Songs like Counsin Sally Brown by Willard Watson
Based on a tempo of (+/- 10%) and a similar genre
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Lonesome Ace Stringband
Hold Your Lying Tongue
124 bpm • G Maj • 03:12 • -11.42db
16% Popularity • 65% Danceability • 57% Energy • 9% Liveness
90% Instrumentalness • 68% Positiveness
16% Popularity • 65% Danceability • 57% Energy • 9% Liveness
90% Instrumentalness • 68% Positiveness
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Hot Rize
Old Dan Tucker
124 bpm • B Maj • 01:20 • -13.5db
10% Popularity • 67% Danceability • 34% Energy • 7% Liveness
90% Instrumentalness • 98% Positiveness
10% Popularity • 67% Danceability • 34% Energy • 7% Liveness
90% Instrumentalness • 98% Positiveness
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Andy Thorn
Fox's Fancy
124 bpm • C Maj • 03:06 • -17.45db
28% Popularity • 49% Danceability • 40% Energy • 17% Liveness
89% Instrumentalness • 62% Positiveness
28% Popularity • 49% Danceability • 40% Energy • 17% Liveness
89% Instrumentalness • 62% Positiveness
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Georgia Mudcats
Banging on the Hood
124 bpm • G Maj • 02:37 • -10.25db
16% Popularity • 59% Danceability • 60% Energy • 30% Liveness
97% Instrumentalness • 96% Positiveness
16% Popularity • 59% Danceability • 60% Energy • 30% Liveness
97% Instrumentalness • 96% Positiveness
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Old Reliable String Band
Cherokee Shuffle
124 bpm • A Maj • 01:02 • -15.07db
33% Popularity • 58% Danceability • 64% Energy • 14% Liveness
99% Instrumentalness • 28% Positiveness
33% Popularity • 58% Danceability • 64% Energy • 14% Liveness
99% Instrumentalness • 28% Positiveness
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Any Old Time String Band
Falls of Richmond / Camp Chase
124 bpm • D Maj • 02:59 • -10.48db
13% Popularity • 43% Danceability • 64% Energy • 27% Liveness
90% Instrumentalness • 65% Positiveness
13% Popularity • 43% Danceability • 64% Energy • 27% Liveness
90% Instrumentalness • 65% Positiveness
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Lonesome Ace Stringband
Waynesboro/Wolf Creek
124 bpm • D Maj • 03:32 • -13.43db
16% Popularity • 48% Danceability • 44% Energy • 13% Liveness
9% Instrumentalness • 55% Positiveness
16% Popularity • 48% Danceability • 44% Energy • 13% Liveness
9% Instrumentalness • 55% Positiveness
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Oscar Wright
Salt River
124 bpm • A# Maj • 02:01 • -12.32db
7% Popularity • 56% Danceability • 34% Energy • 15% Liveness
73% Instrumentalness • 96% Positiveness
7% Popularity • 56% Danceability • 34% Energy • 15% Liveness
73% Instrumentalness • 96% Positiveness
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Cahalen Morrison & Eli West
My Lover, Adorned
124 bpm • F Maj • 04:21 • -13.65db
8% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Madeline Dierauf
Rattletrap
124 bpm • A Maj • 02:28 • -8.14db
7% Popularity • 61% Danceability • 57% Energy • 33% Liveness
45% Instrumentalness • 90% Positiveness
7% Popularity • 61% Danceability • 57% Energy • 33% Liveness
45% Instrumentalness • 90% Positiveness
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Sidna Myers
Forkey Deer
124 bpm • F# Maj • 02:05 • -16.19db
11% Popularity • 59% Danceability • 31% Energy • 9% Liveness
59% Instrumentalness • 93% Positiveness
11% Popularity • 59% Danceability • 31% Energy • 9% Liveness
59% Instrumentalness • 93% Positiveness
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Mike Seeger
Breaking Up Ice in the Allegheny
124 bpm • G Maj • 01:45 • -16.08db
13% Popularity • 51% Danceability • 33% Energy • 13% Liveness
86% Instrumentalness • 52% Positiveness
13% Popularity • 51% Danceability • 33% Energy • 13% Liveness
86% Instrumentalness • 52% Positiveness
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Adam Hurt
Fortune
124 bpm • E Maj • 02:44 • -16.66db
22% Popularity • 50% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 85% Positiveness
22% Popularity • 50% Danceability • 29% Energy • 10% Liveness
96% Instrumentalness • 85% Positiveness
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Chandler Beavers
Once in a Thousand
125 bpm • D Maj • 04:18 • -5.34db
17% Popularity • 34% Danceability • 80% Energy • 13% Liveness
78% Instrumentalness • 39% Positiveness
17% Popularity • 34% Danceability • 80% Energy • 13% Liveness
78% Instrumentalness • 39% Positiveness
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Pharis & Jason Romero
Old Bill's Tune
123 bpm • F Maj • 03:05 • -10.43db
10% Popularity • 55% Danceability • 57% Energy • 14% Liveness
97% Instrumentalness • 89% Positiveness
10% Popularity • 55% Danceability • 57% Energy • 14% Liveness
97% Instrumentalness • 89% Positiveness
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Cahalen Morrison & Eli West
My Bloody Heart Reprise
125 bpm • G Maj • 02:11 • -16.55db
19% Popularity • 53% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 67% Positiveness
19% Popularity • 53% Danceability • 22% Energy • 13% Liveness
85% Instrumentalness • 67% Positiveness
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Uncle Earl
Old Bunch Of Keys
123 bpm • A Maj • 02:07 • -9.2db
14% Popularity • 60% Danceability • 54% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
14% Popularity • 60% Danceability • 54% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
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Nora Brown
Old Horse and Buggy
123 bpm • A Maj • 02:13 • -7.84db
18% Popularity • 52% Danceability • 58% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
18% Popularity • 52% Danceability • 58% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
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Adam Hurt
Sandy River Belle
123 bpm • G Maj • 02:17 • -18.24db
11% Popularity • 55% Danceability • 30% Energy • 9% Liveness
82% Instrumentalness • 97% Positiveness
11% Popularity • 55% Danceability • 30% Energy • 9% Liveness
82% Instrumentalness • 97% Positiveness
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Andrew Marlin
Wooden Spoon Over By the Sink
123 bpm • D Maj • 03:27 • -11.68db
9% Popularity • 55% Danceability • 62% Energy • 11% Liveness
90% Instrumentalness • 86% Positiveness
9% Popularity • 55% Danceability • 62% Energy • 11% Liveness
90% Instrumentalness • 86% Positiveness
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Bruce Whyet
Georgia Buck
123 bpm • E Maj • 03:38 • -10.22db
30% Popularity • 64% Danceability • 47% Energy • 78% Liveness
14% Instrumentalness • 71% Positiveness
30% Popularity • 64% Danceability • 47% Energy • 78% Liveness
14% Instrumentalness • 71% Positiveness
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Hawktail
Abbzug
125 bpm • E min • 03:37 • -13.41db
25% Popularity • 44% Danceability • 50% Energy • 11% Liveness
50% Instrumentalness • 50% Positiveness
25% Popularity • 44% Danceability • 50% Energy • 11% Liveness
50% Instrumentalness • 50% Positiveness
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Furnace Mountain
Fields of Fescue
125 bpm • D Maj • 02:40 • -8.67db
16% Popularity • 50% Danceability • 69% Energy • 36% Liveness
2% Instrumentalness • 88% Positiveness
16% Popularity • 50% Danceability • 69% Energy • 36% Liveness
2% Instrumentalness • 88% Positiveness
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Andrea Verga
Cripple Creek & Last Chance
123 bpm • C# min • 03:08 • -11.17db
15% Popularity • 42% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
15% Popularity • 42% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 12% Positiveness
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Rik Barron
The Foggy Dew, Sally In The Garden
123 bpm • G min • 02:49 • -17.31db
11% Popularity • 35% Danceability • 50% Energy • 17% Liveness
96% Instrumentalness • 93% Positiveness
11% Popularity • 35% Danceability • 50% Energy • 17% Liveness
96% Instrumentalness • 93% Positiveness
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Lonesome Ace Stringband
Skipping in the Mississippi Dew
123 bpm • D Maj • 03:12 • -12.31db
10% Popularity • 62% Danceability • 58% Energy • 8% Liveness
9% Instrumentalness • 57% Positiveness
10% Popularity • 62% Danceability • 58% Energy • 8% Liveness
9% Instrumentalness • 57% Positiveness
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Nora Brown
French Waltz
125 bpm • A# Maj • 01:53 • -18.95db
24% Popularity • 46% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
24% Popularity • 46% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
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Butch Baldassari
Golden Slippers
123 bpm • D Maj • 02:44 • -10.4db
15% Popularity • 60% Danceability • 58% Energy • 7% Liveness
94% Instrumentalness • 92% Positiveness
15% Popularity • 60% Danceability • 58% Energy • 7% Liveness
94% Instrumentalness • 92% Positiveness
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Andy Thorn
Whisker Twitchin'
123 bpm • C Maj • 01:01 • -15.84db
37% Popularity • 53% Danceability • 45% Energy • 20% Liveness
80% Instrumentalness • 68% Positiveness
37% Popularity • 53% Danceability • 45% Energy • 20% Liveness
80% Instrumentalness • 68% Positiveness
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Bronwyn Keith-Hynes
Fiddler's Pastime
123 bpm • G Maj • 03:08 • -9.42db
11% Popularity • 55% Danceability • 55% Energy • 20% Liveness
43% Instrumentalness • 74% Positiveness
11% Popularity • 55% Danceability • 55% Energy • 20% Liveness
43% Instrumentalness • 74% Positiveness
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Uncle Bunt Stephens
Sail Away Lady - 2020 Remaster
125 bpm • D Maj • 02:58 • -10.59db
18% Popularity • 47% Danceability • 42% Energy • 43% Liveness
83% Instrumentalness • 76% Positiveness
18% Popularity • 47% Danceability • 42% Energy • 43% Liveness
83% Instrumentalness • 76% Positiveness
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Brad Leftwich and the Hogwire Stringband
Sally Johnson
125 bpm • G Maj • 02:45 • -11.04db
13% Popularity • 70% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 70% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Cahalen Morrison & Eli West
Fiddlehead Fern (Reprise)
123 bpm • A Maj • 02:06 • -8.87db
19% Popularity • 57% Danceability • 42% Energy • 17% Liveness
7% Instrumentalness • 76% Positiveness
19% Popularity • 57% Danceability • 42% Energy • 17% Liveness
7% Instrumentalness • 76% Positiveness
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Shake Super
Realize Oven
122 bpm • E Maj • 03:38 • -17db
16% Popularity • 49% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 49% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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April Verch
Big Eyed Rabbit
122 bpm • A Maj • 03:34 • -6.87db
13% Popularity • 58% Danceability • 67% Energy • 8% Liveness
75% Instrumentalness • 74% Positiveness
13% Popularity • 58% Danceability • 67% Energy • 8% Liveness
75% Instrumentalness • 74% Positiveness
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Volume Five
Restless Heart and a Rambler's Soul
126 bpm • C Maj • 02:33 • -10.37db
14% Popularity • 67% Danceability • 65% Energy • 10% Liveness
10% Instrumentalness • 96% Positiveness
14% Popularity • 67% Danceability • 65% Energy • 10% Liveness
10% Instrumentalness • 96% Positiveness
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Paper Wings
Left Hand Lane
122 bpm • A# Maj • 02:38 • -10.26db
12% Popularity • 71% Danceability • 42% Energy • 14% Liveness
44% Instrumentalness • 72% Positiveness
12% Popularity • 71% Danceability • 42% Energy • 14% Liveness
44% Instrumentalness • 72% Positiveness
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Missy Raines
Reedology
126 bpm • G Maj • 04:25 • -21.71db
24% Popularity • 64% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 51% Positiveness
24% Popularity • 64% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 51% Positiveness
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Mark Lavengood
Ol' Daingerfield
126 bpm • E min • 04:46 • -10.19db
9% Popularity • 54% Danceability • 64% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
9% Popularity • 54% Danceability • 64% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Sami Braman
The Riveter
122 bpm • A Maj • 03:41 • -11.57db
14% Popularity • 40% Danceability • 48% Energy • 6% Liveness
23% Instrumentalness • 53% Positiveness
14% Popularity • 40% Danceability • 48% Energy • 6% Liveness
23% Instrumentalness • 53% Positiveness
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Nathan Sefalden
China Collapse
126 bpm • B Maj • 04:08 • -7.03db
28% Popularity • 59% Danceability • 56% Energy • 21% Liveness
70% Instrumentalness • 86% Positiveness
28% Popularity • 59% Danceability • 56% Energy • 21% Liveness
70% Instrumentalness • 86% Positiveness
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Mr. Sun
A Little Heart's Ease
122 bpm • G Maj • 04:29 • -9.16db
12% Popularity • 66% Danceability • 32% Energy • 13% Liveness
79% Instrumentalness • 30% Positiveness
12% Popularity • 66% Danceability • 32% Energy • 13% Liveness
79% Instrumentalness • 30% Positiveness
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Head for the Hills
Floodwaters
122 bpm • D Maj • 02:48 • -11.09db
8% Popularity • 65% Danceability • 61% Energy • 14% Liveness
62% Instrumentalness • 87% Positiveness
8% Popularity • 65% Danceability • 61% Energy • 14% Liveness
62% Instrumentalness • 87% Positiveness
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Kaia Kater
Valley Forge
126 bpm • A Maj • 02:07 • -11.05db
14% Popularity • 57% Danceability • 49% Energy • 10% Liveness
10% Instrumentalness • 84% Positiveness
14% Popularity • 57% Danceability • 49% Energy • 10% Liveness
10% Instrumentalness • 84% Positiveness
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Dan Levenson
Billy in the Low Ground
122 bpm • F Maj • 03:16 • -19.48db
8% Popularity • 56% Danceability • 23% Energy • 11% Liveness
76% Instrumentalness • 86% Positiveness
8% Popularity • 56% Danceability • 23% Energy • 11% Liveness
76% Instrumentalness • 86% Positiveness
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Sami Braman
Rogue River
126 bpm • F Maj • 03:54 • -10.46db
11% Popularity • 56% Danceability • 64% Energy • 12% Liveness
39% Instrumentalness • 91% Positiveness
11% Popularity • 56% Danceability • 64% Energy • 12% Liveness
39% Instrumentalness • 91% Positiveness
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Andrew Marlin
Chasing My Tail
126 bpm • D Maj • 02:31 • -12.8db
11% Popularity • 60% Danceability • 57% Energy • 11% Liveness
92% Instrumentalness • 84% Positiveness
11% Popularity • 60% Danceability • 57% Energy • 11% Liveness
92% Instrumentalness • 84% Positiveness
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Bronwyn Keith-Hynes
Hendersonville Hop
122 bpm • E Maj • 03:24 • -11.59db
16% Popularity • 60% Danceability • 60% Energy • 18% Liveness
86% Instrumentalness • 92% Positiveness
16% Popularity • 60% Danceability • 60% Energy • 18% Liveness
86% Instrumentalness • 92% Positiveness
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Jean Ritchie
Barbry Ellen (Barbara Allen)
126 bpm • F Maj • 05:04 • -16.68db
20% Popularity • 51% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 51% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Reeltime Travellers
Bear Creek
126 bpm • A Maj • 02:46 • -9.62db
11% Popularity • 68% Danceability • 43% Energy • 6% Liveness
1% Instrumentalness • 73% Positiveness
11% Popularity • 68% Danceability • 43% Energy • 6% Liveness
1% Instrumentalness • 73% Positiveness
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Cahalen Morrison & Eli West
Pocket Full of Dust
122 bpm • D Maj • 04:07 • -7.81db
10% Popularity • 59% Danceability • 55% Energy • 21% Liveness
1% Instrumentalness • 89% Positiveness
10% Popularity • 59% Danceability • 55% Energy • 21% Liveness
1% Instrumentalness • 89% Positiveness
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Allison de Groot & Tatiana Hargreaves
Farewell Whiskey
122 bpm • A Maj • 02:56 • -10.1db
9% Popularity • 62% Danceability • 37% Energy • 8% Liveness
11% Instrumentalness • 78% Positiveness
9% Popularity • 62% Danceability • 37% Energy • 8% Liveness
11% Instrumentalness • 78% Positiveness
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Kruger Brothers
Waterfall
126 bpm • E Maj • 02:00 • -8.97db
23% Popularity • 30% Danceability • 70% Energy • 15% Liveness
100% Instrumentalness • 92% Positiveness
23% Popularity • 30% Danceability • 70% Energy • 15% Liveness
100% Instrumentalness • 92% Positiveness
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Andy Thorn
Trot Along
127 bpm • A# Maj • 01:37 • -15.98db
23% Popularity • 48% Danceability • 28% Energy • 9% Liveness
78% Instrumentalness • 94% Positiveness
23% Popularity • 48% Danceability • 28% Energy • 9% Liveness
78% Instrumentalness • 94% Positiveness
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Joseph Decosimo
florrie stewart's fox chase
127 bpm • A# Maj • 02:11 • -8.91db
11% Popularity • 50% Danceability • 59% Energy • 9% Liveness
94% Instrumentalness • 86% Positiveness
11% Popularity • 50% Danceability • 59% Energy • 9% Liveness
94% Instrumentalness • 86% Positiveness
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The Black Twig Pickers
Horseshoe
127 bpm • D Maj • 02:29 • -14.62db
13% Popularity • 62% Danceability • 50% Energy • 8% Liveness
94% Instrumentalness • 96% Positiveness
13% Popularity • 62% Danceability • 50% Energy • 8% Liveness
94% Instrumentalness • 96% Positiveness
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Uncle Earl
Backstep Cindy
121 bpm • D Maj • 02:05 • -12.91db
8% Popularity • 45% Danceability • 35% Energy • 12% Liveness
98% Instrumentalness • 60% Positiveness
8% Popularity • 45% Danceability • 35% Energy • 12% Liveness
98% Instrumentalness • 60% Positiveness
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Reeltime Travellers
Maybe the Last Time
127 bpm • C Maj • 04:56 • -13.76db
10% Popularity • 64% Danceability • 38% Energy • 14% Liveness
66% Instrumentalness • 68% Positiveness
10% Popularity • 64% Danceability • 38% Energy • 14% Liveness
66% Instrumentalness • 68% Positiveness
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Dock Boggs
Davenport
127 bpm • A Maj • 01:45 • -13.37db
7% Popularity • 47% Danceability • 38% Energy • 7% Liveness
95% Instrumentalness • 49% Positiveness
7% Popularity • 47% Danceability • 38% Energy • 7% Liveness
95% Instrumentalness • 49% Positiveness
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Andy Thorn
Sun Pillar
127 bpm • F min • 01:54 • -17.48db
33% Popularity • 56% Danceability • 27% Energy • 7% Liveness
86% Instrumentalness • 86% Positiveness
33% Popularity • 56% Danceability • 27% Energy • 7% Liveness
86% Instrumentalness • 86% Positiveness
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Nathan Sefalden
Cumberland Gorge
121 bpm • D# Maj • 02:40 • -5.57db
28% Popularity • 56% Danceability • 77% Energy • 26% Liveness
9% Instrumentalness • 91% Positiveness
28% Popularity • 56% Danceability • 77% Energy • 26% Liveness
9% Instrumentalness • 91% Positiveness
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Rhys Jones, Jeff Miller And Jim Nelson
Possum On A Rail
127 bpm • G Maj • 02:09 • -7.92db
10% Popularity • 58% Danceability • 48% Energy • 19% Liveness
87% Instrumentalness • 94% Positiveness
10% Popularity • 58% Danceability • 48% Energy • 19% Liveness
87% Instrumentalness • 94% Positiveness
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Billy Strings
Kickin Mule
127 bpm • C Maj • 02:45 • -14.15db
15% Popularity • 49% Danceability • 48% Energy • 13% Liveness
93% Instrumentalness • 93% Positiveness
15% Popularity • 49% Danceability • 48% Energy • 13% Liveness
93% Instrumentalness • 93% Positiveness
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Reeltime Travellers
Flippin Jenny
127 bpm • E Maj • 02:10 • -9.39db
15% Popularity • 64% Danceability • 46% Energy • 16% Liveness
92% Instrumentalness • 93% Positiveness
15% Popularity • 64% Danceability • 46% Energy • 16% Liveness
92% Instrumentalness • 93% Positiveness
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John Balch with Jack Pearson
Firefly
127 bpm • B min • 02:22 • -11.18db
7% Popularity • 62% Danceability • 56% Energy • 14% Liveness
82% Instrumentalness • 49% Positiveness
7% Popularity • 62% Danceability • 56% Energy • 14% Liveness
82% Instrumentalness • 49% Positiveness
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Alan Munde
Little Rock Getaway
121 bpm • C Maj • 02:46 • -13.73db
8% Popularity • 55% Danceability • 51% Energy • 25% Liveness
87% Instrumentalness • 96% Positiveness
8% Popularity • 55% Danceability • 51% Energy • 25% Liveness
87% Instrumentalness • 96% Positiveness
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Nathan Sefalden
This Is It
121 bpm • F# min • 03:22 • -6.62db
28% Popularity • 66% Danceability • 53% Energy • 14% Liveness
5% Instrumentalness • 67% Positiveness
28% Popularity • 66% Danceability • 53% Energy • 14% Liveness
5% Instrumentalness • 67% Positiveness
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Tony Trischka
Old Joe Clark / June Apple
121 bpm • B min • 01:46 • -16db
29% Popularity • 31% Danceability • 43% Energy • 13% Liveness
83% Instrumentalness • 96% Positiveness
29% Popularity • 31% Danceability • 43% Energy • 13% Liveness
83% Instrumentalness • 96% Positiveness
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Andy Thorn
Stork Bite
127 bpm • C Maj • 02:22 • -15.57db
28% Popularity • 48% Danceability • 25% Energy • 6% Liveness
84% Instrumentalness • 65% Positiveness
28% Popularity • 48% Danceability • 25% Energy • 6% Liveness
84% Instrumentalness • 65% Positiveness
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2nd South Carolina String Band
Tombigbee Waltz
127 bpm • G Maj • 04:41 • -7.95db
10% Popularity • 34% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 34% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Nora Brown
John Brown's Dream
121 bpm • C Maj • 03:03 • -19.21db
19% Popularity • 62% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
19% Popularity • 62% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
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Jean Ritchie
Dulcimer Pieces: Shady Grove, Old King C...
120 bpm • G min • 01:44 • -21.55db
13% Popularity • 24% Danceability • 47% Energy • 6% Liveness
98% Instrumentalness • 65% Positiveness
13% Popularity • 24% Danceability • 47% Energy • 6% Liveness
98% Instrumentalness • 65% Positiveness
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Nathan Sefalden
Black & White
121 bpm • E Maj • 02:58 • -7.13db
28% Popularity • 66% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 91% Positiveness
28% Popularity • 66% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 91% Positiveness
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Pa's Fiddle Band
Boatmen's Dance
128 bpm • D Maj • 02:31 • -9.92db
9% Popularity • 51% Danceability • 52% Energy • 20% Liveness
69% Instrumentalness • 83% Positiveness
9% Popularity • 51% Danceability • 52% Energy • 20% Liveness
69% Instrumentalness • 83% Positiveness
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Andy Thorn
Red Sun Salutation
128 bpm • F Maj • 02:43 • -13.74db
26% Popularity • 36% Danceability • 31% Energy • 13% Liveness
80% Instrumentalness • 67% Positiveness
26% Popularity • 36% Danceability • 31% Energy • 13% Liveness
80% Instrumentalness • 67% Positiveness
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Ken & Brad Kolodner
Tippin' Back The Corn
128 bpm • A Maj • 02:38 • -11.17db
14% Popularity • 59% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 76% Positiveness
14% Popularity • 59% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 76% Positiveness
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Bob Carlin
Davy Davy
120 bpm • F# min • 01:28 • -9.63db
23% Popularity • 61% Danceability • 72% Energy • 12% Liveness
92% Instrumentalness • 97% Positiveness
23% Popularity • 61% Danceability • 72% Energy • 12% Liveness
92% Instrumentalness • 97% Positiveness
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Uncle Earl
Booth Shot Lincoln
128 bpm • A Maj • 02:09 • -6.08db
25% Popularity • 43% Danceability • 70% Energy • 16% Liveness
48% Instrumentalness • 78% Positiveness
25% Popularity • 43% Danceability • 70% Energy • 16% Liveness
48% Instrumentalness • 78% Positiveness
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The Black Twig Pickers
Forky Dear
120 bpm • D Maj • 02:17 • -14.66db
13% Popularity • 57% Danceability • 43% Energy • 12% Liveness
96% Instrumentalness • 97% Positiveness
13% Popularity • 57% Danceability • 43% Energy • 12% Liveness
96% Instrumentalness • 97% Positiveness
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Bruce Whyet
Shadow Grove Cherokee Shuffle
120 bpm • B Maj • 04:34 • -12.64db
30% Popularity • 59% Danceability • 31% Energy • 66% Liveness
47% Instrumentalness • 62% Positiveness
30% Popularity • 59% Danceability • 31% Energy • 66% Liveness
47% Instrumentalness • 62% Positiveness
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The Horsenecks
Kansas City Reel
128 bpm • A Maj • 02:11 • -9db
10% Popularity • 53% Danceability • 85% Energy • 11% Liveness
82% Instrumentalness • 93% Positiveness
10% Popularity • 53% Danceability • 85% Energy • 11% Liveness
82% Instrumentalness • 93% Positiveness
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Ken & Brad Kolodner
Bethany Beach/Blackberry Blossom
128 bpm • G Maj • 03:54 • -27.04db
10% Popularity • 37% Danceability • 10% Energy • 13% Liveness
95% Instrumentalness • 20% Positiveness
10% Popularity • 37% Danceability • 10% Energy • 13% Liveness
95% Instrumentalness • 20% Positiveness
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Andrea Verga
Candy Girl & Josie O'
120 bpm • C# min • 02:58 • -11.15db
14% Popularity • 52% Danceability • 57% Energy • 14% Liveness
95% Instrumentalness • 26% Positiveness
14% Popularity • 52% Danceability • 57% Energy • 14% Liveness
95% Instrumentalness • 26% Positiveness
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The Nashville Bluegrass Band
Garfield's Blackberry Blossom
128 bpm • G Maj • 02:42 • -9db
15% Popularity • 52% Danceability • 68% Energy • 23% Liveness
95% Instrumentalness • 89% Positiveness
15% Popularity • 52% Danceability • 68% Energy • 23% Liveness
95% Instrumentalness • 89% Positiveness
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The Slocan Ramblers
New Morning
120 bpm • G Maj • 03:38 • -10.9db
8% Popularity • 59% Danceability • 56% Energy • 13% Liveness
94% Instrumentalness • 78% Positiveness
8% Popularity • 59% Danceability • 56% Energy • 13% Liveness
94% Instrumentalness • 78% Positiveness
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John McEuen
Carolina Traveler
120 bpm • C Maj • 02:29 • -14db
26% Popularity • 30% Danceability • 50% Energy • 15% Liveness
94% Instrumentalness • 84% Positiveness
26% Popularity • 30% Danceability • 50% Energy • 15% Liveness
94% Instrumentalness • 84% Positiveness
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Adam Hurt
Poplar Bluff
120 bpm • G Maj • 02:21 • -22db
14% Popularity • 55% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 94% Positiveness
14% Popularity • 55% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 94% Positiveness
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Uncle Earl
Black-Eyed Susie
129 bpm • D Maj • 01:49 • -7.32db
37% Popularity • 55% Danceability • 60% Energy • 8% Liveness
80% Instrumentalness • 67% Positiveness
37% Popularity • 55% Danceability • 60% Energy • 8% Liveness
80% Instrumentalness • 67% Positiveness
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Hawktail
Pomegranate in the Oak Tree
119 bpm • D min • 03:35 • -18.06db
14% Popularity • 46% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
14% Popularity • 46% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
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Allison de Groot & Tatiana Hargreaves
Dead and Gone (Hen Cackle)
129 bpm • G Maj • 02:18 • -9.78db
8% Popularity • 45% Danceability • 60% Energy • 23% Liveness
91% Instrumentalness • 91% Positiveness
8% Popularity • 45% Danceability • 60% Energy • 23% Liveness
91% Instrumentalness • 91% Positiveness
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Mike Oberst
Black Eyed Susie
129 bpm • A Maj • 01:59 • -8.39db
13% Popularity • 56% Danceability • 54% Energy • 6% Liveness
6% Instrumentalness • 97% Positiveness
13% Popularity • 56% Danceability • 54% Energy • 6% Liveness
6% Instrumentalness • 97% Positiveness
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Andy Thorn
The Morning Light
119 bpm • A# Maj • 01:25 • -17.41db
37% Popularity • 52% Danceability • 28% Energy • 12% Liveness
74% Instrumentalness • 95% Positiveness
37% Popularity • 52% Danceability • 28% Energy • 12% Liveness
74% Instrumentalness • 95% Positiveness
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Pa's Fiddle Band
Polly Put the Kettle On
119 bpm • G Maj • 02:43 • -10.03db
8% Popularity • 62% Danceability • 58% Energy • 10% Liveness
45% Instrumentalness • 96% Positiveness
8% Popularity • 62% Danceability • 58% Energy • 10% Liveness
45% Instrumentalness • 96% Positiveness
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The Crooked Jades
The Bull And The Bear
119 bpm • G Maj • 02:13 • -8db
15% Popularity • 56% Danceability • 56% Energy • 31% Liveness
91% Instrumentalness • 91% Positiveness
15% Popularity • 56% Danceability • 56% Energy • 31% Liveness
91% Instrumentalness • 91% Positiveness
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Lonesome Ace Stringband
Traditional
119 bpm • G Maj • 03:19 • -12.87db
18% Popularity • 61% Danceability • 66% Energy • 6% Liveness
88% Instrumentalness • 51% Positiveness
18% Popularity • 61% Danceability • 66% Energy • 6% Liveness
88% Instrumentalness • 51% Positiveness
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Bryan Sutton And Friends
Kitchen Girl
119 bpm • D Maj • 03:13 • -10db
17% Popularity • 57% Danceability • 63% Energy • 16% Liveness
94% Instrumentalness • 89% Positiveness
17% Popularity • 57% Danceability • 63% Energy • 16% Liveness
94% Instrumentalness • 89% Positiveness
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Rayna Gellert
Old Yeller Dog Come Trottin Through The ...
119 bpm • F Maj • 02:14 • -13.57db
11% Popularity • 58% Danceability • 35% Energy • 9% Liveness
85% Instrumentalness • 78% Positiveness
11% Popularity • 58% Danceability • 35% Energy • 9% Liveness
85% Instrumentalness • 78% Positiveness
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Broke Mountain Bluegrass Band
Robin's Egg
129 bpm • D Maj • 02:00 • -9.01db
10% Popularity • 47% Danceability • 49% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
10% Popularity • 47% Danceability • 49% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
