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Countdown
Songs like
Countdown
by
Henry Jackman
Based on a tempo of (+/- 10%) and a similar genre
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Greg Edmonson
The Setup
82 bpm • D Maj • 02:29 • -12.53db
24% Popularity • 32% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Nathan Johnson
The Dumbest Car Chase of All Time
82 bpm • D Maj • 02:56 • -10.77db
20% Popularity • 30% Danceability • 42% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Michael Kamen
Bull's Theme - Instrumental
82 bpm • C Maj • 03:19 • -20.02db
18% Popularity • 13% Danceability • 12% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Murray Gold
This Time There's Three of Us (The Majes...
82 bpm • F Maj • 07:03 • -17.62db
30% Popularity • 18% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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John Debney
Making Pepper CEO
82 bpm • A# Maj • 01:08 • -27.95db
21% Popularity • 13% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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James Horner
Becoming Spider-Man
82 bpm • D min • 04:16 • -21.29db
36% Popularity • 15% Danceability • 21% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Henry Jackman
Countdown
82 bpm • C Maj • 04:26 • -18.99db
24% Popularity • 12% Danceability • 24% Energy • 30% Liveness
83% Instrumentalness • 3% Positiveness
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Roque Baños
The Attack
82 bpm • F min • 05:47 • -18.12db
12% Popularity • 23% Danceability • 32% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Harald Kloser
Alien vs. Predator Main Theme
82 bpm • A# Maj • 03:29 • -13.77db
17% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Pinar Toprak
High Score
83 bpm • A min • 02:35 • -33.32db
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Nick Arundel
Remnants
81 bpm • C min • 06:40 • -24.76db
22% Popularity • 13% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Henry Jackman
Captain America
81 bpm • G min • 03:27 • -36.98db
17% Popularity • 7% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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Murray Gold
Gallifrey
81 bpm • C Maj • 02:32 • -16.53db
25% Popularity • 8% Danceability • 25% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Thomas Newman
A Reunion
81 bpm • C# Maj • 05:35 • -36.46db
20% Popularity • 30% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Natalie Holt
TVA First View
83 bpm • C Maj • 01:06 • -13db
49% Popularity • 8% Danceability • 34% Energy • 13% Liveness
99% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Henry Jackman
Adagio - Bonus Track
81 bpm • F Maj • 02:18 • -18.62db
15% Popularity • 15% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 2% Positiveness
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Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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David Buckley
Contingency
81 bpm • C# Maj • 01:35 • -18.68db
23% Popularity • 11% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Christopher Drake
Allies
81 bpm • G min • 03:04 • -15.78db
20% Popularity • 16% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Natalie Holt
Aix-En-Provence, 1549
81 bpm • C min • 02:34 • -22.19db
26% Popularity • 8% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Checkmate
80 bpm • D Maj • 02:08 • -24db
37% Popularity • 42% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Henry Jackman
To Beast Or Not To Beast
83 bpm • C Maj • 04:46 • -18.06db
17% Popularity • 8% Danceability • 13% Energy • 5% Liveness
92% Instrumentalness • 3% Positiveness
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Tyler Bates
Dad
84 bpm • A min • 02:28 • -12db
33% Popularity • 8% Danceability • 44% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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James Horner
The Equation
80 bpm • A Maj • 04:22 • -34.68db
24% Popularity • 10% Danceability • 1% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Henry Jackman
Eat, Drink, and Paaaaarty
81 bpm • C# Maj • 01:53 • -12.94db
20% Popularity • 33% Danceability • 50% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Joe Kraemer
The Syndicate
80 bpm • B min • 03:44 • -27.19db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Joel P West
Revenge
80 bpm • A# min • 01:35 • -9db
24% Popularity • 51% Danceability • 80% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
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Howard Shore
The Ring Goes South
80 bpm • A min • 02:03 • -14.99db
53% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Christopher Drake
Requiem
84 bpm • D min • 01:08 • -27.39db
28% Popularity • 13% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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James Horner
Metamorphosis
84 bpm • E Maj • 03:04 • -20.55db
20% Popularity • 14% Danceability • 24% Energy • 9% Liveness
69% Instrumentalness • 4% Positiveness
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Henry Jackman
Drinks With Valentine
83 bpm • G Maj • 02:39 • -26.07db
17% Popularity • 14% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Joe Kraemer
Morocco Pursuit
80 bpm • D min • 02:28 • -11.87db
25% Popularity • 42% Danceability • 55% Energy • 8% Liveness
70% Instrumentalness • 18% Positiveness
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Mychael Danna
Arlo's Vision
80 bpm • C Maj • 01:35 • -30db
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
36% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Thomas Newman
Deep Water
84 bpm • C Maj • 05:11 • -15.18db
19% Popularity • 9% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Murray Gold
Up the Shard
85 bpm • D# Maj • 03:04 • -11.83db
20% Popularity • 25% Danceability • 27% Energy • 28% Liveness
88% Instrumentalness • 15% Positiveness
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Stephen Barton
Through Darkness
79 bpm • C Maj • 05:35 • -19.65db
25% Popularity • 7% Danceability • 4% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
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Henry Jackman
Pain and Anger
85 bpm • F min • 02:58 • -15.1db
25% Popularity • 21% Danceability • 14% Energy • 7% Liveness
80% Instrumentalness • 3% Positiveness
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Greg Edmonson
Reunion
79 bpm • F min • 01:41 • -15.81db
33% Popularity • 19% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Joe Kraemer
Grave Consequences
79 bpm • D Maj • 04:12 • -34.66db
15% Popularity • 16% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Matthew Margeson
The King's Man
79 bpm • C min • 04:16 • -12.73db
22% Popularity • 9% Danceability • 33% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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Murray Gold
The Impossible Astronaut
85 bpm • A min • 03:15 • -21.84db
25% Popularity • 18% Danceability • 12% Energy • 20% Liveness
96% Instrumentalness • 8% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Stephen Barton
Eno Cordova's Theme
85 bpm • D min • 02:44 • -22.79db
35% Popularity • 10% Danceability • 7% Energy • 14% Liveness
66% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Frenzy
85 bpm • A min • 01:56 • -21.16db
32% Popularity • 61% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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James Horner
Peter's Suspicions
79 bpm • A# Maj • 03:01 • -25.49db
20% Popularity • 8% Danceability • 2% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
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Thomas Wander
Victory Lap
85 bpm • B Maj • 02:28 • -23.7db
10% Popularity • 10% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Nathan Johnson
Harlan's Plan
85 bpm • D Maj • 03:15 • -19.17db
26% Popularity • 22% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Matthew Margeson
Oxfords, Not Rogues
79 bpm • F Maj • 03:31 • -15.93db
14% Popularity • 7% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Greg Edmonson
Drake's Elegy
79 bpm • C# Maj • 01:56 • -16.96db
24% Popularity • 7% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
The Book of Peace
79 bpm • C# Maj • 01:39 • -23.14db
24% Popularity • 29% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 6% Positiveness
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John Debney
New Element / Particle Accelerator
86 bpm • C Maj • 06:14 • -20.5db
17% Popularity • 19% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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David Newman
Prep For Flight
86 bpm • D min • 01:33 • -26.64db
26% Popularity • 18% Danceability • 10% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Quintessa
78 bpm • G Maj • 06:36 • -18.99db
22% Popularity • 8% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Race the Minefield
78 bpm • F# min • 03:51 • -14.57db
7% Popularity • 35% Danceability • 43% Energy • 16% Liveness
92% Instrumentalness • 16% Positiveness
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Michael Kamen
The Mission Begins - Instrumental
86 bpm • D Maj • 05:49 • -15db
27% Popularity • 9% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Harry Gregson-Williams
The White Witch
79 bpm • G# Maj • 05:30 • -23.05db
34% Popularity • 7% Danceability • 7% Energy • 23% Liveness
83% Instrumentalness • 3% Positiveness
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Henry Jackman
Ancestral Call
86 bpm • D Maj • 02:36 • -28.13db
15% Popularity • 11% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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James Horner
The Darkest Hour
78 bpm • C Maj • 04:28 • -15.07db
11% Popularity • 19% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Kevin Kiner
Crash Course Moon
78 bpm • C min • 01:31 • -8db
29% Popularity • 28% Danceability • 46% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
I Can Fly!
78 bpm • D Maj • 02:14 • -16db
10% Popularity • 12% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 10% Positiveness
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Chris Tilton
On Father's Watch
78 bpm • G min • 03:56 • -27.34db
26% Popularity • 20% Danceability • 5% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Henry Jackman
Cap's Promise
78 bpm • A Maj • 03:45 • -14db
37% Popularity • 13% Danceability • 33% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Steven Price
Refugees
86 bpm • F Maj • 02:42 • -18.81db
25% Popularity • 15% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
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Kevin Kiner
Anakin and Ahsoka
86 bpm • G# Maj • 01:17 • -7.68db
27% Popularity • 9% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Joe Kraemer
Solomon Lane
86 bpm • A min • 04:07 • -18.9db
26% Popularity • 12% Danceability • 8% Energy • 18% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Sirius Deception
87 bpm • G Maj • 02:34 • -19.37db
38% Popularity • 14% Danceability • 23% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
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John Debney
The Man Village
87 bpm • F# Maj • 02:57 • -32db
37% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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William Ross
I Will Do What I Must
77 bpm • C# Maj • 02:48 • -13db
35% Popularity • 10% Danceability • 60% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Joel P West
Xu Shang-Chi
87 bpm • A min • 02:55 • -8.47db
40% Popularity • 37% Danceability • 75% Energy • 7% Liveness
95% Instrumentalness • 57% Positiveness
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Ilan Eshkeri
Return To Ako
77 bpm • G Maj • 02:23 • -21.98db
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Nick Glennie-Smith
That's A Nice Day
87 bpm • F min • 02:42 • -19.89db
27% Popularity • 14% Danceability • 24% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Michael Kamen
Trance-Former
87 bpm • G Maj • 04:26 • -13.32db
10% Popularity • 19% Danceability • 27% Energy • 16% Liveness
48% Instrumentalness • 4% Positiveness
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Henry Jackman
Calculated Infiltration
87 bpm • E min • 07:54 • -12.44db
25% Popularity • 17% Danceability • 54% Energy • 15% Liveness
89% Instrumentalness • 6% Positiveness
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Steven Price
Task Force X
87 bpm • B min • 04:53 • -9.18db
18% Popularity • 52% Danceability • 66% Energy • 15% Liveness
96% Instrumentalness • 11% Positiveness
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Nicholas Hooper
The Drink Of Despair
87 bpm • D min • 02:44 • -26.06db
38% Popularity • 16% Danceability • 13% Energy • 33% Liveness
85% Instrumentalness • 3% Positiveness
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Christopher Drake
Croc Arrest
87 bpm • F# min • 01:01 • -9.95db
22% Popularity • 28% Danceability • 45% Energy • 36% Liveness
94% Instrumentalness • 4% Positiveness
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Netmarble Monster Sound Team
Revolution Starts Here (Battle Theme)
87 bpm • C Maj • 02:00 • -13.59db
8% Popularity • 21% Danceability • 53% Energy • 66% Liveness
92% Instrumentalness • 46% Positiveness
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Harry Gregson-Williams
The Towers Collapse
77 bpm • E Maj • 03:23 • -17.69db
10% Popularity • 19% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Tyler Bates
Citizens Unite
77 bpm • A min • 01:15 • -20.21db
22% Popularity • 7% Danceability • 14% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Henry Jackman
Toast to a Kingsman
88 bpm • D min • 01:55 • -19.61db
22% Popularity • 21% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
48% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Christopher Drake
The Night Before Christmas
88 bpm • C min • 02:07 • -15.72db
26% Popularity • 10% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Joe Kraemer
The Blenheim Sequence
88 bpm • C min • 04:00 • -23.1db
20% Popularity • 12% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Joel P West
The Deep
88 bpm • C Maj • 02:35 • -13.59db
24% Popularity • 10% Danceability • 31% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
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David Buckley
Clock Tower
88 bpm • C min • 01:18 • -27.49db
24% Popularity • 15% Danceability • 9% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Henry Jackman
X-Men
88 bpm • A# Maj • 02:58 • -16db
24% Popularity • 12% Danceability • 9% Energy • 30% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
John Debney
Shere Khan's War Theme
76 bpm • A Maj • 02:35 • -13.49db
18% Popularity • 40% Danceability • 52% Energy • 51% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Christopher Drake
Injustice: Gods Among Us
88 bpm • C# Maj • 03:06 • -12.86db
33% Popularity • 38% Danceability • 37% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Thomas Wander
Welcome to the Moon
76 bpm • B Maj • 01:17 • -16db
25% Popularity • 16% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
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Countdown