Songs like Country Stuff (feat. Jake Owen) by Walker Hayes
Based on a tempo of (+/- 10%) and a similar genre
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Walker Hayes
Country Stuff
96 bpm • G Maj • 02:34 • -6.74db
46% Popularity • 68% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 68% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Jimmie Allen
Good Times Roll
96 bpm • C Maj • 02:38 • -4.45db
58% Popularity • 63% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 63% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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HIXTAPE
Small Town On It
96 bpm • D# Maj • 02:56 • -4.04db
37% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Little Big Town
Pontoon
96 bpm • A Maj • 03:32 • -5.72db
45% Popularity • 72% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 72% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Brothers Osborne
Greener Pastures
96 bpm • C Maj • 02:52 • -6.95db
49% Popularity • 66% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 66% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Lady A
Like A Lady
96 bpm • G# Maj • 03:01 • -4db
47% Popularity • 64% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 64% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmie Allen
Freedom Was A Highway
96 bpm • C# Maj • 03:32 • -4.49db
57% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Dylan Scott
New Truck
97 bpm • C# Maj • 02:54 • -5.86db
59% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Craig Morgan
Little Bit of Life
97 bpm • G Maj • 04:11 • -4.74db
46% Popularity • 67% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 67% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Billy Currington
Like My Dog
97 bpm • A# Maj • 02:46 • -4db
52% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
52% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Uncle Kracker
Floatin'
95 bpm • G Maj • 02:58 • -4.7db
41% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Walker Hayes
9
95 bpm • C# Maj • 02:56 • -8.34db
32% Popularity • 72% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 72% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
42% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Eric Church
Smoke A Little Smoke
97 bpm • A# min • 03:11 • -6db
67% Popularity • 77% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 77% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Brothers Osborne
Stay A Little Longer
97 bpm • F# Maj • 05:35 • -5.36db
63% Popularity • 56% Danceability • 89% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
63% Popularity • 56% Danceability • 89% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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Morgan Evans
Love Is Real
95 bpm • D# Maj • 02:42 • -5.09db
47% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 64% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Jordan Davis
Drink Had Me
95 bpm • B Maj • 02:36 • -5db
64% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
64% Popularity • 70% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Walker Hayes
Black Sheep - 8Track
95 bpm • C# min • 01:58 • -7.74db
49% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
49% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Blanco Brown
Nobody's More Country
95 bpm • G Maj • 02:52 • -7.97db
49% Popularity • 61% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 61% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Montgomery Gentry
Something to Be Proud Of
98 bpm • C Maj • 04:16 • -6.48db
61% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Brothers Osborne
Midnight Rider's Prayer
95 bpm • A# min • 02:56 • -6.43db
51% Popularity • 65% Danceability • 79% Energy • 26% Liveness
2% Instrumentalness • 56% Positiveness
51% Popularity • 65% Danceability • 79% Energy • 26% Liveness
2% Instrumentalness • 56% Positiveness
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Dean Brody
I'd Go To Jail
98 bpm • D Maj • 03:02 • -5.5db
39% Popularity • 50% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 50% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Morgan Wallen
Happy Hour
98 bpm • G Maj • 03:19 • -4.28db
57% Popularity • 62% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 62% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Niko Moon
ALL THAT WE NEED
98 bpm • B min • 02:37 • -6.06db
48% Popularity • 90% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 90% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Jake Owen
I Was Jack (You Were Diane)
94 bpm • F# Maj • 03:07 • -3.54db
61% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 60% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Travis Denning
Dirt Road Down
98 bpm • G# Maj • 02:45 • -4.64db
54% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Blanco Brown
The Git Up
98 bpm • A Maj • 03:20 • -8.64db
67% Popularity • 85% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
67% Popularity • 85% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Joe Nichols
Tequila Makes Her Clothes Fall Off
94 bpm • D Maj • 03:07 • -7.05db
68% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
68% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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BRELAND
Throw It Back
94 bpm • C Maj • 03:07 • -4.92db
53% Popularity • 79% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 79% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 52% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Thomas Rhett
Death Row
93 bpm • D Maj • 03:51 • -7.64db
45% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Sam Hunt
Body Like A Back Road
99 bpm • F Maj • 02:42 • -7.44db
72% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
72% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Dillon Carmichael
Sawin' Logs
99 bpm • A Maj • 02:51 • -4.24db
41% Popularity • 74% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
41% Popularity • 74% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Walker Hayes
Goldest - 8Track
99 bpm • D Maj • 02:49 • -7.94db
27% Popularity • 81% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 81% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Drew Baldridge
Beach Ain't One
93 bpm • B Maj • 02:50 • -3.71db
39% Popularity • 60% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 60% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Tim Hicks
Stronger Beer
93 bpm • D Maj • 03:03 • -5.99db
49% Popularity • 70% Danceability • 56% Energy • 80% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 70% Danceability • 56% Energy • 80% Liveness
0% Instrumentalness • 67% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
64% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
64% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Josh Abbott Band
Real Damn Good
93 bpm • G Maj • 03:02 • -3.23db
45% Popularity • 55% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 55% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Dee Jay Silver
Dixieland Delight (Dee Jay Silver Mix)
93 bpm • G Maj • 03:38 • -4.53db
51% Popularity • 48% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 48% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Walker Hayes
Lela's Stars - 8Track
93 bpm • G Maj • 02:57 • -11.91db
27% Popularity • 83% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 83% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Kenny Chesney
Get Along
92 bpm • G Maj • 03:19 • -6.11db
67% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
67% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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David Lee Murphy
Dust On The Bottle
100 bpm • B Maj • 03:44 • -11.12db
72% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
72% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Jon Pardi
Starlight
100 bpm • C Maj • 03:21 • -6db
62% Popularity • 64% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
62% Popularity • 64% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Jake Owen
Eight Second Ride
92 bpm • C Maj • 03:07 • -4.07db
54% Popularity • 64% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 64% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Kane Brown
One Mississippi
100 bpm • C Maj • 03:34 • -5.81db
56% Popularity • 46% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
56% Popularity • 46% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Willie Jones
Bachelorettes On Broadway
100 bpm • A Maj • 03:28 • -3.06db
42% Popularity • 62% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 62% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Michael Ray
Whiskey And Rain
100 bpm • G# Maj • 03:26 • -4.56db
60% Popularity • 65% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
60% Popularity • 65% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Walker Hayes
Accidentally Called Her You
100 bpm • A Maj • 02:28 • -7.72db
29% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
61% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
61% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Jake Owen
8 Second Ride - Live from the Wiltern Th...
92 bpm • G Maj • 03:28 • -9.86db
0% Popularity • 48% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 48% Danceability • 78% Energy • 67% Liveness
0% Instrumentalness • 55% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
63% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Conner Smith
Learn From It
91 bpm • E Maj • 02:59 • -3.57db
42% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 60% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Sammy Arriaga
COUNTRY SIDE
101 bpm • E Maj • 02:24 • -5.51db
52% Popularity • 87% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 87% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Seaforth
Good Beer
91 bpm • F# Maj • 02:54 • -4.25db
47% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Walker Hayes
Your Girlfriend Does - 8Track
91 bpm • C# Maj • 02:43 • -7.3db
32% Popularity • 88% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 88% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Young
Famous Friends
102 bpm • F# Maj • 02:46 • -2.92db
66% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Old Dominion
Hotel Key
102 bpm • B Maj • 02:46 • -5.09db
65% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Rascal Flatts
Summer Nights
102 bpm • D Maj • 04:02 • -4.88db
58% Popularity • 54% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 54% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 66% Positiveness
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![Somethin' Bad (with Carrie Underwood) - Duet with Carrie Underwood [Album] cover art](https://i.scdn.co/image/ab67616d00001e0277e9a2078bad0d1abb644135)
Miranda Lambert
Somethin' Bad - Duet with Carrie Underw...
90 bpm • A Maj • 02:49 • -5.31db
65% Popularity • 68% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
65% Popularity • 68% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Eric Church
Stick That In Your Country Song
90 bpm • A# Maj • 03:48 • -5db
45% Popularity • 55% Danceability • 86% Energy • 12% Liveness
13% Instrumentalness • 43% Positiveness
45% Popularity • 55% Danceability • 86% Energy • 12% Liveness
13% Instrumentalness • 43% Positiveness
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Chris Janson
Keys To The Country
90 bpm • C Maj • 02:55 • -4.47db
35% Popularity • 57% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 57% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Rodney Atkins
These Are My People
90 bpm • C Maj • 03:33 • -4db
63% Popularity • 56% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 63% Positiveness
63% Popularity • 56% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 63% Positiveness
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Parmalee
Just the Way
90 bpm • A Maj • 03:13 • -3.34db
68% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Blake Shelton
Minimum Wage
90 bpm • E Maj • 03:48 • -4db
54% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
54% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Jon Pardi
Dirt On My Boots
90 bpm • B Maj • 03:21 • -4.18db
77% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
77% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Walker Hayes
Chapel - 8Track
90 bpm • F# Maj • 02:42 • -8.28db
29% Popularity • 90% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 90% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Tim McGraw
Undivided
90 bpm • A# Maj • 02:57 • -4.75db
50% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Miranda Lambert
Settling Down
90 bpm • F# min • 03:17 • -5.8db
56% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Luke Bryan
One Margarita
90 bpm • A Maj • 03:13 • -4.87db
68% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
68% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Alana Springsteen
Zero Trucks
90 bpm • C Maj • 02:42 • -4.93db
47% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Darius Rucker
Alright
90 bpm • G Maj • 03:51 • -4.58db
68% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
68% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Walker Hayes
Delorean
90 bpm • G# Maj • 02:39 • -6.48db
41% Popularity • 64% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 64% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Jon Pardi
Last Night Lonely
103 bpm • F# Maj • 03:02 • -2.84db
72% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
72% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Blake Shelton
No Body
103 bpm • E Maj • 03:07 • -7db
54% Popularity • 74% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
54% Popularity • 74% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
60% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Hunt
House Party
104 bpm • G# Maj • 03:10 • -5.25db
69% Popularity • 75% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
69% Popularity • 75% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Joe Nichols
Home Run
104 bpm • C# min • 03:05 • -5.92db
39% Popularity • 60% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 60% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Walker Hayes
That Dog'll Hunt
90 bpm • C# min • 02:29 • -5.66db
37% Popularity • 57% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 57% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Jake Owen
American Country Love Song - Live from t...
104 bpm • G# Maj • 04:37 • -10.47db
0% Popularity • 49% Danceability • 74% Energy • 96% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 49% Danceability • 74% Energy • 96% Liveness
0% Instrumentalness • 50% Positiveness
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HARDY
BOOTS
104 bpm • D Maj • 03:13 • -3.83db
63% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
63% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Chris Cagle
Chicks Dig It - Single Edit
104 bpm • G Maj • 03:30 • -5db
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Kelsea Ballerini
hole in the bottle
104 bpm • E Maj • 02:35 • -3.64db
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Walker Hayes
AA
104 bpm • E Maj • 03:09 • -5.86db
60% Popularity • 63% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
60% Popularity • 63% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Easton Corbin
Marry That Girl
88 bpm • E Maj • 03:10 • -7.41db
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Little Big Town
Boondocks
88 bpm • A Maj • 04:32 • -5.39db
66% Popularity • 41% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 41% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
68% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Kenny Chesney
When the Sun Goes Down
105 bpm • A Maj • 04:50 • -6.8db
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Jon Pardi
Tequila Little Time
105 bpm • D Maj • 03:27 • -5.08db
61% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
61% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Walker Hayes
Dollar Store
88 bpm • C Maj • 03:17 • -6.96db
31% Popularity • 71% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 71% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Nelly
High Horse
105 bpm • C# min • 02:32 • -3.3db
50% Popularity • 88% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
50% Popularity • 88% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
55% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
63% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
69% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
