Songs like Cop Killer by John Maus
Based on a tempo of (+/- 10%) and a similar genre
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Beak>
Brean Down
125 bpm • D# Maj • 03:51 • -8.29db
30% Popularity • 69% Danceability • 54% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
30% Popularity • 69% Danceability • 54% Energy • 13% Liveness
21% Instrumentalness • 23% Positiveness
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Austra
Utopia
125 bpm • F# Maj • 04:03 • -7.07db
34% Popularity • 71% Danceability • 48% Energy • 12% Liveness
58% Instrumentalness • 39% Positiveness
34% Popularity • 71% Danceability • 48% Energy • 12% Liveness
58% Instrumentalness • 39% Positiveness
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Cold Cave
Love Comes Close
125 bpm • C Maj • 04:25 • -8.35db
19% Popularity • 62% Danceability • 80% Energy • 10% Liveness
48% Instrumentalness • 90% Positiveness
19% Popularity • 62% Danceability • 80% Energy • 10% Liveness
48% Instrumentalness • 90% Positiveness
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Broadcast
Corporeal
125 bpm • D Maj • 03:55 • -10db
39% Popularity • 63% Danceability • 60% Energy • 21% Liveness
63% Instrumentalness • 26% Positiveness
39% Popularity • 63% Danceability • 60% Energy • 21% Liveness
63% Instrumentalness • 26% Positiveness
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Part Time
Animal Machines
125 bpm • D min • 03:14 • -9db
45% Popularity • 65% Danceability • 77% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
45% Popularity • 65% Danceability • 77% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
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Kraftwerk
Computer Love - 2009 Remaster
125 bpm • F min • 07:19 • -11db
45% Popularity • 71% Danceability • 62% Energy • 9% Liveness
84% Instrumentalness • 52% Positiveness
45% Popularity • 71% Danceability • 62% Energy • 9% Liveness
84% Instrumentalness • 52% Positiveness
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Solid Space
Contemplation
125 bpm • E min • 03:15 • -6.3db
21% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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John Maus
1987
126 bpm • G# min • 03:10 • -7db
20% Popularity • 61% Danceability • 87% Energy • 54% Liveness
42% Instrumentalness • 46% Positiveness
20% Popularity • 61% Danceability • 87% Energy • 54% Liveness
42% Instrumentalness • 46% Positiveness
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Q Lazzarus
Goodbye Horses
125 bpm • F Maj • 03:07 • -15.06db
63% Popularity • 77% Danceability • 41% Energy • 5% Liveness
25% Instrumentalness • 50% Positiveness
63% Popularity • 77% Danceability • 41% Energy • 5% Liveness
25% Instrumentalness • 50% Positiveness
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Trisomie 21
The Last Song
124 bpm • A min • 06:18 • -9.4db
29% Popularity • 54% Danceability • 88% Energy • 96% Liveness
72% Instrumentalness • 56% Positiveness
29% Popularity • 54% Danceability • 88% Energy • 96% Liveness
72% Instrumentalness • 56% Positiveness
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Geneva Jacuzzi
Nonsense Nonsense
126 bpm • A# min • 03:41 • -5.74db
11% Popularity • 63% Danceability • 73% Energy • 11% Liveness
49% Instrumentalness • 82% Positiveness
11% Popularity • 63% Danceability • 73% Energy • 11% Liveness
49% Instrumentalness • 82% Positiveness
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The Soft Moon
Try
126 bpm • E min • 03:53 • -6db
37% Popularity • 57% Danceability • 84% Energy • 21% Liveness
12% Instrumentalness • 62% Positiveness
37% Popularity • 57% Danceability • 84% Energy • 21% Liveness
12% Instrumentalness • 62% Positiveness
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Public Memory
Afterlife
124 bpm • C Maj • 04:44 • -10.72db
26% Popularity • 69% Danceability • 59% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
26% Popularity • 69% Danceability • 59% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
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John Maus
Times Is Weird
124 bpm • G Maj • 03:41 • -10db
21% Popularity • 62% Danceability • 58% Energy • 7% Liveness
81% Instrumentalness • 30% Positiveness
21% Popularity • 62% Danceability • 58% Energy • 7% Liveness
81% Instrumentalness • 30% Positiveness
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Boy Harsher
Yr Body Is Nothing
126 bpm • G# Maj • 05:12 • -8.55db
41% Popularity • 77% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 61% Positiveness
41% Popularity • 77% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 61% Positiveness
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Prince Rama
Those Who Live for Love Will Live Foreve...
124 bpm • C min • 05:04 • -7.99db
18% Popularity • 59% Danceability • 83% Energy • 93% Liveness
51% Instrumentalness • 18% Positiveness
18% Popularity • 59% Danceability • 83% Energy • 93% Liveness
51% Instrumentalness • 18% Positiveness
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Sextile
Disco
124 bpm • D Maj • 03:29 • -6db
42% Popularity • 69% Danceability • 89% Energy • 5% Liveness
70% Instrumentalness • 22% Positiveness
42% Popularity • 69% Danceability • 89% Energy • 5% Liveness
70% Instrumentalness • 22% Positiveness
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Part Time
Thunderbolts of Love
124 bpm • A min • 03:16 • -8db
30% Popularity • 62% Danceability • 67% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
30% Popularity • 62% Danceability • 67% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
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De Ambassade
Verloren
126 bpm • C# min • 04:07 • -8.6db
30% Popularity • 62% Danceability • 70% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
30% Popularity • 62% Danceability • 70% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
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Miss Kittin
Leather Forever
127 bpm • B Maj • 05:28 • -8.24db
38% Popularity • 65% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
38% Popularity • 65% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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Sneaks
PBNJ
126 bpm • G Maj • 02:38 • -10db
38% Popularity • 80% Danceability • 82% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
38% Popularity • 80% Danceability • 82% Energy • 10% Liveness
88% Instrumentalness • 76% Positiveness
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Swans
Blind
127 bpm • F Maj • 04:31 • -9.59db
39% Popularity • 49% Danceability • 72% Energy • 37% Liveness
29% Instrumentalness • 13% Positiveness
39% Popularity • 49% Danceability • 72% Energy • 37% Liveness
29% Instrumentalness • 13% Positiveness
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Oppenheimer Analysis
The Devil's Dancers
123 bpm • A min • 03:04 • -6db
36% Popularity • 83% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 83% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Part Time
Seashells
127 bpm • F min • 04:03 • -9.16db
29% Popularity • 65% Danceability • 63% Energy • 6% Liveness
41% Instrumentalness • 66% Positiveness
29% Popularity • 65% Danceability • 63% Energy • 6% Liveness
41% Instrumentalness • 66% Positiveness
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Blouse
Controller
123 bpm • A Maj • 03:53 • -12.17db
28% Popularity • 66% Danceability • 40% Energy • 12% Liveness
65% Instrumentalness • 48% Positiveness
28% Popularity • 66% Danceability • 40% Energy • 12% Liveness
65% Instrumentalness • 48% Positiveness
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Cindy Lee
Lucifer Stand
122 bpm • F# min • 07:20 • -10db
29% Popularity • 40% Danceability • 45% Energy • 16% Liveness
35% Instrumentalness • 30% Positiveness
29% Popularity • 40% Danceability • 45% Energy • 16% Liveness
35% Instrumentalness • 30% Positiveness
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Psychic TV
Godstar
122 bpm • C Maj • 03:38 • -7.25db
36% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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The Cleaners From Venus
Corridor of Dreams
128 bpm • C Maj • 05:10 • -7.69db
38% Popularity • 65% Danceability • 64% Energy • 63% Liveness
3% Instrumentalness • 43% Positiveness
38% Popularity • 65% Danceability • 64% Energy • 63% Liveness
3% Instrumentalness • 43% Positiveness
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Oppenheimer Analysis
Men In White Coats
123 bpm • C Maj • 04:59 • -6.9db
14% Popularity • 53% Danceability • 83% Energy • 10% Liveness
44% Instrumentalness • 18% Positiveness
14% Popularity • 53% Danceability • 83% Energy • 10% Liveness
44% Instrumentalness • 18% Positiveness
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Part Time
Lies in the Eyes of Love
122 bpm • B min • 03:16 • -7.01db
53% Popularity • 71% Danceability • 62% Energy • 9% Liveness
53% Instrumentalness • 37% Positiveness
53% Popularity • 71% Danceability • 62% Energy • 9% Liveness
53% Instrumentalness • 37% Positiveness
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Gary Numan
Metal
128 bpm • A Maj • 03:32 • -9.81db
43% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Connan Mockasin
Forever Dolphin Love
122 bpm • F# Maj • 10:04 • -12.92db
17% Popularity • 50% Danceability • 37% Energy • 8% Liveness
81% Instrumentalness • 9% Positiveness
17% Popularity • 50% Danceability • 37% Energy • 8% Liveness
81% Instrumentalness • 9% Positiveness
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Xeno & Oaklander
Marble
128 bpm • D# min • 04:38 • -9.07db
11% Popularity • 54% Danceability • 70% Energy • 30% Liveness
92% Instrumentalness • 39% Positiveness
11% Popularity • 54% Danceability • 70% Energy • 30% Liveness
92% Instrumentalness • 39% Positiveness
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Lust For Youth
Behind Curtains
128 bpm • C Maj • 03:52 • -11.79db
16% Popularity • 46% Danceability • 55% Energy • 8% Liveness
82% Instrumentalness • 64% Positiveness
16% Popularity • 46% Danceability • 55% Energy • 8% Liveness
82% Instrumentalness • 64% Positiveness
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TR/ST
Sulk
128 bpm • D Maj • 06:17 • -5.87db
12% Popularity • 58% Danceability • 90% Energy • 28% Liveness
57% Instrumentalness • 11% Positiveness
12% Popularity • 58% Danceability • 90% Energy • 28% Liveness
57% Instrumentalness • 11% Positiveness
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Part Time
Virgo's Maze
122 bpm • F min • 04:03 • -7.88db
31% Popularity • 66% Danceability • 58% Energy • 14% Liveness
3% Instrumentalness • 69% Positiveness
31% Popularity • 66% Danceability • 58% Energy • 14% Liveness
3% Instrumentalness • 69% Positiveness
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Drab Majesty
Too Soon to Tell
128 bpm • B min • 04:07 • -5db
40% Popularity • 56% Danceability • 83% Energy • 29% Liveness
61% Instrumentalness • 62% Positiveness
40% Popularity • 56% Danceability • 83% Energy • 29% Liveness
61% Instrumentalness • 62% Positiveness
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Total Control
Glass
122 bpm • G# min • 06:07 • -7db
6% Popularity • 56% Danceability • 94% Energy • 8% Liveness
83% Instrumentalness • 39% Positiveness
6% Popularity • 56% Danceability • 94% Energy • 8% Liveness
83% Instrumentalness • 39% Positiveness
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Boy Harsher
Lost
128 bpm • B min • 04:29 • -6.56db
42% Popularity • 79% Danceability • 72% Energy • 8% Liveness
88% Instrumentalness • 92% Positiveness
42% Popularity • 79% Danceability • 72% Energy • 8% Liveness
88% Instrumentalness • 92% Positiveness
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Nation of Language
Friend Machine
128 bpm • B min • 04:27 • -6.18db
38% Popularity • 70% Danceability • 58% Energy • 9% Liveness
11% Instrumentalness • 67% Positiveness
38% Popularity • 70% Danceability • 58% Energy • 9% Liveness
11% Instrumentalness • 67% Positiveness
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Death In Vegas
Hands Around My Throat
128 bpm • G# Maj • 06:41 • -8.48db
38% Popularity • 61% Danceability • 78% Energy • 16% Liveness
76% Instrumentalness • 28% Positiveness
38% Popularity • 61% Danceability • 78% Energy • 16% Liveness
76% Instrumentalness • 28% Positiveness
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Part Time
Night Drive
122 bpm • E min • 03:44 • -10db
43% Popularity • 59% Danceability • 55% Energy • 29% Liveness
82% Instrumentalness • 14% Positiveness
43% Popularity • 59% Danceability • 55% Energy • 29% Liveness
82% Instrumentalness • 14% Positiveness
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Death In June
The Calling (Mk II)
122 bpm • G# Maj • 05:35 • -7db
36% Popularity • 52% Danceability • 77% Energy • 16% Liveness
28% Instrumentalness • 29% Positiveness
36% Popularity • 52% Danceability • 77% Energy • 16% Liveness
28% Instrumentalness • 29% Positiveness
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Alex Cameron
Happy Ending
128 bpm • D# min • 04:03 • -8.94db
36% Popularity • 72% Danceability • 38% Energy • 7% Liveness
14% Instrumentalness • 79% Positiveness
36% Popularity • 72% Danceability • 38% Energy • 7% Liveness
14% Instrumentalness • 79% Positiveness
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Boy Harsher
Pain
128 bpm • D Maj • 07:19 • -4.71db
57% Popularity • 72% Danceability • 92% Energy • 11% Liveness
59% Instrumentalness • 79% Positiveness
57% Popularity • 72% Danceability • 92% Energy • 11% Liveness
59% Instrumentalness • 79% Positiveness
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The Space Lady
Major Tom
128 bpm • F# Maj • 05:15 • -14.4db
32% Popularity • 50% Danceability • 29% Energy • 10% Liveness
79% Instrumentalness • 31% Positiveness
32% Popularity • 50% Danceability • 29% Energy • 10% Liveness
79% Instrumentalness • 31% Positiveness
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TOPS
Outside
122 bpm • B min • 03:34 • -9.09db
43% Popularity • 57% Danceability • 46% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
43% Popularity • 57% Danceability • 46% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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John Maus
Time To Die
122 bpm • G min • 03:25 • -4.6db
29% Popularity • 35% Danceability • 90% Energy • 62% Liveness
43% Instrumentalness • 22% Positiveness
29% Popularity • 35% Danceability • 90% Energy • 62% Liveness
43% Instrumentalness • 22% Positiveness
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Ariel Pink
Feels Like Heaven
121 bpm • D Maj • 03:16 • -3.86db
32% Popularity • 48% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 48% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Them Are Us Too
Us Now
129 bpm • F Maj • 05:21 • -5.28db
20% Popularity • 41% Danceability • 88% Energy • 13% Liveness
9% Instrumentalness • 42% Positiveness
20% Popularity • 41% Danceability • 88% Energy • 13% Liveness
9% Instrumentalness • 42% Positiveness
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Boy Harsher
Fate
129 bpm • F min • 04:17 • -5.45db
49% Popularity • 74% Danceability • 84% Energy • 6% Liveness
38% Instrumentalness • 89% Positiveness
49% Popularity • 74% Danceability • 84% Energy • 6% Liveness
38% Instrumentalness • 89% Positiveness
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Jaakko Eino Kalevi
Flexible Heart
121 bpm • A min • 04:04 • -10.39db
26% Popularity • 82% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
26% Popularity • 82% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Carla dal Forno
Fast Moving Cars
129 bpm • D# min • 03:31 • -16.01db
23% Popularity • 35% Danceability • 38% Energy • 10% Liveness
24% Instrumentalness • 44% Positiveness
23% Popularity • 35% Danceability • 38% Energy • 10% Liveness
24% Instrumentalness • 44% Positiveness
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Lebanon Hanover
Babes of the 80s
121 bpm • D min • 05:41 • -8.13db
41% Popularity • 67% Danceability • 91% Energy • 17% Liveness
64% Instrumentalness • 74% Positiveness
41% Popularity • 67% Danceability • 91% Energy • 17% Liveness
64% Instrumentalness • 74% Positiveness
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Ariel Pink
Kitchen Witch
129 bpm • G# Maj • 03:38 • -4db
30% Popularity • 50% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 50% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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John Maus
I Want To Live
129 bpm • E Maj • 03:45 • -9.5db
18% Popularity • 54% Danceability • 81% Energy • 44% Liveness
86% Instrumentalness • 37% Positiveness
18% Popularity • 54% Danceability • 81% Energy • 44% Liveness
86% Instrumentalness • 37% Positiveness
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Blonde Redhead
In Particular
121 bpm • F# Maj • 06:05 • -9.4db
41% Popularity • 82% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
41% Popularity • 82% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
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Oppenheimer Analysis
Cold War
120 bpm • G Maj • 05:34 • -6db
20% Popularity • 70% Danceability • 96% Energy • 15% Liveness
22% Instrumentalness • 24% Positiveness
20% Popularity • 70% Danceability • 96% Energy • 15% Liveness
22% Instrumentalness • 24% Positiveness
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Lust For Youth
Running
120 bpm • G# Maj • 03:53 • -6.82db
19% Popularity • 56% Danceability • 86% Energy • 7% Liveness
45% Instrumentalness • 26% Positiveness
19% Popularity • 56% Danceability • 86% Energy • 7% Liveness
45% Instrumentalness • 26% Positiveness
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Gang Gang Dance
MindKilla
130 bpm • A min • 05:16 • -4.97db
30% Popularity • 37% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
30% Popularity • 37% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Minuit Machine
Honey
130 bpm • C# min • 03:32 • -7db
45% Popularity • 50% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
45% Popularity • 50% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Tropic of Cancer
Be Brave
130 bpm • A# Maj • 06:57 • -3.35db
27% Popularity • 56% Danceability • 94% Energy • 13% Liveness
67% Instrumentalness • 48% Positiveness
27% Popularity • 56% Danceability • 94% Energy • 13% Liveness
67% Instrumentalness • 48% Positiveness
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Automatic
Highway
130 bpm • D Maj • 03:47 • -8.18db
32% Popularity • 77% Danceability • 67% Energy • 36% Liveness
81% Instrumentalness • 69% Positiveness
32% Popularity • 77% Danceability • 67% Energy • 36% Liveness
81% Instrumentalness • 69% Positiveness
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Oppenheimer Analysis
Subterranean Desire
130 bpm • C Maj • 04:13 • -7db
29% Popularity • 92% Danceability • 58% Energy • 13% Liveness
86% Instrumentalness • 91% Positiveness
29% Popularity • 92% Danceability • 58% Energy • 13% Liveness
86% Instrumentalness • 91% Positiveness
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Void Vision
Sour
130 bpm • G# Maj • 04:31 • -9.94db
35% Popularity • 59% Danceability • 70% Energy • 32% Liveness
89% Instrumentalness • 44% Positiveness
35% Popularity • 59% Danceability • 70% Energy • 32% Liveness
89% Instrumentalness • 44% Positiveness
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Boy Harsher
Morphine
130 bpm • G Maj • 04:04 • -8.38db
49% Popularity • 75% Danceability • 83% Energy • 8% Liveness
25% Instrumentalness • 72% Positiveness
49% Popularity • 75% Danceability • 83% Energy • 8% Liveness
25% Instrumentalness • 72% Positiveness
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John Maus
Mind The Droves
130 bpm • E min • 03:31 • -12.21db
20% Popularity • 74% Danceability • 57% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
20% Popularity • 74% Danceability • 57% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
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Geneva Jacuzzi
Casket
130 bpm • C Maj • 04:00 • -6.86db
27% Popularity • 77% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 77% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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VR SEX
Surrender
130 bpm • G Maj • 05:38 • -6.02db
31% Popularity • 39% Danceability • 98% Energy • 36% Liveness
8% Instrumentalness • 14% Positiveness
31% Popularity • 39% Danceability • 98% Energy • 36% Liveness
8% Instrumentalness • 14% Positiveness
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Ruby Haunt
Strangers
120 bpm • F# min • 04:01 • -11.8db
41% Popularity • 45% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
41% Popularity • 45% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Tropic of Cancer
A Color
120 bpm • B Maj • 04:21 • -7.07db
18% Popularity • 60% Danceability • 78% Energy • 9% Liveness
78% Instrumentalness • 89% Positiveness
18% Popularity • 60% Danceability • 78% Energy • 9% Liveness
78% Instrumentalness • 89% Positiveness
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Boy Harsher
Tears
130 bpm • G# Maj • 04:57 • -6.07db
46% Popularity • 74% Danceability • 94% Energy • 5% Liveness
78% Instrumentalness • 94% Positiveness
46% Popularity • 74% Danceability • 94% Energy • 5% Liveness
78% Instrumentalness • 94% Positiveness
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John Maus
North Star
130 bpm • C Maj • 02:32 • -9.95db
4% Popularity • 47% Danceability • 56% Energy • 19% Liveness
85% Instrumentalness • 76% Positiveness
4% Popularity • 47% Danceability • 56% Energy • 19% Liveness
85% Instrumentalness • 76% Positiveness
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Geneva Jacuzzi
God Maker
120 bpm • C Maj • 03:02 • -6.38db
15% Popularity • 67% Danceability • 78% Energy • 90% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 67% Danceability • 78% Energy • 90% Liveness
0% Instrumentalness • 68% Positiveness
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Spike Fuck
Tomorrow We Get Healthy
120 bpm • C Maj • 05:03 • -10.69db
31% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Cold Cave
Glory
120 bpm • C Maj • 05:19 • -7db
40% Popularity • 50% Danceability • 82% Energy • 6% Liveness
64% Instrumentalness • 86% Positiveness
40% Popularity • 50% Danceability • 82% Energy • 6% Liveness
64% Instrumentalness • 86% Positiveness
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Choir Boy
Sunday Light
120 bpm • C min • 04:13 • -9db
23% Popularity • 65% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 65% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Drab Majesty
The Other Side
120 bpm • F min • 06:04 • -5.84db
31% Popularity • 52% Danceability • 92% Energy • 9% Liveness
19% Instrumentalness • 34% Positiveness
31% Popularity • 52% Danceability • 92% Energy • 9% Liveness
19% Instrumentalness • 34% Positiveness
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John Maus
Street Light
120 bpm • D min • 02:52 • -5db
27% Popularity • 39% Danceability • 99% Energy • 12% Liveness
95% Instrumentalness • 75% Positiveness
27% Popularity • 39% Danceability • 99% Energy • 12% Liveness
95% Instrumentalness • 75% Positiveness
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Geneva Jacuzzi
Macho Island
120 bpm • D min • 03:39 • -6.58db
18% Popularity • 72% Danceability • 60% Energy • 6% Liveness
80% Instrumentalness • 93% Positiveness
18% Popularity • 72% Danceability • 60% Energy • 6% Liveness
80% Instrumentalness • 93% Positiveness
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King Krule
Dum Surfer
120 bpm • D Maj • 04:23 • -5.48db
45% Popularity • 65% Danceability • 94% Energy • 12% Liveness
13% Instrumentalness • 68% Positiveness
45% Popularity • 65% Danceability • 94% Energy • 12% Liveness
13% Instrumentalness • 68% Positiveness
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Cold Cave
Youth and Lust
120 bpm • C Maj • 04:00 • -7.85db
32% Popularity • 61% Danceability • 92% Energy • 17% Liveness
86% Instrumentalness • 76% Positiveness
32% Popularity • 61% Danceability • 92% Energy • 17% Liveness
86% Instrumentalness • 76% Positiveness
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Choir Boy
Two Lips
120 bpm • A min • 03:30 • -7db
36% Popularity • 63% Danceability • 61% Energy • 14% Liveness
57% Instrumentalness • 55% Positiveness
36% Popularity • 63% Danceability • 61% Energy • 14% Liveness
57% Instrumentalness • 55% Positiveness
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Kontravoid
Native State
120 bpm • A min • 02:30 • -4.92db
36% Popularity • 62% Danceability • 91% Energy • 6% Liveness
39% Instrumentalness • 63% Positiveness
36% Popularity • 62% Danceability • 91% Energy • 6% Liveness
39% Instrumentalness • 63% Positiveness
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Neggy Gemmy
You Weren't There Anymore
120 bpm • C Maj • 04:56 • -8db
38% Popularity • 59% Danceability • 81% Energy • 9% Liveness
46% Instrumentalness • 55% Positiveness
38% Popularity • 59% Danceability • 81% Energy • 9% Liveness
46% Instrumentalness • 55% Positiveness
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Geneva Jacuzzi
Technophelia
120 bpm • D Maj • 02:12 • -6.35db
23% Popularity • 67% Danceability • 92% Energy • 88% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 67% Danceability • 92% Energy • 88% Liveness
0% Instrumentalness • 55% Positiveness
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Buzz Kull
Into the Void
120 bpm • A min • 03:36 • -7.14db
39% Popularity • 47% Danceability • 94% Energy • 39% Liveness
91% Instrumentalness • 8% Positiveness
39% Popularity • 47% Danceability • 94% Energy • 39% Liveness
91% Instrumentalness • 8% Positiveness
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Sneaks
Look Like That
120 bpm • G Maj • 03:17 • -7.67db
38% Popularity • 81% Danceability • 73% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
38% Popularity • 81% Danceability • 73% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
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Joy Division
Atmosphere - 2020 Digital Remaster
120 bpm • F# Maj • 04:12 • -11db
52% Popularity • 61% Danceability • 40% Energy • 11% Liveness
41% Instrumentalness • 47% Positiveness
52% Popularity • 61% Danceability • 40% Energy • 11% Liveness
41% Instrumentalness • 47% Positiveness
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Dirty Beaches
I Dream in Neon
120 bpm • C Maj • 03:35 • -6db
27% Popularity • 44% Danceability • 71% Energy • 15% Liveness
72% Instrumentalness • 44% Positiveness
27% Popularity • 44% Danceability • 71% Energy • 15% Liveness
72% Instrumentalness • 44% Positiveness
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Labyrinth Ear
Navy Light
130 bpm • B min • 03:07 • -9.51db
55% Popularity • 75% Danceability • 70% Energy • 10% Liveness
50% Instrumentalness • 89% Positiveness
55% Popularity • 75% Danceability • 70% Energy • 10% Liveness
50% Instrumentalness • 89% Positiveness
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Broadcast
Echo's Answer
120 bpm • C Maj • 03:11 • -16db
46% Popularity • 31% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
46% Popularity • 31% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Desire
Tears From Heaven
130 bpm • C Maj • 03:45 • -8db
28% Popularity • 60% Danceability • 79% Energy • 10% Liveness
69% Instrumentalness • 86% Positiveness
28% Popularity • 60% Danceability • 79% Energy • 10% Liveness
69% Instrumentalness • 86% Positiveness
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Ladytron
Discotraxx
120 bpm • F# min • 03:50 • -6.69db
42% Popularity • 53% Danceability • 90% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
42% Popularity • 53% Danceability • 90% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
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Martin Dupont
Hot Paradox
120 bpm • C min • 04:57 • -6.15db
16% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Parade Ground
Moans
131 bpm • F min • 03:57 • -12.62db
33% Popularity • 52% Danceability • 83% Energy • 20% Liveness
14% Instrumentalness • 27% Positiveness
33% Popularity • 52% Danceability • 83% Energy • 20% Liveness
14% Instrumentalness • 27% Positiveness
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ADULT.
Tonight, We Fall
131 bpm • C Maj • 04:25 • -5.33db
30% Popularity • 72% Danceability • 59% Energy • 8% Liveness
9% Instrumentalness • 41% Positiveness
30% Popularity • 72% Danceability • 59% Energy • 8% Liveness
9% Instrumentalness • 41% Positiveness
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Broadcast
Black Cat
131 bpm • B min • 03:58 • -7db
39% Popularity • 24% Danceability • 77% Energy • 8% Liveness
58% Instrumentalness • 46% Positiveness
39% Popularity • 24% Danceability • 77% Energy • 8% Liveness
58% Instrumentalness • 46% Positiveness
