Songs like Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) by Aaron Copland
Based on a tempo of (+/- 10%) and a similar genre
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Franz von Suppé
Poet and Peasant: Overture
82 bpm • D Maj • 09:24 • -13.07db
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
22% Popularity • 22% Danceability • 19% Energy • 7% Liveness
73% Instrumentalness • 21% Positiveness
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Claude Debussy
Rêverie, L. 68 (Arr. by Badzura)
82 bpm • F Maj • 06:08 • -21.46db
37% Popularity • 16% Danceability • 7% Energy • 13% Liveness
61% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 7% Energy • 13% Liveness
61% Instrumentalness • 4% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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George Butterworth
Fantasia (completed by K. Russman)
82 bpm • F Maj • 08:45 • -20.65db
14% Popularity • 9% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 6% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Aaron Copland
Rodeo: III. Saturday Night Waltz
82 bpm • D# Maj • 04:35 • -32.95db
0% Popularity • 8% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 8% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
82 bpm • F Maj • 02:26 • -31.09db
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio Babbino caro"
82 bpm • G# Maj • 04:03 • -15.4db
40% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Gustav Holst
Brook Green Suite: III. Dance
82 bpm • C Maj • 02:20 • -18.52db
30% Popularity • 39% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
30% Popularity • 39% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
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Jules Massenet
La Vierge / Scene 4: The Assumption: Le ...
82 bpm • G Maj • 05:02 • -26.14db
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
29% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
29% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Concerto for Oboe and Strings: 1. Rondo ...
81 bpm • E min • 07:32 • -21.96db
24% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
24% Popularity • 16% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Aaron Copland
The Tender Land Act I: Introduction and ...
83 bpm • F# Maj • 10:19 • -18.32db
8% Popularity • 8% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Humoresque, Op. 101, No. 7
83 bpm • F# Maj • 03:50 • -22.48db
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Hajime Mizoguchi
The Girl with the Flaxen Hair
83 bpm • G Maj • 03:02 • -27db
38% Popularity • 11% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
38% Popularity • 11% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Eric Coates
Springtime Suite: I
81 bpm • A# Maj • 03:54 • -23db
18% Popularity • 15% Danceability • 8% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
18% Popularity • 15% Danceability • 8% Energy • 18% Liveness
92% Instrumentalness • 14% Positiveness
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Aaron Copland
Clarinet Concerto: 1. Slowly And Express...
83 bpm • F Maj • 08:47 • -26.09db
14% Popularity • 17% Danceability • 1% Energy • 21% Liveness
36% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 1% Energy • 21% Liveness
36% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Goin' Home
81 bpm • C# Maj • 05:26 • -27db
24% Popularity • 18% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
24% Popularity • 18% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
54% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Eric Whitacre
The Seal Lullaby (Arr. Parkin)
81 bpm • C# Maj • 03:38 • -24.16db
32% Popularity • 15% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 10% Positiveness
32% Popularity • 15% Danceability • 5% Energy • 12% Liveness
68% Instrumentalness • 10% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: Träumerei (Arr. L...
81 bpm • D Maj • 03:35 • -31.82db
65% Popularity • 41% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
65% Popularity • 41% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Mark Summer
Julie-O
80 bpm • D Maj • 04:43 • -19db
37% Popularity • 45% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
37% Popularity • 45% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Greensleeves
80 bpm • C min • 04:31 • -23db
23% Popularity • 11% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
23% Popularity • 11% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Germaine Tailleferre
Sonata for Solo Harp: I. Allegretto
84 bpm • C# Maj • 03:16 • -28db
21% Popularity • 24% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
21% Popularity • 24% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Ronald Binge
The Watermill
80 bpm • F Maj • 03:46 • -31.05db
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto in F M...
84 bpm • D Maj • 01:42 • -28.22db
41% Popularity • 36% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 39% Positiveness
41% Popularity • 36% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 39% Positiveness
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Frank Bridge
Berceuse (Arr. For viola and piano)
84 bpm • A# Maj • 03:34 • -35.15db
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 9% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Florence Beatrice Price
Adoration (Version for Solo Violin and S...
80 bpm • D Maj • 03:52 • -22.7db
22% Popularity • 20% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Cello & Pi...
80 bpm • D Maj • 05:46 • -27db
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Gerald Finzi
Fear no more the heat of the sun, Op.18,...
84 bpm • C min • 05:36 • -26.49db
14% Popularity • 8% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
84 bpm • D min • 02:56 • -18.03db
26% Popularity • 41% Danceability • 22% Energy • 18% Liveness
90% Instrumentalness • 27% Positiveness
26% Popularity • 41% Danceability • 22% Energy • 18% Liveness
90% Instrumentalness • 27% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
84 bpm • C# Maj • 03:39 • -26db
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
Les contes d'Hoffmann (The Tales of Hoff...
80 bpm • D Maj • 03:33 • -19.69db
34% Popularity • 19% Danceability • 14% Energy • 27% Liveness
53% Instrumentalness • 7% Positiveness
34% Popularity • 19% Danceability • 14% Energy • 27% Liveness
53% Instrumentalness • 7% Positiveness
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Gerald Finzi
Five Bagatelles, Op. 23 - Arr. Ashmore, ...
80 bpm • A# Maj • 02:05 • -24.38db
12% Popularity • 8% Danceability • 5% Energy • 32% Liveness
72% Instrumentalness • 27% Positiveness
12% Popularity • 8% Danceability • 5% Energy • 32% Liveness
72% Instrumentalness • 27% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Helsingborg Symphony Orchestra
En vintersaga (The Winter's Tale), Op. 1...
80 bpm • F Maj • 03:24 • -27db
20% Popularity • 9% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 9% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 2. Pavane
80 bpm • G min • 02:10 • -26.42db
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 4% Energy • 25% Liveness
68% Instrumentalness • 4% Positiveness
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Percy Grainger
Harvest Hymn
84 bpm • D Maj • 03:41 • -19.07db
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 16% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Pini di Roma, P. 141: I. I pini di Villa...
85 bpm • F Maj • 02:46 • -22db
24% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
24% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
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Ennio Morricone
Gabriel's Oboe
85 bpm • D Maj • 03:42 • -16.07db
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
Aaron Copland
Copland: Appalachian Spring: II. Allegro
79 bpm • F Maj • 02:45 • -17.59db
5% Popularity • 54% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
5% Popularity • 54% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Promenade - I
79 bpm • F Maj • 01:51 • -17.1db
35% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
35% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
Edward Elgar
Elgar: Introduction and Allegro, Op. 47:...
80 bpm • C min • 03:14 • -18db
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
► Preview
Alexander Litvinovsky
Le grand cahier: IV. Nos études
85 bpm • D min • 02:48 • -20db
33% Popularity • 35% Danceability • 13% Energy • 15% Liveness
66% Instrumentalness • 26% Positiveness
33% Popularity • 35% Danceability • 13% Energy • 15% Liveness
66% Instrumentalness • 26% Positiveness
► Preview
Carl Davis
Pride and Prejudice Suite: III. Elizabet...
85 bpm • E Maj • 06:30 • -16db
32% Popularity • 21% Danceability • 12% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:43 • -17.55db
42% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Peter Warlock
V. Pieds-en-l'air
85 bpm • G Maj • 03:38 • -26.78db
11% Popularity • 12% Danceability • 5% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 5% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Aaron Copland
Copland: Appalachian Spring: I. Very Slo...
85 bpm • A Maj • 03:26 • -30.13db
8% Popularity • 13% Danceability • 1% Energy • 34% Liveness
81% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 1% Energy • 34% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich: Fugue No. 7 In A Major
79 bpm • A Maj • 02:43 • -26db
36% Popularity • 22% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
36% Popularity • 22% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
52% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
52% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
► Preview
Benny Goodman
Concerto For Clarinet & String Orchestra
85 bpm • D min • 07:42 • -12.92db
21% Popularity • 9% Danceability • 17% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 17% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Adoration
79 bpm • G Maj • 03:38 • -25.57db
39% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
39% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Aaron Copland
Rodeo: II. Corral Nocturne
79 bpm • C Maj • 03:46 • -27db
35% Popularity • 10% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Jules Massenet
Meditation
86 bpm • E min • 05:25 • -24db
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
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Donald Sosin
Salut d'Amour, Op. 12
79 bpm • F Maj • 03:27 • -23.31db
23% Popularity • 20% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
23% Popularity • 20% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
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Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
78 bpm • D min • 03:09 • -15db
27% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
27% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
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Ottorino Respighi
Suite No. 2, P. 138: IV. Bergamasca: All...
86 bpm • D Maj • 05:38 • -20.78db
22% Popularity • 34% Danceability • 5% Energy • 9% Liveness
69% Instrumentalness • 32% Positiveness
22% Popularity • 34% Danceability • 5% Energy • 9% Liveness
69% Instrumentalness • 32% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Aaron Copland
Appalachian Spring: VII. Doppio moviment...
78 bpm • C# Maj • 03:03 • -15.27db
46% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
46% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Reynaldo Hahn
A Chloris (Arr. For Cor Anglais & Orches...
87 bpm • E Maj • 04:15 • -27db
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Percy Grainger
Irish Tune from County Derry
77 bpm • F Maj • 04:45 • -22.68db
29% Popularity • 7% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 7% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Amy Beach
3 Compositions, Op. 40: No. 2, Berceuse
87 bpm • D Maj • 03:47 • -29db
43% Popularity • 13% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
43% Popularity • 13% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 13% Positiveness
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Johan Svendsen
Variations on a Norwegian Folktune, Op. ...
87 bpm • E Maj • 05:35 • -22.51db
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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RTE Concert Orchestra
49th Parallel Suite: Prelude
87 bpm • G Maj • 02:15 • -20db
39% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Georgs Pelēcis
Concertino bianco: 2. Con venerazione
77 bpm • C Maj • 06:25 • -20.53db
41% Popularity • 8% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 5% Positiveness
41% Popularity • 8% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
