Songs like Could You Use Me by Judy Garland & Mickey Rooney
Based on a tempo of (+/- 10%) and a similar genre
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Freddy Gardner
I’m in the Mood for Love
80 bpm • C# Maj • 03:10 • -13.53db
12% Popularity • 19% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
12% Popularity • 19% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
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Lyn Christie Trio
In the Cool Cool Cool of the Evening
80 bpm • F min • 02:55 • -11.8db
7% Popularity • 70% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 70% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Helen Kane
I've Got It but It Don'T Do Me No Good
80 bpm • D Maj • 02:24 • -14.04db
3% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Peggy Lee
Speaking Of Angels
80 bpm • E min • 02:51 • -19.34db
12% Popularity • 46% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
12% Popularity • 46% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Chick Webb
You Hit the Spot
80 bpm • A# Maj • 02:26 • -12.63db
3% Popularity • 70% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
3% Popularity • 70% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Django Reinhardt
Are You In The Mood?
81 bpm • F Maj • 02:54 • -14.7db
18% Popularity • 37% Danceability • 21% Energy • 50% Liveness
17% Instrumentalness • 42% Positiveness
18% Popularity • 37% Danceability • 21% Energy • 50% Liveness
17% Instrumentalness • 42% Positiveness
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Claude Thornhill
Poor Little Rich Girl
81 bpm • A min • 02:31 • -9.53db
7% Popularity • 71% Danceability • 28% Energy • 6% Liveness
74% Instrumentalness • 44% Positiveness
7% Popularity • 71% Danceability • 28% Energy • 6% Liveness
74% Instrumentalness • 44% Positiveness
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Jack Teagarden
When Your Lover Has Gone
81 bpm • G# Maj • 03:30 • -16.41db
6% Popularity • 55% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 35% Positiveness
6% Popularity • 55% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 35% Positiveness
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Glen Gray
If I Had My Way
81 bpm • D# Maj • 02:37 • -17.61db
11% Popularity • 36% Danceability • 6% Energy • 30% Liveness
33% Instrumentalness • 16% Positiveness
11% Popularity • 36% Danceability • 6% Energy • 30% Liveness
33% Instrumentalness • 16% Positiveness
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Nick Lucas
It Must Be Love (Recorded April 1928)
81 bpm • F Maj • 02:45 • -17.37db
11% Popularity • 35% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
11% Popularity • 35% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
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Anita Ellis
You Can’t See The Sun When You’re Cr...
81 bpm • A# Maj • 02:23 • -9.78db
40% Popularity • 29% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 29% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Marion Harris
Look for the Silver Lining
79 bpm • A Maj • 03:00 • -15.96db
7% Popularity • 32% Danceability • 11% Energy • 24% Liveness
78% Instrumentalness • 46% Positiveness
7% Popularity • 32% Danceability • 11% Energy • 24% Liveness
78% Instrumentalness • 46% Positiveness
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Glenn Miller & The Army Air Force Band
Suddenly It's Spring - Remastered 2001
81 bpm • G min • 03:03 • -12.68db
16% Popularity • 27% Danceability • 18% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 27% Danceability • 18% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
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Charlie Spivak & His Orchestra
Cuddle Up A Little Closer
81 bpm • D# Maj • 02:40 • -17db
14% Popularity • 30% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
14% Popularity • 30% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
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Jimmie Lunceford
The First Time I Saw You
78 bpm • C Maj • 02:48 • -8.02db
17% Popularity • 60% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 64% Positiveness
17% Popularity • 60% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 64% Positiveness
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Blue Barron & His Orchestra
Are You Lonesome Tonight?
82 bpm • A# Maj • 03:11 • -18.24db
13% Popularity • 44% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 44% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Jack Shaindlin
When We Count the Raindrops
78 bpm • G min • 02:11 • -12db
13% Popularity • 21% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
13% Popularity • 21% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Francis Day
You Made Me Love You
78 bpm • C Maj • 03:27 • -17.95db
18% Popularity • 30% Danceability • 12% Energy • 24% Liveness
86% Instrumentalness • 28% Positiveness
18% Popularity • 30% Danceability • 12% Energy • 24% Liveness
86% Instrumentalness • 28% Positiveness
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Jaron Von
Fireflies
78 bpm • D# Maj • 02:35 • -17.17db
22% Popularity • 46% Danceability • 13% Energy • 14% Liveness
54% Instrumentalness • 48% Positiveness
22% Popularity • 46% Danceability • 13% Energy • 14% Liveness
54% Instrumentalness • 48% Positiveness
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Mary Brooks
My Heart Is Wasting Time
78 bpm • C min • 03:17 • -22.97db
16% Popularity • 28% Danceability • 4% Energy • 10% Liveness
33% Instrumentalness • 21% Positiveness
16% Popularity • 28% Danceability • 4% Energy • 10% Liveness
33% Instrumentalness • 21% Positiveness
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Jimmie Lunceford
Annie Laurie
82 bpm • D# Maj • 03:13 • -4.75db
11% Popularity • 72% Danceability • 36% Energy • 7% Liveness
22% Instrumentalness • 60% Positiveness
11% Popularity • 72% Danceability • 36% Energy • 7% Liveness
22% Instrumentalness • 60% Positiveness
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Seymour Rechtzeit
Jtsikl klezmer
82 bpm • G min • 02:59 • -16.11db
9% Popularity • 46% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 46% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Joséphine Baker
Confessin' (That I Love You)
78 bpm • G Maj • 02:49 • -15.24db
2% Popularity • 37% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
2% Popularity • 37% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Joni James
You Are My Love - Remastered
78 bpm • D# Maj • 02:44 • -9.46db
8% Popularity • 40% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 40% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Jeanette MacDonald
Beyond The Blue Horizon
78 bpm • A# Maj • 02:14 • -16db
13% Popularity • 28% Danceability • 30% Energy • 12% Liveness
56% Instrumentalness • 52% Positiveness
13% Popularity • 28% Danceability • 30% Energy • 12% Liveness
56% Instrumentalness • 52% Positiveness
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Sydney Lipton And His Grosvenor House Dance Orchestra
(Why Does My Heart Go) Boom!
78 bpm • G min • 03:20 • -28.2db
8% Popularity • 64% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 64% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Fats Waller
Lonesome Road - Pipe Organ
83 bpm • G# Maj • 02:41 • -18.75db
8% Popularity • 35% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
8% Popularity • 35% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Bob Hope
The Lady's In Love With You
83 bpm • G# Maj • 02:36 • -15db
12% Popularity • 67% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 67% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Patti Page
If I Were You Baby, I'd Love Me - Live O...
83 bpm • G# min • 02:36 • -12.5db
15% Popularity • 56% Danceability • 50% Energy • 93% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 56% Danceability • 50% Energy • 93% Liveness
0% Instrumentalness • 78% Positiveness
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Pandora Mystery
Threads of the Cosmic Tapestry
83 bpm • C min • 01:30 • -23.33db
18% Popularity • 65% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 65% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Georgia White
Come Around To My House
77 bpm • C Maj • 02:41 • -12.57db
10% Popularity • 65% Danceability • 16% Energy • 22% Liveness
6% Instrumentalness • 76% Positiveness
10% Popularity • 65% Danceability • 16% Energy • 22% Liveness
6% Instrumentalness • 76% Positiveness
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Jack Shaindlin
Fashionelle
83 bpm • F min • 02:02 • -10.97db
10% Popularity • 31% Danceability • 30% Energy • 6% Liveness
79% Instrumentalness • 39% Positiveness
10% Popularity • 31% Danceability • 30% Energy • 6% Liveness
79% Instrumentalness • 39% Positiveness
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Ray Noble
The Younger Generation
77 bpm • D# Maj • 03:16 • -20.38db
8% Popularity • 70% Danceability • 17% Energy • 10% Liveness
22% Instrumentalness • 61% Positiveness
8% Popularity • 70% Danceability • 17% Energy • 10% Liveness
22% Instrumentalness • 61% Positiveness
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Virginia O'Brien
Salome
76 bpm • A# Maj • 03:20 • -24.66db
8% Popularity • 50% Danceability • 8% Energy • 37% Liveness
1% Instrumentalness • 76% Positiveness
8% Popularity • 50% Danceability • 8% Energy • 37% Liveness
1% Instrumentalness • 76% Positiveness
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Lionel Hampton
Ain't Cha Coming Home
84 bpm • F min • 03:20 • -16.67db
3% Popularity • 59% Danceability • 14% Energy • 13% Liveness
37% Instrumentalness • 28% Positiveness
3% Popularity • 59% Danceability • 14% Energy • 13% Liveness
37% Instrumentalness • 28% Positiveness
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Bert Lown
My Heart's Desire
84 bpm • A# Maj • 02:50 • -16.24db
10% Popularity • 54% Danceability • 22% Energy • 23% Liveness
67% Instrumentalness • 62% Positiveness
10% Popularity • 54% Danceability • 22% Energy • 23% Liveness
67% Instrumentalness • 62% Positiveness
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Hoagy Carmichael
Casanova Cricket
84 bpm • G Maj • 02:28 • -10.68db
8% Popularity • 50% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 50% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Frankie Laine
Hold Me
76 bpm • G# Maj • 02:19 • -18db
11% Popularity • 43% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 43% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Midge Williams
In Any Language (06-10-38)
84 bpm • G# Maj • 02:39 • -16.32db
9% Popularity • 70% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 70% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Bobby Sherwood And His Orchestra
I Don't Know Why
84 bpm • C min • 02:47 • -13.21db
15% Popularity • 55% Danceability • 24% Energy • 33% Liveness
6% Instrumentalness • 47% Positiveness
15% Popularity • 55% Danceability • 24% Energy • 33% Liveness
6% Instrumentalness • 47% Positiveness
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Jack Shaindlin
Diving Girl
84 bpm • F Maj • 03:10 • -10.87db
12% Popularity • 24% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
12% Popularity • 24% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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Edmond Hall
Beale Street Blues
76 bpm • D# Maj • 02:46 • -7.01db
11% Popularity • 66% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 79% Positiveness
11% Popularity • 66% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 79% Positiveness
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Benny Carter
He's Funny That Way (early 04-46)
76 bpm • A min • 02:46 • -12.85db
16% Popularity • 45% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 45% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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白嘉莉
情人的眼淚
76 bpm • G# Maj • 04:19 • -26.13db
7% Popularity • 35% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 35% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Bessie Smith
Hot Spring Blues
85 bpm • F Maj • 02:58 • -14.28db
10% Popularity • 60% Danceability • 9% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 60% Danceability • 9% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Deanna Durbin
Beneath The Lights Of Home
85 bpm • D# Maj • 03:10 • -9db
16% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 28% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ronnie Hilton
A Hundred Miles from Everywhere
85 bpm • G Maj • 02:44 • -17db
8% Popularity • 25% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 25% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Gene Autry
Purple Sage In The Twilight
85 bpm • C# Maj • 01:45 • -15.48db
8% Popularity • 32% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 32% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Fats Waller
There's a Gal in My Life
85 bpm • E min • 03:12 • -12.76db
11% Popularity • 46% Danceability • 27% Energy • 13% Liveness
12% Instrumentalness • 31% Positiveness
11% Popularity • 46% Danceability • 27% Energy • 13% Liveness
12% Instrumentalness • 31% Positiveness
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Benny Carter
Melancholy Lullaby
75 bpm • C min • 02:58 • -12.35db
9% Popularity • 23% Danceability • 21% Energy • 18% Liveness
87% Instrumentalness • 11% Positiveness
9% Popularity • 23% Danceability • 21% Energy • 18% Liveness
87% Instrumentalness • 11% Positiveness
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Augus Pritt
Fantastic Cowboy
75 bpm • A min • 02:33 • -7.18db
11% Popularity • 74% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 74% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
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Valaida Snow
If I Only Had You (12- ?-45)
86 bpm • A# Maj • 02:42 • -11.15db
12% Popularity • 62% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 62% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Laurel and Hardy
Honlulu Baby (Sons Of the Desert -Frater...
86 bpm • A# min • 02:05 • -10db
14% Popularity • 71% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 90% Positiveness
14% Popularity • 71% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 90% Positiveness
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Ray Noble
Song Without Words
75 bpm • G min • 03:00 • -8.87db
0% Popularity • 43% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
0% Popularity • 43% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
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Fats Waller
Smoke Dreams of You - Pipe Organ
75 bpm • D Maj • 02:53 • -17.56db
8% Popularity • 41% Danceability • 8% Energy • 23% Liveness
82% Instrumentalness • 29% Positiveness
8% Popularity • 41% Danceability • 8% Energy • 23% Liveness
82% Instrumentalness • 29% Positiveness
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Roy Fox & His Band
Midnight, The Stars and You
86 bpm • F Maj • 02:53 • -16.18db
12% Popularity • 52% Danceability • 13% Energy • 11% Liveness
49% Instrumentalness • 53% Positiveness
12% Popularity • 52% Danceability • 13% Energy • 11% Liveness
49% Instrumentalness • 53% Positiveness
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Mary Brooks
You Are Still The One In My Heart
74 bpm • G# Maj • 03:18 • -20.82db
16% Popularity • 43% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
16% Popularity • 43% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
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Clarence Williams
Yodling Blues
74 bpm • F Maj • 03:11 • -13.13db
7% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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George V Hobart
Alma
74 bpm • C min • 02:20 • -13.2db
7% Popularity • 29% Danceability • 27% Energy • 48% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 29% Danceability • 27% Energy • 48% Liveness
0% Instrumentalness • 25% Positiveness
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Frankie Laine
What Good Am I Without You
74 bpm • G# Maj • 02:14 • -24.77db
10% Popularity • 57% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 57% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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King Carter & His Royal Orchestra
Blue Rhythm
88 bpm • A# Maj • 03:04 • -13.74db
8% Popularity • 45% Danceability • 22% Energy • 37% Liveness
40% Instrumentalness • 63% Positiveness
8% Popularity • 45% Danceability • 22% Energy • 37% Liveness
40% Instrumentalness • 63% Positiveness
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Eddy Duchin
Our Love Affair
88 bpm • D Maj • 02:17 • -13.18db
7% Popularity • 84% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
7% Popularity • 84% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
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Peggy Lee
I Can See It Your Way
88 bpm • F Maj • 03:02 • -18.23db
13% Popularity • 59% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 59% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Jay Livingston
The Paleface: Paleface: Buttons and Bows
73 bpm • C min • 03:00 • -14.01db
11% Popularity • 74% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 74% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ted Lewis
Just a Gigolo
88 bpm • G Maj • 03:22 • -6.92db
0% Popularity • 40% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 40% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Eddie Seiler
I Don't Want to Set the World On Fire
88 bpm • F Maj • 03:03 • -17.71db
11% Popularity • 45% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 45% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Sophie Tucker
I'm the Last of the Red Hot Mammas
88 bpm • C Maj • 01:51 • -10.97db
12% Popularity • 61% Danceability • 33% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 61% Danceability • 33% Energy • 68% Liveness
0% Instrumentalness • 84% Positiveness
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Del Courtney
Mississippi Dreamboat
89 bpm • A min • 02:20 • -17.46db
7% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
7% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Cab Calloway
Foo A Little Ballyhoo
89 bpm • D# Maj • 03:18 • -13.8db
0% Popularity • 59% Danceability • 21% Energy • 22% Liveness
6% Instrumentalness • 63% Positiveness
0% Popularity • 59% Danceability • 21% Energy • 22% Liveness
6% Instrumentalness • 63% Positiveness
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Bert Lown
Crying Myself to Sleep
89 bpm • C Maj • 03:03 • -12.85db
7% Popularity • 64% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
7% Popularity • 64% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
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The Ink Spots
Flat Foot Floogie
89 bpm • F Maj • 02:10 • -8.27db
9% Popularity • 83% Danceability • 30% Energy • 9% Liveness
24% Instrumentalness • 66% Positiveness
9% Popularity • 83% Danceability • 30% Energy • 9% Liveness
24% Instrumentalness • 66% Positiveness
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Rita Hayworth
Sadie Thompson's Song (Vocal)
89 bpm • F min • 02:46 • -19.07db
7% Popularity • 41% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 41% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Tommy Edwards
Baby Baby Baby
89 bpm • C Maj • 02:50 • -20db
10% Popularity • 22% Danceability • 6% Energy • 23% Liveness
17% Instrumentalness • 14% Positiveness
10% Popularity • 22% Danceability • 6% Energy • 23% Liveness
17% Instrumentalness • 14% Positiveness
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Joe Rixner
Lively Lulu
89 bpm • G# Maj • 02:46 • -10.07db
10% Popularity • 70% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 90% Positiveness
10% Popularity • 70% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 90% Positiveness
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Jeanette MacDonald
Rose Marie
71 bpm • C Maj • 03:04 • -17.57db
10% Popularity • 21% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 47% Positiveness
10% Popularity • 21% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 47% Positiveness
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Henry Hall & The BBC Dance Orchestra
I'm Putting All My Eggs In One Basket
90 bpm • C# Maj • 02:56 • -11.75db
20% Popularity • 70% Danceability • 45% Energy • 7% Liveness
50% Instrumentalness • 65% Positiveness
20% Popularity • 70% Danceability • 45% Energy • 7% Liveness
50% Instrumentalness • 65% Positiveness
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Hal McIntyre
My Funny Valentine
90 bpm • F# min • 02:58 • -13.5db
1% Popularity • 32% Danceability • 18% Energy • 13% Liveness
4% Instrumentalness • 29% Positiveness
1% Popularity • 32% Danceability • 18% Energy • 13% Liveness
4% Instrumentalness • 29% Positiveness
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Don Redman and His Orchestra
Puddin' Head Jones
90 bpm • F min • 02:48 • -11.82db
11% Popularity • 77% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 77% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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The Ink Spots
Don't Believe Everything You Dream
71 bpm • F Maj • 03:23 • -11.8db
10% Popularity • 68% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
10% Popularity • 68% Danceability • 23% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
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Violet Lorraine
If You Were The Only Girl (In The World)
71 bpm • C# Maj • 04:12 • -6.49db
7% Popularity • 17% Danceability • 49% Energy • 27% Liveness
43% Instrumentalness • 37% Positiveness
7% Popularity • 17% Danceability • 49% Energy • 27% Liveness
43% Instrumentalness • 37% Positiveness
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Jack Cottrell
She's Never Been Seen Since Then
90 bpm • A Maj • 02:37 • -14.89db
15% Popularity • 86% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 86% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Nick Lucas
For All We Know
71 bpm • G Maj • 03:04 • -11.16db
10% Popularity • 53% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 53% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sister Rosetta Tharpe
Shout, Sister, Shout (Track 2)
71 bpm • F Maj • 02:43 • -14.22db
9% Popularity • 78% Danceability • 17% Energy • 44% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 78% Danceability • 17% Energy • 44% Liveness
0% Instrumentalness • 72% Positiveness
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Georgia White
Was I Drunk?
90 bpm • F min • 02:51 • -11.23db
9% Popularity • 70% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 70% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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The Lennon Sisters
Try to Remember
90 bpm • F Maj • 02:14 • -11.29db
13% Popularity • 25% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 25% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Joni James
Hi Lili - Hi Lo
90 bpm • D Maj • 03:08 • -13.84db
9% Popularity • 17% Danceability • 24% Energy • 14% Liveness
5% Instrumentalness • 16% Positiveness
9% Popularity • 17% Danceability • 24% Energy • 14% Liveness
5% Instrumentalness • 16% Positiveness
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Glen Gray
Save Your Sorrow for Tomorrow
90 bpm • A# Maj • 03:03 • -14.38db
8% Popularity • 75% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 71% Positiveness
8% Popularity • 75% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 71% Positiveness
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Savannah Churchill with The Four Tunes
Time Out For Tears
70 bpm • E Maj • 03:12 • -19.68db
11% Popularity • 36% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 36% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Bob Crosby & The Bob Cats
Dolores
91 bpm • G# Maj • 03:14 • -14.95db
15% Popularity • 38% Danceability • 12% Energy • 14% Liveness
3% Instrumentalness • 47% Positiveness
15% Popularity • 38% Danceability • 12% Energy • 14% Liveness
3% Instrumentalness • 47% Positiveness
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Tommy Handley
Put It Out
91 bpm • G# Maj • 02:50 • -14.53db
8% Popularity • 65% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 65% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Eddie Fisher
At Sundown
70 bpm • D min • 02:13 • -13.25db
9% Popularity • 46% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 46% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Hoagy Carmichael
When Love Goes Wrong
70 bpm • D# Maj • 02:50 • -13.71db
7% Popularity • 58% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 58% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Victor Sylvester
You're Dancing on My Heart
91 bpm • F min • 02:07 • -21.93db
17% Popularity • 58% Danceability • 12% Energy • 24% Liveness
83% Instrumentalness • 66% Positiveness
17% Popularity • 58% Danceability • 12% Energy • 24% Liveness
83% Instrumentalness • 66% Positiveness
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Cab Calloway
Aw, You Dawg!
92 bpm • G Maj • 02:50 • -11.97db
9% Popularity • 76% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 76% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Buddy Clark
The Camera Doesn`t Lie
92 bpm • D# Maj • 03:03 • -12.59db
17% Popularity • 66% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 86% Positiveness
17% Popularity • 66% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 86% Positiveness
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Jean Sablon
Falling In the Love Again
93 bpm • A Maj • 02:52 • -12.44db
18% Popularity • 26% Danceability • 26% Energy • 32% Liveness
4% Instrumentalness • 18% Positiveness
18% Popularity • 26% Danceability • 26% Energy • 32% Liveness
4% Instrumentalness • 18% Positiveness
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Peggy Lee
What More Can A Woman Do?
69 bpm • G Maj • 02:46 • -21.29db
14% Popularity • 53% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 53% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Connee Boswell
One Dozen Roses
93 bpm • A min • 02:59 • -15.57db
6% Popularity • 80% Danceability • 21% Energy • 8% Liveness
22% Instrumentalness • 74% Positiveness
6% Popularity • 80% Danceability • 21% Energy • 8% Liveness
22% Instrumentalness • 74% Positiveness
