Songs like Couple Goals by Amy Sheppard
Based on a tempo of (+/- 10%) and a similar genre
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Travis Collins
One Of Them Nights
102 bpm • C# Maj • 03:05 • -5.71db
23% Popularity • 56% Danceability • 73% Energy • 14% Liveness
6% Instrumentalness • 33% Positiveness
23% Popularity • 56% Danceability • 73% Energy • 14% Liveness
6% Instrumentalness • 33% Positiveness
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Amy Sheppard
Couple Goals
102 bpm • G Maj • 02:53 • -2.94db
24% Popularity • 62% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 62% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Levi Hummon
Rent Free
102 bpm • G Maj • 02:47 • -5.43db
25% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Southbound xo
Bar High
102 bpm • A Maj • 02:52 • -5.12db
17% Popularity • 69% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 69% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Melanie Dyer
Cheating On Me
101 bpm • C# min • 03:29 • -4.85db
7% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Alee
Ain't for the Beer
103 bpm • B Maj • 02:27 • -5.33db
41% Popularity • 60% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 60% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Little Big Town
Heaven Had A Dance Floor
101 bpm • C Maj • 03:26 • -4.88db
31% Popularity • 68% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 68% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Sammy White
Friends With The Bottle
103 bpm • A Maj • 03:20 • -4.84db
24% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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On The Outside
Go Broke
101 bpm • F min • 03:32 • -4.42db
23% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 67% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Southbound xo
This Is Us
102 bpm • D Maj • 03:10 • -6db
16% Popularity • 64% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 64% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Kaylee Bell
KEITH - Pop Remix
103 bpm • A Maj • 02:52 • -5.83db
43% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Sophia Scott
More Me
103 bpm • D Maj • 02:22 • -4.43db
38% Popularity • 70% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 70% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Melanie Dyer
Song For That
103 bpm • E Maj • 03:35 • -2.93db
22% Popularity • 53% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 53% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Anslee Davidson
Cheap Sunglasses
100 bpm • D Maj • 03:38 • -3.87db
26% Popularity • 58% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 58% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Natalie Pearson
Not In These Boots
104 bpm • F Maj • 03:30 • -4.91db
19% Popularity • 63% Danceability • 70% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 63% Danceability • 70% Energy • 60% Liveness
0% Instrumentalness • 42% Positiveness
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Missy Lancaster
Wild
100 bpm • E Maj • 03:28 • -5.09db
13% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Nikita Karmen
Get Even
104 bpm • E Maj • 02:58 • -7.83db
18% Popularity • 80% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 80% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Hurricane Fall
How We Get Down
104 bpm • D Maj • 02:59 • -3db
26% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 62% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Dani Rose
Got It from My Mama
100 bpm • E Maj • 03:17 • -6db
34% Popularity • 64% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 64% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Lily Grace
Maybe So
104 bpm • G Maj • 03:35 • -3.64db
26% Popularity • 59% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 59% Danceability • 87% Energy • 44% Liveness
0% Instrumentalness • 78% Positiveness
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Melanie Dyer
Between You & Me
100 bpm • G# Maj • 02:32 • -4db
27% Popularity • 68% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 68% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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James Johnston
SMALL TOWN
100 bpm • D Maj • 02:40 • -4.85db
42% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Darlinghurst
Picture Frame
104 bpm • C# min • 03:24 • -5db
15% Popularity • 58% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 58% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Tyler Hubbard
Park
104 bpm • G Maj • 02:44 • -4.11db
50% Popularity • 60% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 60% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Erin Kinsey
I Ain't Crazy
100 bpm • C Maj • 02:56 • -4.18db
48% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Hudson Rose
Iconic
100 bpm • E Maj • 03:05 • -3.91db
12% Popularity • 69% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 69% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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Melanie Dyer
Fresh
100 bpm • B Maj • 02:53 • -4.99db
19% Popularity • 69% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 69% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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O'Shea
Neon Soul
100 bpm • E Maj • 03:12 • -3.75db
8% Popularity • 61% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 61% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Montana Taylor
Unwanted
100 bpm • D# min • 02:54 • -3.36db
38% Popularity • 67% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 67% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Andrew Swift
Head Full of Honey
99 bpm • A Maj • 04:03 • -4.77db
25% Popularity • 61% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 61% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Kelsea Ballerini
WALK IN THE PARK
105 bpm • C# Maj • 03:20 • -7.18db
39% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Brooke McClymont & Adam Eckersley
Lost If I Lost You
105 bpm • A# Maj • 03:37 • -5.05db
22% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 53% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Kimberly Perry
Cry At Your Funeral
105 bpm • A Maj • 03:39 • -2.54db
27% Popularity • 57% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 57% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Abby Christo
Tokyo
99 bpm • B min • 03:09 • -5.99db
9% Popularity • 59% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 59% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jordan Harvey
Along For The Ride
105 bpm • D# Maj • 02:51 • -4.14db
37% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 56% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Shawn Austin
Slip
99 bpm • F min • 03:04 • -6db
32% Popularity • 60% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 60% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Zac & George
Nothin' To Lose
105 bpm • D Maj • 03:22 • -3.87db
32% Popularity • 69% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 69% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Kylie Morgan
Love Like We're Drunk
99 bpm • D Maj • 02:34 • -4db
33% Popularity • 62% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 62% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Megan Danielle
Dream Girl
99 bpm • G# min • 03:22 • -5.71db
30% Popularity • 61% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 61% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Brooke Eden
Left You For Me
106 bpm • D# min • 03:50 • -5.97db
34% Popularity • 60% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 60% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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James Johnston
SAME SONGS
106 bpm • D Maj • 02:47 • -4.85db
50% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
50% Popularity • 64% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Max Jackson
Someone in a Small Town
106 bpm • A Maj • 03:35 • -4.63db
22% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 65% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jade Gibson
Heavens Know
98 bpm • F Maj • 03:30 • -4.09db
21% Popularity • 66% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 66% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Taylor Moss
GHOSTED
98 bpm • A min • 03:23 • -4db
30% Popularity • 67% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 67% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Alex Mather
That Summer
98 bpm • G# Maj • 03:03 • -4.77db
24% Popularity • 64% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 64% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Maddie & Tae
Girl After My Own Heart
98 bpm • G Maj • 03:01 • -5.23db
32% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Alaura Lynne
Redneck Country Boys
98 bpm • A# Maj • 03:13 • -3.24db
34% Popularity • 76% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 76% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Teigen Gayse
Sleeping With Her
107 bpm • B min • 02:58 • -3.62db
37% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 66% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Grace Leer
Ones Before Me
98 bpm • G# Maj • 03:22 • -4.29db
28% Popularity • 61% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 61% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Morgan Evans
Day Drunk - Live At The Sydney Opera Hou...
97 bpm • F min • 06:23 • -7.33db
15% Popularity • 60% Danceability • 80% Energy • 79% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 60% Danceability • 80% Energy • 79% Liveness
0% Instrumentalness • 46% Positiveness
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Canaan Cox
J.O.Y.
97 bpm • G Maj • 02:23 • -6db
44% Popularity • 68% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 68% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Christie Lamb
Beat of My Own Drum
97 bpm • C# min • 03:06 • -4.1db
8% Popularity • 78% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 78% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Alaura Lynne
Everything a Woman Wants
97 bpm • C Maj • 03:08 • -5.04db
25% Popularity • 74% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 74% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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James Johnston
SOME THINGS NEVER CHANGE
97 bpm • G# Maj • 02:49 • -4.35db
42% Popularity • 72% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 72% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Cole Swindell
Broken
97 bpm • F Maj • 02:57 • -4db
33% Popularity • 61% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 61% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Home Free
The Horses
97 bpm • E Maj • 03:17 • -4.96db
25% Popularity • 64% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 64% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Nikita Karmen
Deep Cuts
97 bpm • A Maj • 04:05 • -6.92db
12% Popularity • 67% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 67% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Smithfield
Reason for a Rita
108 bpm • G# Maj • 02:48 • -4.26db
31% Popularity • 77% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 77% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Melanie Dyer
Save My Cents
108 bpm • D Maj • 03:18 • -3.5db
22% Popularity • 68% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 68% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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The Tuten Brothers
Heartbroke HWY
108 bpm • C min • 03:17 • -4.2db
27% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 64% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Kaylin Roberson
When He's Been Drinkin'
108 bpm • F# Maj • 03:25 • -4.81db
14% Popularity • 69% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 69% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Robyn Ottolini
Say It
108 bpm • D Maj • 03:05 • -5.46db
32% Popularity • 56% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 56% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Bella Mackenzie
1, 2, 3 You & Me
96 bpm • G Maj • 02:56 • -3.56db
20% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 62% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Taylor Moss
Ain't No Girly Girl
96 bpm • E Maj • 03:27 • -3.95db
42% Popularity • 66% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 66% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Carly Pearce
Diamondback
96 bpm • F Maj • 03:02 • -5.48db
41% Popularity • 62% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 62% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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The Tuten Brothers
Life Without You
108 bpm • A# Maj • 02:51 • -5.2db
33% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 61% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kaylee Bell
Nights Like This
96 bpm • E Maj • 03:03 • -5.83db
40% Popularity • 63% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 63% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Travis Collins
Chill
96 bpm • B Maj • 03:06 • -5.56db
31% Popularity • 70% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 70% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Laci Kaye Booth
Shuffle
96 bpm • A# Maj • 03:12 • -4.09db
33% Popularity • 57% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 57% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Southbound xo
Composure
96 bpm • F# min • 02:54 • -5.39db
9% Popularity • 64% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 64% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Meghan Patrick
Ours
109 bpm • G# Maj • 02:50 • -4.42db
20% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Tori Darke
Feelin' It
109 bpm • G Maj • 02:54 • -6.43db
16% Popularity • 37% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 37% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Kaylee Bell
Something I'll Never Get Back
109 bpm • F# Maj • 03:08 • -5.99db
28% Popularity • 61% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 61% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Travis Collins
Just The Way
109 bpm • E Maj • 03:10 • -3.49db
14% Popularity • 64% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 64% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Josh Setterfield
Right About Now
95 bpm • E Maj • 03:09 • -5.09db
33% Popularity • 70% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 70% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Morgan Evans
Love Is Real - Int'l Mix
95 bpm • F min • 02:42 • -5.59db
26% Popularity • 61% Danceability • 73% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 61% Danceability • 73% Energy • 47% Liveness
0% Instrumentalness • 47% Positiveness
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Sabrina Durante
Saddle Up
95 bpm • C Maj • 03:08 • -9.62db
14% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Taylor Moss
Country Proud
95 bpm • F Maj • 02:51 • -4.03db
37% Popularity • 60% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 60% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Tom Curtain
Nothin's Gonna Stop Us Now
95 bpm • F# min • 03:52 • -5.76db
20% Popularity • 74% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 74% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Grace Leer
Brought A Girl
95 bpm • C Maj • 02:48 • -4.91db
32% Popularity • 70% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 70% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Sofie Lynn
Getting Hitched (The Bachelorette Song)
95 bpm • G Maj • 02:38 • -5.81db
33% Popularity • 70% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 70% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Morgan Evans
Love Is Real - Live At The Sydney Opera ...
95 bpm • G# Maj • 05:01 • -6.6db
16% Popularity • 57% Danceability • 75% Energy • 70% Liveness
1% Instrumentalness • 22% Positiveness
16% Popularity • 57% Danceability • 75% Energy • 70% Liveness
1% Instrumentalness • 22% Positiveness
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Andrew Swift
Say the Word
95 bpm • A Maj • 03:40 • -5db
14% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Dan Davidson
He Met A Girl
95 bpm • D Maj • 03:12 • -3.41db
1% Popularity • 55% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
1% Popularity • 55% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Carrie Underwood
Pink Champagne
110 bpm • A Maj • 03:23 • -3.47db
45% Popularity • 63% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 63% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Amy Sheppard
Overthinking
110 bpm • G# Maj • 02:46 • -3.14db
28% Popularity • 66% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 66% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Nicole Rayy
Feels Like Yesterday
95 bpm • G Maj • 02:50 • -4.7db
17% Popularity • 44% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 44% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Christie Lamb
Up All Night
110 bpm • E min • 03:29 • -4.68db
10% Popularity • 70% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 70% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Freddie Bailey
Edge of Midnight - The Voice Australia 2...
110 bpm • B min • 02:01 • -5.31db
29% Popularity • 69% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 69% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Tim & The Glory Boys
Take Me Backroad
110 bpm • B Maj • 03:13 • -4.49db
40% Popularity • 59% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 59% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Amber Lawrence
Making Up For Lost Wine
110 bpm • C Maj • 03:08 • -5db
10% Popularity • 77% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 77% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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The McClymonts
Good Advice
110 bpm • F# Maj • 03:24 • -4.16db
9% Popularity • 74% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 74% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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The Tuten Brothers
So Long Summer
110 bpm • A Maj • 02:53 • -5.2db
33% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 62% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Mitchell Tenpenny
That's How She Goes
110 bpm • B min • 03:35 • -6.71db
32% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Kaylee Bell
Small Town Friday Nights
110 bpm • E Maj • 03:03 • -4.72db
40% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Taylor Moss
Both
110 bpm • C Maj • 02:59 • -2.08db
27% Popularity • 68% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 68% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Melanie Dyer
Cheap Moscato
110 bpm • D Maj • 02:45 • -5.32db
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Caitlyn Smith
Downtown Baby
110 bpm • D Maj • 02:47 • -6db
17% Popularity • 70% Danceability • 62% Energy • 46% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 70% Danceability • 62% Energy • 46% Liveness
0% Instrumentalness • 47% Positiveness
