Songs like Counterpoint / Pie Jesu by Laura Osnes
Based on a tempo of (+/- 10%) and a similar genre
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Megan McGinnis
I Couldn't Know Someone Less
79 bpm • E Maj • 03:08 • -8db
24% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Leslie Becker
I Cried
79 bpm • A Maj • 03:21 • -5.11db
5% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
5% Popularity • 52% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Laura Osnes
Counterpoint / Pie Jesu
79 bpm • D# Maj • 01:11 • -8.92db
15% Popularity • 21% Danceability • 21% Energy • 14% Liveness
2% Instrumentalness • 21% Positiveness
15% Popularity • 21% Danceability • 21% Energy • 14% Liveness
2% Instrumentalness • 21% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Ann Harada
The More You Ruv Someone
79 bpm • G# Maj • 02:23 • -7.55db
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Bareilles
Maybe They're Magic
79 bpm • B Maj • 00:59 • -8.17db
42% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Laura Bell Bundy
So Much Better
79 bpm • D Maj • 03:29 • -10.22db
54% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Laura Osnes
If I Tell You
80 bpm • G Maj • 02:22 • -13.71db
3% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
3% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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John Bolton
Paris Holds the Key (To Your Heart)
80 bpm • D Maj • 03:07 • -9.63db
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Corey Cott
Just Like It Was Before (Reprise)
78 bpm • D Maj • 00:56 • -7.65db
17% Popularity • 61% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 61% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Original Cast of Amélie
Times Are Hard for Dreamers
78 bpm • D# Maj • 03:17 • -6.98db
40% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Emily Blunt
It Takes Two
78 bpm • A Maj • 02:29 • -15.85db
40% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Laura Osnes
Prologue
80 bpm • D# Maj • 01:24 • -11.75db
27% Popularity • 16% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 16% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Corey Cott
This Is Life (Reprise)
80 bpm • A# Maj • 01:35 • -8.78db
16% Popularity • 41% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 41% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Joshua Henry
If I Loved You
78 bpm • C# Maj • 09:07 • -14db
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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John Tartaglia
There's a Fine, Fine Line (Reprise) / Wh...
78 bpm • A min • 01:43 • -16.92db
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Laura Osnes
"He Was Tall"
78 bpm • D Maj • 01:30 • -12.12db
27% Popularity • 33% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 33% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
36% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sierra Boggess as Ariel
If Only (Quartet)
81 bpm • A Maj • 04:55 • -19db
37% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Santino Fontana
"Do I Love You Because You're Beautiful?...
80 bpm • G Maj • 02:37 • -8.77db
33% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Julie Atherton
Wait A Bit
81 bpm • A Maj • 04:06 • -14.62db
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 40% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Megan McGinnis
My Manhattan
81 bpm • D# Maj • 02:51 • -6.95db
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Adam Jacobs
A Million Miles Away
77 bpm • D Maj • 03:21 • -9.05db
37% Popularity • 46% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 46% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Sierra Boggess as Ariel
The World Above
77 bpm • F# Maj • 01:34 • -22.22db
35% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Katie Rowley Jones
The Life I Never Led - Reprise
81 bpm • D Maj • 01:09 • -6.87db
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sherie Rene Scott
See I'm Smiling
81 bpm • A Maj • 05:11 • -13db
30% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Elizabeth P.W.
Anyway
81 bpm • C Maj • 04:16 • -8.61db
3% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
3% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
25% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Christy Altomare
In My Dreams
77 bpm • E min • 03:28 • -12db
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Mandy Gonzalez
When the Sun Goes Down
77 bpm • C min • 02:32 • -14db
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Solea Pfeiffer
I'm Not Afraid of Anything
81 bpm • D Maj • 04:49 • -9.13db
31% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Anna Kendrick
I Can Do Better Than That
77 bpm • D Maj • 04:57 • -7.42db
41% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Audra McDonald
Your Daddy's Son
77 bpm • G# min • 03:42 • -12.81db
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Christy Altomare
Journey to the Past
81 bpm • D# Maj • 03:16 • -10db
54% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Emma Hunton
Just One Day
77 bpm • G Maj • 04:30 • -4.95db
32% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Santino Fontana
"Ten Minutes Ago"
76 bpm • G Maj • 02:52 • -11.5db
39% Popularity • 43% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 43% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Original Cast of Amélie
A Better Haircut
76 bpm • D Maj • 04:35 • -7.51db
20% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Megan McGinnis
All This Time
82 bpm • F Maj • 03:07 • -11.04db
19% Popularity • 41% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 41% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Leslie Uggams
Suzy Is a Good Thing - Live
82 bpm • C Maj • 05:40 • -15.31db
1% Popularity • 28% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 28% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Laura Osnes
To Make a Difference
82 bpm • F Maj • 03:38 • -7.9db
3% Popularity • 36% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
3% Popularity • 36% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ann Harada
He's a Queer One, That Man o' Mine
76 bpm • F Maj • 02:19 • -12.18db
19% Popularity • 31% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 31% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
29% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Andrea Burns
No Me Diga
82 bpm • G# Maj • 02:26 • -8.08db
40% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Sherie Rene Scott as Ursula
Poor Unfortunate Souls
76 bpm • F min • 05:20 • -16.07db
38% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Laura Osnes
Love Will Come and Find Me Again
82 bpm • D Maj • 03:02 • -8.49db
30% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Kathy Fitzgerald and Ensemble
Heart To Hart
83 bpm • E Maj • 04:17 • -9.02db
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Rosalie Craig
Being Alive
83 bpm • A# Maj • 05:01 • -12.55db
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Sean Palmer as Prince Eric
One Step Closer
83 bpm • D Maj • 04:22 • -20.5db
31% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Brian D'Arcy James
Travel Song
83 bpm • E Maj • 01:56 • -8db
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Laura Osnes
A Lovely Night (Reprise)
83 bpm • F# Maj • 00:49 • -10.35db
26% Popularity • 56% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 56% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Corey Cott
Breathe
83 bpm • F Maj • 02:19 • -8.5db
18% Popularity • 61% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 61% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Finale
83 bpm • C Maj • 01:01 • -6.27db
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Tom Bosley
No Matter What
83 bpm • D# Maj • 03:06 • -22.26db
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Andrea Burns
I'm Not Afraid of Anything
84 bpm • A Maj • 04:37 • -12.52db
27% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Laura Osnes
Easy to Love - Reprise
75 bpm • G# min • 00:59 • -16.8db
24% Popularity • 30% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 30% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Corey Cott
This Is Life
75 bpm • G# Maj • 02:55 • -12.16db
21% Popularity • 34% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 34% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Caitlin Kinnunen
Dance with You
84 bpm • C# Maj • 03:07 • -7.27db
36% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Enjoy The Trip
84 bpm • G# Maj • 03:09 • -7.46db
34% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Terrence Mann
If I Can't Love Her
84 bpm • C Maj • 04:06 • -21db
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Aaron Tveit
Seven Wonders
74 bpm • C Maj • 03:19 • -9.05db
30% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Laura Osnes
I Got a Theory
74 bpm • C Maj • 05:00 • -8.2db
17% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Erika Henningsen
More Is Better
74 bpm • C Maj • 03:20 • -8.07db
46% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Alice Ripley
Touch-A-Touch-A-Touch Me
85 bpm • G Maj • 02:29 • -9db
24% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Heidi Blickenstaff
Parents Lie
74 bpm • B Maj • 02:51 • -10db
27% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
36% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Laura Osnes
Wait for My Cue
74 bpm • G Maj • 01:52 • -9.1db
5% Popularity • 32% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
5% Popularity • 32% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Heidi Blickenstaff
Not Myself Today
85 bpm • C Maj • 03:42 • -5.95db
25% Popularity • 56% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 56% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Tryouts
73 bpm • G Maj • 01:01 • -5db
36% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Sherie Rene Scott
I Can Do Better Than That
73 bpm • A Maj • 05:11 • -11db
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Rodgers + Hammerstein's Cinderella Original Broadway Ensemble
"Ten Minutes Ago" (Reprise)
86 bpm • F Maj • 01:40 • -7.34db
30% Popularity • 38% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 38% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Laura Osnes
Danglin'
86 bpm • C Maj • 03:15 • -13.39db
4% Popularity • 47% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 47% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
