Songs like Cosmonova by Albie Monroy
Based on a tempo of (+/- 10%) and a similar genre
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Julian Ellwood
Heart Questions
108 bpm • F# Maj • 02:21 • -29db
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
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Pierre Delongpre
Sincerity
108 bpm • D Maj • 02:54 • -32db
40% Popularity • 65% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
40% Popularity • 65% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Alexander Panagopoulos
Together
108 bpm • F# Maj • 02:03 • -21.44db
39% Popularity • 53% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
39% Popularity • 53% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Reese Willis
Cherish
108 bpm • C# Maj • 02:02 • -22.53db
29% Popularity • 34% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 41% Positiveness
29% Popularity • 34% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 41% Positiveness
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Albie Monroy
Cosmonova
108 bpm • C# Maj • 03:31 • -19.79db
22% Popularity • 49% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
22% Popularity • 49% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Francesca Caroléo
Lunaria
109 bpm • B Maj • 01:52 • -31db
34% Popularity • 27% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 25% Positiveness
34% Popularity • 27% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 25% Positiveness
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Sean Oban
Ripples
108 bpm • D min • 02:12 • -28.13db
45% Popularity • 48% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
45% Popularity • 48% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
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Tim Missel
The Morning After
109 bpm • F# Maj • 02:16 • -28.44db
37% Popularity • 44% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
37% Popularity • 44% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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Felted Mind
Joy Cycle
109 bpm • A Maj • 03:00 • -22.35db
34% Popularity • 43% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
34% Popularity • 43% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
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Lucién
Avalanche
107 bpm • D# Maj • 02:16 • -26.97db
41% Popularity • 28% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
41% Popularity • 28% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Kyran Martin
Brig O' Balgownie
106 bpm • F# min • 02:04 • -24.1db
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
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Jorulf
Myrdal-Flam
106 bpm • A Maj • 01:58 • -23.13db
34% Popularity • 38% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 38% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Vail Bizier
Ce n’est pas la mer à boire
110 bpm • D Maj • 02:31 • -22.47db
28% Popularity • 47% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
28% Popularity • 47% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Zoé de Vera
In Bloom
110 bpm • A min • 02:59 • -23db
45% Popularity • 64% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
45% Popularity • 64% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
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Ezequiel Johnson
A New Year's Walk
106 bpm • C# Maj • 01:57 • -23.2db
30% Popularity • 41% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
30% Popularity • 41% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Moldoveanu
Belle Chose
106 bpm • A# Maj • 02:40 • -28.73db
37% Popularity • 32% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
37% Popularity • 32% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
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Cora Zea
Kiku Rain
110 bpm • D# Maj • 02:52 • -25db
31% Popularity • 65% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
31% Popularity • 65% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 51% Positiveness
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Dhyana Thomas
Clear Skies
110 bpm • B Maj • 02:42 • -23.52db
38% Popularity • 42% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
38% Popularity • 42% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Ivy Rue
Nucleus
106 bpm • G# min • 02:48 • -26.09db
34% Popularity • 41% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
34% Popularity • 41% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Roland Toubin
Presque l'amour
110 bpm • G# Maj • 02:22 • -25.81db
43% Popularity • 44% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
43% Popularity • 44% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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S.J Morgan
A Peaceful Mind
105 bpm • B min • 02:27 • -29db
26% Popularity • 59% Danceability • 12% Energy • 38% Liveness
86% Instrumentalness • 46% Positiveness
26% Popularity • 59% Danceability • 12% Energy • 38% Liveness
86% Instrumentalness • 46% Positiveness
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Catherine Holm
Evening Tide
110 bpm • A Maj • 02:01 • -22db
32% Popularity • 53% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
32% Popularity • 53% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
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Olim
Sioux
105 bpm • C min • 02:06 • -26.12db
37% Popularity • 70% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
37% Popularity • 70% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
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Robert Gafforelli
Silhouette
111 bpm • D# Maj • 03:32 • -33.09db
43% Popularity • 41% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 41% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Alexander Descartes
La Storia
105 bpm • F Maj • 02:44 • -29.84db
37% Popularity • 31% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 31% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Eleanor Neylan
Upraise
112 bpm • B Maj • 02:27 • -29.36db
43% Popularity • 57% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 57% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Amity Fall
Duende
112 bpm • G Maj • 02:31 • -27.84db
44% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
44% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Élise Aucoin
Qui n’avance pas, recule
112 bpm • F Maj • 02:20 • -25.9db
44% Popularity • 34% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
44% Popularity • 34% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Charlie Key
Staying Safe
112 bpm • G min • 03:18 • -24.52db
37% Popularity • 46% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
37% Popularity • 46% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Manuel Zito
Ann's Lullaby
104 bpm • C# Maj • 03:14 • -26.25db
33% Popularity • 42% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 53% Positiveness
33% Popularity • 42% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 53% Positiveness
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Falerina Paquet
Fin de l'été
112 bpm • D# min • 01:53 • -24.29db
38% Popularity • 31% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
38% Popularity • 31% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
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Folksaga
Nysnö
112 bpm • D# Maj • 02:36 • -26.95db
44% Popularity • 30% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
44% Popularity • 30% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Francesca Caroléo
Valerian
113 bpm • A# Maj • 02:49 • -27.81db
41% Popularity • 42% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 12% Positiveness
41% Popularity • 42% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 12% Positiveness
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Irma Kantola
Morning Sun
103 bpm • G# Maj • 02:27 • -26.28db
29% Popularity • 24% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
29% Popularity • 24% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Leroy Bolander
That day
113 bpm • E Maj • 01:58 • -25.71db
30% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
30% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Muriël Bostdorp
Lost In The Right Direction
113 bpm • B min • 02:55 • -27.02db
32% Popularity • 38% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
32% Popularity • 38% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Valerija Novosel
Mali Lošinj
104 bpm • G# Maj • 02:01 • -24.15db
28% Popularity • 44% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
28% Popularity • 44% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
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Clara Nishimoto
Musing
113 bpm • D# min • 02:34 • -28db
20% Popularity • 33% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
20% Popularity • 33% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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Jesse Brown
Notes From Tom
103 bpm • D# min • 02:47 • -21.85db
41% Popularity • 47% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
41% Popularity • 47% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Ryu Ito
Elderflowers
103 bpm • C# Maj • 02:09 • -28.38db
41% Popularity • 51% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
41% Popularity • 51% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Jaidy Thissen
schemering
103 bpm • G# Maj • 02:04 • -24.52db
40% Popularity • 30% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
40% Popularity • 30% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
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Laponia
Stuor Muorkke
114 bpm • A min • 01:47 • -26.09db
42% Popularity • 34% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
42% Popularity • 34% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
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Frantz Langdon
The Day After Tomorrow
114 bpm • F Maj • 02:47 • -21.61db
33% Popularity • 50% Danceability • 9% Energy • 18% Liveness
96% Instrumentalness • 13% Positiveness
33% Popularity • 50% Danceability • 9% Energy • 18% Liveness
96% Instrumentalness • 13% Positiveness
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Geir Gudmundson
Just Us
114 bpm • C Maj • 03:35 • -32.95db
32% Popularity • 33% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
32% Popularity • 33% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Sabine Paulet
flâner
103 bpm • C# Maj • 03:15 • -19.55db
28% Popularity • 41% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
28% Popularity • 41% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
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Ragnar Seaholm
Small Steps
103 bpm • G# min • 02:45 • -29db
32% Popularity • 40% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
32% Popularity • 40% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Leonardo Cupelli
Here
114 bpm • C Maj • 02:26 • -35.16db
37% Popularity • 31% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
37% Popularity • 31% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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S.J Morgan
Collected
114 bpm • G# Maj • 02:31 • -32.9db
28% Popularity • 42% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
28% Popularity • 42% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Comet Blue
Where The Clouds Go
115 bpm • A Maj • 02:28 • -26.64db
30% Popularity • 40% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
30% Popularity • 40% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
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Pio Roque
Peninsula
102 bpm • C# Maj • 02:08 • -26.19db
32% Popularity • 32% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
32% Popularity • 32% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Johannes Bornlöf
Immersed
115 bpm • D# Maj • 03:02 • -17.99db
32% Popularity • 32% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 32% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Alexander Motovilov
Little Prince
115 bpm • C Maj • 02:14 • -23.95db
30% Popularity • 44% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
30% Popularity • 44% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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Carl Bonet
Mantra for Piano
101 bpm • F# Maj • 03:18 • -22.21db
42% Popularity • 48% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
42% Popularity • 48% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Jenny Lange
Wheels in Motion
116 bpm • G# Maj • 03:08 • -32.04db
39% Popularity • 31% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
39% Popularity • 31% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Dreaming Hiker
Early Birds
116 bpm • F min • 02:19 • -26.21db
40% Popularity • 55% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
40% Popularity • 55% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
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Rand Aldo
Dream in Eb
101 bpm • D# Maj • 02:25 • -29.66db
37% Popularity • 51% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
37% Popularity • 51% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Phil Larson
Bedtime Routine
116 bpm • G# Maj • 02:00 • -29.9db
40% Popularity • 34% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
40% Popularity • 34% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Pierre Delongpre
Daybreak
116 bpm • A# Maj • 02:57 • -19.59db
29% Popularity • 65% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
29% Popularity • 65% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Teodor Wolgers
reflections
116 bpm • G# Maj • 03:13 • -29.83db
33% Popularity • 52% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 43% Positiveness
33% Popularity • 52% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 43% Positiveness
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Sumsar
Amorous Rebound Pt 2
100 bpm • A# min • 02:22 • -20.54db
29% Popularity • 36% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
29% Popularity • 36% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Tip Ferreira
Aspiration
116 bpm • F Maj • 03:06 • -21.8db
34% Popularity • 85% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
34% Popularity • 85% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
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Arelius
Carillon
116 bpm • F# Maj • 02:14 • -24.7db
32% Popularity • 41% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
32% Popularity • 41% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Ensemble Rivr Dane
Sugarcane
116 bpm • C Maj • 02:24 • -21.43db
41% Popularity • 38% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 31% Positiveness
41% Popularity • 38% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 31% Positiveness
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Ever So Blue
At Dawn
116 bpm • D Maj • 02:16 • -25db
52% Popularity • 62% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
52% Popularity • 62% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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GÃ…EL
I Remember
116 bpm • C# Maj • 02:22 • -26.18db
39% Popularity • 45% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
39% Popularity • 45% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Henri Bentley
If Not for You
116 bpm • D min • 03:25 • -26.29db
36% Popularity • 35% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
36% Popularity • 35% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Tom Merrall
Hopedale
100 bpm • C Maj • 02:37 • -23.54db
27% Popularity • 69% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 50% Positiveness
27% Popularity • 69% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 50% Positiveness
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Rand Aldo
Breathing Like the Pastures
100 bpm • A Maj • 03:41 • -19.88db
29% Popularity • 45% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
29% Popularity • 45% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Allysium
Synchronicity
100 bpm • C# min • 03:09 • -28.54db
33% Popularity • 35% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
33% Popularity • 35% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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BAWK
United
117 bpm • E Maj • 02:22 • -17.6db
37% Popularity • 50% Danceability • 8% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
37% Popularity • 50% Danceability • 8% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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James DiResta
Beneath Your Smile
117 bpm • F# Maj • 04:46 • -32.12db
31% Popularity • 37% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 37% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Ever So Blue
Progress
100 bpm • C Maj • 02:18 • -27.14db
48% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
48% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Mauro Cangemi
Continuo
100 bpm • C Maj • 02:14 • -21.15db
43% Popularity • 43% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
43% Popularity • 43% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Arelius
Thrones
118 bpm • C Maj • 01:59 • -25.36db
29% Popularity • 50% Danceability • 0% Energy • 21% Liveness
93% Instrumentalness • 13% Positiveness
29% Popularity • 50% Danceability • 0% Energy • 21% Liveness
93% Instrumentalness • 13% Positiveness
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Michael Ottosson
A Place To Call Home
118 bpm • F Maj • 03:08 • -25.49db
34% Popularity • 44% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
34% Popularity • 44% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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S.J Morgan
Dreaming
99 bpm • A Maj • 02:50 • -32.19db
38% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
38% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Damien Jeunet
Waiting
99 bpm • A Maj • 02:44 • -29.81db
42% Popularity • 45% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
42% Popularity • 45% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
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Mewael Yemane
Wishes
118 bpm • A min • 01:38 • -27.06db
44% Popularity • 47% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
44% Popularity • 47% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Ever So Blue
Traces
118 bpm • F Maj • 02:01 • -26.29db
44% Popularity • 44% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
44% Popularity • 44% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Leon White
White Light
99 bpm • C Maj • 03:05 • -29db
49% Popularity • 23% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
49% Popularity • 23% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Jonas Holmes
Nature Calling
99 bpm • D Maj • 01:54 • -26.97db
43% Popularity • 57% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
43% Popularity • 57% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
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Jesse Brown
Teej
118 bpm • G# Maj • 02:13 • -26.74db
27% Popularity • 49% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
27% Popularity • 49% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Lupe Sinsonte
Donde Nadas
98 bpm • D Maj • 02:21 • -26.85db
41% Popularity • 32% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
41% Popularity • 32% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Eamonn Watt
New Moon
119 bpm • F# Maj • 02:34 • -31.87db
35% Popularity • 36% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
35% Popularity • 36% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Leonid Gautier
Gran Separado
98 bpm • C Maj • 03:41 • -28db
36% Popularity • 36% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
36% Popularity • 36% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
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Antonella Schiavone
Scarlet
119 bpm • A min • 01:42 • -26.26db
31% Popularity • 32% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
31% Popularity • 32% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Levandau
Reflective Distance
98 bpm • A# min • 02:11 • -28.69db
31% Popularity • 51% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
31% Popularity • 51% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Aurelius Conner
Turning Ahead
98 bpm • D min • 03:03 • -26db
25% Popularity • 28% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
25% Popularity • 28% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Joy Meyer-Williams
As We Fall In Love Again
98 bpm • C# Maj • 02:50 • -29db
46% Popularity • 36% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
46% Popularity • 36% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Elizabeth Bouknight
Eau Claire
97 bpm • A# min • 01:39 • -27.24db
38% Popularity • 37% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
38% Popularity • 37% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 34% Positiveness
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Herbert Campas
Willow
97 bpm • G# Maj • 02:06 • -24db
33% Popularity • 47% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
33% Popularity • 47% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
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Rand Aldo
Like a Midnight Song
120 bpm • C Maj • 03:17 • -18.81db
34% Popularity • 56% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
34% Popularity • 56% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Pim Miles
Violet Illusion
120 bpm • G Maj • 04:25 • -28.67db
34% Popularity • 20% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
34% Popularity • 20% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
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KeithTim Anderson
Evermore
120 bpm • G# Maj • 04:34 • -29.44db
22% Popularity • 52% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
22% Popularity • 52% Danceability • 5% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
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Jalabert
Inner Peace
120 bpm • D# Maj • 03:10 • -32.04db
28% Popularity • 43% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
28% Popularity • 43% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Hilda Vimér
Sommaräng
97 bpm • C Maj • 02:13 • -28db
32% Popularity • 53% Danceability • 2% Energy • 13% Liveness
95% Instrumentalness • 34% Positiveness
32% Popularity • 53% Danceability • 2% Energy • 13% Liveness
95% Instrumentalness • 34% Positiveness
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Jonas Holmes
Flying South
120 bpm • D# Maj • 02:02 • -28db
35% Popularity • 40% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
35% Popularity • 40% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Ulf Janson
Desire
120 bpm • G min • 02:24 • -16.6db
31% Popularity • 51% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
31% Popularity • 51% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
