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Counting To Six
Songs like
Counting To Six - From "Fifty Shades Of Grey" Score
by
Danny Elfman
Based on a tempo of (+/- 10%) and a similar genre
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Guy Farley
The Hat First
78 bpm • D min • 02:30 • -25.57db
29% Popularity • 35% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Trevor Rabin
Who We Are
78 bpm • E min • 03:02 • -24.21db
17% Popularity • 27% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Thomas Newman
Madeleine
78 bpm • C min • 02:58 • -33.2db
29% Popularity • 7% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Danny Elfman
Counting To Six
78 bpm • A# min • 03:21 • -18.68db
19% Popularity • 7% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Elia Cmiral
The Ronin Myth
78 bpm • C Maj • 02:55 • -29.33db
13% Popularity • 18% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Dario Marianelli
Hotel Games
78 bpm • C# Maj • 01:04 • -20.99db
9% Popularity • 32% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
A Different Ending
78 bpm • A min • 03:01 • -14.31db
11% Popularity • 12% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Ingo Ludwig Frenzel
Farewell at the Coast
78 bpm • E min • 03:28 • -19.55db
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Mike Higham
Raising the Augusta
77 bpm • C# min • 02:08 • -10.82db
14% Popularity • 21% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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thenewno2
Swamptronica/Voudon
78 bpm • D Maj • 02:01 • -15.9db
10% Popularity • 7% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ralf Wengenmayr
Reprise
79 bpm • G Maj • 01:50 • -22.56db
23% Popularity • 28% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Dominik Scherrer
The Weight of One Man's Heart
79 bpm • G min • 04:42 • -20.44db
14% Popularity • 13% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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David Arnold
Death of Vesper
77 bpm • E min • 02:50 • -24.41db
27% Popularity • 10% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Tree Adams
I Will Always Be with You
79 bpm • A min • 02:01 • -12.84db
16% Popularity • 17% Danceability • 40% Energy • 36% Liveness
95% Instrumentalness • 6% Positiveness
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John Ottman
I Have Faith in You - Goodbyes
79 bpm • F Maj • 03:19 • -29db
32% Popularity • 7% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Adam Balazs
Love Waltz
77 bpm • G Maj • 02:19 • -21.93db
27% Popularity • 15% Danceability • 8% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Bear McCreary
Eye of the Storm
77 bpm • C min • 06:08 • -17db
28% Popularity • 7% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Pretty Far From Brooklyn
79 bpm • C Maj • 02:32 • -20.39db
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Oli Langford
Adagio in E Major for Violin and Orchest...
77 bpm • E Maj • 01:23 • -19.56db
12% Popularity • 34% Danceability • 15% Energy • 26% Liveness
67% Instrumentalness • 27% Positiveness
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Tree Adams
The Awakening
79 bpm • A min • 03:39 • -17.49db
12% Popularity • 12% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
28% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
55% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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Clint Mansell
Every Creeping Thing That Creeps
80 bpm • A min • 05:46 • -15.05db
9% Popularity • 16% Danceability • 34% Energy • 18% Liveness
91% Instrumentalness • 13% Positiveness
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Atli Örvarsson
City of Bones
79 bpm • D Maj • 03:40 • -19.82db
16% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
32% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Trevor Morris
Jacob's Death
76 bpm • A min • 01:42 • -28.37db
18% Popularity • 18% Danceability • 2% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
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Junkie XL
The Test
80 bpm • A# Maj • 03:17 • -19.46db
16% Popularity • 24% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Nicholas Britell
Bonus Track: The Culmination
80 bpm • A min • 01:55 • -17.49db
28% Popularity • 20% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 15% Positiveness
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Rolfe Kent
Sunset Goodbye
80 bpm • E min • 03:30 • -17.35db
12% Popularity • 17% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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David Buckley
Plaintiff's Partita
80 bpm • G min • 01:53 • -18.17db
11% Popularity • 68% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 73% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Federico Jusid
La Coronación
76 bpm • F Maj • 02:30 • -17.62db
15% Popularity • 7% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Junkie XL
Fight The Dauntless
80 bpm • G min • 04:13 • -9.63db
19% Popularity • 41% Danceability • 76% Energy • 15% Liveness
30% Instrumentalness • 11% Positiveness
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Stephen Warbeck
Princess of Nowhere
76 bpm • G min • 03:51 • -21.54db
29% Popularity • 18% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Christian Henson
Maria's Sacrifice
80 bpm • G Maj • 02:06 • -19db
41% Popularity • 18% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Bear McCreary
Leave the Past Behind
76 bpm • D min • 05:12 • -22.22db
28% Popularity • 14% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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Danny Elfman
Trouble in Paradise
80 bpm • E min • 02:35 • -20.19db
17% Popularity • 23% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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Tree Adams
Bellarke Theme
80 bpm • E min • 03:50 • -22.98db
10% Popularity • 8% Danceability • 11% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Alan Silvestri
You Can't Sit Here
76 bpm • C Maj • 02:23 • -26db
36% Popularity • 7% Danceability • 3% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
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Junkie XL
I Am Divergent
80 bpm • G min • 01:38 • -23.22db
19% Popularity • 23% Danceability • 15% Energy • 8% Liveness
97% Instrumentalness • 5% Positiveness
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Jeff Beal
Empire Without Heirs
80 bpm • E min • 03:41 • -16.84db
14% Popularity • 20% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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David Hirschfelder
You're Not the Cursed One
76 bpm • D min • 02:00 • -24.58db
11% Popularity • 11% Danceability • 3% Energy • 17% Liveness
96% Instrumentalness • 8% Positiveness
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Theodore Shapiro
Simon Pays Brigitte
76 bpm • D# Maj • 00:54 • -30.99db
16% Popularity • 18% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Danny Elfman
Going Gets Rough
75 bpm • D min • 02:34 • -25.92db
13% Popularity • 18% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Alan Silvestri
Reunited
80 bpm • D Maj • 04:23 • -20.01db
30% Popularity • 8% Danceability • 17% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Junkie XL
Everywhere And Nowhere
81 bpm • G min • 02:28 • -27.09db
23% Popularity • 16% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Cesar Benito
Lección de Vida
81 bpm • G min • 04:01 • -11.03db
21% Popularity • 8% Danceability • 19% Energy • 14% Liveness
98% Instrumentalness • 3% Positiveness
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David Arnold
City of Lovers
81 bpm • F Maj • 03:30 • -23db
33% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Steven Price
The Army Ants
81 bpm • G# Maj • 07:08 • -20.63db
11% Popularity • 13% Danceability • 29% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
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Jeff Beal
Peter And Christina
81 bpm • E min • 03:12 • -15.09db
25% Popularity • 17% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Danny Elfman
The L Word
75 bpm • C# Maj • 01:52 • -23.33db
23% Popularity • 29% Danceability • 6% Energy • 10% Liveness
70% Instrumentalness • 6% Positiveness
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Junkie XL
Becoming the Tomb Raider
81 bpm • A min • 07:15 • -13db
18% Popularity • 8% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Grief Group
75 bpm • B min • 02:19 • -39.84db
17% Popularity • 19% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Her Name Is Alina Starkov
75 bpm • D Maj • 02:57 • -21db
29% Popularity • 12% Danceability • 9% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
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Christopher Young
Humility and Love
81 bpm • F min • 06:21 • -14.42db
14% Popularity • 10% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Maurizio Malagnini
Impossible Love
75 bpm • C# min • 01:32 • -21db
16% Popularity • 23% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Danny Elfman
Ana And Christian
75 bpm • F min • 03:24 • -11.54db
32% Popularity • 44% Danceability • 36% Energy • 20% Liveness
94% Instrumentalness • 20% Positiveness
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Michael Giacchino
John Carter of Mars
81 bpm • A min • 08:53 • -17db
21% Popularity • 8% Danceability • 11% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Thomas Newman
The Eternal City
75 bpm • C Maj • 04:34 • -24.34db
26% Popularity • 10% Danceability • 3% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Valentine
81 bpm • C min • 03:52 • -16.23db
9% Popularity • 20% Danceability • 32% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Tree Adams
Clexa Theme
82 bpm • C Maj • 07:04 • -21.58db
21% Popularity • 10% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Anne Dudley
Little Psycho
82 bpm • G min • 01:49 • -18.11db
15% Popularity • 25% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Danny Elfman
Nightmare
75 bpm • D# Maj • 02:04 • -23.32db
24% Popularity • 11% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Trevor Rabin
Getting To Know Sarah
82 bpm • F Maj • 03:28 • -23.28db
10% Popularity • 12% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Snow
Home Again (X-Files: I Want To Believe O...
82 bpm • G Maj • 04:17 • -26.7db
12% Popularity • 10% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Asche & Spencer
Sam Sees
74 bpm • F# min • 04:14 • -15.63db
13% Popularity • 19% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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John Frizzell
The Souls Ascend
82 bpm • D# Maj • 03:24 • -20.81db
11% Popularity • 9% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Bear McCreary
Lucrezia
82 bpm • E min • 02:34 • -22.52db
11% Popularity • 12% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Trevor Morris
A Howling Wilderness / The Death Of Jane...
82 bpm • C Maj • 02:45 • -13.33db
34% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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The Newton Brothers
Beginning of the End Movement V
74 bpm • C Maj • 03:47 • -22db
45% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
40% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Michael Brook
Packing for the Voyage
82 bpm • A min • 02:01 • -13.21db
11% Popularity • 20% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 6% Positiveness
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Tree Adams
A Hero's Funeral
74 bpm • C min • 03:15 • -16.44db
11% Popularity • 7% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Danny Elfman
Going For Coffee
82 bpm • G# Maj • 01:32 • -21.38db
16% Popularity • 32% Danceability • 6% Energy • 14% Liveness
78% Instrumentalness • 9% Positiveness
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Rael Jones
Memory of a Happy Day
82 bpm • G min • 01:28 • -15.84db
23% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Michael Giacchino
Jupiter Ascending - 1st Movement
83 bpm • C min • 04:12 • -15.75db
9% Popularity • 12% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 4% Positiveness
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Dario Marianelli
The Call
74 bpm • B Maj • 03:11 • -25db
34% Popularity • 14% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Lucas Vidal
Flashforward
83 bpm • A min • 04:26 • -15.6db
10% Popularity • 8% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Trevor Morris
Day Break / We Will Rise / End Credits
83 bpm • C# Maj • 05:06 • -14.26db
23% Popularity • 8% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Abel Korzeniowski
Everyone Likes Oranges
74 bpm • A# min • 01:44 • -31.78db
33% Popularity • 20% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Javier Navarrete
My Mother
83 bpm • G Maj • 02:31 • -22.47db
12% Popularity • 28% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Michael Giacchino
Jupiter Ascending - 2nd Movement
74 bpm • G min • 03:25 • -25.23db
12% Popularity • 8% Danceability • 3% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Jablonsky
This Tongue Thing's Amazing
73 bpm • D min • 04:28 • -26.07db
16% Popularity • 11% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Jeff Beal
Betrayal
73 bpm • C Maj • 02:56 • -15.75db
10% Popularity • 16% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 12, The Lido
73 bpm • G min • 02:38 • -26db
13% Popularity • 11% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Klaus Badelt
Mom
83 bpm • D min • 02:06 • -21.49db
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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John Ottman
Just a Dream
83 bpm • G min • 01:15 • -42.45db
30% Popularity • 21% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 7% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
23% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Junkie XL
A Friend
83 bpm • A# Maj • 02:47 • -13.68db
19% Popularity • 8% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Danny Elfman
Anna Wakes
84 bpm • G# Maj • 01:40 • -28.42db
21% Popularity • 24% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Anne Dudley
Parole Denied
84 bpm • G min • 01:55 • -17.51db
10% Popularity • 10% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Michael Giacchino
The Hands Dealt
73 bpm • G min • 02:56 • -27.27db
34% Popularity • 27% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Ryan Amon
I Don't Want To Die
84 bpm • C min • 01:36 • -23.31db
31% Popularity • 12% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Jeff Russo
Sweet Brutal Suite
72 bpm • D Maj • 03:12 • -26.76db
12% Popularity • 27% Danceability • 0% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Counting To Six