Songs like Counting Blue Cars (Studio Version) by J.R. Richards
Based on a tempo of (+/- 10%) and a similar genre
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Binocular
Never
100 bpm • E Maj • 04:03 • -4.47db
20% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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John Robert
Meet Again
100 bpm • C Maj • 04:48 • -7.95db
11% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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The Calling
Chasing The Sun
100 bpm • G# Maj • 03:44 • -5.79db
30% Popularity • 56% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 56% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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the feelers
One World - Reimagined
100 bpm • G Maj • 04:27 • -6.48db
9% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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J.R. Richards
Counting Blue Cars - HIMYM Version
100 bpm • D Maj • 04:51 • -7.54db
5% Popularity • 52% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 52% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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Damian Kalicki
Good Dream
100 bpm • C Maj • 01:45 • -6.73db
26% Popularity • 46% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 46% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Remy Zero
Perfect Memory (I'll Remember You)
100 bpm • D Maj • 04:43 • -6.4db
36% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Emerson Hart
Green Hills Race For California
100 bpm • F# Maj • 03:58 • -12.38db
9% Popularity • 38% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
9% Popularity • 38% Danceability • 25% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Eastmountainsouth
You Dance
99 bpm • F# Maj • 03:57 • -9.31db
20% Popularity • 59% Danceability • 67% Energy • 10% Liveness
44% Instrumentalness • 38% Positiveness
20% Popularity • 59% Danceability • 67% Energy • 10% Liveness
44% Instrumentalness • 38% Positiveness
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Peter Bradley Adams
Unreconciled
99 bpm • F Maj • 04:04 • -9db
17% Popularity • 62% Danceability • 46% Energy • 35% Liveness
2% Instrumentalness • 43% Positiveness
17% Popularity • 62% Danceability • 46% Energy • 35% Liveness
2% Instrumentalness • 43% Positiveness
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Blue October
All That We Are
101 bpm • B min • 05:35 • -6.35db
39% Popularity • 30% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 30% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Matthew Perryman Jones
Feels Like Letting Go
99 bpm • G Maj • 03:58 • -7db
28% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 53% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jeremy Toback
You Make Me Feel
99 bpm • A Maj • 03:45 • -6.49db
8% Popularity • 51% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 51% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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J.R. Richards
Counting Blue Cars (Live in NYC)
101 bpm • D Maj • 05:04 • -6.98db
8% Popularity • 50% Danceability • 84% Energy • 98% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 50% Danceability • 84% Energy • 98% Liveness
0% Instrumentalness • 32% Positiveness
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Pilot Speed
I Won't Blame You
102 bpm • D Maj • 03:57 • -7.02db
8% Popularity • 53% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 53% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Matchbox Twenty
The Difference
102 bpm • G Maj • 04:09 • -4.73db
37% Popularity • 50% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 50% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Verve Pipe
The Freshmen - Live
98 bpm • E Maj • 04:50 • -12.01db
24% Popularity • 57% Danceability • 43% Energy • 80% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 57% Danceability • 43% Energy • 80% Liveness
0% Instrumentalness • 18% Positiveness
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Nine Days
If I Am
98 bpm • B Maj • 04:18 • -5.96db
39% Popularity • 22% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 22% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Blue October
Fear
102 bpm • A Maj • 05:19 • -6.72db
44% Popularity • 57% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
44% Popularity • 57% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Thriving Ivory
Moonlight - Acoustic Version
102 bpm • F# Maj • 04:15 • -5.5db
14% Popularity • 51% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 51% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Wood
Stay You
102 bpm • E min • 03:46 • -7.52db
17% Popularity • 48% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 48% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Josh Joplin Group
I've Changed
98 bpm • C# min • 04:12 • -9.58db
12% Popularity • 68% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 68% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Ingram Hill
Solsbury Hill
102 bpm • B Maj • 04:16 • -6.16db
12% Popularity • 53% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 53% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Staind
Something Like Me
103 bpm • G Maj • 04:52 • -6.92db
14% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Matthew Good
Weapon
103 bpm • D# min • 05:58 • -5db
37% Popularity • 45% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 45% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Thriving Ivory
Moonlight
103 bpm • F# Maj • 04:19 • -5.59db
18% Popularity • 47% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 47% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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The Verve Pipe
If I Could Make You Feel
97 bpm • F Maj • 03:37 • -8.84db
16% Popularity • 60% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 60% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Naked
Raining on the Sky
103 bpm • C Maj • 04:03 • -7.68db
20% Popularity • 63% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 63% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Ingram Hill
On My Way
97 bpm • G Maj • 03:37 • -4db
18% Popularity • 43% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 43% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Blue October
Who Do You Run From
97 bpm • C Maj • 05:57 • -9.82db
26% Popularity • 40% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 40% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Athenaeum
Away
97 bpm • E Maj • 04:42 • -8.1db
9% Popularity • 20% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 20% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Matt Nathanson
Bent
96 bpm • F# Maj • 03:50 • -6.38db
23% Popularity • 59% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 59% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Created Son
Perfect for Each Other
104 bpm • F# Maj • 03:22 • -6.91db
9% Popularity • 68% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 62% Positiveness
9% Popularity • 68% Danceability • 67% Energy • 8% Liveness
3% Instrumentalness • 62% Positiveness
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Trading Yesterday
Beautiful
96 bpm • F Maj • 04:01 • -10.32db
17% Popularity • 49% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 49% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Binocular
You Were the One
96 bpm • D Maj • 03:59 • -5.67db
21% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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3 Doors Down
Be Like That - Acoustic
95 bpm • G Maj • 04:25 • -9.2db
25% Popularity • 56% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 56% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Stanley Hessel
Ocean
95 bpm • A# Maj • 04:45 • -15.49db
9% Popularity • 34% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 34% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Matt Nathanson
Hysteria
104 bpm • C Maj • 04:04 • -8.66db
21% Popularity • 62% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 62% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Thirty Seconds To Mars
City Of Angels - Piano Version
105 bpm • D Maj • 04:22 • -7.92db
39% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 54% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Rob Thomas
Sunday Morning New York Blue
105 bpm • C Maj • 03:25 • -5.9db
27% Popularity • 54% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
27% Popularity • 54% Danceability • 78% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
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Matthew Good
Cloudbusting
105 bpm • C min • 04:10 • -8.3db
18% Popularity • 61% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
18% Popularity • 61% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Peter Bradley Adams
I'll Forget You
105 bpm • A# Maj • 03:41 • -10.66db
31% Popularity • 63% Danceability • 58% Energy • 11% Liveness
24% Instrumentalness • 40% Positiveness
31% Popularity • 63% Danceability • 58% Energy • 11% Liveness
24% Instrumentalness • 40% Positiveness
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Blue October
The Feel Again (Stay)
105 bpm • E Maj • 06:00 • -8.98db
37% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
37% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Graham Colton
Telescope
105 bpm • B min • 04:15 • -4.17db
28% Popularity • 49% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 49% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Fulcrum
Moving Forward
95 bpm • B Maj • 04:09 • -8.67db
20% Popularity • 65% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 65% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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James Carrington
Ache (Demo Version)
95 bpm • B Maj • 05:20 • -12.52db
33% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 46% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Golden State
All Roads Lead Home
95 bpm • B Maj • 03:42 • -9db
22% Popularity • 51% Danceability • 36% Energy • 11% Liveness
21% Instrumentalness • 20% Positiveness
22% Popularity • 51% Danceability • 36% Energy • 11% Liveness
21% Instrumentalness • 20% Positiveness
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The Verve Pipe
Overboard
95 bpm • F Maj • 04:46 • -12.09db
12% Popularity • 64% Danceability • 29% Energy • 69% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 64% Danceability • 29% Energy • 69% Liveness
0% Instrumentalness • 30% Positiveness
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Howard Jones
No One Is To Blame - Acoustic Live
106 bpm • A Maj • 04:27 • -12.98db
12% Popularity • 40% Danceability • 24% Energy • 70% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 40% Danceability • 24% Energy • 70% Liveness
0% Instrumentalness • 38% Positiveness
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Gavin Rossdale
Mind Games
106 bpm • D min • 04:13 • -7.29db
10% Popularity • 47% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 47% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Scott Stapp
What Would Love Do
106 bpm • C# Maj • 04:31 • -6db
26% Popularity • 27% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 27% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Matchbox Twenty
These Hard Times
94 bpm • D Maj • 03:49 • -7db
32% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Trading Yesterday
One Day
94 bpm • E Maj • 03:55 • -8.67db
16% Popularity • 49% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 49% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Honor By August
Last Chance
94 bpm • C Maj • 03:46 • -5.05db
11% Popularity • 52% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 52% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Ross Copperman
Neverland
94 bpm • C Maj • 04:02 • -8db
11% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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The Wallflowers
Closer To You
94 bpm • G Maj • 03:17 • -9.45db
41% Popularity • 58% Danceability • 54% Energy • 10% Liveness
25% Instrumentalness • 59% Positiveness
41% Popularity • 58% Danceability • 54% Energy • 10% Liveness
25% Instrumentalness • 59% Positiveness
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Tabitha's Secret
3 a.m. ( Original 1993 Version )
107 bpm • G Maj • 03:43 • -9.43db
28% Popularity • 57% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 57% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Angie Aparo
Cry
107 bpm • D Maj • 03:57 • -4.49db
16% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Trading Yesterday
One Day
94 bpm • D# Maj • 04:24 • -6.64db
31% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 48% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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3 Doors Down
My World - Acoustic Version
93 bpm • E min • 03:00 • -5.72db
20% Popularity • 51% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 51% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Vast
One More Day
93 bpm • A min • 03:25 • -13db
35% Popularity • 48% Danceability • 18% Energy • 27% Liveness
1% Instrumentalness • 17% Positiveness
35% Popularity • 48% Danceability • 18% Energy • 27% Liveness
1% Instrumentalness • 17% Positiveness
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July For Kings
Champagne
93 bpm • G Maj • 03:42 • -4db
4% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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J.R. Richards
Unchained Melody
93 bpm • B Maj • 04:06 • -10.19db
9% Popularity • 29% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 29% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Blue October
Hate Me - Acoustic Version (Explicit)
93 bpm • E min • 03:55 • -4.97db
30% Popularity • 56% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 56% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Verve Pipe
I Want All Of You
93 bpm • C Maj • 04:15 • -4db
23% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Tabitha's Secret
10 3am (acoustic) (3:45)
108 bpm • G Maj • 03:46 • -11db
31% Popularity • 65% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 65% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Matchbox Twenty
I Will
92 bpm • A Maj • 04:03 • -13db
43% Popularity • 59% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 59% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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July For Kings
Normal Life
93 bpm • A Maj • 03:36 • -2.96db
9% Popularity • 51% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 51% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Graham Colton
Cellophane Girl
109 bpm • B Maj • 03:41 • -5.7db
32% Popularity • 49% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 49% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Athenaeum
Radiance
109 bpm • C Maj • 03:47 • -5.88db
11% Popularity • 26% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 26% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Brian Vander Ark
And Then You Went Away
109 bpm • E Maj • 04:14 • -10.66db
8% Popularity • 63% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 63% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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Tabitha's Secret
Paint Me Blue
109 bpm • C Maj • 05:00 • -8.25db
17% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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J.R. Richards
Mad Life
92 bpm • G Maj • 05:35 • -7.68db
10% Popularity • 22% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 22% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Matchbox Twenty
Bed of Lies
91 bpm • F Maj • 05:22 • -7db
42% Popularity • 47% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 47% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Alex Band
Get Up
110 bpm • G# Maj • 03:32 • -5.19db
15% Popularity • 52% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 52% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Stephen Speaks
I Found Love
91 bpm • A min • 03:46 • -5.68db
11% Popularity • 61% Danceability • 86% Energy • 11% Liveness
10% Instrumentalness • 48% Positiveness
11% Popularity • 61% Danceability • 86% Energy • 11% Liveness
10% Instrumentalness • 48% Positiveness
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Ryan Star
Last Train Home
110 bpm • C# Maj • 04:14 • -5.53db
30% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Philosopher Kings
Castles In The Sand
110 bpm • G Maj • 04:23 • -4.76db
21% Popularity • 58% Danceability • 77% Energy • 15% Liveness
28% Instrumentalness • 33% Positiveness
21% Popularity • 58% Danceability • 77% Energy • 15% Liveness
28% Instrumentalness • 33% Positiveness
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J.R. Richards
Have You Ever Seen the Rain
110 bpm • B Maj • 03:30 • -10.55db
9% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Harvard of the South
Miracle
110 bpm • D Maj • 03:17 • -5.85db
30% Popularity • 70% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
30% Popularity • 70% Danceability • 67% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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Curtis Stigers
To Be Loved
91 bpm • C Maj • 03:53 • -7.55db
24% Popularity • 57% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 57% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jakobins
Hollow Gram
110 bpm • G Maj • 01:33 • -6.69db
9% Popularity • 66% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 66% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Trading Yesterday
Desert Lands
111 bpm • G# Maj • 04:25 • -9.11db
16% Popularity • 55% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 15% Positiveness
16% Popularity • 55% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 15% Positiveness
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Jackopierce
Advent
111 bpm • G Maj • 03:17 • -16.94db
17% Popularity • 66% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 66% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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J.R. Richards
The Man Who Sold the World
110 bpm • B Maj • 02:28 • -12.18db
17% Popularity • 61% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 61% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Richard Marx
Should've Known Better (Acoustic)
90 bpm • D Maj • 03:16 • -4.93db
15% Popularity • 64% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 64% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Hoobastank
A Thousand Words
111 bpm • G min • 04:00 • -8db
22% Popularity • 57% Danceability • 55% Energy • 38% Liveness
6% Instrumentalness • 8% Positiveness
22% Popularity • 57% Danceability • 55% Energy • 38% Liveness
6% Instrumentalness • 8% Positiveness
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Matthew Ryan
Return to Me
90 bpm • G# Maj • 04:48 • -9.79db
30% Popularity • 48% Danceability • 71% Energy • 10% Liveness
51% Instrumentalness • 58% Positiveness
30% Popularity • 48% Danceability • 71% Energy • 10% Liveness
51% Instrumentalness • 58% Positiveness
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John Kenny
Who I Am Afro
90 bpm • E min • 05:01 • -9.69db
23% Popularity • 63% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 63% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Scars On 45
This Is Not Your Love Song
90 bpm • F Maj • 03:34 • -5.92db
10% Popularity • 43% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 43% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Trading Yesterday
Come Back to Me
90 bpm • G# Maj • 03:37 • -8.58db
22% Popularity • 48% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 48% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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J.R. Richards
Counting Blue Cars
90 bpm • B min • 05:01 • -6.52db
9% Popularity • 44% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 44% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Marc Cohn
True Companion
112 bpm • A Maj • 03:50 • -10.91db
17% Popularity • 52% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 52% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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The Calling
If Only
112 bpm • C# Maj • 04:40 • -7.29db
23% Popularity • 56% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 56% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Neverending White Lights
Liar
112 bpm • F Maj • 03:45 • -10.26db
16% Popularity • 34% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 34% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Matchbox Twenty
Sleeping at the Wheel
112 bpm • B Maj • 03:48 • -9.62db
32% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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July For Kings
New Black Car
112 bpm • F Maj • 04:15 • -3.28db
6% Popularity • 54% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 54% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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J.R. Richards
Home
112 bpm • F# Maj • 04:59 • -9.94db
11% Popularity • 39% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 39% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
