness
26% Instrumentalness • 79% Positiveness
28% Popularity • 64% Danceability • 38% Energy • 18% Liveness
26% Instrumentalness • 79% Positiveness
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David J
Oh No! Not Another Songwriter!
96 bpm • D Maj • 03:33 • -10.66db
13% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Clyde Alan Hensley
Broken and Bruised
103 bpm • E Maj • 02:57 • -10.69db
0% Popularity • 67% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 67% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Monsters Of Folk
Man Named Truth
95 bpm • D min • 03:51 • -5.05db
15% Popularity • 53% Danceability • 91% Energy • 54% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 53% Danceability • 91% Energy • 54% Liveness
0% Instrumentalness • 94% Positiveness
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Angry Johnny and the Killbillies
Devil Outside the Door
103 bpm • A min • 06:04 • -13.03db
12% Popularity • 44% Danceability • 46% Energy • 27% Liveness
15% Instrumentalness • 26% Positiveness
12% Popularity • 44% Danceability • 46% Energy • 27% Liveness
15% Instrumentalness • 26% Positiveness
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Bygone Dave
Badgersong
95 bpm • B Maj • 02:08 • -12.44db
17% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 43% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Los Lobos
For What It’s Worth
95 bpm • G Maj • 03:28 • -13.46db
26% Popularity • 67% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
26% Popularity • 67% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Ray Wylie Hubbard
Bad Trick
103 bpm • A Maj • 04:01 • -6.45db
33% Popularity • 78% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 78% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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They Might Be Giants
Window
103 bpm • A Maj • 01:00 • -12.6db
18% Popularity • 64% Danceability • 28% Energy • 30% Liveness
68% Instrumentalness • 88% Positiveness
18% Popularity • 64% Danceability • 28% Energy • 30% Liveness
68% Instrumentalness • 88% Positiveness
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John Mellencamp
One More Trick
95 bpm • A# Maj • 03:54 • -6.97db
21% Popularity • 62% Danceability • 68% Energy • 12% Liveness
10% Instrumentalness • 86% Positiveness
21% Popularity • 62% Danceability • 68% Energy • 12% Liveness
10% Instrumentalness • 86% Positiveness
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Craig Smith
I Wished I Was Young
95 bpm • A min • 04:07 • -9.06db
10% Popularity • 46% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 46% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Lowell Morrison
Wonderful Father
95 bpm • A min • 02:02 • -16.75db
25% Popularity • 49% Danceability • 27% Energy • 13% Liveness
66% Instrumentalness • 48% Positiveness
25% Popularity • 49% Danceability • 27% Energy • 13% Liveness
66% Instrumentalness • 48% Positiveness
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John Rivetti
Love You Tonight
94 bpm • E Maj • 03:07 • -4.8db
7% Popularity • 47% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 47% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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The Handsome Family
1000 Dollar Car
104 bpm • E min • 04:20 • -6.2db
10% Popularity • 45% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 45% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Joe Strummer
The Road To Rock ‘N’ Roll (Demo)
104 bpm • C Maj • 04:25 • -6.44db
9% Popularity • 71% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 71% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Naturalistic Vibes
Hands off the Wheel
104 bpm • F min • 03:11 • -11.98db
21% Popularity • 78% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 78% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Clyde Alan Hensley
Empty Little Words
94 bpm • F Maj • 02:55 • -10.02db
0% Popularity • 40% Danceability • 37% Energy • 21% Liveness
3% Instrumentalness • 15% Positiveness
0% Popularity • 40% Danceability • 37% Energy • 21% Liveness
3% Instrumentalness • 15% Positiveness
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Vic Chesnutt
Where Were You
94 bpm • A# Maj • 04:44 • -9.77db
10% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Bobby Bare Jr.
Visit Me in Music City
94 bpm • B Maj • 04:03 • -8.96db
18% Popularity • 40% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
18% Popularity • 40% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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David John Ricci
Drink a Beer - Country Hop Mix - David J...
104 bpm • G Maj • 04:17 • -8.36db
5% Popularity • 68% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
5% Popularity • 68% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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The Who
Endless Wire - Extended Version
94 bpm • F Maj • 03:05 • -4.91db
3% Popularity • 66% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
3% Popularity • 66% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Stephanie Bertram
She Knew That
105 bpm • F Maj • 03:55 • -6.64db
27% Popularity • 47% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
27% Popularity • 47% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Vicente Luengo
Poline
94 bpm • G# Maj • 03:08 • -13.1db
31% Popularity • 48% Danceability • 38% Energy • 11% Liveness
19% Instrumentalness • 47% Positiveness
31% Popularity • 48% Danceability • 38% Energy • 11% Liveness
19% Instrumentalness • 47% Positiveness
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Lowell Morrison
The Spirit Moves
94 bpm • G Maj • 01:50 • -11.72db
25% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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chris collinsworth
Please Forgive Me
94 bpm • G Maj • 04:40 • -14.75db
21% Popularity • 46% Danceability • 20% Energy • 44% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 46% Danceability • 20% Energy • 44% Liveness
0% Instrumentalness • 27% Positiveness
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Jonny J Solo
The Empathetic Pirate - Acoustic
105 bpm • C Maj • 03:44 • -7.3db
21% Popularity • 76% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
21% Popularity • 76% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
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Mick Clarke
Ragged but Right!
105 bpm • C Maj • 03:04 • -6.41db
24% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Savatage
Castles Burning - Acoustic Version 2010
105 bpm • D min • 04:04 • -10.78db
16% Popularity • 41% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 41% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Roger Alan Wade
Lonlieness is My Only True Friend
105 bpm • A# Maj • 03:18 • -6.94db
11% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Pigram Brothers
Eulogy For A Black Man
93 bpm • D Maj • 04:43 • -8.28db
11% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Glenn Murphy
Lost in Tombstone
106 bpm • E min • 05:01 • -11.67db
9% Popularity • 76% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 76% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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steve moore thirst
i got it made
106 bpm • D Maj • 02:45 • -10.19db
11% Popularity • 47% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 47% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Joe Strummer
Long Shadow
92 bpm • G Maj • 03:34 • -9.6db
29% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Clyde Alan Hensley
Angels
106 bpm • A Maj • 03:08 • -8.67db
0% Popularity • 60% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 60% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Samtar
Wild Boys
106 bpm • E min • 03:14 • -10.77db
8% Popularity • 57% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 57% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Nemra
Feet in the River
92 bpm • D min • 04:11 • -8.18db
10% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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T Bone Burnett
Over You
106 bpm • G Maj • 02:20 • -10.89db
21% Popularity • 54% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 54% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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BANG
Little Red Flower
106 bpm • B Maj • 03:04 • -10.28db
28% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Murphy
The Devils Right Hand
106 bpm • G Maj • 02:13 • -15.91db
8% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Clyde Alan Hensley
Then
106 bpm • A min • 02:48 • -12.75db
0% Popularity • 63% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 63% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Donavon Frankenreiter
I Can Lose
106 bpm • C Maj • 03:33 • -7.7db
18% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Man Mountain Moore
I Confess
106 bpm • D min • 02:02 • -16.36db
25% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Tangerines
Up the Country
92 bpm • B Maj • 01:25 • -6.95db
14% Popularity • 68% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 68% Danceability • 76% Energy • 57% Liveness
0% Instrumentalness • 82% Positiveness
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Ryan Perdz
Now That You're Gone
92 bpm • A min • 03:47 • -10.98db
16% Popularity • 60% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 60% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Jack and the Truthoholics
Matter of Time
107 bpm • B min • 04:02 • -9.6db
27% Popularity • 58% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 58% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 42% Positiveness
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Peter Marsh
Changing Times
107 bpm • D Maj • 03:34 • -6.74db
9% Popularity • 57% Danceability • 69% Energy • 13% Liveness
25% Instrumentalness • 65% Positiveness
9% Popularity • 57% Danceability • 69% Energy • 13% Liveness
25% Instrumentalness • 65% Positiveness
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The Native Howl
So Near
107 bpm • G Maj • 03:12 • -6.67db
8% Popularity • 44% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 44% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Terry Reid
To Be Treated Rite
107 bpm • C min • 03:48 • -9.19db
12% Popularity • 62% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 62% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Leon Rector
Heartbreak and a Shovel
91 bpm • G Maj • 03:38 • -8.4db
7% Popularity • 41% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 41% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Dean Ford
Reflections of My Life
91 bpm • G Maj • 04:01 • -4.84db
17% Popularity • 53% Danceability • 43% Energy • 8% Liveness
77% Instrumentalness • 38% Positiveness
17% Popularity • 53% Danceability • 43% Energy • 8% Liveness
77% Instrumentalness • 38% Positiveness
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Mike Doughty
Language Barrier
107 bpm • D Maj • 02:12 • -10.5db
8% Popularity • 76% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 76% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Clyde Alan Hensley
Let Sleeping Dogs Lie
108 bpm • E Maj • 02:46 • -11.37db
0% Popularity • 61% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 61% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 41% Positiveness
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They Might Be Giants
Tesla
108 bpm • E Maj • 02:04 • -5.8db
19% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Man Mountain Moore
It Is Finished
108 bpm • D Maj • 01:01 • -7.49db
25% Popularity • 46% Danceability • 54% Energy • 61% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 46% Danceability • 54% Energy • 61% Liveness
0% Instrumentalness • 61% Positiveness
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Nash Hamilton
Saints Of My Life
108 bpm • E min • 02:52 • -8.14db
10% Popularity • 32% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 32% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Dan Browning
Ballad Of Uncle Cray
108 bpm • D Maj • 02:52 • -8.7db
10% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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The Gaslight Anthem
The Navesink Banks
90 bpm • G# min • 02:48 • -15db
35% Popularity • 59% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
35% Popularity • 59% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Godfrey Birtill
I Entangle Into You
90 bpm • E Maj • 04:27 • -11.84db
15% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Vintage Lapointe
The Monster Within Me, Pt. 1
109 bpm • A Maj • 01:37 • -7.53db
17% Popularity • 52% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 52% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Bourbon Crow
Suck My Dixie
109 bpm • F# Maj • 02:11 • -9.32db
10% Popularity • 58% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 58% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Amigo the Devil
I’m Going to Heaven
90 bpm • B min • 04:57 • -13.65db
49% Popularity • 61% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 61% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Land & Ammo
From This Point On
90 bpm • D Maj • 03:18 • -7.54db
9% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 62% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Clyde Alan Hensley
In God's Time
90 bpm • A Maj • 03:11 • -11.71db
0% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Mouse Rat
Two Birds Holding Hands
90 bpm • G Maj • 03:40 • -7.91db
20% Popularity • 57% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 57% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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The Godzilla Attacks Tokyo Kamikaze Blues Band
Frankie and Albert
90 bpm • G Maj • 03:44 • -10.29db
11% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Bagatelle
Going Back to Ireland
90 bpm • C Maj • 03:54 • -7.35db
13% Popularity • 55% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 55% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Patrick Rapp
Every day is a happy day
109 bpm • E Maj • 03:59 • -7.34db
12% Popularity • 58% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 58% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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The Life and Times of the Brothers Hogg
Ad Infinitum (The Maths Song)
90 bpm • A# Maj • 03:33 • -7.4db
10% Popularity • 62% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 62% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
