Songs like Country Road by Merry Clayton
Based on a tempo of (+/- 10%) and a similar genre
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Merry Clayton
Country Road
154 bpm • G# Maj • 03:46 • -9.89db
16% Popularity • 47% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 47% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Willie Hightower
Time Has Brought About A Change
154 bpm • A Maj • 03:03 • -13.71db
15% Popularity • 38% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 38% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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The Sweet Inspirations
That's How Strong My Love Is
154 bpm • B Maj • 02:15 • -14.74db
19% Popularity • 45% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 45% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Jean Knight
Save The Last Kiss For Me
154 bpm • D Maj • 03:24 • -14.05db
12% Popularity • 56% Danceability • 31% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 56% Danceability • 31% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
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Cold Blood
If You Will
154 bpm • F Maj • 05:32 • -9.79db
14% Popularity • 36% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 36% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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James Carr
A Man Needs a Woman
153 bpm • G# Maj • 02:49 • -7db
18% Popularity • 41% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 41% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Spencer Wiggins
Once in a While (Is Better Than Never at...
152 bpm • C Maj • 03:33 • -7.22db
16% Popularity • 38% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 38% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Merry Clayton
If I Lose
152 bpm • A min • 03:19 • -15.33db
2% Popularity • 48% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
2% Popularity • 48% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Margie Joseph
Touch Your Woman
152 bpm • G# Maj • 03:13 • -14.34db
9% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 60% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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George Jackson
Hold on, Hold Out
156 bpm • F min • 03:42 • -11.46db
9% Popularity • 66% Danceability • 38% Energy • 18% Liveness
6% Instrumentalness • 70% Positiveness
9% Popularity • 66% Danceability • 38% Energy • 18% Liveness
6% Instrumentalness • 70% Positiveness
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Lulu
Marley Purt Drive - 2007 Remastered Vers...
156 bpm • D Maj • 03:22 • -8.76db
11% Popularity • 56% Danceability • 63% Energy • 61% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 56% Danceability • 63% Energy • 61% Liveness
0% Instrumentalness • 93% Positiveness
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Bobbie Gentry
He Made A Woman Out Of Me
156 bpm • C min • 02:37 • -16.84db
35% Popularity • 58% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 58% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Claudia Lennear
Everything I Do Gonna Be Funky
151 bpm • C Maj • 03:42 • -9.62db
14% Popularity • 71% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 71% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Garnet Mimms
I'll Take Good Care Of You
151 bpm • G Maj • 03:35 • -11.08db
15% Popularity • 44% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 44% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Junior Parker
Love Ain't Nothing but a Business Goin' ...
151 bpm • C Maj • 03:22 • -19db
18% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Ruby Johnson
I'll Run Your Hurt Away
151 bpm • F Maj • 03:07 • -9.98db
28% Popularity • 64% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 64% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Margie Joseph
I Been Down
151 bpm • G# min • 03:14 • -16.62db
11% Popularity • 66% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 66% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Nightingales
Just A Little Overcome
158 bpm • B min • 03:51 • -7.44db
9% Popularity • 33% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 33% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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O.V. Wright
I'd Rather Be Blind, Crippled And Crazy
158 bpm • C Maj • 02:44 • -11.26db
24% Popularity • 71% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 71% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Arthur Conley
Funky Street
150 bpm • G Maj • 02:23 • -11.68db
34% Popularity • 70% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 70% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Merry Clayton
Oh No, Not My Baby
159 bpm • A Maj • 03:27 • -11.63db
2% Popularity • 40% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 40% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Howard Tate
Jemima Surrender
149 bpm • A# min • 02:33 • -6.71db
13% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Swamp Dogg
These Are Not My People
149 bpm • D Maj • 02:38 • -10.29db
12% Popularity • 68% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 98% Positiveness
12% Popularity • 68% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 98% Positiveness
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Don Bryant
She's Looking Good
159 bpm • F Maj • 02:47 • -8.15db
11% Popularity • 68% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
11% Popularity • 68% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Mickey Murray
Shout Bamalama
160 bpm • D# Maj • 02:18 • -10db
9% Popularity • 70% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 70% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Margie Joseph
How Do You Spell Love
160 bpm • F min • 03:52 • -11.81db
8% Popularity • 71% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 71% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Jimmy Hughes
High Heeled Sneakers
160 bpm • G Maj • 02:51 • -6db
16% Popularity • 63% Danceability • 70% Energy • 7% Liveness
2% Instrumentalness • 72% Positiveness
16% Popularity • 63% Danceability • 70% Energy • 7% Liveness
2% Instrumentalness • 72% Positiveness
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Howard Tate
She's a Burglar
148 bpm • C Maj • 02:45 • -6.27db
24% Popularity • 72% Danceability • 71% Energy • 27% Liveness
2% Instrumentalness • 89% Positiveness
24% Popularity • 72% Danceability • 71% Energy • 27% Liveness
2% Instrumentalness • 89% Positiveness
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Betty Harris
Nearer to You
147 bpm • F Maj • 02:32 • -10.06db
11% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 41% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jean Wells
Have a Little Mercy
147 bpm • D# Maj • 02:35 • -6.6db
20% Popularity • 45% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 45% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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The Relatives
Don't Let Me Fall
147 bpm • E min • 02:53 • -8.01db
19% Popularity • 46% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 46% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Margie Joseph
Let's Go Somewhere and Love
148 bpm • D min • 02:56 • -15.4db
8% Popularity • 67% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 67% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Barbara Lynn
Maybe We Can Slip Away
147 bpm • C Maj • 02:15 • -13db
10% Popularity • 62% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
10% Popularity • 62% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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Jean Knight
Think It Over
146 bpm • D# Maj • 04:48 • -11.73db
10% Popularity • 28% Danceability • 51% Energy • 33% Liveness
50% Instrumentalness • 37% Positiveness
10% Popularity • 28% Danceability • 51% Energy • 33% Liveness
50% Instrumentalness • 37% Positiveness
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Swamp Dogg
Got to Get a Message to You
147 bpm • D min • 04:06 • -14.31db
8% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Charles May
Keep My Baby Warm
162 bpm • A# min • 03:47 • -10.56db
7% Popularity • 43% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 43% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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James Carr
That's What I Want to Know
146 bpm • G min • 01:56 • -8.14db
23% Popularity • 76% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 76% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Don Bryant
(You're A) Wonderful One
146 bpm • A# Maj • 02:28 • -8.8db
15% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Wee Willie Walker
Ticket to Ride
145 bpm • F Maj • 02:32 • -7.44db
11% Popularity • 66% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 66% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Mable John
Able Mable
146 bpm • E min • 02:39 • -8db
21% Popularity • 75% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 75% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Swamp Dogg
Sam Stone
146 bpm • F Maj • 04:01 • -12db
24% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Betty Harris
Nearer to You - 2024 Remastered
145 bpm • D min • 02:55 • -8.44db
9% Popularity • 51% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 51% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Howard Tate
Girl of the North Country
164 bpm • A# Maj • 03:44 • -8db
29% Popularity • 52% Danceability • 46% Energy • 16% Liveness
2% Instrumentalness • 61% Positiveness
29% Popularity • 52% Danceability • 46% Energy • 16% Liveness
2% Instrumentalness • 61% Positiveness
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Merry Clayton
I've Got Life
164 bpm • D min • 03:29 • -9.42db
9% Popularity • 42% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 77% Positiveness
9% Popularity • 42% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 77% Positiveness
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Betty Wright
Girls Can't Do What the Guys Do
164 bpm • D min • 02:07 • -7.83db
36% Popularity • 48% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 48% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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P.P. Arnold
Spinning Wheel
166 bpm • G Maj • 02:47 • -10.04db
8% Popularity • 35% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 35% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Jean Knight
Do Me
166 bpm • F Maj • 02:49 • -13.34db
41% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 78% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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William Bell
A Tribute to a King
143 bpm • D Maj • 02:52 • -9.27db
18% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ann Sexton
You're Gonna Miss Me
143 bpm • A Maj • 03:06 • -11.86db
27% Popularity • 81% Danceability • 48% Energy • 61% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 81% Danceability • 48% Energy • 61% Liveness
0% Instrumentalness • 86% Positiveness
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Merry Clayton
I Ain't Gonna Worry My Life Away
144 bpm • A# min • 04:22 • -9.39db
9% Popularity • 36% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 36% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Betty Harris
Trouble With My Lover - 2024 Remastered
143 bpm • A# min • 02:48 • -7.09db
24% Popularity • 51% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 51% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 65% Positiveness
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Laura Lee
It's All Wrong But It's Alright
167 bpm • C Maj • 02:43 • -12.84db
16% Popularity • 48% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 48% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Jean Knight
A Little Bit Of Something (Is Better Tha...
142 bpm • D Maj • 03:18 • -13.07db
29% Popularity • 58% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 58% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 67% Positiveness
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Mable John
Shouldn't I Love Him
167 bpm • E Maj • 02:29 • -12.38db
27% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Mitty Collier
I Had A Talk With My Man
142 bpm • G# Maj • 03:41 • -6.76db
23% Popularity • 33% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 33% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Merry Clayton
Here Come Those Heartaches Again
143 bpm • G Maj • 03:05 • -9.61db
7% Popularity • 30% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 30% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Rodger Collins
She's Looking Good
141 bpm • B min • 02:20 • -7.12db
13% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Laura Lee
Dirty Man
168 bpm • D Maj • 02:51 • -15db
31% Popularity • 50% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 50% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Cold Blood
I'm a Good Woman
141 bpm • A min • 03:25 • -9.09db
19% Popularity • 48% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 48% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Arthur Conley
You Really Know How to Hurt a Guy
168 bpm • C Maj • 02:35 • -14.35db
25% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Taj Mahal
Ain't That a Lot of Love
141 bpm • E Maj • 04:01 • -10.59db
21% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 58% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Merry Clayton
Bridge Over Troubled Water
143 bpm • G# Maj • 05:49 • -11.44db
14% Popularity • 36% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 36% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Don Covay
Everything I Do Goin' Be Funky
141 bpm • A# min • 03:17 • -11db
27% Popularity • 71% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 71% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Laura Lee
Uptight Good Man
141 bpm • D Maj • 02:47 • -14.01db
25% Popularity • 46% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 46% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Doris Duke
He's Gone
169 bpm • F Maj • 04:35 • -13.76db
5% Popularity • 36% Danceability • 32% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
5% Popularity • 36% Danceability • 32% Energy • 5% Liveness
1% Instrumentalness • 43% Positiveness
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Shuggie Otis
Me And My Woman
169 bpm • G# Maj • 04:20 • -12.14db
34% Popularity • 50% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 50% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Betty Wright
Good Lovin'
140 bpm • C# min • 02:45 • -6.61db
13% Popularity • 43% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 43% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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Merry Clayton
Love Or Let Me Be Lonely
166 bpm • F# Maj • 03:33 • -7.93db
13% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 54% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Lee Dorsey
Who's Gonna Help Brother Get Further?
140 bpm • G# Maj • 03:05 • -13.88db
27% Popularity • 78% Danceability • 61% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
27% Popularity • 78% Danceability • 61% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
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Barbara Lynn
Nice and Easy
140 bpm • D Maj • 01:53 • -9.88db
35% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 60% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Dusty Springfield
Tupelo Honey
140 bpm • C# Maj • 04:01 • -8.7db
14% Popularity • 46% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 46% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Adams
In a Moment of Weakness
170 bpm • D Maj • 02:37 • -11.81db
27% Popularity • 60% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 60% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Mable John
Stay Out Of The Kitchen - Take 1
170 bpm • E Maj • 02:43 • -13.21db
24% Popularity • 78% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 78% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Merry Clayton
Room 205
141 bpm • C Maj • 03:08 • -12.57db
2% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 57% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Marlena Shaw
Mercy, Mercy, Mercy
171 bpm • A# Maj • 03:06 • -8.99db
23% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Little Milton
We're Gonna Make It
171 bpm • G Maj • 02:39 • -14db
28% Popularity • 36% Danceability • 49% Energy • 46% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 36% Danceability • 49% Energy • 46% Liveness
0% Instrumentalness • 79% Positiveness
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The Dells
There Is
171 bpm • A min • 03:35 • -15db
26% Popularity • 32% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 32% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Lee Dorsey
Everything I Do Gohn Be Funky
138 bpm • D# Maj • 03:08 • -14db
36% Popularity • 82% Danceability • 30% Energy • 10% Liveness
12% Instrumentalness • 86% Positiveness
36% Popularity • 82% Danceability • 30% Energy • 10% Liveness
12% Instrumentalness • 86% Positiveness
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Boz Scaggs
I'm Easy
172 bpm • A# Maj • 03:08 • -8db
28% Popularity • 52% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 52% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Merry Clayton
Deliverance
140 bpm • C Maj • 05:13 • -5.32db
2% Popularity • 52% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 52% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Marlena Shaw
Let's Wade In The Water
137 bpm • C Maj • 03:34 • -5db
41% Popularity • 68% Danceability • 69% Energy • 18% Liveness
14% Instrumentalness • 93% Positiveness
41% Popularity • 68% Danceability • 69% Energy • 18% Liveness
14% Instrumentalness • 93% Positiveness
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Cliff Nobles
Love Is All Right
137 bpm • G min • 02:42 • -4db
21% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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100 Proof Aged In Soul
Somebody's Been Sleeping
137 bpm • B Maj • 04:12 • -9.84db
12% Popularity • 64% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 64% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Lee Dorsey
Yes We Can, Pt. 1
172 bpm • D Maj • 03:28 • -16.06db
25% Popularity • 77% Danceability • 64% Energy • 6% Liveness
5% Instrumentalness • 84% Positiveness
25% Popularity • 77% Danceability • 64% Energy • 6% Liveness
5% Instrumentalness • 84% Positiveness
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Al Kooper
Bury My Body
136 bpm • A min • 09:00 • -15.3db
18% Popularity • 39% Danceability • 52% Energy • 20% Liveness
24% Instrumentalness • 84% Positiveness
18% Popularity • 39% Danceability • 52% Energy • 20% Liveness
24% Instrumentalness • 84% Positiveness
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Merry Clayton
Grandma's Hands
171 bpm • F min • 03:28 • -9db
18% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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James Carr
Love Attack
174 bpm • A# Maj • 02:54 • -8db
22% Popularity • 43% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 43% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Don Covay
See Saw
136 bpm • D Maj • 03:00 • -11db
27% Popularity • 75% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 75% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Hughes
It Ain't What You Got
135 bpm • G# Maj • 02:13 • -5db
26% Popularity • 72% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 72% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Lee Dorsey
Sneakin' Sally Through The Alley
137 bpm • A Maj • 02:52 • -9db
10% Popularity • 84% Danceability • 59% Energy • 11% Liveness
11% Instrumentalness • 96% Positiveness
10% Popularity • 84% Danceability • 59% Energy • 11% Liveness
11% Instrumentalness • 96% Positiveness
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Mable John
Running Out
175 bpm • C Maj • 02:08 • -9.46db
37% Popularity • 56% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 56% Danceability • 55% Energy • 46% Liveness
0% Instrumentalness • 81% Positiveness
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Merry Clayton
Ooh Child Medley
172 bpm • G# Maj • 05:42 • -5.42db
2% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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O.V. Wright
Drowning On Dry Land
175 bpm • A# min • 02:55 • -12.27db
13% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 53% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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The Valentinos
Lookin' For A Love
135 bpm • D min • 02:32 • -8db
30% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
30% Popularity • 80% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Rufus & Chaka Khan
I Got The Right Street (But The Wrong Di...
175 bpm • C# min • 03:13 • -8.64db
18% Popularity • 43% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 43% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 86% Positiveness
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Lee Dorsey
Everything I Do Gohn Be Funky
136 bpm • F min • 03:10 • -10.75db
23% Popularity • 79% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
23% Popularity • 79% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
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P.P. Arnold
You Can't Always Get What You Want
176 bpm • D min • 04:13 • -10.56db
20% Popularity • 36% Danceability • 64% Energy • 29% Liveness
2% Instrumentalness • 59% Positiveness
20% Popularity • 36% Danceability • 64% Energy • 29% Liveness
2% Instrumentalness • 59% Positiveness
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Merry Clayton
Loving Grows Up Slow
137 bpm • C# Maj • 03:50 • -16.07db
3% Popularity • 36% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 36% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
