Songs like Courante in B-Flat Minor by Daniel Bacheler
Based on a tempo of (+/- 10%) and a similar genre
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
29% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Christian Zimmermann
Suite No. 1 in A Major
82 bpm • G# Maj • 01:36 • -19.37db
12% Popularity • 33% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
12% Popularity • 33% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Hopkinson Smith
A Fancy
82 bpm • G min • 02:33 • -23.11db
17% Popularity • 31% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 53% Positiveness
17% Popularity • 31% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 53% Positiveness
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Alessandro Piccinini
Ciaccona in G major
82 bpm • G Maj • 01:55 • -35.43db
17% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
17% Popularity • 47% Danceability • 2% Energy • 12% Liveness
98% Instrumentalness • 30% Positiveness
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Dufaut
Tombeau de M. Blanrocher
82 bpm • C# min • 03:36 • -24db
14% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
14% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 28% Positiveness
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Hans Neusidler
Das Ander Buch. Ein New Künstlich Lautt...
82 bpm • F Maj • 01:32 • -22.6db
12% Popularity • 43% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 50% Positiveness
12% Popularity • 43% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 50% Positiveness
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Ronn McFarlane
Separation of the Body and Soul
82 bpm • F# min • 02:53 • -24.5db
12% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
12% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Daniel Bacheler
Pavane No. 18
82 bpm • E Maj • 05:04 • -25.64db
1% Popularity • 41% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 45% Positiveness
1% Popularity • 41% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 45% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
33% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
33% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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Edward Martin
Haulberroys (Attaignant)
82 bpm • G min • 01:29 • -23.5db
21% Popularity • 49% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
21% Popularity • 49% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
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Tobias Hume
The King of Denmarks Delight
81 bpm • G Maj • 02:31 • -35.35db
27% Popularity • 48% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
27% Popularity • 48% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
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Robert de Visée
Passacaille en si mineur
81 bpm • A# min • 02:51 • -26.34db
15% Popularity • 46% Danceability • 7% Energy • 10% Liveness
21% Instrumentalness • 30% Positiveness
15% Popularity • 46% Danceability • 7% Energy • 10% Liveness
21% Instrumentalness • 30% Positiveness
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Ronn McFarlane
Fanny Power
82 bpm • B Maj • 02:27 • -21.21db
12% Popularity • 51% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 64% Positiveness
12% Popularity • 51% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 64% Positiveness
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Nicola Matteis
Ayres for the Violin (arr. for guitar): ...
81 bpm • F# Maj • 01:45 • -30.89db
22% Popularity • 38% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
22% Popularity • 38% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 37% Positiveness
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Joan Ambrosio Dalza
Piva ala ferrarese - Intabulatura de lau...
81 bpm • A# Maj • 02:17 • -27.92db
13% Popularity • 38% Danceability • 17% Energy • 15% Liveness
90% Instrumentalness • 87% Positiveness
13% Popularity • 38% Danceability • 17% Energy • 15% Liveness
90% Instrumentalness • 87% Positiveness
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Heringman
Newsidler : Adieu mes amours
83 bpm • A min • 03:59 • -25.74db
14% Popularity • 31% Danceability • 10% Energy • 15% Liveness
94% Instrumentalness • 54% Positiveness
14% Popularity • 31% Danceability • 10% Energy • 15% Liveness
94% Instrumentalness • 54% Positiveness
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Luis de Narváez
La Canción del Emperador
83 bpm • F# min • 02:34 • -34db
18% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
18% Popularity • 38% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Charles Mouton
Prélude
83 bpm • G# min • 01:01 • -23db
22% Popularity • 49% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 69% Positiveness
22% Popularity • 49% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 69% Positiveness
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Giovanni Zamboni
Lute Sonata No. 9: IV. Sarabanda
83 bpm • C# min • 01:42 • -27db
30% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
30% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Esaias Reusner
Suite in D Minor: III. Sarabanda
83 bpm • C# min • 01:42 • -28db
10% Popularity • 43% Danceability • 4% Energy • 14% Liveness
76% Instrumentalness • 30% Positiveness
10% Popularity • 43% Danceability • 4% Energy • 14% Liveness
76% Instrumentalness • 30% Positiveness
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![Une Jeune Fillette (A Young Maiden) [Arr. João Carlos Victor] cover art](https://i.scdn.co/image/ab67616d00001e0238b6c0614bdebdc69f095a72)
Daniel Bacheler
Une Jeune Fillette (A Young Maiden) [Arr...
83 bpm • B min • 07:22 • -24.25db
6% Popularity • 25% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness
6% Popularity • 25% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor, WeissSW 1...
83 bpm • C# min • 01:36 • -29.88db
10% Popularity • 27% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
10% Popularity • 27% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
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Bellerofonte Castaldi
Cecchina (Corrente)
81 bpm • G Maj • 01:19 • -32db
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
29% Popularity • 53% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
14% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Ennemond Gaultier
Suite in F-Flat Minor: II. Allemande
83 bpm • E min • 04:50 • -26.77db
9% Popularity • 48% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
9% Popularity • 48% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Vincenzo Capirola
Balletto
81 bpm • D Maj • 01:52 • -31db
26% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
26% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
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Daniel Bacheler
Courante
83 bpm • D# Maj • 00:55 • -23.2db
0% Popularity • 52% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 76% Positiveness
0% Popularity • 52% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 76% Positiveness
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Johann Sebastian Bach
Suite in E Major, BWV 1006a: V. Bourrée
81 bpm • E Maj • 02:01 • -24.16db
16% Popularity • 36% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
16% Popularity • 36% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 86% Positiveness
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Robert de Visée
Sarabande en si mineur
81 bpm • C# Maj • 03:26 • -30.86db
11% Popularity • 30% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
11% Popularity • 30% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Bernhard Joachim Hagen
Sonata in C Minor: II. Allegro
83 bpm • F# Maj • 04:04 • -25db
10% Popularity • 25% Danceability • 20% Energy • 7% Liveness
82% Instrumentalness • 30% Positiveness
10% Popularity • 25% Danceability • 20% Energy • 7% Liveness
82% Instrumentalness • 30% Positiveness
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Heringman
Da Ripa : Benedicta es coelorum Regina
83 bpm • E Maj • 06:36 • -28db
11% Popularity • 31% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
11% Popularity • 31% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Silvius Leopold Weiss
Sonata No. 4 in B-Flat Major: II. Overtu...
84 bpm • G# Maj • 03:48 • -30.1db
7% Popularity • 31% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
7% Popularity • 31% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Daniel Bacheler
A Gallyard
83 bpm • D Maj • 02:00 • -31.1db
4% Popularity • 27% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 46% Positiveness
4% Popularity • 27% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 46% Positiveness
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Stephen Stubbs
Arpeggiata a mio modo (2004)
84 bpm • D# min • 03:12 • -35.04db
16% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
16% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Alex McCartney
Monsieur's Allemande
84 bpm • F# Maj • 09:22 • -24.63db
0% Popularity • 34% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 35% Positiveness
0% Popularity • 34% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 35% Positiveness
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Francesco Corbetta
Suite in C Major: I. Preludio
84 bpm • B Maj • 01:10 • -36db
20% Popularity • 28% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 59% Positiveness
20% Popularity • 28% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 59% Positiveness
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Johann Sebastian Bach
Fugue in G Minor, BWV 1000
80 bpm • F# min • 05:29 • -21.73db
8% Popularity • 26% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 27% Positiveness
8% Popularity • 26% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 27% Positiveness
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Wolff Jakob Lauffensteiner
Gigue
84 bpm • C# Maj • 01:16 • -22.25db
9% Popularity • 45% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
9% Popularity • 45% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Daniel Bacheler
Pavan
83 bpm • C# min • 04:53 • -32.56db
4% Popularity • 24% Danceability • 3% Energy • 25% Liveness
89% Instrumentalness • 40% Positiveness
4% Popularity • 24% Danceability • 3% Energy • 25% Liveness
89% Instrumentalness • 40% Positiveness
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Gaspar Sanz
Maricapalos
84 bpm • A min • 03:48 • -25db
15% Popularity • 35% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
15% Popularity • 35% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
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Heringman
Gintzler : Part II: Ave Maria
80 bpm • D min • 05:12 • -30.16db
11% Popularity • 32% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
11% Popularity • 32% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
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Charles Mouton
La Princesse Sarabande
84 bpm • G# min • 01:45 • -24db
9% Popularity • 49% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
9% Popularity • 49% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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John Dowland
Une jeune fillette
84 bpm • B min • 05:58 • -21db
14% Popularity • 41% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 74% Positiveness
14% Popularity • 41% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 74% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Ich kla...
80 bpm • F# Maj • 01:09 • -33.24db
19% Popularity • 47% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 24% Positiveness
19% Popularity • 47% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 24% Positiveness
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Daniel Bacheler
La jeune fillette
81 bpm • A# min • 09:49 • -26.67db
0% Popularity • 38% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
0% Popularity • 38% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
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Edward Martin
Fantasia 12
84 bpm • A# Maj • 02:54 • -17db
12% Popularity • 43% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
12% Popularity • 43% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Ennemond Gaultier
Suite in D Minor: III. L'adieu
79 bpm • C min • 02:48 • -26.69db
12% Popularity • 30% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
12% Popularity • 30% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Pietro Paolo Borrono
Fantasia
85 bpm • F Maj • 03:02 • -31.56db
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
9% Popularity • 33% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Robert Johnson
Pavan No. 2 in F Minor
79 bpm • A# min • 07:28 • -29.59db
9% Popularity • 35% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
9% Popularity • 35% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Anthony Holborne
Muy Linda (Galliard)
85 bpm • B min • 02:51 • -28db
10% Popularity • 45% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
10% Popularity • 45% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Giovanni Zamboni
Sonata in C Minor: I. Preludio
85 bpm • B min • 01:16 • -42.23db
12% Popularity • 22% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 24% Positiveness
12% Popularity • 22% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 24% Positiveness
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Edward Martin
Basse dance :La Roque: (Attaingnant)
79 bpm • C Maj • 01:40 • -25.99db
20% Popularity • 48% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
20% Popularity • 48% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
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Paolo D'Aragon
Toccate
79 bpm • E min • 03:26 • -21db
17% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
17% Popularity • 38% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 42% Positiveness
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Nicolas Vallet
Pavanne en forme de complainte
85 bpm • G# min • 04:49 • -25db
30% Popularity • 47% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
30% Popularity • 47% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Daniel Bacheler
Courante in B-Flat Minor
79 bpm • D# min • 01:27 • -28.72db
4% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 50% Positiveness
4% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 50% Positiveness
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Christian Zimmermann
Españoletas
79 bpm • C# min • 01:33 • -22db
9% Popularity • 43% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
9% Popularity • 43% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
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Luis de Narváez
La cancion del emperador. Mille Regres (...
85 bpm • G min • 02:07 • -30.28db
18% Popularity • 39% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 46% Positiveness
18% Popularity • 39% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 46% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: III. Cour...
85 bpm • C# min • 03:09 • -28.49db
12% Popularity • 34% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 73% Positiveness
12% Popularity • 34% Danceability • 16% Energy • 13% Liveness
89% Instrumentalness • 73% Positiveness
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John Dowland
La mia Barbara
79 bpm • E Maj • 05:30 • -19.82db
9% Popularity • 37% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 63% Positiveness
9% Popularity • 37% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 63% Positiveness
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Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
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Daniel Bacheler
Galliard
85 bpm • B min • 01:46 • -32.74db
3% Popularity • 36% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 41% Positiveness
3% Popularity • 36% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 41% Positiveness
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Giovanni Paolo Foscarini
Folia
86 bpm • C Maj • 02:31 • -18db
19% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
19% Popularity • 58% Danceability • 8% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
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Hopkinson Smith
Three Feminine Portraits - Lady Clifton'...
86 bpm • G min • 03:19 • -23.8db
14% Popularity • 31% Danceability • 14% Energy • 20% Liveness
84% Instrumentalness • 48% Positiveness
14% Popularity • 31% Danceability • 14% Energy • 20% Liveness
84% Instrumentalness • 48% Positiveness
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Ennemond Gaultier
Suite in A Major: II. Chaconne
78 bpm • G Maj • 06:33 • -21.62db
9% Popularity • 36% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 40% Positiveness
9% Popularity • 36% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 40% Positiveness
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Vincenzo Capirola
Lute music - Italy: Ricercar XIII
86 bpm • A# Maj • 03:31 • -22.68db
23% Popularity • 47% Danceability • 5% Energy • 16% Liveness
84% Instrumentalness • 32% Positiveness
23% Popularity • 47% Danceability • 5% Energy • 16% Liveness
84% Instrumentalness • 32% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 34 in D Minor: I. Prelud...
86 bpm • C min • 01:44 • -26.62db
24% Popularity • 37% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
24% Popularity • 37% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Daniel Bacheler
Bacheler: To Plead My Faith
85 bpm • D# Maj • 02:29 • -15.58db
0% Popularity • 34% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 34% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Alex McCartney
Galliard
86 bpm • B min • 01:58 • -24.25db
0% Popularity • 44% Danceability • 7% Energy • 7% Liveness
85% Instrumentalness • 43% Positiveness
0% Popularity • 44% Danceability • 7% Energy • 7% Liveness
85% Instrumentalness • 43% Positiveness
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Edward Martin
Fortune Laisse (Attaingnant)
86 bpm • F Maj • 02:03 • -23.81db
11% Popularity • 43% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 62% Positiveness
11% Popularity • 43% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 62% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
86 bpm • F Maj • 02:16 • -20.84db
22% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
22% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
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Adam Falckenhagen
Lute Sonata in C Minor, Op. 1, No. 1: II...
78 bpm • G# min • 04:22 • -25db
9% Popularity • 32% Danceability • 13% Energy • 18% Liveness
93% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 13% Energy • 18% Liveness
93% Instrumentalness • 13% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Andante
86 bpm • B Maj • 03:31 • -24.8db
11% Popularity • 58% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 30% Positiveness
11% Popularity • 58% Danceability • 8% Energy • 11% Liveness
40% Instrumentalness • 30% Positiveness
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Daniel Bacheler
To Plead My Faith
78 bpm • D Maj • 02:38 • -20.17db
0% Popularity • 28% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 28% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Christopher Tye
In Nomine No. 14, 'Reporte'
86 bpm • C# min • 02:15 • -28db
19% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
19% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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John Dowland
A Dream, P. 75
78 bpm • F min • 05:05 • -26.62db
10% Popularity • 47% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
10% Popularity • 47% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
► Preview
Heringman
Gintzler : Pater noster
78 bpm • D min • 07:03 • -28.96db
11% Popularity • 36% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 31% Positiveness
11% Popularity • 36% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 31% Positiveness
► Preview
Giovanni Zamboni
Suonata: Sarabanda
78 bpm • G# Maj • 01:29 • -21db
25% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
25% Popularity • 59% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 16% Positiveness
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Joan Ambrosio Dalza
Saltarello ala ferrarese - Intabulatura ...
78 bpm • A# Maj • 03:40 • -28.32db
8% Popularity • 46% Danceability • 13% Energy • 15% Liveness
91% Instrumentalness • 50% Positiveness
8% Popularity • 46% Danceability • 13% Energy • 15% Liveness
91% Instrumentalness • 50% Positiveness
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Silvius Leopold Weiss
Fugue in D Minor
87 bpm • C min • 02:43 • -30.34db
7% Popularity • 44% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 62% Positiveness
7% Popularity • 44% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 62% Positiveness
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Vincenzo Galilei
Fuga e due liuti
87 bpm • C Maj • 01:50 • -23.33db
14% Popularity • 50% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 39% Positiveness
14% Popularity • 50% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 39% Positiveness
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Daniel Bacheler
Pavan in D Major
78 bpm • C Maj • 04:19 • -29.41db
6% Popularity • 33% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
6% Popularity • 33% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Antonio de Cabezón
Differencias Sobre La Gallarda Milanesa
87 bpm • F Maj • 02:19 • -20db
10% Popularity • 38% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
10% Popularity • 38% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Bernhard Joachim Hagen
Sonata in C Minor: I. Andante
87 bpm • B min • 02:25 • -27.56db
13% Popularity • 42% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
13% Popularity • 42% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Francesco Corbetta
Corrente
87 bpm • C# Maj • 02:01 • -35.28db
17% Popularity • 34% Danceability • 1% Energy • 10% Liveness
65% Instrumentalness • 47% Positiveness
17% Popularity • 34% Danceability • 1% Energy • 10% Liveness
65% Instrumentalness • 47% Positiveness
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Heringman
De Fuenllana : Postrero kyrie
87 bpm • A min • 01:19 • -29.29db
12% Popularity • 54% Danceability • 3% Energy • 15% Liveness
96% Instrumentalness • 44% Positiveness
12% Popularity • 54% Danceability • 3% Energy • 15% Liveness
96% Instrumentalness • 44% Positiveness
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Julian Bream
John Dowland: Melancholy Galliard
87 bpm • G# Maj • 03:50 • -23.02db
18% Popularity • 44% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
18% Popularity • 44% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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John Dowland
Mrs. White's Thing, P. 50
87 bpm • G Maj • 02:13 • -22.71db
14% Popularity • 50% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 59% Positiveness
14% Popularity • 50% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 59% Positiveness
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Girolamo Frescobaldi
Canzona terza a canto solo "detta la Don...
77 bpm • C Maj • 02:19 • -22db
26% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
26% Popularity • 21% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Marko Dumančić
Naranca
87 bpm • C# min • 03:38 • -23.72db
8% Popularity • 42% Danceability • 17% Energy • 40% Liveness
79% Instrumentalness • 32% Positiveness
8% Popularity • 42% Danceability • 17% Energy • 40% Liveness
79% Instrumentalness • 32% Positiveness
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Francesco Corbetta
Balletto fatto nella Bariera sopra la Sa...
77 bpm • C# min • 01:18 • -27.87db
29% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
29% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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Simone Molinaro
Ballo detto il Conte Orlando - Fantasia
87 bpm • E Maj • 02:54 • -21db
8% Popularity • 39% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
8% Popularity • 39% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
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Thomas Morley
Pavin
87 bpm • A Maj • 04:56 • -38.39db
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Diomedes Cato
Dio: Re. mi. fa. sol. la
87 bpm • F# min • 01:52 • -22db
19% Popularity • 51% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
19% Popularity • 51% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
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Cesare Negri
Lute music - Italy: Lo spagnoletto - Il ...
87 bpm • F Maj • 02:40 • -20db
10% Popularity • 47% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 46% Positiveness
10% Popularity • 47% Danceability • 21% Energy • 8% Liveness
89% Instrumentalness • 46% Positiveness
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Luis Venegas de Henestrosa
5 Diferencias sobre las vacas
77 bpm • E Maj • 04:06 • -22.81db
10% Popularity • 29% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 47% Positiveness
10% Popularity • 29% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 47% Positiveness
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Domenico Pellegrini
Armoniosi concerti sopra la chitarra spa...
77 bpm • G# min • 01:00 • -29db
19% Popularity • 60% Danceability • 3% Energy • 14% Liveness
45% Instrumentalness • 44% Positiveness
19% Popularity • 60% Danceability • 3% Energy • 14% Liveness
45% Instrumentalness • 44% Positiveness
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Baltimore Consort
Kemp’s Jig
77 bpm • A# Maj • 01:15 • -24db
24% Popularity • 60% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 73% Positiveness
24% Popularity • 60% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 73% Positiveness
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Heinrich Isaac
Missa la Spagna: Agnus Dei
87 bpm • G# min • 01:36 • -33.01db
9% Popularity • 54% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
9% Popularity • 54% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
