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Courante
Songs like
Courante
by
Nicolas Vallet
Based on a tempo of (+/- 10%) and a similar genre
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Francesco da Milano
Fantasia 31
145 bpm • G Maj • 01:13 • -32.14db
30% Popularity • 28% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 94% Positiveness
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Nicolas Vallet
Le secret des muses: Courante I
148 bpm • B Maj • 01:46 • -24.14db
3% Popularity • 33% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 56% Positiveness
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EnrÃquez de Valderrábano
Soneto II
144 bpm • F Maj • 01:28 • -30db
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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Joachim van den Hove
Pavana lachrimae
144 bpm • F# min • 05:46 • -21.44db
20% Popularity • 39% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 61% Positiveness
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Edward Martin
Basse dance :La Magdalena: -Recoupe - To...
143 bpm • D min • 02:21 • -24db
19% Popularity • 45% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Ronn McFarlane
Sheebeg and Sheemore
143 bpm • E Maj • 02:54 • -20.32db
11% Popularity • 43% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 69% Positiveness
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Bernhard Joachim Hagen
Sonata in C Minor: III. Allegretto
149 bpm • B min • 03:36 • -25.09db
9% Popularity • 29% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 53% Positiveness
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Paolo da Firenze
Istampita instrumentale "Isabella"
150 bpm • F min • 06:33 • -21.06db
9% Popularity • 36% Danceability • 13% Energy • 10% Liveness
82% Instrumentalness • 32% Positiveness
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Edward Martin and Paul Berget
Duets for 2 Lutes in a minor and F Major...
143 bpm • E Maj • 01:45 • -25.97db
11% Popularity • 55% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
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Antonio de Cabezón
Tiento Para Harpa Ó Organo
142 bpm • F Maj • 00:59 • -24.65db
14% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 35% Positiveness
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Gaspar Sanz
Marionas
150 bpm • C Maj • 04:44 • -33.75db
8% Popularity • 31% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 62% Positiveness
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Diego Ortiz
Recercada No. 1
141 bpm • C Maj • 03:22 • -19.26db
16% Popularity • 58% Danceability • 16% Energy • 13% Liveness
88% Instrumentalness • 63% Positiveness
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Francesco Spinacino
Recercare: Racercare
141 bpm • A# Maj • 01:04 • -34.65db
33% Popularity • 30% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 65% Positiveness
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Francesco de la Torre
Danza alta
140 bpm • A min • 01:42 • -21db
17% Popularity • 48% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
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Francesco Corbetta
Sarabanda per la B
140 bpm • B Maj • 02:19 • -28.87db
12% Popularity • 39% Danceability • 7% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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John Dowland
Melancholy Galliard, P. 25
139 bpm • F# Maj • 02:36 • -20db
12% Popularity • 45% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
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Nicolas Vallet
Le secret des muses: Volte de la complai...
139 bpm • B Maj • 01:58 • -24.33db
2% Popularity • 34% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 48% Positiveness
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Jacopo da Bologna
Aspire refus contre doulce priere
140 bpm • C Maj • 04:17 • -23.91db
20% Popularity • 56% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 28% Positiveness
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Adam Falckenhagen
Lute Sonata in G Minor, Op. 1, No. 4: I....
139 bpm • C# Maj • 05:39 • -25.92db
7% Popularity • 56% Danceability • 2% Energy • 8% Liveness
74% Instrumentalness • 5% Positiveness
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EnrÃquez de Valderrábano
Soneto I
139 bpm • F Maj • 02:02 • -31db
16% Popularity • 35% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Alessandro Piccinini
Corrente IX
154 bpm • F min • 01:13 • -21db
28% Popularity • 42% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
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Henry VIII
Tandernaken: The Kynge Henry VIII
139 bpm • F Maj • 01:52 • -23db
7% Popularity • 32% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Nicolas Vallet
Une jeune Fillette
139 bpm • B min • 03:05 • -20.53db
0% Popularity • 49% Danceability • 13% Energy • 15% Liveness
91% Instrumentalness • 64% Positiveness
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Edward Martin
Sans Liberte (Morlaye)
139 bpm • G min • 02:52 • -25db
16% Popularity • 42% Danceability • 3% Energy • 26% Liveness
88% Instrumentalness • 39% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Joan Ambrosio Dalza
Piva
138 bpm • C# Maj • 02:10 • -20db
25% Popularity • 62% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Françoise Dufaut
Suite in A Minor: III. Courante
137 bpm • G# min • 01:06 • -29db
11% Popularity • 34% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 70% Positiveness
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Bellerofonte Castaldi
Cappricci a 2 stromenti cioe Tiorba et T...
137 bpm • G Maj • 02:55 • -25.65db
4% Popularity • 42% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
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Nicolas Vallet
Le secret des muses: Passameze par bequa...
138 bpm • E Maj • 04:18 • -21.81db
1% Popularity • 40% Danceability • 13% Energy • 9% Liveness
83% Instrumentalness • 40% Positiveness
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Hayne van Ghizeghem
Ghizeghem / Arr. Des Prez: De tous biens...
156 bpm • D min • 01:39 • -39db
16% Popularity • 11% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 36% Positiveness
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Giovanni Ambrosio
Ballo Francese chiamato Petit Rinense (A...
136 bpm • A# Maj • 01:40 • -27.47db
18% Popularity • 54% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Orlande de Lassus
Io ti vorria contar, LV 658 (Transcr. fo...
136 bpm • B Maj • 01:22 • -23.12db
21% Popularity • 48% Danceability • 17% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
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Jean Mercure
Pieces in A Minor: I. Allemande
136 bpm • G# min • 02:46 • -22db
15% Popularity • 38% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Pierre Attaingnant
Bransle de Poictou
136 bpm • E Maj • 03:01 • -22.86db
13% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
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Nicolas Vallet
Courante
137 bpm • B min • 01:15 • -19.65db
1% Popularity • 52% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
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Luis de Narváez
FantasÃa del Primer Tono - Libro 2
136 bpm • G min • 01:10 • -14.44db
16% Popularity • 51% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 56% Positiveness
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Vincenzo Galilei
Gagliarda Ecco
136 bpm • C Maj • 01:59 • -22.96db
12% Popularity • 53% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 54% Positiveness
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Christian Zimmermann
Españoleta
136 bpm • B Maj • 01:30 • -20db
13% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 37% Positiveness
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Edward Martin
Sixiesme Branle de Bourgogne (Le Roy)
136 bpm • F Maj • 01:21 • -27.77db
13% Popularity • 44% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 71% Positiveness
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Francesco Corbetta
Sua Corrente
135 bpm • C# min • 00:51 • -20db
20% Popularity • 66% Danceability • 9% Energy • 8% Liveness
51% Instrumentalness • 53% Positiveness
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Nicolas Vallet
Le secret des muses: Ballet - Ballet - B...
137 bpm • B Maj • 02:55 • -23.68db
2% Popularity • 36% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Guillaume de Machaut
Joie, plaisance (Medieval Fiddle & Ensem...
135 bpm • A# min • 01:23 • -22.19db
8% Popularity • 33% Danceability • 10% Energy • 30% Liveness
3% Instrumentalness • 33% Positiveness
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Anthony Holborne
Dances: Galliard [12]
158 bpm • C Maj • 01:02 • -18db
12% Popularity • 64% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 64% Positiveness
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Joan Ambrosio Dalza
Piva for Lute & Bass Viol
135 bpm • C# Maj • 01:55 • -20db
13% Popularity • 55% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
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Guillaume Dufay
Chansons (arr. for voice and chamber ens...
134 bpm • A min • 02:26 • -19.26db
12% Popularity • 48% Danceability • 11% Energy • 8% Liveness
45% Instrumentalness • 21% Positiveness
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Nicolas Vallet
Le secret des muses: Une jeune fillette
137 bpm • D Maj • 03:16 • -24.93db
1% Popularity • 35% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Antoine Busnois
Amours amours amours
134 bpm • G Maj • 02:19 • -26.9db
35% Popularity • 45% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 44% Positiveness
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John Dowland
Fantasia in G Major, P. 73: Fancy (Fanta...
133 bpm • G Maj • 03:27 • -22.22db
10% Popularity • 40% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 59% Positiveness
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Hopkinson Smith
Marizapalos
133 bpm • G min • 04:25 • -29.39db
20% Popularity • 48% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 40% Positiveness
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Heringman
De Navarez : Mille regretz
161 bpm • G min • 02:33 • -30.22db
14% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
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Francesco Corbetta
La Guitarre Royalle: Autre fanfare
133 bpm • B Maj • 01:28 • -27db
16% Popularity • 55% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 70% Positiveness
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Nicolas Vallet
Malsimmes
135 bpm • F# min • 01:26 • -21.32db
0% Popularity • 50% Danceability • 7% Energy • 11% Liveness
47% Instrumentalness • 60% Positiveness
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Antoine de Févin
Sancta Trinitas
132 bpm • E Maj • 03:31 • -25db
29% Popularity • 42% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 59% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Ein wel...
161 bpm • C# min • 00:54 • -22db
26% Popularity • 39% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 96% Positiveness
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Piffaro
Greyner, Zanner
132 bpm • A Maj • 01:16 • -17db
19% Popularity • 36% Danceability • 12% Energy • 6% Liveness
94% Instrumentalness • 71% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Tempo de Min...
132 bpm • B Maj • 03:46 • -20db
10% Popularity • 49% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 56% Positiveness
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Christian Zimmermann
Partita BWV 1007 V.
131 bpm • C# Maj • 01:09 • -20db
11% Popularity • 38% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 83% Positiveness
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Nicolas Vallet
Onder de Lindegrone
134 bpm • B Maj • 01:24 • -19.63db
0% Popularity • 50% Danceability • 12% Energy • 12% Liveness
70% Instrumentalness • 48% Positiveness
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Michelangelo Galilei
Il primo libro d'Intavolatura di Liuto: ...
131 bpm • F# min • 01:48 • -22.62db
22% Popularity • 39% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Hans Neusidler
Der ander Theil des Lautenbuchs: Der hup...
131 bpm • G# min • 01:42 • -18db
23% Popularity • 60% Danceability • 34% Energy • 13% Liveness
73% Instrumentalness • 15% Positiveness
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William Byrd
Fantasia à 3 No. 3
131 bpm • A# Maj • 01:14 • -32.12db
13% Popularity • 30% Danceability • 0% Energy • 10% Liveness
70% Instrumentalness • 50% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
22% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Hans Judenkünig
Ein seer guter Organistischer Preambel
130 bpm • G min • 03:05 • -31db
12% Popularity • 35% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
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Nicolas Vallet
Pavanne de Spagne
131 bpm • B min • 02:27 • -20.33db
0% Popularity • 50% Danceability • 12% Energy • 14% Liveness
78% Instrumentalness • 60% Positiveness
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John Playford
The English Dancing Master: Parson's far...
130 bpm • A min • 01:36 • -14.42db
19% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
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Hans Neusidler
Myn Hert Altyt Heeft Verlanghen II
131 bpm • G min • 03:39 • -34db
17% Popularity • 36% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 27% Positiveness
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Robert Ballard
Branles de village
130 bpm • C Maj • 03:49 • -28db
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
60% Instrumentalness • 50% Positiveness
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Ronn McFarlane
O'Carolan's Dream
129 bpm • G# min • 03:31 • -23db
19% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Vincenzo Galilei
Fronimo: Ricercare del primo tuono
129 bpm • C Maj • 01:10 • -18.68db
24% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
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Nicolas Vallet
Bourrée D'avignon
163 bpm • B Maj • 01:42 • -20.68db
1% Popularity • 41% Danceability • 10% Energy • 13% Liveness
55% Instrumentalness • 65% Positiveness
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Francisco Guerau
Villanos
129 bpm • C# Maj • 04:55 • -22db
12% Popularity • 44% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 44% Positiveness
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John Dowland
My Lord Willoughby's welcome home
128 bpm • C min • 01:38 • -38.7db
15% Popularity • 47% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 65% Positiveness
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Robert Ballard
Courante: Corante
165 bpm • A Maj • 01:28 • -21db
20% Popularity • 37% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Joan Ambrosio Dalza
Saltarello
128 bpm • C# Maj • 02:43 • -25.03db
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Hopkinson Smith
Gagliarda
128 bpm • E Maj • 02:04 • -27db
17% Popularity • 40% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
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Nicolas Vallet
Le secret des muses: Ballet
130 bpm • F# min • 01:31 • -25.68db
1% Popularity • 38% Danceability • 12% Energy • 12% Liveness
76% Instrumentalness • 66% Positiveness
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Francesco da Milano
Fantasia No. 15
167 bpm • C Maj • 01:46 • -25.62db
13% Popularity • 30% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 77% Positiveness
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Bellerofonte Castaldi
Cromatica corrente
167 bpm • A# Maj • 01:01 • -22db
23% Popularity • 42% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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François Dufaut
Suite in G Minor: III. Sarabande
127 bpm • F# min • 03:48 • -26.71db
11% Popularity • 56% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 18% Positiveness
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Edward Martin
The Fowerth Branle of Malte (Le Roy)
168 bpm • F Maj • 01:08 • -23.27db
16% Popularity • 32% Danceability • 10% Energy • 9% Liveness
69% Instrumentalness • 84% Positiveness
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Ennemond Gaultier
Suite in D Minor: VI. Courante
127 bpm • C min • 01:34 • -24.18db
14% Popularity • 36% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria II
126 bpm • F# Maj • 01:10 • -27.77db
24% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Alonso Mudarra
Pavana de Alexandre (Gallárda)
126 bpm • E Maj • 03:44 • -22db
12% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Tylman Susato
Dansereye (1551): Passe e medio/ Reprise...
170 bpm • D min • 01:25 • -30db
13% Popularity • 38% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Matthäus Reymann
Chorea 1 from Noctes Musicae
171 bpm • E Maj • 02:48 • -27db
10% Popularity • 40% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 38% Positiveness
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John Playford
Dances From the English Dancing Master: ...
172 bpm • A min • 01:35 • -24db
19% Popularity • 24% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Adrien Le Roy
Passemezzo for Lute & Bass Viol
124 bpm • B Maj • 01:44 • -23.13db
13% Popularity • 59% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 60% Positiveness
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Michael Praetorius
Terpsichore*: Courante La Mouline
172 bpm • C Maj • 01:21 • -24db
19% Popularity • 48% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 50% Positiveness
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Leonel Power
Gloriose virginis Marie
175 bpm • F Maj • 02:02 • -31.87db
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 10% Positiveness
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John Dowland
Mr Knight's Galliard, P. 36
176 bpm • C min • 01:51 • -20.77db
15% Popularity • 40% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 58% Positiveness
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Francesca Torelli
Le mouton: Canarie
176 bpm • F min • 01:37 • -27db
12% Popularity • 32% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
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Christopher Tye
Rubum quem: Rubum quem
176 bpm • B Maj • 01:15 • -24db
19% Popularity • 8% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
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Zachara da Teramo
Un fiore gentile m'apparse
178 bpm • D min • 02:08 • -20db
25% Popularity • 52% Danceability • 10% Energy • 8% Liveness
78% Instrumentalness • 62% Positiveness
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Pierre Attaingnant
Branle gay
178 bpm • A# Maj • 01:08 • -23.94db
26% Popularity • 51% Danceability • 4% Energy • 11% Liveness
81% Instrumentalness • 42% Positiveness
► Preview
Giovanni Zamboni
Lute Sonata No. 9: I. Preludio
179 bpm • C# min • 01:32 • -26db
25% Popularity • 28% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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John Dowland
Lady Hunsdon's Puffe, P. 54
173 bpm • G# Maj • 01:01 • -19.57db
20% Popularity • 33% Danceability • 27% Energy • 8% Liveness
93% Instrumentalness • 74% Positiveness
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Francesca Torelli
L'amant content: Canarie
178 bpm • G# Maj • 01:26 • -25.37db
13% Popularity • 40% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 36% Positiveness
► Preview
Michael Praetorius
Terpsichore: Spagnoletta a 4 - Le secret...
180 bpm • A min • 03:32 • -21.25db
0% Popularity • 31% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
► Preview
Juan del Encina
Si habrá en este baldrés?
181 bpm • C Maj • 03:25 • -20db
11% Popularity • 29% Danceability • 24% Energy • 14% Liveness
94% Instrumentalness • 50% Positiveness
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Courante