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Corkscrew
Songs like
Corkscrew
by
Oren Ambarchi
Based on a tempo of (+/- 10%) and a similar genre
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Infinite Body
Drive Dreams Away
72 bpm • D# Maj • 06:57 • -12.3db
8% Popularity • 24% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Josiah Steinbrick
(Three Synthesizers)
72 bpm • G Maj • 05:15 • -31.35db
8% Popularity • 13% Danceability • 3% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Oren Ambarchi
Corkscrew
72 bpm • C Maj • 09:43 • -24.04db
13% Popularity • 33% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
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Shuttle358
Rocks Are Nice
72 bpm • G Maj • 05:21 • -31.11db
8% Popularity • 13% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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GAS
Pop 6
72 bpm • A# min • 09:18 • -16.44db
26% Popularity • 6% Danceability • 26% Energy • 17% Liveness
94% Instrumentalness • 16% Positiveness
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Lawrence English
Watching It Unfold
72 bpm • E Maj • 05:49 • -26.51db
28% Popularity • 16% Danceability • 1% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
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Vanessa Amara
Piano & Two Tape Loops
72 bpm • F min • 05:47 • -29.94db
8% Popularity • 24% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Phew
Patience Soup Part 1 (excerpt)
72 bpm • D Maj • 07:22 • -13.8db
0% Popularity • 20% Danceability • 45% Energy • 72% Liveness
61% Instrumentalness • 8% Positiveness
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Oren Ambarchi
Suspension
72 bpm • G Maj • 08:24 • -26.37db
1% Popularity • 24% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Jon McCafferty
Low Level Listening, Part 3
72 bpm • D# min • 05:29 • -42.34db
13% Popularity • 12% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Sarah Davachi
First Cadence
72 bpm • G Maj • 05:57 • -35.25db
14% Popularity • 6% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Infinite Body
Lived on it's Knees (For Matt)
73 bpm • D# Maj • 01:43 • -15.92db
8% Popularity • 18% Danceability • 26% Energy • 14% Liveness
92% Instrumentalness • 21% Positiveness
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Thomas Köner
Teimo
72 bpm • B Maj • 05:12 • -31.03db
17% Popularity • 16% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 2% Positiveness
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Fennesz
Endless Summer
73 bpm • A min • 08:31 • -9.17db
23% Popularity • 19% Danceability • 60% Energy • 10% Liveness
88% Instrumentalness • 31% Positiveness
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Oren Ambarchi
Inamorata
72 bpm • E min • 10:19 • -17.8db
2% Popularity • 22% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Tim Hecker
Harmony in Blue III
73 bpm • F min • 02:41 • -24.55db
30% Popularity • 14% Danceability • 27% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
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Felicia Atkinson
Not Knowing
73 bpm • C Maj • 09:04 • -24.09db
10% Popularity • 26% Danceability • 16% Energy • 36% Liveness
26% Instrumentalness • 4% Positiveness
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Andy Stott
Time Away
71 bpm • A min • 06:24 • -25db
29% Popularity • 11% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Satoshi Ashikawa
Still Sky
71 bpm • A min • 08:35 • -32.64db
25% Popularity • 18% Danceability • 0% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • G# Maj • 10:17 • -27db
30% Popularity • 39% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Oren Ambarchi
Song of Separation Part 3
71 bpm • G Maj • 06:48 • -32.63db
1% Popularity • 18% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Arne Nordheim
Warp/Warpable
73 bpm • C Maj • 04:57 • -31.41db
9% Popularity • 14% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Sarah Davachi
Matins
71 bpm • D# min • 08:29 • -19.95db
7% Popularity • 13% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Lawrence English
Galaxies of Dust
73 bpm • G min • 05:23 • -20.08db
9% Popularity • 11% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Adam Pacione
Good Morning Mockingbird
71 bpm • E min • 06:31 • -17.84db
7% Popularity • 8% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Stars Of The Lid
The Swellsong
73 bpm • G# Maj • 09:14 • -33.54db
13% Popularity • 41% Danceability • 3% Energy • 11% Liveness
26% Instrumentalness • 12% Positiveness
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Laurie Spiegel
The Unquestioned Answer
71 bpm • G# Maj • 06:30 • -26.15db
34% Popularity • 11% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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David Behrman
On the Other Ocean
73 bpm • C Maj • 06:50 • -14.73db
30% Popularity • 7% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Fripp
Tarazed
73 bpm • B min • 05:03 • -31.88db
20% Popularity • 17% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Arne Nordheim
Katedra Botaniki
73 bpm • C# min • 06:50 • -25.58db
9% Popularity • 27% Danceability • 18% Energy • 21% Liveness
82% Instrumentalness • 6% Positiveness
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Biosphere
The Silent Orchestra
71 bpm • D min • 07:52 • -25.08db
19% Popularity • 30% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Sarah Davachi
Third Hour
73 bpm • C Maj • 07:37 • -18.41db
11% Popularity • 12% Danceability • 8% Energy • 7% Liveness
62% Instrumentalness • 3% Positiveness
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Oren Ambarchi
Gene
74 bpm • G min • 08:15 • -18.86db
1% Popularity • 15% Danceability • 7% Energy • 10% Liveness
98% Instrumentalness • 2% Positiveness
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Abul Mogard
Over My Head
74 bpm • G# min • 05:25 • -28.87db
16% Popularity • 7% Danceability • 4% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Eluvium
We Say Goodbye To Ourselves
74 bpm • D Maj • 02:09 • -21.13db
26% Popularity • 18% Danceability • 25% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Jon Hassell
Rising Thermal 14° 16' N; 32° 28' E
74 bpm • D# Maj • 03:08 • -35.06db
25% Popularity • 9% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness
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Pan-American
Skylight
74 bpm • D min • 05:40 • -16.04db
12% Popularity • 32% Danceability • 16% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
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Tim Hecker
Analog Paralysis, 1978
70 bpm • G Maj • 03:51 • -18.71db
29% Popularity • 9% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Oren Ambarchi
Surfacing
70 bpm • G Maj • 07:44 • -27.06db
0% Popularity • 17% Danceability • 1% Energy • 24% Liveness
0% Instrumentalness • 2% Positiveness
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Sarah Davachi
Still Lives
74 bpm • A Maj • 04:27 • -30.07db
13% Popularity • 6% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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crys cole
Burrata
74 bpm • F Maj • 07:04 • -22.04db
6% Popularity • 38% Danceability • 10% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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The Dead Texan
La Ballade D'alain Georges
74 bpm • E Maj • 06:23 • -24.02db
25% Popularity • 9% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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His Name Is Alive
Reflection Pool
70 bpm • G min • 04:01 • -20.68db
21% Popularity • 11% Danceability • 16% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
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Tim Hecker
Rainbow Blood
70 bpm • G# Maj • 01:52 • -14.07db
33% Popularity • 15% Danceability • 73% Energy • 57% Liveness
92% Instrumentalness • 7% Positiveness
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Aix Em Klemm
Prue Lewarne
74 bpm • D Maj • 07:19 • -19.35db
14% Popularity • 7% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Sarah Davachi
Rushes Recede
70 bpm • F Maj • 06:34 • -29db
23% Popularity • 6% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Kali Malone
Sacer Profanare
70 bpm • F min • 08:48 • -31.5db
23% Popularity • 6% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Stars Of The Lid
The Atomium Part 1
70 bpm • C min • 05:32 • -35.54db
27% Popularity • 17% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Philip Jeck
Wholesome
74 bpm • F Maj • 08:26 • -16.32db
16% Popularity • 16% Danceability • 34% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Vanessa Amara
Piano & Accordion, Pt. 1
70 bpm • G# min • 07:35 • -20.16db
8% Popularity • 36% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 10% Positiveness
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Jefre Cantu-Ledesma
Joy
70 bpm • F Maj • 05:00 • -20.28db
16% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Sarah Davachi
Or Something
70 bpm • B min • 01:12 • -27.48db
34% Popularity • 15% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Tim Hecker
Blood Rainbow
74 bpm • G# Maj • 04:06 • -12.74db
23% Popularity • 6% Danceability • 51% Energy • 18% Liveness
96% Instrumentalness • 5% Positiveness
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Brian Eno
Shadow - Remastered 2004
74 bpm • C Maj • 03:00 • -23.57db
27% Popularity • 10% Danceability • 17% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
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Fennesz
I Just Want You to Stay 4
70 bpm • A min • 04:00 • -23.64db
10% Popularity • 6% Danceability • 11% Energy • 53% Liveness
86% Instrumentalness • 6% Positiveness
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Pan-American
Begin
69 bpm • C Maj • 03:37 • -15.88db
17% Popularity • 11% Danceability • 2% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Robin Guthrie
Thunderbird Road
75 bpm • D Maj • 06:27 • -16.5db
17% Popularity • 18% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Marta De Pascalis
Sonus Ruinae part 1
69 bpm • F# min • 09:43 • -11.45db
16% Popularity • 6% Danceability • 34% Energy • 30% Liveness
94% Instrumentalness • 8% Positiveness
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Brian McBride
Prelude
69 bpm • F Maj • 01:44 • -30.36db
28% Popularity • 23% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
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Brian Eno
Lantern Marsh - Remastered 2004
75 bpm • C Maj • 05:31 • -31.11db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Fennesz
I Just Want You to Stay 1
75 bpm • A min • 04:00 • -22db
18% Popularity • 16% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Keith Fullerton Whitman
Track3a (2waynice)
69 bpm • E Maj • 05:30 • -32.41db
29% Popularity • 29% Danceability • 0% Energy • 8% Liveness
13% Instrumentalness • 81% Positiveness
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Kara-Lis Coverdale
Icon /c
75 bpm • C min • 03:52 • -12.63db
10% Popularity • 9% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Oren Ambarchi
This Eveing So Soon
69 bpm • F# min • 04:00 • -20.88db
1% Popularity • 19% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Stars Of The Lid
Requiem for Dying Mothers, Pt. 2
75 bpm • A# Maj • 07:37 • -25.3db
34% Popularity • 7% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Kali Malone
Bondage To Formula
69 bpm • E min • 07:15 • -25.51db
24% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Sarah Davachi
Gilded
69 bpm • E min • 03:30 • -21.18db
34% Popularity • 24% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Robert Turman
FLUX TWO
75 bpm • E Maj • 10:42 • -35.41db
20% Popularity • 24% Danceability • 1% Energy • 17% Liveness
96% Instrumentalness • 19% Positiveness
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The Sight Below
Fervent
75 bpm • C# min • 05:08 • -14.86db
10% Popularity • 20% Danceability • 59% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Laurie Spiegel
Pentachrome
75 bpm • A min • 07:18 • -18db
15% Popularity • 6% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Fennesz
Onsay
69 bpm • D Maj • 01:08 • -20.4db
30% Popularity • 7% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 2% Positiveness
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Infinite Body
A Fool Persists
75 bpm • F# Maj • 01:58 • -16.4db
15% Popularity • 22% Danceability • 30% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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Kali Malone
Rose Wreath Crown (for CW)
69 bpm • F# min • 10:26 • -25.52db
23% Popularity • 16% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Akira Rabelais
Aposiopesis
75 bpm • C Maj • 05:16 • -33.44db
8% Popularity • 30% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Stars Of The Lid
Be Little With Me
75 bpm • C min • 06:27 • -18db
11% Popularity • 8% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Maria W Horn
Ångermanländska Bilder
75 bpm • G Maj • 10:12 • -17.2db
8% Popularity • 6% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
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Jon McCafferty
Anchor States, Part 1
75 bpm • G# Maj • 04:27 • -18.93db
13% Popularity • 7% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Arne Nordheim
Twin Decks
69 bpm • G# min • 02:46 • -31.18db
11% Popularity • 30% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Sarah Davachi
The Pelican
76 bpm • G Maj • 05:50 • -23.31db
9% Popularity • 16% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Felicia Atkinson
Moderato Cantabile
76 bpm • F Maj • 07:58 • -20.49db
20% Popularity • 11% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Microstoria
Endless Summer NAMM
69 bpm • C# min • 04:39 • -26.21db
10% Popularity • 26% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Splash 144
69 bpm • F min • 03:31 • -13.47db
10% Popularity • 18% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Oren Ambarchi
Rhubarb
76 bpm • F# Maj • 07:38 • -27.84db
1% Popularity • 30% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Úlfur
Farr Rising Saignee - Oren Ambarchi 'Tó...
76 bpm • D min • 04:52 • -15.74db
0% Popularity • 12% Danceability • 32% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Andrew Pekler
Saxenburgh / Pepys / Aurora
76 bpm • D# Maj • 04:58 • -17.59db
8% Popularity • 34% Danceability • 31% Energy • 30% Liveness
52% Instrumentalness • 8% Positiveness
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Felicia Atkinson
ME
76 bpm • C Maj • 04:21 • -27.35db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Ian William Craig
Second Lens
76 bpm • B min • 03:25 • -23.79db
12% Popularity • 24% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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Richard Skelton
Scar Tissue
68 bpm • D# Maj • 01:56 • -24.13db
26% Popularity • 34% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Oren Ambarchi
Salt
76 bpm • B Maj • 05:29 • -19.85db
9% Popularity • 17% Danceability • 8% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Seefeel
Meol
68 bpm • F Maj • 05:54 • -30.83db
12% Popularity • 14% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Abul Mogard
Place of Forever - AM Radio edit
76 bpm • C# Maj • 07:46 • -17.1db
2% Popularity • 6% Danceability • 6% Energy • 33% Liveness
90% Instrumentalness • 3% Positiveness
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Kali Malone
Fifth Worship II
68 bpm • F# Maj • 07:50 • -24.07db
19% Popularity • 5% Danceability • 0% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
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Dedekind Cut
Virtues
68 bpm • C# Maj • 04:28 • -28.53db
17% Popularity • 17% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Tim Hecker
Song of the Highwire Shrimper
76 bpm • A Maj • 07:24 • -14.91db
27% Popularity • 19% Danceability • 57% Energy • 91% Liveness
95% Instrumentalness • 19% Positiveness
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Oren Ambarchi
Creepy Crawl
76 bpm • G# min • 01:56 • -17.99db
4% Popularity • 33% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Seefeel
Signals
76 bpm • C# min • 05:47 • -28.57db
19% Popularity • 15% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Taylor Deupree
Negative Snow
76 bpm • F min • 09:36 • -19.93db
12% Popularity • 7% Danceability • 23% Energy • 30% Liveness
97% Instrumentalness • 7% Positiveness
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Sarah Davachi
Waking
68 bpm • D# min • 03:19 • -25.5db
18% Popularity • 6% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Celer
(06.23.17) From the Doorway Of the Beef ...
68 bpm • D min • 02:30 • -25.07db
27% Popularity • 9% Danceability • 22% Energy • 20% Liveness
19% Instrumentalness • 15% Positiveness
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The Humble Bee
Honesty
68 bpm • A# Maj • 06:07 • -20.96db
14% Popularity • 23% Danceability • 26% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Corkscrew