Songs like Corazón de Terrón by A Puro Viento
Based on a tempo of (+/- 10%) and a similar genre
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A Puro Viento
Corazón de Terrón
165 bpm • G Maj • 02:08 • -4.33db
13% Popularity • 55% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
13% Popularity • 55% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Hugo Torres
Cachito el Campeón de Corrientes
165 bpm • A Maj • 03:39 • -8.9db
13% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Hugo Giménez Agüero
La Viola
165 bpm • D Maj • 03:24 • -10.18db
11% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Paquito Aranda
El Curupí
167 bpm • A Maj • 01:54 • -11.13db
18% Popularity • 52% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 52% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Gustavo Guichón
El Moreno
166 bpm • E min • 04:54 • -15.91db
13% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Los Criollos del Chamamé
Adiós Villa Guillermina - Chamamé
167 bpm • D Maj • 02:16 • -8.45db
20% Popularity • 54% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 54% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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A Puro Viento
Pata e' Bolsa
166 bpm • D# Maj • 02:11 • -5.18db
2% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
2% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Fuelles Correntinos
Kilometro Once
168 bpm • G Maj • 02:45 • -6.26db
9% Popularity • 68% Danceability • 71% Energy • 44% Liveness
67% Instrumentalness • 90% Positiveness
9% Popularity • 68% Danceability • 71% Energy • 44% Liveness
67% Instrumentalness • 90% Positiveness
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Tacuruses
Pinceladas
168 bpm • F Maj • 04:50 • -8.14db
10% Popularity • 57% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 57% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Catherine Vergnes
Victoria, La Payadora
170 bpm • D# min • 02:35 • -7.28db
16% Popularity • 66% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 66% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Carlos Malo
Costumbres
160 bpm • A Maj • 03:32 • -7.93db
10% Popularity • 61% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 61% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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LosOrrego
Selección de Emiliano Re - Version polc...
170 bpm • A Maj • 05:50 • -3db
20% Popularity • 47% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 47% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Los Criollos del Chamamé
El Recluta - Chamamé
171 bpm • G Maj • 02:05 • -11.37db
27% Popularity • 41% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 41% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Carlos Ramón Fernández
La Guitarra que Perdí
160 bpm • B min • 03:41 • -5.27db
7% Popularity • 65% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 65% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Manuelito Cruz
Estancia las Margaritas
172 bpm • D# min • 02:40 • -3.99db
8% Popularity • 63% Danceability • 64% Energy • 8% Liveness
44% Instrumentalness • 93% Positiveness
8% Popularity • 63% Danceability • 64% Energy • 8% Liveness
44% Instrumentalness • 93% Positiveness
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Los Misioneros del Chamamé
Bailemos un Chotis
172 bpm • E Maj • 02:20 • -9.05db
10% Popularity • 64% Danceability • 40% Energy • 8% Liveness
47% Instrumentalness • 91% Positiveness
10% Popularity • 64% Danceability • 40% Energy • 8% Liveness
47% Instrumentalness • 91% Positiveness
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Los Majestuosos Del Chamamé
Cuando Regresé a Mi Pueblo
172 bpm • E min • 02:29 • -6.32db
14% Popularity • 67% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 67% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Carlos Malo
Milonga Pa' Don Olivio
172 bpm • B min • 03:39 • -7.87db
9% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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La Sinfónica De Tambores
Atardeceres del Campo
172 bpm • B min • 02:32 • -6.76db
12% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Santiago Chalar
La Tropilla
173 bpm • F# Maj • 04:15 • -12.62db
31% Popularity • 52% Danceability • 17% Energy • 11% Liveness
27% Instrumentalness • 39% Positiveness
31% Popularity • 52% Danceability • 17% Energy • 11% Liveness
27% Instrumentalness • 39% Positiveness
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El Pampa Oberá
Destacamento 14
173 bpm • A min • 08:19 • -6.41db
8% Popularity • 60% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 60% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Luna Payesera Trío
Ahí Viene El Moncho
157 bpm • D Maj • 02:50 • -6.89db
25% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Sinfonica de Tambores
Recreo De Peón Rural
157 bpm • F min • 03:19 • -4.98db
26% Popularity • 62% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 62% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Angel Piciochi
ME LASTIMA TU RECUERDO
157 bpm • F Maj • 03:17 • -3.92db
21% Popularity • 57% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 57% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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La Sinfónica De Tambores
MÁs de una a Quedau a Pie
172 bpm • F min • 02:23 • -7.46db
27% Popularity • 58% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 58% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Litoral mitá
Así Es Mi Chamamé
157 bpm • G Maj • 02:25 • -6.47db
5% Popularity • 64% Danceability • 70% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
5% Popularity • 64% Danceability • 70% Energy • 9% Liveness
89% Instrumentalness • 96% Positiveness
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Los Capos del Chamamé
Para los Amigos
156 bpm • G Maj • 02:54 • -3db
20% Popularity • 63% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 63% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Los Majestuosos Del Chamamé
A Don Tito Preiz
174 bpm • E min • 02:25 • -6.88db
11% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Sinfonica de Tambores
Estancia Vieja
155 bpm • F min • 02:55 • -6.84db
18% Popularity • 56% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 56% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Copla alta
Santa Clara
155 bpm • G min • 03:52 • -8.57db
33% Popularity • 64% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 64% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Los Chaqueñísimos Cardozo
La Dama Misteriosa
177 bpm • F# Maj • 02:04 • -9.78db
21% Popularity • 44% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 44% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Tabaré Etcheverry
Zafrero
154 bpm • F# Maj • 03:10 • -9.36db
18% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Los Hermanitos Sena
Se Viene la Tormenta
154 bpm • E Maj • 01:47 • -14db
13% Popularity • 58% Danceability • 67% Energy • 7% Liveness
2% Instrumentalness • 84% Positiveness
13% Popularity • 58% Danceability • 67% Energy • 7% Liveness
2% Instrumentalness • 84% Positiveness
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Eduardo Miño
El Gato Blanco
178 bpm • D# Maj • 02:19 • -10db
17% Popularity • 50% Danceability • 57% Energy • 10% Liveness
70% Instrumentalness • 79% Positiveness
17% Popularity • 50% Danceability • 57% Energy • 10% Liveness
70% Instrumentalness • 79% Positiveness
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Cerno
Mujer Niña y Amiga
153 bpm • A min • 02:41 • -9.24db
18% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 61% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Copla alta
Si Se Trata de Cantar
155 bpm • E min • 03:42 • -8.17db
23% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Braulio López y Julio Victor
Bolsillo Viejo
152 bpm • A Maj • 02:29 • -11.49db
17% Popularity • 59% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 59% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 77% Positiveness
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Grupo Itatí
Picoteando lo Ajeno
152 bpm • C Maj • 02:03 • -2.42db
13% Popularity • 79% Danceability • 95% Energy • 8% Liveness
60% Instrumentalness • 98% Positiveness
13% Popularity • 79% Danceability • 95% Energy • 8% Liveness
60% Instrumentalness • 98% Positiveness
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Sinfonica de Tambores
Aprontáte Bigotuda
152 bpm • C min • 04:24 • -9.71db
24% Popularity • 66% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 66% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Eduardo Miño
Barrio la Toma
152 bpm • A# Maj • 02:22 • -11.29db
10% Popularity • 50% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 75% Positiveness
10% Popularity • 50% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 75% Positiveness
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Carlos Ramón Fernández
Zamba del Domingo
179 bpm • C min • 03:21 • -4.45db
24% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Los Criollos del Chamamé
Recuerdo de una Bailanta
180 bpm • D Maj • 02:51 • -4.26db
20% Popularity • 60% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 60% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Los Cantaclaro
Corrales de Algorta
151 bpm • A min • 03:00 • -7.4db
23% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Pastor Luna
Leña de Garabato
151 bpm • C Maj • 03:21 • -3.72db
11% Popularity • 56% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 94% Positiveness
11% Popularity • 56% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 94% Positiveness
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Litoral Tagüe
General Madariaga
180 bpm • E min • 03:09 • -5db
22% Popularity • 52% Danceability • 71% Energy • 34% Liveness
75% Instrumentalness • 64% Positiveness
22% Popularity • 52% Danceability • 71% Energy • 34% Liveness
75% Instrumentalness • 64% Positiveness
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Braulio López y Julio Victor
Canciones de Amor / Soledad / Junto al J...
151 bpm • A min • 08:00 • -8.52db
23% Popularity • 55% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 55% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 83% Positiveness
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Sanchez-Maidana
No Te Voy a Dar el Gusto
180 bpm • F Maj • 04:55 • -6.51db
9% Popularity • 39% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 39% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Carlos Infante
Rosa Alicia
151 bpm • B min • 03:22 • -13.61db
16% Popularity • 64% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 64% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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El Pampa Cruz
Los Galgos de Cirilo
151 bpm • E Maj • 03:46 • -11.06db
20% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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El Angel De Las 2 Hileras
Enganchados: Yaguám Ñetuó / Así Se B...
151 bpm • C Maj • 08:02 • -1.96db
20% Popularity • 44% Danceability • 81% Energy • 68% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 44% Danceability • 81% Energy • 68% Liveness
0% Instrumentalness • 91% Positiveness
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Los Catalinos
A Bella Vista
180 bpm • G Maj • 02:17 • -4.98db
7% Popularity • 47% Danceability • 83% Energy • 7% Liveness
13% Instrumentalness • 96% Positiveness
7% Popularity • 47% Danceability • 83% Energy • 7% Liveness
13% Instrumentalness • 96% Positiveness
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Braulio López y Julio Victor
A Orillas del Olimar
151 bpm • A min • 03:47 • -7.12db
16% Popularity • 46% Danceability • 41% Energy • 78% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 46% Danceability • 41% Energy • 78% Liveness
0% Instrumentalness • 44% Positiveness
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Los Majestuosos Del Chamamé
Caña Doble
181 bpm • E min • 02:50 • -6.26db
15% Popularity • 63% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 63% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Copla alta
Hoy Pagan
150 bpm • C min • 04:09 • -10.32db
24% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Sinfonica de Tambores
Ofrenda Lírica
150 bpm • F min • 03:46 • -6.21db
15% Popularity • 62% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 62% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Hermanos Ibarra Borda
Te prohibieron que me quieras
150 bpm • F Maj • 02:48 • -5.26db
8% Popularity • 71% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 71% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Carlos Ramón Fernández
En Silencio sin Ruido
150 bpm • D min • 01:51 • -5.98db
15% Popularity • 64% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 64% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Carlos Malo
Al Peón de Campo
150 bpm • D Maj • 02:10 • -6.74db
12% Popularity • 62% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 62% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Los Chaqueñísimos Cardozo
A Mis Viejos Queridos
150 bpm • F Maj • 02:03 • -2.18db
14% Popularity • 66% Danceability • 84% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
14% Popularity • 66% Danceability • 84% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
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Saul Huenchul
Allá por el Lote 7
149 bpm • E min • 02:34 • -5.52db
22% Popularity • 79% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 79% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Luna Payesera Trío
Ahí Va Al Tranquito Juan
149 bpm • F Maj • 02:53 • -7.41db
25% Popularity • 64% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 64% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Pastor Luna
Pistas Tradicionales
183 bpm • C Maj • 02:45 • -3.24db
5% Popularity • 53% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
5% Popularity • 53% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Los Majestuosos Del Chamamé
Pialando Amaneceres
183 bpm • E min • 02:39 • -4.04db
17% Popularity • 56% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 56% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Los Zucara
La Patria Compañera
149 bpm • D min • 02:20 • -14.52db
31% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Juanon Lucero
Catador Enólogo
184 bpm • D Maj • 03:23 • -5.67db
12% Popularity • 52% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 52% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Duo Verón - Palacios
Con Tu Recuerdo a Cuesta
148 bpm • G Maj • 02:10 • -10.89db
10% Popularity • 65% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 65% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Copla alta
Gómez
148 bpm • C Maj • 04:06 • -6.45db
13% Popularity • 58% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 58% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Alma de Montiel
A Mi Corrientes
184 bpm • E min • 03:18 • -4db
14% Popularity • 45% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 45% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Carlos María Fossati
De Poncho Blanco
148 bpm • D Maj • 02:49 • -7.88db
28% Popularity • 51% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 51% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Juancito Güenaga
18 de Octubre
185 bpm • C Maj • 02:44 • -4db
15% Popularity • 52% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
15% Popularity • 52% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Orlando Vera Cruz
Ay...Argentina
147 bpm • A min • 03:53 • -10.94db
22% Popularity • 59% Danceability • 43% Energy • 18% Liveness
5% Instrumentalness • 54% Positiveness
22% Popularity • 59% Danceability • 43% Energy • 18% Liveness
5% Instrumentalness • 54% Positiveness
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Braulio López y Julio Victor
El Dinero
147 bpm • A min • 03:12 • -6.99db
15% Popularity • 64% Danceability • 82% Energy • 93% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 64% Danceability • 82% Energy • 93% Liveness
0% Instrumentalness • 73% Positiveness
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Alberto Merlo
Milonga del Peón de Campo
147 bpm • C Maj • 03:20 • -10.68db
32% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Conjunto Itaý
A mi Corrientes porá
147 bpm • E min • 03:03 • -3.94db
40% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Los Hermanos Cardozo
Cantando con mi guitarra
147 bpm • A# Maj • 02:10 • -9.34db
15% Popularity • 56% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 56% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
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Carlos Infante
Lo triste de este amor
147 bpm • E min • 04:06 • -12.47db
7% Popularity • 62% Danceability • 38% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 62% Danceability • 38% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Maciegas
Viejo Chinango - En Vivo
146 bpm • G Maj • 03:42 • -5.73db
12% Popularity • 50% Danceability • 78% Energy • 94% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 50% Danceability • 78% Energy • 94% Liveness
0% Instrumentalness • 69% Positiveness
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Braulio López y Julio Victor
Coquibacoa
146 bpm • B min • 04:01 • -7.59db
25% Popularity • 57% Danceability • 50% Energy • 92% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 57% Danceability • 50% Energy • 92% Liveness
0% Instrumentalness • 64% Positiveness
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Pastor Luna
El Cobarde
187 bpm • C Maj • 02:40 • -5.77db
20% Popularity • 67% Danceability • 88% Energy • 12% Liveness
4% Instrumentalness • 98% Positiveness
20% Popularity • 67% Danceability • 88% Energy • 12% Liveness
4% Instrumentalness • 98% Positiveness
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Carlos María Fossati
En la Huella de Wilson
145 bpm • G# Maj • 03:38 • -7.08db
11% Popularity • 57% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 57% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Veron Palacios
Cara y Pujol
145 bpm • F Maj • 02:07 • -9.86db
21% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Braulio López
A Simón Bolívar
145 bpm • D Maj • 02:18 • -6.55db
14% Popularity • 57% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 57% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Salvador Miqueri
A Pico y Hacha
145 bpm • G Maj • 01:50 • -11.76db
11% Popularity • 65% Danceability • 49% Energy • 7% Liveness
41% Instrumentalness • 80% Positiveness
11% Popularity • 65% Danceability • 49% Energy • 7% Liveness
41% Instrumentalness • 80% Positiveness
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Tucan y Chaya
Ay Ay Penita
188 bpm • C# min • 02:59 • -8.84db
26% Popularity • 62% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 62% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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El Zucara
Coquibacoa
145 bpm • B min • 04:01 • -6.51db
16% Popularity • 60% Danceability • 46% Energy • 71% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 60% Danceability • 46% Energy • 71% Liveness
0% Instrumentalness • 69% Positiveness
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Pastor Luna
Destreza y Coraje
188 bpm • A min • 02:42 • -4.38db
24% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 48% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Mario Pino
Julepe
145 bpm • E Maj • 03:21 • -5.96db
17% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Tantomán
Pedacito de Luna
144 bpm • A min • 04:06 • -7.33db
15% Popularity • 51% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 51% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Los Zorzales
Coplas de una Tropa
144 bpm • F Maj • 03:52 • -6.38db
24% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Abriendo Camino
Fiestero de Alma
190 bpm • G Maj • 03:29 • -5.18db
9% Popularity • 69% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 69% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Los Tatas del Chamamé
Creciendo el Gualeguay
190 bpm • E min • 02:49 • -9.09db
18% Popularity • 46% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 46% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Carlos María Fossati
De la Campaña
142 bpm • F# min • 02:18 • -12.93db
14% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Marcelo Miraglia
Amor delicuente
142 bpm • A min • 04:18 • -6.67db
14% Popularity • 62% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 62% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Orlando Vera Cruz
Punta Cayastá
141 bpm • D Maj • 02:16 • -12db
42% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Meta Fuelle
La bien campera
192 bpm • F min • 02:46 • -9.39db
14% Popularity • 65% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 65% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Copla alta
Mañana Me Voy Pa'l Pueblo
141 bpm • F# min • 03:02 • -10.47db
12% Popularity • 81% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 81% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Alberto De Luque
Che Jazmín
141 bpm • F Maj • 02:51 • -11.13db
13% Popularity • 40% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 40% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Carlos María Fossati
Leandro Gómez (Hasta Sucumbir)
142 bpm • C min • 03:33 • -13.44db
21% Popularity • 56% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 56% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
