Songs like Couperin, F: Second livre de pièces de clavecin, Sixième ordre: V. Les baricades mistérieuses by François Couperin
Based on a tempo of (+/- 10%) and a similar genre
► Preview
François Couperin
Couperin, F: Second livre de pièces de ...
150 bpm • A# Maj • 02:33 • -25db
27% Popularity • 18% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
27% Popularity • 18% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
► Preview
Gabriel Fauré
Pavane, Op. 50 (arr. H. Busser for cello...
149 bpm • F# min • 05:42 • -22db
41% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
► Preview
Johann Pachelbel
Kanon und Gigue
152 bpm • D Maj • 04:16 • -18db
31% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: II...
148 bpm • C Maj • 01:47 • -24.26db
46% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
46% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
► Preview
Raffaele Calace
Concerto for Mandolin No. 2 in A Minor, ...
148 bpm • A min • 09:53 • -21db
13% Popularity • 27% Danceability • 24% Energy • 11% Liveness
46% Instrumentalness • 22% Positiveness
13% Popularity • 27% Danceability • 24% Energy • 11% Liveness
46% Instrumentalness • 22% Positiveness
► Preview
François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
► Preview
Arvo Pärt
Spiegel Im Spiegel (Mirror In Mirror)
155 bpm • F Maj • 07:06 • -32.42db
28% Popularity • 12% Danceability • 2% Energy • 5% Liveness
39% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 2% Energy • 5% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Enrique Granados
12 Danzas Españolas, Op. 37: 5. Andaluz...
151 bpm • E min • 03:29 • -20db
21% Popularity • 33% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
21% Popularity • 33% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
► Preview
Jean-Baptiste Lully
Marche pour la cérémonie des Turcs (Je...
144 bpm • A Maj • 02:19 • -10.3db
45% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
45% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
► Preview
Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Nicolaus Esterhazy Sinfonia
Symphony No. 7 in A major, Op. 92: II. A...
143 bpm • E min • 08:12 • -24db
39% Popularity • 22% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
39% Popularity • 22% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
François Couperin
Les Barricades Mysterieuses
146 bpm • C Maj • 03:14 • -18db
13% Popularity • 22% Danceability • 32% Energy • 16% Liveness
87% Instrumentalness • 46% Positiveness
13% Popularity • 22% Danceability • 32% Energy • 16% Liveness
87% Instrumentalness • 46% Positiveness
► Preview
Lavinia Meijer
Suite bergamasque, L. 75: III. Clair de ...
141 bpm • C# Maj • 04:38 • -26db
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Nils Frahm
Ambre (Arr. by Christian Badzura)
142 bpm • A# min • 03:50 • -20.33db
26% Popularity • 16% Danceability • 8% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 8% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
Norma, Act I, Scene 1: Air de Norma "Cas...
141 bpm • F Maj • 06:15 • -25db
19% Popularity • 23% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 7% Positiveness
19% Popularity • 23% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 7% Positiveness
► Preview
Max Richter
Recomposed By Max Richter: Vivaldi, The ...
141 bpm • G# Maj • 02:51 • -27.78db
41% Popularity • 17% Danceability • 6% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
41% Popularity • 17% Danceability • 6% Energy • 39% Liveness
45% Instrumentalness • 8% Positiveness
► Preview
François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
► Preview
Erik Satie
Gnossiennes: No. 1 - Lent
139 bpm • F min • 05:37 • -30.99db
22% Popularity • 49% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
22% Popularity • 49% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
31% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
31% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Antonín Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
138 bpm • F# Maj • 06:42 • -24db
17% Popularity • 22% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
► Preview
Béla Bartók
Roumanian Folk Dances For Orchestra, Sz....
138 bpm • D Maj • 06:26 • -21.44db
21% Popularity • 33% Danceability • 8% Energy • 9% Liveness
57% Instrumentalness • 5% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 9% Liveness
57% Instrumentalness • 5% Positiveness
► Preview
François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition: X. The Great ...
138 bpm • D# Maj • 05:34 • -16.75db
19% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
19% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Les saisons (The Seasons), Op. 37b: June...
164 bpm • G min • 04:51 • -27db
16% Popularity • 35% Danceability • 5% Energy • 7% Liveness
84% Instrumentalness • 12% Positiveness
16% Popularity • 35% Danceability • 5% Energy • 7% Liveness
84% Instrumentalness • 12% Positiveness
► Preview
Paul Bazelaire
5 Pieces en concert (arr. P. Bazelaire f...
164 bpm • G Maj • 04:23 • -30.29db
1% Popularity • 14% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
1% Popularity • 14% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Elena Kats-Chernin
Wild Swans Suite - Version For Violin An...
164 bpm • F Maj • 03:08 • -23db
22% Popularity • 32% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 12% Positiveness
22% Popularity • 32% Danceability • 7% Energy • 10% Liveness
62% Instrumentalness • 12% Positiveness
► Preview
김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
► Preview
François Couperin
Les baricades mystérieuses - Arranged B...
138 bpm • A# Maj • 02:43 • -27.44db
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
► Preview
Franz Liszt
Liszt: Années de pèlerinage, Deuxième...
137 bpm • D Maj • 03:34 • -23.7db
0% Popularity • 52% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
0% Popularity • 52% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Claude Debussy
Debussy: La plus que lente, CD 128, L. 1...
137 bpm • F# Maj • 04:07 • -26.24db
10% Popularity • 33% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
10% Popularity • 33% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
165 bpm • D min • 03:03 • -25.22db
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Maria João Pires
Sonata No. 15 in C Major, I. Allegro
136 bpm • C Maj • 03:05 • -24db
35% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
35% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
► Preview
François Couperin
Concerts Royaux - Troisième Concert: VI...
138 bpm • G# Maj • 03:15 • -16.76db
0% Popularity • 24% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 12% Positiveness
0% Popularity • 24% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Franz Liszt
Liszt: Années de pèlerinage, Première...
136 bpm • G# Maj • 02:37 • -27.94db
2% Popularity • 30% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
2% Popularity • 30% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Mily Balakirev
A Farewell to Saint Petersburg: No. 10, ...
136 bpm • A# min • 05:57 • -25.56db
15% Popularity • 33% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 33% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Vocalise, Op. 34, No. 14, Lentamente can...
135 bpm • E min • 05:22 • -22.94db
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Georgs Pelēcis
Flowering Jasmine
135 bpm • A min • 06:48 • -30db
27% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
27% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
► Preview
Valentin Silvestrov
Bagatelles I-XIII: Bagatelle I
135 bpm • C min • 03:20 • -35.94db
18% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
François Couperin
Concert dans le goût théâtral: Divert...
135 bpm • F# min • 02:03 • -28.69db
1% Popularity • 16% Danceability • 2% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
1% Popularity • 16% Danceability • 2% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
► Preview
Péter Nagy
5 Lieder, Op. 49: No. 4. Wiegenlied (arr...
134 bpm • D# Maj • 02:15 • -33db
43% Popularity • 55% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
43% Popularity • 55% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
► Preview
Erik Satie
Petite Ouverture à danser
134 bpm • A# Maj • 01:15 • -25.16db
32% Popularity • 38% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
32% Popularity • 38% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
► Preview
Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Maurice Ravel
Ma mère l'Oye, M. 60: III. Laideronnett...
134 bpm • G# min • 03:07 • -34db
27% Popularity • 33% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
27% Popularity • 33% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux: Aquarium
134 bpm • A min • 02:35 • -36db
29% Popularity • 19% Danceability • 1% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
29% Popularity • 19% Danceability • 1% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
François Couperin
Couperin, F: Second livre de pièces de ...
135 bpm • A# Maj • 03:39 • -19.98db
3% Popularity • 40% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 37% Positiveness
3% Popularity • 40% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 37% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
Erik Satie
3 Gymnopédies: No. 2, Lent et triste
133 bpm • F Maj • 02:32 • -35.85db
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
► Preview
Gabriel Fauré
Fauré: Berceuse, Op. 16
133 bpm • D Maj • 03:39 • -25.53db
14% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
François Dompierre
Les Beautés Du Diable
132 bpm • E min • 03:15 • -22.52db
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
► Preview
Claude Debussy
Debussy: 2 Arabesques, CD 74, L. 66: No....
132 bpm • F# min • 04:31 • -29db
47% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
47% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Louis-Claude Daquin
Daquin: Livre de pièces de clavecin, Su...
133 bpm • E min • 02:36 • -22.58db
4% Popularity • 28% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
4% Popularity • 28% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 54% Positiveness
► Preview
François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
133 bpm • F Maj • 02:27 • -19db
22% Popularity • 41% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
22% Popularity • 41% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
► Preview
Antonín Dvořák
Dvořák: Serenade for Strings in E Majo...
170 bpm • A Maj • 06:48 • -21.35db
28% Popularity • 18% Danceability • 4% Energy • 7% Liveness
53% Instrumentalness • 19% Positiveness
28% Popularity • 18% Danceability • 4% Energy • 7% Liveness
53% Instrumentalness • 19% Positiveness
► Preview
Tomaso Albinoni
Adagio in G Minor
171 bpm • C min • 08:53 • -20db
18% Popularity • 9% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a, TH 135: No. 6 in G...
170 bpm • G min • 04:59 • -30db
34% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
34% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Robert Schumann
Schumann: Carnaval, Op. 9: No. 19, Prome...
171 bpm • C# Maj • 02:12 • -24.68db
1% Popularity • 34% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
1% Popularity • 34% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Paul Bazelaire
5 Pieces en concert (arr. P. Bazelaire f...
171 bpm • G Maj • 04:29 • -27.37db
0% Popularity • 13% Danceability • 3% Energy • 14% Liveness
24% Instrumentalness • 10% Positiveness
0% Popularity • 13% Danceability • 3% Energy • 14% Liveness
24% Instrumentalness • 10% Positiveness
► Preview
Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
► Preview
Jean-Philippe Rameau
Les Fêtes d'Hébé, RCT 41, La Danse, S...
131 bpm • G# Maj • 03:46 • -17db
20% Popularity • 27% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 21% Positiveness
20% Popularity • 27% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 21% Positiveness
► Preview
Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Ignaz Friedman
Suite in E Minor, RCT 2: Pièces de clav...
172 bpm • E min • 03:04 • -28db
30% Popularity • 34% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 36% Positiveness
30% Popularity • 34% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 36% Positiveness
► Preview
Franz Schubert
Schubert: Schwanengesang, D. 957: No. 4,...
131 bpm • C min • 04:27 • -28.93db
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
► Preview
Claude Debussy
Suite bergamasque, L.75: 3. Clair de lun...
131 bpm • C# Maj • 05:14 • -29.17db
18% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
18% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Sonata in A Major, Kk.208
130 bpm • A Maj • 04:15 • -27.38db
16% Popularity • 37% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 37% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Igor Stravinsky
Chanson russe
130 bpm • F min • 03:28 • -31db
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
► Preview
Franz Schubert
4 Impromptus, Op. 90, D.899: No. 3 in G ...
173 bpm • F# Maj • 06:31 • -32.74db
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Paul Bazelaire
5 Pieces en concert (arr. P. Bazelaire f...
174 bpm • G Maj • 01:33 • -22.8db
2% Popularity • 36% Danceability • 23% Energy • 14% Liveness
84% Instrumentalness • 89% Positiveness
2% Popularity • 36% Danceability • 23% Energy • 14% Liveness
84% Instrumentalness • 89% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Max Richter
Recomposed By Max Richter: Vivaldi, The ...
174 bpm • C# min • 03:18 • -18db
47% Popularity • 13% Danceability • 19% Energy • 35% Liveness
75% Instrumentalness • 4% Positiveness
47% Popularity • 13% Danceability • 19% Energy • 35% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
Claude Debussy
Deux arabesques, L. 66: No. 1 Andante co...
129 bpm • F# min • 05:30 • -30db
26% Popularity • 35% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
26% Popularity • 35% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Jean-Philippe Rameau
Rameau: Nouvelles suites de pièces de c...
129 bpm • G min • 03:04 • -21.56db
5% Popularity • 37% Danceability • 19% Energy • 13% Liveness
89% Instrumentalness • 31% Positiveness
5% Popularity • 37% Danceability • 19% Energy • 13% Liveness
89% Instrumentalness • 31% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
129 bpm • A# Maj • 04:08 • -25.68db
46% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
46% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Johannes Brahms
Brahms: Symphony No. 3 in F Major, Op. 9...
175 bpm • C min • 06:24 • -34db
18% Popularity • 8% Danceability • 1% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 1% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Concerto No. 21 in C Major, K. 467...
175 bpm • F Maj • 07:15 • -27.57db
37% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
37% Popularity • 16% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: VI. A...
176 bpm • F# min • 03:06 • -38db
35% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
35% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Baldassare Galuppi
Sonata No. 5 in C Major: 1. Andante
176 bpm • C Maj • 07:49 • -28db
16% Popularity • 36% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
16% Popularity • 36% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
► Preview
Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
177 bpm • A Maj • 06:40 • -21db
29% Popularity • 15% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 14% Positiveness
29% Popularity • 15% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Michael Nyman
The Piano: The Heart Asks Pleasure First
182 bpm • G Maj • 02:16 • -17db
33% Popularity • 14% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
33% Popularity • 14% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Giovanni Paisiello
Piano Concerto No. 4 in G Minor: II. Lar...
180 bpm • C min • 06:51 • -23db
21% Popularity • 17% Danceability • 8% Energy • 12% Liveness
70% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 8% Energy • 12% Liveness
70% Instrumentalness • 4% Positiveness
