Songs like Courante [1] by Jacques Gaultier
Based on a tempo of (+/- 10%) and a similar genre
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Michael Praetorius
Ballet
130 bpm • G Maj • 01:04 • -28.95db
8% Popularity • 51% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
8% Popularity • 51% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
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Gaspar Sanz
Preludio y Fantasia
130 bpm • G min • 02:43 • -29.65db
7% Popularity • 35% Danceability • 3% Energy • 9% Liveness
37% Instrumentalness • 40% Positiveness
7% Popularity • 35% Danceability • 3% Energy • 9% Liveness
37% Instrumentalness • 40% Positiveness
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Jacques Gaultier
Courante (I)
130 bpm • A# min • 01:42 • -27.77db
4% Popularity • 41% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 46% Positiveness
4% Popularity • 41% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 46% Positiveness
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Robert Ballard
Branles de village
130 bpm • C Maj • 03:49 • -28db
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
60% Instrumentalness • 50% Positiveness
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
60% Instrumentalness • 50% Positiveness
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Hans Judenkünig
Ein seer guter Organistischer Preambel
130 bpm • G min • 03:05 • -31db
12% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
12% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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Francisco Guerau
Villanos
129 bpm • C# Maj • 04:55 • -22db
11% Popularity • 44% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 44% Positiveness
11% Popularity • 44% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 44% Positiveness
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Christian Zimmermann
Gagliarda
129 bpm • B min • 02:00 • -17.71db
8% Popularity • 56% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
8% Popularity • 56% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Ennemond Gaultier
32 courantes: No. 10, L'immortelle in D ...
129 bpm • C# min • 01:26 • -26.63db
9% Popularity • 37% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 39% Positiveness
9% Popularity • 37% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 39% Positiveness
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![Dances: Galliard [22] cover art](https://i.scdn.co/image/ab67616d00001e02c3336736e770b698ae7e58d0)
Anthony Holborne
Dances: Galliard [22]
129 bpm • F Maj • 01:13 • -16.96db
7% Popularity • 43% Danceability • 8% Energy • 6% Liveness
58% Instrumentalness • 64% Positiveness
7% Popularity • 43% Danceability • 8% Energy • 6% Liveness
58% Instrumentalness • 64% Positiveness
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William Byrd
Fantasia à 3 No. 3
131 bpm • A# Maj • 01:14 • -32.12db
14% Popularity • 30% Danceability • 0% Energy • 10% Liveness
70% Instrumentalness • 50% Positiveness
14% Popularity • 30% Danceability • 0% Energy • 10% Liveness
70% Instrumentalness • 50% Positiveness
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Vincenzo Galilei
Fronimo: Ricercare del primo tuono
129 bpm • C Maj • 01:10 • -18.68db
24% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
24% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
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Girolamo Frescobaldi
Ricercare terzo
131 bpm • D min • 03:43 • -30db
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 21% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 21% Positiveness
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Piffaro
Alla Caccia
129 bpm • D Maj • 01:22 • -17db
10% Popularity • 68% Danceability • 5% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
10% Popularity • 68% Danceability • 5% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
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Robert de Visée
Suite in E Minor: VI. Menuet
132 bpm • D min • 01:15 • -30db
26% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
26% Popularity • 40% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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Christian Zimmermann
Partita BWV 1007 V.
131 bpm • C# Maj • 01:09 • -20db
11% Popularity • 38% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 83% Positiveness
11% Popularity • 38% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 83% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Tempo de Min...
132 bpm • B Maj • 03:46 • -20db
10% Popularity • 49% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 56% Positiveness
10% Popularity • 49% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 56% Positiveness
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Jacques Gaultier
Allemande 246
128 bpm • F# min • 02:02 • -21.59db
0% Popularity • 54% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 38% Positiveness
0% Popularity • 54% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 38% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
128 bpm • A Maj • 02:11 • -13.01db
15% Popularity • 44% Danceability • 28% Energy • 30% Liveness
92% Instrumentalness • 51% Positiveness
15% Popularity • 44% Danceability • 28% Energy • 30% Liveness
92% Instrumentalness • 51% Positiveness
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Piffaro
Greyner, Zanner
132 bpm • A Maj • 01:16 • -17db
20% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
20% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
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Robert de Visée
Suite in C Minor: III. Courante
132 bpm • F min • 01:40 • -26.91db
12% Popularity • 40% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
12% Popularity • 40% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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Joan Ambrosio Dalza
Saltarello
128 bpm • C# Maj • 02:43 • -25.03db
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
132 bpm • B Maj • 03:26 • -25.92db
11% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
11% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
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Richard Dering
Almaine
133 bpm • G Maj • 01:51 • -23.92db
8% Popularity • 35% Danceability • 3% Energy • 6% Liveness
98% Instrumentalness • 57% Positiveness
8% Popularity • 35% Danceability • 3% Energy • 6% Liveness
98% Instrumentalness • 57% Positiveness
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Francesco Corbetta
La Guitarre Royalle: Autre fanfare
133 bpm • B Maj • 01:28 • -27db
17% Popularity • 55% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 70% Positiveness
17% Popularity • 55% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 70% Positiveness
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Esaias Reusner
Suite in D Minor: II. Paduan
127 bpm • C# min • 04:04 • -29.66db
9% Popularity • 43% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
9% Popularity • 43% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Robert de Visée
Suite in A Major: III. Courante
132 bpm • D Maj • 01:25 • -28.93db
16% Popularity • 39% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
16% Popularity • 39% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
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Alessandro Piccinini
Toccata cromatica XII
127 bpm • A# Maj • 03:39 • -19.74db
8% Popularity • 44% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
8% Popularity • 44% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
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Nigel North
Suite in C Minor: No. 5. Menuet
133 bpm • B min • 02:40 • -24.51db
8% Popularity • 34% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 58% Positiveness
8% Popularity • 34% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 58% Positiveness
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Diego Ortiz
Trattado de glosas: Recercadas primera y...
133 bpm • G Maj • 01:13 • -19.37db
8% Popularity • 33% Danceability • 35% Energy • 14% Liveness
64% Instrumentalness • 40% Positiveness
8% Popularity • 33% Danceability • 35% Energy • 14% Liveness
64% Instrumentalness • 40% Positiveness
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Guillaume Dufay
Chansons (arr. for voice and chamber ens...
134 bpm • A min • 02:26 • -19.26db
13% Popularity • 48% Danceability • 11% Energy • 8% Liveness
45% Instrumentalness • 21% Positiveness
13% Popularity • 48% Danceability • 11% Energy • 8% Liveness
45% Instrumentalness • 21% Positiveness
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Gaspar Sanz
Matachin
126 bpm • G# Maj • 01:50 • -37.56db
16% Popularity • 43% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 42% Positiveness
16% Popularity • 43% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 42% Positiveness
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Robert de Visée
Suite in G Major: V. Gavotte - Rondeau
126 bpm • F Maj • 01:27 • -30.69db
18% Popularity • 36% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 66% Positiveness
18% Popularity • 36% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 66% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria II
126 bpm • F# Maj • 01:10 • -27.77db
24% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
24% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Nigel North
Partita in G Minor: No. 5. Sarabande
133 bpm • F# min • 03:11 • -25.63db
9% Popularity • 37% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
9% Popularity • 37% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
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Andrea Falconieri
Il Spiritillo Brando
126 bpm • G Maj • 01:00 • -19.24db
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
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The Royal Wind Music
Duo Et misericordia eius
126 bpm • G# min • 01:01 • -38.02db
14% Popularity • 44% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 53% Positiveness
14% Popularity • 44% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 53% Positiveness
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Giovanni Battista Granata
Armoniosi toni di varie suonate musicali...
135 bpm • G# min • 03:20 • -33db
9% Popularity • 35% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 29% Positiveness
9% Popularity • 35% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 29% Positiveness
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Robert de Visée
Suite in G Major: III. Courante
134 bpm • F Maj • 01:43 • -28.09db
12% Popularity • 34% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 35% Positiveness
12% Popularity • 34% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 35% Positiveness
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Laurent de Saint-Luc
Pièces in G Minor: II. La Venus - Air
134 bpm • F# min • 01:20 • -23.26db
7% Popularity • 38% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 27% Positiveness
7% Popularity • 38% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 27% Positiveness
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Girolamo Frescobaldi
Canzona prima a 4, canto alto tenor bass...
135 bpm • G Maj • 02:18 • -16.23db
12% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
12% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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William Byrd
Byrd: Sermone blando a 3 & a 4
125 bpm • A# Maj • 04:18 • -23.79db
8% Popularity • 17% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Joan Ambrosio Dalza
Piva for Lute & Bass Viol
135 bpm • C# Maj • 01:55 • -20db
14% Popularity • 55% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
14% Popularity • 55% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Christian Zimmermann
Españoleta
136 bpm • B Maj • 01:30 • -20db
13% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 37% Positiveness
13% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 37% Positiveness
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Robert de Visée
Suite No. 9 en ré mineur: Menuet
135 bpm • C# Maj • 01:12 • -27.09db
22% Popularity • 59% Danceability • 2% Energy • 9% Liveness
71% Instrumentalness • 71% Positiveness
22% Popularity • 59% Danceability • 2% Energy • 9% Liveness
71% Instrumentalness • 71% Positiveness
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Vincenzo Galilei
Gagliarda Ecco
136 bpm • C Maj • 01:59 • -22.96db
12% Popularity • 53% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 54% Positiveness
12% Popularity • 53% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 54% Positiveness
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Luis de Narváez
FantasÃa del Primer Tono - Libro 2
136 bpm • G min • 01:10 • -14.44db
16% Popularity • 51% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
16% Popularity • 51% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
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Jacques Gaultier
Allemande in D Minor
124 bpm • E Maj • 02:10 • -25.53db
0% Popularity • 40% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
0% Popularity • 40% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
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Rocco Greco
Sinfonia Viggesima seconda a due viole
124 bpm • G min • 02:25 • -20db
7% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
7% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
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Jean Mercure
Pieces in A Minor: I. Allemande
136 bpm • G# min • 02:46 • -22db
15% Popularity • 38% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
15% Popularity • 38% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Orlande de Lassus
Io ti vorria contar, LV 658 (Transcr. fo...
136 bpm • B Maj • 01:22 • -23.12db
22% Popularity • 48% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
22% Popularity • 48% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
14% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
14% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Adam Falckenhagen
Lute Sonata in C Minor, Op. 1, No. 1: I....
124 bpm • E min • 05:16 • -25.8db
10% Popularity • 55% Danceability • 6% Energy • 31% Liveness
73% Instrumentalness • 6% Positiveness
10% Popularity • 55% Danceability • 6% Energy • 31% Liveness
73% Instrumentalness • 6% Positiveness
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The Royal Wind Music
Mein Fleib un Mueh
136 bpm • F# min • 01:27 • -26.35db
8% Popularity • 37% Danceability • 2% Energy • 10% Liveness
60% Instrumentalness • 18% Positiveness
8% Popularity • 37% Danceability • 2% Energy • 10% Liveness
60% Instrumentalness • 18% Positiveness
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Jacques Gaultier
Cloches
136 bpm • C# Maj • 01:24 • -29.99db
4% Popularity • 48% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 34% Positiveness
4% Popularity • 48% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 34% Positiveness
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Giovanni Ambrosio
Ballo Francese chiamato Petit Rinense (A...
136 bpm • A# Maj • 01:40 • -27.47db
16% Popularity • 54% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
16% Popularity • 54% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Ensemble Project Ars Nova
J'ai maintes fois
137 bpm • C Maj • 01:36 • -33.23db
8% Popularity • 52% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 45% Positiveness
8% Popularity • 52% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 45% Positiveness
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Giovanni Paolo Foscarini
Ciacona
123 bpm • F# Maj • 01:42 • -23.99db
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
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Robert de Visée
Suite in A Major: VI. Menuet
123 bpm • G Maj • 01:37 • -29.41db
12% Popularity • 36% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
12% Popularity • 36% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Françoise Dufaut
Suite in A Minor: III. Courante
137 bpm • G# min • 01:06 • -29db
11% Popularity • 34% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 70% Positiveness
11% Popularity • 34% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 70% Positiveness
► Preview
Adam Falckenhagen
Lute Sonata in E-Flat Major, Op. 1, No. ...
137 bpm • G Maj • 04:25 • -26.97db
8% Popularity • 52% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
8% Popularity • 52% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
30% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
30% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6 (T...
123 bpm • F# Maj • 02:14 • -12.39db
14% Popularity • 40% Danceability • 31% Energy • 72% Liveness
92% Instrumentalness • 44% Positiveness
14% Popularity • 40% Danceability • 31% Energy • 72% Liveness
92% Instrumentalness • 44% Positiveness
► Preview
Gaspar Sanz
Zarabanda Española: Improvisación
123 bpm • C# Maj • 04:18 • -25.36db
8% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
8% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
► Preview
Ronn McFarlane
The Monaghan Jig
123 bpm • C# min • 02:30 • -30db
11% Popularity • 48% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 84% Positiveness
11% Popularity • 48% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 84% Positiveness
► Preview
Jacques Gaultier
Lady Margaret's Lute Book: Almond Goutie...
123 bpm • G# Maj • 02:03 • -28.92db
0% Popularity • 52% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
0% Popularity • 52% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
► Preview
Claudio Monteverdi
O Primavera, gioventu dell'anno
138 bpm • E Maj • 02:37 • -19.62db
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
► Preview
Françoise Dufaut
Suite in A Minor: V. Courante
138 bpm • G# min • 02:01 • -28db
9% Popularity • 39% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
9% Popularity • 39% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
► Preview
Joan Ambrosio Dalza
Piva
122 bpm • G Maj • 01:56 • -27db
28% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
28% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
► Preview
The Royal Wind Music
Galiarda Veneziana
122 bpm • B Maj • 01:22 • -22.4db
15% Popularity • 41% Danceability • 17% Energy • 16% Liveness
82% Instrumentalness • 22% Positiveness
15% Popularity • 41% Danceability • 17% Energy • 16% Liveness
82% Instrumentalness • 22% Positiveness
► Preview
Henry VIII
Tandernaken: The Kynge Henry VIII
139 bpm • F Maj • 01:52 • -23db
8% Popularity • 32% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
8% Popularity • 32% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
► Preview
Jacques Gaultier
Courante 'Son adieu'
123 bpm • E min • 01:33 • -25.35db
3% Popularity • 38% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
3% Popularity • 38% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
► Preview
Ronn McFarlane
If I Had a Bonny Lass
122 bpm • B Maj • 01:10 • -16.67db
9% Popularity • 51% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
9% Popularity • 51% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
► Preview
Françoise Dufaut
Suite in A Minor: I. Prélude Amila
122 bpm • G# min • 00:46 • -30db
11% Popularity • 37% Danceability • 10% Energy • 9% Liveness
75% Instrumentalness • 60% Positiveness
11% Popularity • 37% Danceability • 10% Energy • 9% Liveness
75% Instrumentalness • 60% Positiveness
► Preview
Gaspar Sanz
Paradetas
122 bpm • C# Maj • 02:16 • -24db
12% Popularity • 52% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 52% Positiveness
12% Popularity • 52% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 52% Positiveness
► Preview
Francesco Corbetta
Sarabanda per la B
140 bpm • B Maj • 02:19 • -28.87db
12% Popularity • 39% Danceability • 7% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
12% Popularity • 39% Danceability • 7% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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EnrÃquez de Valderrábano
Soneto I
139 bpm • F Maj • 02:02 • -31db
18% Popularity • 35% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
18% Popularity • 35% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Jacques Gaultier
Courante (II)
138 bpm • C# Maj • 02:08 • -29.36db
3% Popularity • 38% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
3% Popularity • 38% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 61% Positiveness
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Bartolomé de Selma y Salaverde
Canzoni fantasie et correnti da suonar: ...
140 bpm • A min • 03:58 • -22db
9% Popularity • 30% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 30% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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![[Suite en la majeur]: XIII. Chaconne (No. 31) cover art](https://i.scdn.co/image/ab67616d00001e020dc6972d7e8b1544b6486e51)
Marin Marais
[Suite en la majeur]: XIII. Chaconne (No...
121 bpm • G# Maj • 02:45 • -19.42db
9% Popularity • 38% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
9% Popularity • 38% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Carlo Calvi
Canario
122 bpm • C# Maj • 01:49 • -21.15db
20% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
20% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
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Gaspar Sanz
Paradetas
121 bpm • D Maj • 02:18 • -21.11db
17% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
17% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
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Thoinot Arbeau
Basse-danse Jouissance vous donneray (Ar...
140 bpm • F min • 01:47 • -31.37db
12% Popularity • 27% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
12% Popularity • 27% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
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Jacques Gaultier
Courante 54 (Arr. by Evan Plommer)
139 bpm • F# Maj • 00:55 • -18.82db
0% Popularity • 53% Danceability • 11% Energy • 9% Liveness
40% Instrumentalness • 71% Positiveness
0% Popularity • 53% Danceability • 11% Energy • 9% Liveness
40% Instrumentalness • 71% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada No. 4, "La...
120 bpm • D# min • 01:39 • -24.32db
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
15% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
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Carl Philipp Emanuel Bach
March in G Major, BWV Anh. 124
141 bpm • C# Maj • 01:25 • -38.08db
9% Popularity • 38% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
9% Popularity • 38% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
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Luis de Milán
Fantasia II
120 bpm • C min • 01:48 • -33db
22% Popularity • 38% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
22% Popularity • 38% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
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Gaspar Sanz
Espagnoletta
141 bpm • C min • 01:06 • -32.1db
16% Popularity • 38% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
16% Popularity • 38% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
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Girolamo Frescobaldi
Balletto (Arr. for Harp and Baroque Guit...
120 bpm • B Maj • 01:08 • -25db
22% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
22% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Jacques Gaultier
Sarabande in D Minor
121 bpm • C# min • 01:16 • -23.55db
0% Popularity • 48% Danceability • 10% Energy • 17% Liveness
94% Instrumentalness • 28% Positiveness
0% Popularity • 48% Danceability • 10% Energy • 17% Liveness
94% Instrumentalness • 28% Positiveness
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Francesco Spinacino
Recercare: Racercare
141 bpm • A# Maj • 01:04 • -34.65db
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
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Ronn McFarlane
George Brabazon
120 bpm • E Maj • 01:27 • -22.15db
23% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
23% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Louis de Caix d'Hervelois
De Caix d’Hervelois: Plainte
120 bpm • C Maj • 03:41 • -27.58db
11% Popularity • 20% Danceability • 4% Energy • 11% Liveness
62% Instrumentalness • 11% Positiveness
11% Popularity • 20% Danceability • 4% Energy • 11% Liveness
62% Instrumentalness • 11% Positiveness
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Gaspar Sanz
Clarinas y Trompetas
120 bpm • D Maj • 07:06 • -24.78db
7% Popularity • 41% Danceability • 8% Energy • 13% Liveness
62% Instrumentalness • 45% Positiveness
7% Popularity • 41% Danceability • 8% Energy • 13% Liveness
62% Instrumentalness • 45% Positiveness
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Thomas Robinson
A Fantasy
120 bpm • F Maj • 02:22 • -20db
11% Popularity • 61% Danceability • 12% Energy • 6% Liveness
78% Instrumentalness • 60% Positiveness
11% Popularity • 61% Danceability • 12% Energy • 6% Liveness
78% Instrumentalness • 60% Positiveness
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Jacques Gaultier
Pieces for Lute: Courant II
141 bpm • B min • 01:37 • -36.4db
0% Popularity • 34% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 31% Positiveness
0% Popularity • 34% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 31% Positiveness
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François Couperin
Rondeau in B-Flat Major "Les Bergeries",...
141 bpm • E min • 04:16 • -39.76db
9% Popularity • 23% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
