Songs like Corcovado - Quiet Nights of Quiet Stars by Jim Tomlinson
Based on a tempo of (+/- 10%) and a similar genre
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Catherine Russell
Close Your Eyes
123 bpm • A# min • 02:59 • -12db
29% Popularity • 79% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 79% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Veronica Swift
As Long as He Needs Me
123 bpm • F Maj • 04:55 • -15.48db
30% Popularity • 43% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 43% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Ruth Cameron
Body And Soul
123 bpm • F Maj • 05:59 • -16.57db
12% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Roberta Gambarini
Estate
123 bpm • E min • 04:48 • -15.4db
10% Popularity • 51% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 51% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Jim Tomlinson
Corcovado - Quiet Nights of Quiet Stars
123 bpm • B min • 03:48 • -14.23db
30% Popularity • 60% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 60% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Stacey Kent
Bewitched, Bothered And Bewildered
124 bpm • F# min • 05:05 • -17.47db
22% Popularity • 52% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 52% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jan Lundgren Trio
Street of Dreams
124 bpm • D Maj • 03:59 • -8.89db
28% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Veronica Swift
The Man I Love
124 bpm • C min • 04:50 • -16.07db
39% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 56% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Margareta Bengtson
As You Are
122 bpm • C min • 05:30 • -14.75db
37% Popularity • 45% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 45% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Roberta Gambarini
On the Sunny Side of the Street
124 bpm • G Maj • 05:39 • -9.65db
29% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Lara Louise
Alone Together
124 bpm • F min • 03:35 • -14.42db
46% Popularity • 80% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 80% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Lisa Bassenge
It´s Raining
124 bpm • G Maj • 04:30 • -8db
27% Popularity • 63% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
27% Popularity • 63% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Alice Carreri
You Fascinate Me So
122 bpm • G Maj • 04:18 • -11db
37% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Kate Kortum
You Are There
122 bpm • G# Maj • 05:45 • -13.63db
19% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Stacey Kent
Raconte-moi...
124 bpm • F# min • 03:42 • -14db
47% Popularity • 72% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 72% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Tony DeSare
Something's Gotta Give
124 bpm • C Maj • 02:57 • -10.9db
39% Popularity • 82% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 82% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Manhattan Jazz Quartett
Summertime
122 bpm • A min • 03:24 • -8.89db
53% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jimmy Heath
Left Alone
124 bpm • B min • 04:26 • -13.12db
30% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Miriam Netti
May I Come In
122 bpm • F min • 05:10 • -15.92db
39% Popularity • 48% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 48% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Jim Tomlinson
I Concentrate On You
125 bpm • D Maj • 06:34 • -15.78db
21% Popularity • 58% Danceability • 21% Energy • 21% Liveness
1% Instrumentalness • 24% Positiveness
21% Popularity • 58% Danceability • 21% Energy • 21% Liveness
1% Instrumentalness • 24% Positiveness
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Stacey Kent
All I Do Is Dream Of You
124 bpm • G min • 03:28 • -12.66db
42% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Marcos Valle
So Nice (Samba de Verão) - Ao Vivo
125 bpm • C Maj • 05:13 • -12.36db
27% Popularity • 73% Danceability • 35% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 73% Danceability • 35% Energy • 70% Liveness
0% Instrumentalness • 57% Positiveness
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Anita O'Day
(Fly Me To The Moon) In Other Words
121 bpm • G min • 03:45 • -20.15db
39% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kevin Holbrough
Samba De Trombone
125 bpm • G# Maj • 06:34 • -14.92db
0% Popularity • 52% Danceability • 42% Energy • 8% Liveness
91% Instrumentalness • 68% Positiveness
0% Popularity • 52% Danceability • 42% Energy • 8% Liveness
91% Instrumentalness • 68% Positiveness
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Claire Martin
Going out of My Head
125 bpm • A Maj • 04:29 • -12.46db
21% Popularity • 73% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 73% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Viktoria Tolstoy
Dialogue
125 bpm • D# Maj • 03:13 • -11.23db
12% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Eva sur Seine
Stompin' at the Savoy
121 bpm • F min • 02:42 • -9.32db
49% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 85% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Stacey Kent
Shall We Dance?
125 bpm • A# Maj • 03:42 • -13.37db
35% Popularity • 67% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 67% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Connie Lansberg
I'm Old Fashioned
125 bpm • C# Maj • 03:53 • -15.69db
41% Popularity • 62% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
41% Popularity • 62% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Roberta Gambarini
No More Blues
126 bpm • G Maj • 03:12 • -14.75db
23% Popularity • 53% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 53% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
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Tony DeSare
Just in Time
120 bpm • D min • 02:36 • -10.46db
37% Popularity • 60% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 62% Positiveness
37% Popularity • 60% Danceability • 46% Energy • 14% Liveness
2% Instrumentalness • 62% Positiveness
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Ruth Cameron
A Sunday Kind Of Love
126 bpm • C min • 04:52 • -12.22db
47% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Kyle Eastwood
Café Calypso
120 bpm • G# Maj • 05:18 • -11db
11% Popularity • 51% Danceability • 65% Energy • 6% Liveness
70% Instrumentalness • 80% Positiveness
11% Popularity • 51% Danceability • 65% Energy • 6% Liveness
70% Instrumentalness • 80% Positiveness
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Marcos Valle
Valle, M / Valle, P: So nice
126 bpm • C Maj • 04:24 • -10db
41% Popularity • 52% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 52% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Kandace Springs
Killing Me Softly With His Song
126 bpm • G Maj • 05:17 • -10.66db
19% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Kevin Holbrough
I Love You
126 bpm • F Maj • 04:35 • -13.54db
0% Popularity • 53% Danceability • 37% Energy • 17% Liveness
59% Instrumentalness • 55% Positiveness
0% Popularity • 53% Danceability • 37% Energy • 17% Liveness
59% Instrumentalness • 55% Positiveness
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Jim Tomlinson
My Best Defence
126 bpm • C Maj • 02:51 • -7.86db
8% Popularity • 60% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 48% Positiveness
8% Popularity • 60% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 48% Positiveness
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Ruth Cameron
Something Cool
126 bpm • A# Maj • 05:23 • -16db
24% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Bria Skonberg
Cocktails for Two
126 bpm • A# Maj • 03:21 • -12.58db
27% Popularity • 64% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
27% Popularity • 64% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Thomas Dutronc
Un homme et une femme
126 bpm • B Maj • 03:00 • -12.27db
38% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Malene Mortensen
Girl from Ipanema
120 bpm • F Maj • 04:03 • -13db
40% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 79% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Carmen Cuesta-Loeb
La Bossa De Kris - Toots Thielemans
126 bpm • E min • 04:00 • -7db
23% Popularity • 68% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 68% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Viktoria Tolstoy
As Time Goes By
120 bpm • F min • 05:31 • -13db
38% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 61% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Steve Tyrell
I Concentrate On You
120 bpm • F min • 03:07 • -11.04db
24% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Stacey Kent
Meditation - Bonus Track
120 bpm • G min • 03:57 • -18.59db
33% Popularity • 76% Danceability • 16% Energy • 10% Liveness
12% Instrumentalness • 33% Positiveness
33% Popularity • 76% Danceability • 16% Energy • 10% Liveness
12% Instrumentalness • 33% Positiveness
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Tok Tok Tok
Beheep
120 bpm • G# Maj • 00:58 • -20.27db
25% Popularity • 82% Danceability • 6% Energy • 11% Liveness
58% Instrumentalness • 72% Positiveness
25% Popularity • 82% Danceability • 6% Energy • 11% Liveness
58% Instrumentalness • 72% Positiveness
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Kevin Holbrough
Lament
120 bpm • D min • 07:51 • -18.37db
0% Popularity • 53% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
0% Popularity • 53% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Chiara Civello
Caramel
120 bpm • A Maj • 03:05 • -17db
36% Popularity • 59% Danceability • 28% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
36% Popularity • 59% Danceability • 28% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Nicola Conte
Sea and Sand
120 bpm • F Maj • 03:59 • -12db
37% Popularity • 67% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 51% Positiveness
37% Popularity • 67% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 51% Positiveness
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Jim Tomlinson
Only Trust Your Heart
126 bpm • F Maj • 05:55 • -17.36db
8% Popularity • 71% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 51% Positiveness
8% Popularity • 71% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 51% Positiveness
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Roberta Gambarini
Only Trust Your Heart
120 bpm • F Maj • 04:10 • -14.65db
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Malene Mortensen
Sway
120 bpm • B Maj • 02:46 • -9.43db
48% Popularity • 80% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 80% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Tok Tok Tok
Monkey-see And Monkey-do*
127 bpm • A# min • 05:04 • -16.51db
13% Popularity • 72% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 72% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Viktoria Tolstoy
Midnight Sun
119 bpm • G Maj • 04:35 • -12db
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Paul Brown
Moondance
119 bpm • D min • 03:22 • -11.01db
42% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Katrine Madsen
Early in the Autumn
119 bpm • E min • 05:09 • -17.98db
25% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Rigmor Gustafsson Quintet
Bluesette
119 bpm • G Maj • 05:18 • -12.72db
25% Popularity • 58% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
25% Popularity • 58% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 63% Positiveness
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Jimmy Heath
Don't Misunderstand
119 bpm • C Maj • 05:32 • -10db
41% Popularity • 48% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 48% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Jim Tomlinson
What Are You Doing the Rest of Your Life...
119 bpm • D Maj • 06:30 • -13.71db
19% Popularity • 48% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 48% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Hailey Tuck
Coltrane
119 bpm • C Maj • 03:41 • -13db
35% Popularity • 75% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
35% Popularity • 75% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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Oscar Peterson Trio
Volare
119 bpm • A# min • 02:46 • -18db
51% Popularity • 81% Danceability • 14% Energy • 12% Liveness
37% Instrumentalness • 43% Positiveness
51% Popularity • 81% Danceability • 14% Energy • 12% Liveness
37% Instrumentalness • 43% Positiveness
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Caity Gyorgy
There by the Door
127 bpm • G Maj • 03:41 • -16.32db
34% Popularity • 47% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 47% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Eva sur Seine
Vamp
119 bpm • C Maj • 04:14 • -14.4db
33% Popularity • 64% Danceability • 12% Energy • 34% Liveness
3% Instrumentalness • 16% Positiveness
33% Popularity • 64% Danceability • 12% Energy • 34% Liveness
3% Instrumentalness • 16% Positiveness
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Kevin Mahogany
My Romance
119 bpm • A# Maj • 04:22 • -18db
16% Popularity • 46% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 46% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Stacey Kent
Mi amor
118 bpm • C# min • 03:58 • -14.2db
48% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Bria Skonberg
From This Moment On
128 bpm • G# Maj • 05:55 • -12.06db
37% Popularity • 61% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 54% Positiveness
37% Popularity • 61% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 54% Positiveness
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Jim Tomlinson
My Heart Belongs to Daddy
128 bpm • C# min • 03:43 • -10.83db
17% Popularity • 67% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 67% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Billie Holiday
You've Changed - Studio Rio Version
128 bpm • G min • 03:46 • -8.05db
42% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Heather Rigdon
Bad For Business
118 bpm • B min • 03:36 • -13.55db
51% Popularity • 83% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 83% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Emilie Schiøtt
It May Be You
118 bpm • G# Maj • 03:41 • -13db
56% Popularity • 78% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 78% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Stacey Kent
Like a Lover
118 bpm • F# Maj • 03:38 • -15.91db
33% Popularity • 76% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 76% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Samara Joy
Stardust
118 bpm • G Maj • 03:53 • -14db
44% Popularity • 48% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 48% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Paul McCartney
I'm Gonna Sit Right Down And Write Mysel...
129 bpm • A# Maj • 02:35 • -17.23db
44% Popularity • 66% Danceability • 17% Energy • 13% Liveness
4% Instrumentalness • 40% Positiveness
44% Popularity • 66% Danceability • 17% Energy • 13% Liveness
4% Instrumentalness • 40% Positiveness
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NYC Jazz Quartett
My Baby Just Cares For Me
118 bpm • A Maj • 03:41 • -13db
48% Popularity • 72% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 72% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Viktoria Tolstoy
High-Heels
117 bpm • F min • 04:46 • -11.24db
8% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Kevin Holbrough
Direction
129 bpm • C min • 06:20 • -12.57db
0% Popularity • 48% Danceability • 44% Energy • 14% Liveness
28% Instrumentalness • 56% Positiveness
0% Popularity • 48% Danceability • 44% Energy • 14% Liveness
28% Instrumentalness • 56% Positiveness
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Stacey Kent
The Best Is Yet To Come
129 bpm • A Maj • 03:27 • -13db
34% Popularity • 73% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 73% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ida Sand
Every Little Bit Hurts
117 bpm • C Maj • 04:03 • -9.66db
38% Popularity • 76% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 76% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Catherine Russell
Alone Together
117 bpm • G Maj • 04:10 • -10db
40% Popularity • 75% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 75% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Caity Gyorgy
I Can't Get Started
129 bpm • G Maj • 05:12 • -13.37db
31% Popularity • 46% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 46% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Kevin Mahogany
Laura
117 bpm • A# min • 04:49 • -12.35db
19% Popularity • 34% Danceability • 25% Energy • 12% Liveness
16% Instrumentalness • 15% Positiveness
19% Popularity • 34% Danceability • 25% Energy • 12% Liveness
16% Instrumentalness • 15% Positiveness
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Hilde Hefte
Vakker Natt
117 bpm • E min • 05:19 • -16db
33% Popularity • 81% Danceability • 24% Energy • 26% Liveness
14% Instrumentalness • 53% Positiveness
33% Popularity • 81% Danceability • 24% Energy • 26% Liveness
14% Instrumentalness • 53% Positiveness
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Stacey Kent
More Than You Know
117 bpm • G Maj • 05:36 • -15.64db
22% Popularity • 56% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 56% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Chaka Khan
Lullaby Of Birdland
130 bpm • C min • 02:57 • -8.08db
27% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Roberta Gambarini
Smoke Gets In Your Eyes/All the Things Y...
117 bpm • D Maj • 05:52 • -15.53db
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Jim Tomlinson
Dreamer
130 bpm • G Maj • 05:03 • -15.51db
25% Popularity • 67% Danceability • 24% Energy • 8% Liveness
82% Instrumentalness • 35% Positiveness
25% Popularity • 67% Danceability • 24% Energy • 8% Liveness
82% Instrumentalness • 35% Positiveness
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Kevin Mahogany
Beautiful Fight
117 bpm • G Maj • 04:18 • -9db
26% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Heather Rigdon
Slow Fuse
130 bpm • G Maj • 03:45 • -13.31db
49% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Stacey Kent
You Go To My Head
130 bpm • A# Maj • 07:01 • -21.8db
22% Popularity • 55% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 55% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Maria Luiza
Lullaby of Birdland
130 bpm • B min • 02:17 • -10.69db
46% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Roberta Gambarini
Easy to Love
130 bpm • G# Maj • 04:47 • -12.75db
20% Popularity • 52% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 52% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Jim Tomlinson
Not for Me
130 bpm • C min • 02:40 • -7.76db
4% Popularity • 64% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
4% Popularity • 64% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
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Kyle Eastwood
Over the Line
130 bpm • C Maj • 05:09 • -12.55db
3% Popularity • 39% Danceability • 59% Energy • 8% Liveness
81% Instrumentalness • 41% Positiveness
3% Popularity • 39% Danceability • 59% Energy • 8% Liveness
81% Instrumentalness • 41% Positiveness
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Ellen Andersson
I'll Be Seeing You
116 bpm • C# Maj • 06:07 • -11db
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Stacey Kent
Breakfast on the Morning Tram
116 bpm • G# Maj • 05:54 • -11.06db
29% Popularity • 52% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 52% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Anthony Strong
Stepping out with My Baby
130 bpm • D min • 03:00 • -11.7db
38% Popularity • 69% Danceability • 32% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 69% Danceability • 32% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Kevin Mahogany
Baby You Got What It Takes
130 bpm • G# Maj • 03:01 • -18.08db
42% Popularity • 78% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 78% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Blossom Dearie
I Wish You Love
116 bpm • C# Maj • 02:09 • -15.99db
43% Popularity • 61% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 61% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness