Songs like Country Road by Toots & The Maytals
Based on a tempo of (+/- 10%) and a similar genre
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Jacob Miller
I'm a Rastaman
175 bpm • C# Maj • 04:36 • -11.83db
47% Popularity • 75% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
47% Popularity • 75% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Toots & The Maytals
Country Road
175 bpm • G# Maj • 03:25 • -16.01db
57% Popularity • 62% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
57% Popularity • 62% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Congos
Fisherman
174 bpm • E min • 05:28 • -15db
44% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Anthony B
Chill Out
174 bpm • G Maj • 04:02 • -7db
52% Popularity • 73% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 73% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Desmond Dekker & The Aces
Pretty Africa
176 bpm • A# Maj • 02:40 • -10.53db
23% Popularity • 69% Danceability • 42% Energy • 11% Liveness
18% Instrumentalness • 96% Positiveness
23% Popularity • 69% Danceability • 42% Energy • 11% Liveness
18% Instrumentalness • 96% Positiveness
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UB40
I Got You Babe
174 bpm • F Maj • 03:09 • -13db
65% Popularity • 76% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
65% Popularity • 76% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The Skatalites
Swing Easy
174 bpm • D min • 06:22 • -10.89db
50% Popularity • 57% Danceability • 49% Energy • 18% Liveness
6% Instrumentalness • 88% Positiveness
50% Popularity • 57% Danceability • 49% Energy • 18% Liveness
6% Instrumentalness • 88% Positiveness
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Toots & The Maytals
Take Me Home Country Roads
174 bpm • G# Maj • 03:16 • -6.43db
24% Popularity • 58% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 58% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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The Melodians
You Have Caught Me
174 bpm • D# Maj • 03:14 • -11.74db
27% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Frightnrs
Till Then
177 bpm • E min • 03:21 • -10db
44% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Inner Circle
Sweat (A La La La La Long)
173 bpm • C Maj • 03:49 • -6.59db
75% Popularity • 79% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
75% Popularity • 79% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Joya Landis
Angel of the Morning
173 bpm • G# Maj • 03:06 • -8.43db
37% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 65% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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UB40
(I Can't Help) Falling In Love With You
172 bpm • D Maj • 03:27 • -13.03db
70% Popularity • 64% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
70% Popularity • 64% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Toots & The Maytals
Take Me Home, Country Roads
174 bpm • G# Maj • 03:36 • -10.69db
21% Popularity • 58% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 58% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Desmond Dekker & The Aces
It Pays
172 bpm • G# Maj • 02:56 • -10.27db
21% Popularity • 60% Danceability • 42% Energy • 19% Liveness
11% Instrumentalness • 75% Positiveness
21% Popularity • 60% Danceability • 42% Energy • 19% Liveness
11% Instrumentalness • 75% Positiveness
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The Beat
Mirror in the Bathroom - 2012 Remaster
172 bpm • G Maj • 03:08 • -10.38db
54% Popularity • 64% Danceability • 64% Energy • 3% Liveness
4% Instrumentalness • 95% Positiveness
54% Popularity • 64% Danceability • 64% Energy • 3% Liveness
4% Instrumentalness • 95% Positiveness
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Errol Dunkley
Please Stop Your Lying
172 bpm • C# Maj • 02:47 • -9.52db
40% Popularity • 75% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 75% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Joya Landis
Angel of the Morning
173 bpm • G# Maj • 03:10 • -6.9db
23% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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The Gaylettes
Son of a Preacher Man
172 bpm • A# Maj • 02:29 • -1.59db
36% Popularity • 54% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 82% Positiveness
36% Popularity • 54% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 82% Positiveness
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Toots & The Maytals
Love Is Gonna Let Me Down
172 bpm • A# min • 03:17 • -18.46db
30% Popularity • 33% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 33% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Desmond Dekker & The Aces
Shing a Ling
178 bpm • C# min • 02:19 • -7.15db
29% Popularity • 69% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 69% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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The Pioneers
Starvation
171 bpm • B Maj • 02:42 • -8.26db
21% Popularity • 71% Danceability • 60% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
21% Popularity • 71% Danceability • 60% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Al Brown
Here I Am Baby (Come And Take Me)
179 bpm • F min • 03:27 • -5.58db
25% Popularity • 64% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 64% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Barrington Levy
Here I Come
170 bpm • E min • 03:46 • -7.28db
55% Popularity • 55% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 55% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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The Beat
Whine & Grine/Stand Down Margaret - 2012...
170 bpm • G Maj • 03:45 • -10.01db
33% Popularity • 74% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 74% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Toots & The Maytals
Redemption Song
180 bpm • C Maj • 01:58 • -5.01db
27% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 71% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Slightly Stoopid
Collie Man
170 bpm • C Maj • 02:13 • -7.08db
64% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
64% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Dusty Springfield
Son Of A Preacher Man
180 bpm • E Maj • 02:28 • -12.33db
79% Popularity • 40% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
79% Popularity • 40% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Stick Figure
Choice Is Yours
170 bpm • D Maj • 05:05 • -6.83db
57% Popularity • 71% Danceability • 70% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
57% Popularity • 71% Danceability • 70% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
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The Delegators
Be Good to Me
182 bpm • E Maj • 02:23 • -9db
32% Popularity • 49% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 49% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Desmond Dekker & The Aces
Rude Boy Train
182 bpm • G# Maj • 02:18 • -8.82db
27% Popularity • 60% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 60% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Papa Rosko
Folsom Prison Blues
168 bpm • F Maj • 03:44 • -4.29db
18% Popularity • 51% Danceability • 74% Energy • 26% Liveness
1% Instrumentalness • 83% Positiveness
18% Popularity • 51% Danceability • 74% Energy • 26% Liveness
1% Instrumentalness • 83% Positiveness
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Phyllis Dillon
Perfidia
183 bpm • G Maj • 02:47 • -10.94db
46% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
46% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Congos
Fisherman
168 bpm • B min • 06:05 • -6db
37% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Skatalites
Rock Fort Rock
167 bpm • A min • 07:00 • -9.74db
47% Popularity • 61% Danceability • 47% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
47% Popularity • 61% Danceability • 47% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
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Errol Dunkley
Please Stop Your Lying
167 bpm • C Maj • 02:54 • -9.39db
25% Popularity • 71% Danceability • 37% Energy • 8% Liveness
10% Instrumentalness • 88% Positiveness
25% Popularity • 71% Danceability • 37% Energy • 8% Liveness
10% Instrumentalness • 88% Positiveness
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The Dynamics
Whole Lotta Love
166 bpm • B min • 04:23 • -8.42db
42% Popularity • 73% Danceability • 54% Energy • 11% Liveness
56% Instrumentalness • 80% Positiveness
42% Popularity • 73% Danceability • 54% Energy • 11% Liveness
56% Instrumentalness • 80% Positiveness
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Sister Nancy
Bam Bam
166 bpm • F Maj • 03:16 • -6.07db
70% Popularity • 72% Danceability • 60% Energy • 25% Liveness
2% Instrumentalness • 71% Positiveness
70% Popularity • 72% Danceability • 60% Energy • 25% Liveness
2% Instrumentalness • 71% Positiveness
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Phyllis Dillon
Don't Touch Me Tomato
166 bpm • F Maj • 02:58 • -8.85db
29% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Slickers
Johnny Too Bad
166 bpm • G Maj • 03:03 • -8.75db
50% Popularity • 76% Danceability • 61% Energy • 27% Liveness
18% Instrumentalness • 72% Positiveness
50% Popularity • 76% Danceability • 61% Energy • 27% Liveness
18% Instrumentalness • 72% Positiveness
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Dandy Livingstone
Suzanne Beware of the Devil
166 bpm • A# Maj • 02:35 • -7.52db
45% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Yellowman
Zungguzungguguzungguzeng
165 bpm • E Maj • 06:28 • -17.93db
53% Popularity • 75% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 75% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Toots & The Maytals
54-46 Was My Number
160 bpm • C Maj • 03:24 • -9.57db
65% Popularity • 68% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 68% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Sister Nancy
Bam Bam
166 bpm • F Maj • 03:17 • -9db
46% Popularity • 68% Danceability • 53% Energy • 28% Liveness
5% Instrumentalness • 75% Positiveness
46% Popularity • 68% Danceability • 53% Energy • 28% Liveness
5% Instrumentalness • 75% Positiveness
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Val Bennett
The Russians Are Coming
161 bpm • G# Maj • 03:32 • -7.31db
40% Popularity • 74% Danceability • 44% Energy • 8% Liveness
55% Instrumentalness • 43% Positiveness
40% Popularity • 74% Danceability • 44% Energy • 8% Liveness
55% Instrumentalness • 43% Positiveness
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The Gladiators
Looks Is Deceiving - 1990 Digital Remast...
158 bpm • B Maj • 02:32 • -12.4db
46% Popularity • 78% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 78% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Marcia Griffiths
Don't Let Me Down
157 bpm • E Maj • 03:24 • -10.05db
46% Popularity • 69% Danceability • 66% Energy • 46% Liveness
1% Instrumentalness • 95% Positiveness
46% Popularity • 69% Danceability • 66% Energy • 46% Liveness
1% Instrumentalness • 95% Positiveness
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The Congos
Don't Blame It On I
155 bpm • C Maj • 04:07 • -7db
31% Popularity • 64% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 64% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Toots & The Maytals
Pomps & Pride
159 bpm • B Maj • 04:29 • -14.38db
39% Popularity • 64% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
39% Popularity • 64% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Phyllis Dillon
Don't Stay Away
198 bpm • G Maj • 02:33 • -9.83db
45% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Bob Marley & The Wailers
One Love / People Get Ready
154 bpm • F min • 02:52 • -9.6db
76% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
76% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Tribal Seeds
Dawn of Time
154 bpm • G Maj • 04:16 • -10.71db
57% Popularity • 70% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 70% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Marcia Griffiths
Don't Let Me Down
157 bpm • E Maj • 03:22 • -7.86db
18% Popularity • 70% Danceability • 76% Energy • 19% Liveness
42% Instrumentalness • 87% Positiveness
18% Popularity • 70% Danceability • 76% Energy • 19% Liveness
42% Instrumentalness • 87% Positiveness
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Capleton
That Day Will Come
153 bpm • C min • 04:06 • -5.03db
54% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Toots & The Maytals
Sweet And Dandy
159 bpm • D# Maj • 03:07 • -12.33db
38% Popularity • 62% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 62% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Wailing Souls
Shark Attack
152 bpm • C# min • 03:52 • -8.43db
40% Popularity • 75% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 75% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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The Specials
Monkey Man - 2015 Remaster
153 bpm • D Maj • 02:45 • -7db
48% Popularity • 50% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
48% Popularity • 50% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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The Jamaicans
Ba Ba Boom
152 bpm • D# Maj • 03:21 • -11.36db
44% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Justin Hinds
Save A Bread
202 bpm • B Maj • 02:40 • -13.93db
35% Popularity • 70% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 70% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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The Pioneers
Easy Come Easy Go (Reggae Version)
151 bpm • G Maj • 02:46 • -7.05db
14% Popularity • 74% Danceability • 74% Energy • 19% Liveness
3% Instrumentalness • 94% Positiveness
14% Popularity • 74% Danceability • 74% Energy • 19% Liveness
3% Instrumentalness • 94% Positiveness
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Toots & The Maytals
54-56 Was My Number
158 bpm • C Maj • 03:10 • -11.01db
29% Popularity • 70% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 70% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Barrington Levy
Under Mi Sensi
151 bpm • C Maj • 03:11 • -6.52db
44% Popularity • 78% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 78% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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The Gladiators
On The Other Side
151 bpm • B Maj • 07:45 • -8.68db
37% Popularity • 73% Danceability • 66% Energy • 63% Liveness
13% Instrumentalness • 75% Positiveness
37% Popularity • 73% Danceability • 66% Energy • 63% Liveness
13% Instrumentalness • 75% Positiveness
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Van Morrison
Brown Eyed Girl
151 bpm • G Maj • 03:03 • -10.96db
84% Popularity • 49% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
84% Popularity • 49% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
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Anders Osborne
Marmalade
150 bpm • G# Maj • 04:09 • -8db
43% Popularity • 77% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 77% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Max Romeo
Chase The Devil
150 bpm • D Maj • 03:26 • -6.08db
63% Popularity • 82% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
63% Popularity • 82% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Toots & The Maytals
Sweet And Dandy
157 bpm • D# Maj • 02:59 • -12db
30% Popularity • 64% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 64% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Eek-A-Mouse
Sensee Party
150 bpm • F# Maj • 03:12 • -12.59db
46% Popularity • 84% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 84% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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10 Ft. Ganja Plant
Blood Money
149 bpm • E min • 03:56 • -6.63db
57% Popularity • 79% Danceability • 79% Energy • 11% Liveness
83% Instrumentalness • 74% Positiveness
57% Popularity • 79% Danceability • 79% Energy • 11% Liveness
83% Instrumentalness • 74% Positiveness
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Tribal Seeds
The Garden
150 bpm • G min • 04:57 • -5.41db
56% Popularity • 85% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
56% Popularity • 85% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
