Songs like Cousin Mary by Archie Shepp
Based on a tempo of (+/- 10%) and a similar genre
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Art Ensemble Of Chicago
Thème de Yoyo
130 bpm • C min • 09:01 • -12.28db
26% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 48% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Leon Thomas
Echoes
130 bpm • C min • 05:40 • -16.09db
16% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 37% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Elvin Jones
Raunchy Rita
130 bpm • F min • 11:32 • -13db
23% Popularity • 57% Danceability • 43% Energy • 10% Liveness
57% Instrumentalness • 70% Positiveness
23% Popularity • 57% Danceability • 43% Energy • 10% Liveness
57% Instrumentalness • 70% Positiveness
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Archie Shepp
Cousin Mary
130 bpm • C Maj • 07:14 • -10.73db
19% Popularity • 47% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 47% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Michael White
Spirit Dance
130 bpm • F Maj • 03:17 • -13.83db
13% Popularity • 48% Danceability • 37% Energy • 11% Liveness
53% Instrumentalness • 47% Positiveness
13% Popularity • 48% Danceability • 37% Energy • 11% Liveness
53% Instrumentalness • 47% Positiveness
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Pete La Roca
Candu - Remastered 2004
130 bpm • D min • 06:45 • -9.99db
13% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Horace Silver
In Pursuit Of The 27th Man - Remastered
131 bpm • C# Maj • 09:44 • -10.7db
12% Popularity • 30% Danceability • 55% Energy • 8% Liveness
69% Instrumentalness • 56% Positiveness
12% Popularity • 30% Danceability • 55% Energy • 8% Liveness
69% Instrumentalness • 56% Positiveness
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Gene Harris & The Three Sounds
African Sweets
131 bpm • A min • 04:28 • -9db
15% Popularity • 61% Danceability • 67% Energy • 64% Liveness
82% Instrumentalness • 84% Positiveness
15% Popularity • 61% Danceability • 67% Energy • 64% Liveness
82% Instrumentalness • 84% Positiveness
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Roland Kirk Quartet
No Tonic Press
129 bpm • C min • 04:31 • -18db
17% Popularity • 43% Danceability • 45% Energy • 13% Liveness
1% Instrumentalness • 59% Positiveness
17% Popularity • 43% Danceability • 45% Energy • 13% Liveness
1% Instrumentalness • 59% Positiveness
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Archie Shepp
Quiet Dawn
129 bpm • G min • 06:12 • -14db
24% Popularity • 35% Danceability • 45% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
24% Popularity • 35% Danceability • 45% Energy • 10% Liveness
59% Instrumentalness • 38% Positiveness
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Lee Morgan
Cornbread
129 bpm • C min • 09:03 • -12.61db
31% Popularity • 66% Danceability • 52% Energy • 7% Liveness
8% Instrumentalness • 82% Positiveness
31% Popularity • 66% Danceability • 52% Energy • 7% Liveness
8% Instrumentalness • 82% Positiveness
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Maisha
Kaa
129 bpm • D# min • 10:22 • -10.87db
12% Popularity • 46% Danceability • 63% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
12% Popularity • 46% Danceability • 63% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Marcus Belgrave
Gemini II
129 bpm • C# Maj • 05:37 • -8.1db
18% Popularity • 39% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 39% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Pat Martino
Where Love's A Grown-Up God - Instrument...
132 bpm • D Maj • 06:33 • -20.39db
7% Popularity • 41% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
7% Popularity • 41% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Dr. Lonnie Smith
Hola Muneca
128 bpm • D# min • 02:53 • -10.68db
17% Popularity • 69% Danceability • 71% Energy • 17% Liveness
39% Instrumentalness • 95% Positiveness
17% Popularity • 69% Danceability • 71% Energy • 17% Liveness
39% Instrumentalness • 95% Positiveness
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Don Ellis
Alone
131 bpm • G# Maj • 05:31 • -10.68db
12% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Cecil Taylor
Steps
128 bpm • C# min • 10:20 • -12.83db
19% Popularity • 37% Danceability • 66% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
19% Popularity • 37% Danceability • 66% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
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Tchangodei
Soweto ( For Nelson Mandela )
132 bpm • D# Maj • 09:49 • -13.79db
2% Popularity • 56% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
2% Popularity • 56% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Gary Bartz Ntu Troop
Vietcong
128 bpm • C# Maj • 05:17 • -10.09db
8% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Adele Sebastian
Belize
128 bpm • C min • 05:49 • -19.85db
12% Popularity • 57% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
12% Popularity • 57% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Kenny Burrell
Lotus Land
128 bpm • C Maj • 09:35 • -20.92db
13% Popularity • 38% Danceability • 20% Energy • 9% Liveness
51% Instrumentalness • 14% Positiveness
13% Popularity • 38% Danceability • 20% Energy • 9% Liveness
51% Instrumentalness • 14% Positiveness
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Nubya Garcia
Fly Free
127 bpm • A# min • 09:41 • -14.31db
20% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
20% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
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Matthew Halsall
Colour Yes - Special Edition
127 bpm • A min • 08:41 • -12.47db
31% Popularity • 40% Danceability • 33% Energy • 17% Liveness
89% Instrumentalness • 28% Positiveness
31% Popularity • 40% Danceability • 33% Energy • 17% Liveness
89% Instrumentalness • 28% Positiveness
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The Awakening
Kera's Dance
133 bpm • A Maj • 10:03 • -18.03db
11% Popularity • 53% Danceability • 30% Energy • 22% Liveness
81% Instrumentalness • 43% Positiveness
11% Popularity • 53% Danceability • 30% Energy • 22% Liveness
81% Instrumentalness • 43% Positiveness
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Gary Bartz
Jujuman
127 bpm • C min • 10:39 • -11.21db
9% Popularity • 42% Danceability • 56% Energy • 33% Liveness
35% Instrumentalness • 63% Positiveness
9% Popularity • 42% Danceability • 56% Energy • 33% Liveness
35% Instrumentalness • 63% Positiveness
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Archie Shepp
The Original Mr. Sonny Boy Williamson
127 bpm • C Maj • 05:59 • -13.76db
4% Popularity • 49% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
4% Popularity • 49% Danceability • 41% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
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Art Ensemble Of Chicago
Charlie M
127 bpm • A# min • 09:17 • -15db
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
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Roy Haynes Quartet
Some Other Spring
127 bpm • G Maj • 03:29 • -18db
25% Popularity • 49% Danceability • 20% Energy • 36% Liveness
89% Instrumentalness • 26% Positiveness
25% Popularity • 49% Danceability • 20% Energy • 36% Liveness
89% Instrumentalness • 26% Positiveness
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Damu The Fudgemunk
Learning to Breathe - Album Mix
133 bpm • D Maj • 02:05 • -9.93db
16% Popularity • 52% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 52% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 1
127 bpm • A Maj • 03:40 • -24db
25% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
25% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Abdullah Ibrahim
Sister Rose
126 bpm • F Maj • 04:43 • -9.34db
12% Popularity • 61% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 64% Positiveness
12% Popularity • 61% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 64% Positiveness
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Archie Shepp
Syeeda's Song Flute
127 bpm • C Maj • 08:29 • -11db
11% Popularity • 52% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 52% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Bobbi Humphrey
Sad Bag
126 bpm • D min • 05:08 • -15.67db
10% Popularity • 41% Danceability • 27% Energy • 16% Liveness
96% Instrumentalness • 19% Positiveness
10% Popularity • 41% Danceability • 27% Energy • 16% Liveness
96% Instrumentalness • 19% Positiveness
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Joe Farrell
Collage for Polly
126 bpm • C Maj • 02:30 • -30.85db
19% Popularity • 41% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 6% Positiveness
19% Popularity • 41% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 6% Positiveness
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Calvin Keys
B. E.
134 bpm • E min • 07:23 • -15.79db
15% Popularity • 43% Danceability • 40% Energy • 21% Liveness
89% Instrumentalness • 52% Positiveness
15% Popularity • 43% Danceability • 40% Energy • 21% Liveness
89% Instrumentalness • 52% Positiveness
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Jeff Parker
Pinecone
126 bpm • G Maj • 04:09 • -21.39db
9% Popularity • 48% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
9% Popularity • 48% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Elvin Jones
Feeling Good
134 bpm • A min • 04:09 • -22db
30% Popularity • 40% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 28% Positiveness
30% Popularity • 40% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 28% Positiveness
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Archie Shepp
Sometimes I Feel Like a Motherless Child
133 bpm • D# min • 08:20 • -16.03db
13% Popularity • 43% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
13% Popularity • 43% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Karin Krog
Soul Eyes
126 bpm • A Maj • 06:38 • -17.32db
1% Popularity • 51% Danceability • 14% Energy • 10% Liveness
8% Instrumentalness • 42% Positiveness
1% Popularity • 51% Danceability • 14% Energy • 10% Liveness
8% Instrumentalness • 42% Positiveness
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Kenny Burrell
Moon And Sand
126 bpm • G min • 04:14 • -20db
35% Popularity • 67% Danceability • 30% Energy • 9% Liveness
83% Instrumentalness • 72% Positiveness
35% Popularity • 67% Danceability • 30% Energy • 9% Liveness
83% Instrumentalness • 72% Positiveness
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Chico Hamilton
Marcheta
135 bpm • C Maj • 04:02 • -12.82db
13% Popularity • 68% Danceability • 73% Energy • 18% Liveness
1% Instrumentalness • 71% Positiveness
13% Popularity • 68% Danceability • 73% Energy • 18% Liveness
1% Instrumentalness • 71% Positiveness
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Sun Ra Arkestra
Egypt Strut
126 bpm • C# Maj • 06:41 • -10.04db
16% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Makoto Terashita meets Harold Land
Dragon Dance
135 bpm • A# Maj • 12:32 • -12.54db
8% Popularity • 44% Danceability • 44% Energy • 10% Liveness
81% Instrumentalness • 59% Positiveness
8% Popularity • 44% Danceability • 44% Energy • 10% Liveness
81% Instrumentalness • 59% Positiveness
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The Lloyd McNeill Quartet
2504 Cliffborne Pl.
125 bpm • G# min • 05:59 • -23.38db
8% Popularity • 35% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
8% Popularity • 35% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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George Coleman
Amsterdam After Dark
135 bpm • C# Maj • 08:29 • -13.7db
15% Popularity • 56% Danceability • 42% Energy • 33% Liveness
67% Instrumentalness • 71% Positiveness
15% Popularity • 56% Danceability • 42% Energy • 33% Liveness
67% Instrumentalness • 71% Positiveness
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Tina Brooks
Good Old Soul
125 bpm • A# min • 08:07 • -6.94db
21% Popularity • 54% Danceability • 52% Energy • 12% Liveness
34% Instrumentalness • 56% Positiveness
21% Popularity • 54% Danceability • 52% Energy • 12% Liveness
34% Instrumentalness • 56% Positiveness
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Material
Take A Chance
125 bpm • F Maj • 04:30 • -10.92db
3% Popularity • 80% Danceability • 87% Energy • 34% Liveness
5% Instrumentalness • 68% Positiveness
3% Popularity • 80% Danceability • 87% Energy • 34% Liveness
5% Instrumentalness • 68% Positiveness
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Ruby Rushton
Where Are You Now?
125 bpm • C# Maj • 06:03 • -12.42db
11% Popularity • 57% Danceability • 50% Energy • 6% Liveness
72% Instrumentalness • 72% Positiveness
11% Popularity • 57% Danceability • 50% Energy • 6% Liveness
72% Instrumentalness • 72% Positiveness
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Harold Land Quintet
The Peace-Maker
136 bpm • F min • 05:07 • -16.67db
12% Popularity • 45% Danceability • 19% Energy • 6% Liveness
3% Instrumentalness • 37% Positiveness
12% Popularity • 45% Danceability • 19% Energy • 6% Liveness
3% Instrumentalness • 37% Positiveness
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Nubya Garcia
Red Sun
136 bpm • C# Maj • 08:17 • -14.59db
16% Popularity • 39% Danceability • 41% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
16% Popularity • 39% Danceability • 41% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
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Idris Ackamoor
Papyrus
125 bpm • F min • 07:41 • -8.43db
14% Popularity • 63% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 63% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Chicago Underground Quartet
A Re-Occuring Dream
124 bpm • G Maj • 03:11 • -11.19db
12% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
12% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
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Don Ellis
Dew
136 bpm • F# Maj • 01:29 • -21.95db
24% Popularity • 18% Danceability • 22% Energy • 11% Liveness
33% Instrumentalness • 8% Positiveness
24% Popularity • 18% Danceability • 22% Energy • 11% Liveness
33% Instrumentalness • 8% Positiveness
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Archie Shepp
Mama Too Tight
136 bpm • D min • 05:25 • -8db
8% Popularity • 48% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 48% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Les McCann
Sometimes I Cry
136 bpm • F# Maj • 05:22 • -15.44db
32% Popularity • 48% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
32% Popularity • 48% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Wadada Leo Smith
Uprising
136 bpm • E min • 04:41 • -11db
12% Popularity • 44% Danceability • 66% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
12% Popularity • 44% Danceability • 66% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
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Pete La Roca
Turkish Women at the Bath
136 bpm • C min • 05:47 • -13.61db
14% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Randy Weston
Afro Black
124 bpm • A# Maj • 02:59 • -9.18db
12% Popularity • 40% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 40% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Cecil Taylor
Pots
136 bpm • C Maj • 05:48 • -13.5db
1% Popularity • 47% Danceability • 58% Energy • 28% Liveness
82% Instrumentalness • 50% Positiveness
1% Popularity • 47% Danceability • 58% Energy • 28% Liveness
82% Instrumentalness • 50% Positiveness
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Archie Shepp
Blues For Brother George Jackson
124 bpm • B Maj • 04:00 • -14.24db
18% Popularity • 53% Danceability • 49% Energy • 20% Liveness
59% Instrumentalness • 68% Positiveness
18% Popularity • 53% Danceability • 49% Energy • 20% Liveness
59% Instrumentalness • 68% Positiveness
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Gary Burton Quartet
African Flower
136 bpm • D# min • 07:46 • -11.87db
17% Popularity • 38% Danceability • 48% Energy • 69% Liveness
72% Instrumentalness • 34% Positiveness
17% Popularity • 38% Danceability • 48% Energy • 69% Liveness
72% Instrumentalness • 34% Positiveness
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Sam Rivers
Ellipsis
124 bpm • G min • 07:40 • -14.73db
13% Popularity • 46% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 46% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 4 : Prince Will...
137 bpm • E Maj • 05:57 • -14.64db
7% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Art Farmer
Siddhartha
137 bpm • D min • 07:38 • -14db
22% Popularity • 50% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
22% Popularity • 50% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 48% Positiveness
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Shabaka
Black Skin, Black Masks
124 bpm • D Maj • 07:02 • -12db
24% Popularity • 59% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
24% Popularity • 59% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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Andrew Hill
Pumpkin
137 bpm • G min • 05:23 • -15db
15% Popularity • 45% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 45% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Archie Shepp
Amazing grace
137 bpm • D# Maj • 04:22 • -17.48db
8% Popularity • 53% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 30% Positiveness
8% Popularity • 53% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 30% Positiveness
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Dizzy Gillespie
Theme From The Cool World
124 bpm • A# min • 05:17 • -13.93db
11% Popularity • 49% Danceability • 36% Energy • 10% Liveness
66% Instrumentalness • 79% Positiveness
11% Popularity • 49% Danceability • 36% Energy • 10% Liveness
66% Instrumentalness • 79% Positiveness
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Roland Kirk Quartet
I Talk With The Spirits
124 bpm • E min • 03:57 • -25.71db
12% Popularity • 34% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
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Shirley Scott
Keep on Movin' On
137 bpm • A# Maj • 09:52 • -11.85db
9% Popularity • 54% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
9% Popularity • 54% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
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Horace Parlan
Us Three - Remastered
123 bpm • D# Maj • 04:35 • -13db
24% Popularity • 65% Danceability • 56% Energy • 11% Liveness
95% Instrumentalness • 68% Positiveness
24% Popularity • 65% Danceability • 56% Energy • 11% Liveness
95% Instrumentalness • 68% Positiveness
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Idris Muhammad
The Saddest Thing
123 bpm • A Maj • 07:06 • -12.95db
20% Popularity • 56% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
20% Popularity • 56% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
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Archie Shepp
Sometimes I feel like a motherless child
137 bpm • D min • 05:20 • -17.75db
7% Popularity • 44% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
7% Popularity • 44% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Dave Holland Quartet
Conference Of The Birds
123 bpm • A# Maj • 04:37 • -22.25db
41% Popularity • 39% Danceability • 17% Energy • 20% Liveness
36% Instrumentalness • 29% Positiveness
41% Popularity • 39% Danceability • 17% Energy • 20% Liveness
36% Instrumentalness • 29% Positiveness
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Sam Rivers
Point Of Many Returns
123 bpm • G Maj • 09:23 • -10db
15% Popularity • 46% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 46% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Albert Ayler
Summertime
137 bpm • A# Maj • 08:47 • -16db
37% Popularity • 45% Danceability • 19% Energy • 30% Liveness
57% Instrumentalness • 29% Positiveness
37% Popularity • 45% Danceability • 19% Energy • 30% Liveness
57% Instrumentalness • 29% Positiveness
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Gato Barbieri
Tupac Amaru
123 bpm • C Maj • 04:15 • -14.14db
17% Popularity • 53% Danceability • 51% Energy • 9% Liveness
51% Instrumentalness • 55% Positiveness
17% Popularity • 53% Danceability • 51% Energy • 9% Liveness
51% Instrumentalness • 55% Positiveness
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Roland Kirk Quartet
Serenade To A Cuckoo
137 bpm • F min • 04:35 • -20db
22% Popularity • 58% Danceability • 15% Energy • 17% Liveness
49% Instrumentalness • 50% Positiveness
22% Popularity • 58% Danceability • 15% Energy • 17% Liveness
49% Instrumentalness • 50% Positiveness
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Damu The Fudgemunk
Learning to Breathe - Extended Mix
137 bpm • E min • 03:44 • -11.79db
5% Popularity • 41% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 29% Positiveness
5% Popularity • 41% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 29% Positiveness
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Archie Shepp
Invocation To Mr. Parker
137 bpm • A Maj • 03:16 • -28.92db
14% Popularity • 46% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 46% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
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Jack McDuff
Oblighetto
123 bpm • C Maj • 06:36 • -9.75db
32% Popularity • 45% Danceability • 73% Energy • 18% Liveness
43% Instrumentalness • 28% Positiveness
32% Popularity • 45% Danceability • 73% Energy • 18% Liveness
43% Instrumentalness • 28% Positiveness
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Peter Giger's Family Of Percussion
Anonymus V
123 bpm • G# Maj • 03:05 • -13.05db
2% Popularity • 54% Danceability • 87% Energy • 7% Liveness
92% Instrumentalness • 72% Positiveness
2% Popularity • 54% Danceability • 87% Energy • 7% Liveness
92% Instrumentalness • 72% Positiveness
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Don Ellis
Open Beauty
123 bpm • G Maj • 08:27 • -18.14db
10% Popularity • 46% Danceability • 11% Energy • 21% Liveness
77% Instrumentalness • 8% Positiveness
10% Popularity • 46% Danceability • 11% Energy • 21% Liveness
77% Instrumentalness • 8% Positiveness
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Sun Ra & His Arkestra
Springtime Again
123 bpm • F Maj • 09:15 • -11.99db
34% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
34% Popularity • 36% Danceability • 43% Energy • 14% Liveness
40% Instrumentalness • 18% Positiveness
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Denny Zeitlin
Repeat
138 bpm • G# Maj • 03:17 • -18.47db
9% Popularity • 50% Danceability • 26% Energy • 12% Liveness
52% Instrumentalness • 48% Positiveness
9% Popularity • 50% Danceability • 26% Energy • 12% Liveness
52% Instrumentalness • 48% Positiveness
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Horace Silver Quintet
Bonita - Rudy Van Gelder Edition / 2003 ...
138 bpm • G# Maj • 08:37 • -11.45db
17% Popularity • 55% Danceability • 38% Energy • 12% Liveness
74% Instrumentalness • 64% Positiveness
17% Popularity • 55% Danceability • 38% Energy • 12% Liveness
74% Instrumentalness • 64% Positiveness
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Andrew Hill
Grass Roots
123 bpm • A# Maj • 05:41 • -14db
9% Popularity • 58% Danceability • 33% Energy • 11% Liveness
5% Instrumentalness • 48% Positiveness
9% Popularity • 58% Danceability • 33% Energy • 11% Liveness
5% Instrumentalness • 48% Positiveness
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Lee Morgan
Yes I Can, No You Can't
123 bpm • A# Maj • 07:23 • -10.48db
23% Popularity • 58% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 58% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Archie Shepp
Mr. Syms
122 bpm • C min • 07:41 • -13.25db
11% Popularity • 54% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 54% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Henry Franklin
Plastic Creek Stomp
122 bpm • G Maj • 03:23 • -17.86db
17% Popularity • 34% Danceability • 28% Energy • 12% Liveness
85% Instrumentalness • 41% Positiveness
17% Popularity • 34% Danceability • 28% Energy • 12% Liveness
85% Instrumentalness • 41% Positiveness
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Kenny Dorham
Lotus Blossom
122 bpm • D min • 04:38 • -16.2db
35% Popularity • 49% Danceability • 42% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
35% Popularity • 49% Danceability • 42% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
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Jackie McLean
Love And Hate
122 bpm • A# Maj • 08:25 • -17db
15% Popularity • 57% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 17% Positiveness
15% Popularity • 57% Danceability • 7% Energy • 10% Liveness
26% Instrumentalness • 17% Positiveness
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The Awakening
When Will It Ever End
139 bpm • A min • 07:18 • -20.68db
16% Popularity • 40% Danceability • 15% Energy • 20% Liveness
53% Instrumentalness • 35% Positiveness
16% Popularity • 40% Danceability • 15% Energy • 20% Liveness
53% Instrumentalness • 35% Positiveness
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The John Wright Trio
47th And Calumet
138 bpm • C Maj • 03:55 • -19.5db
12% Popularity • 52% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 22% Positiveness
12% Popularity • 52% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 22% Positiveness
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Peter Giger's Family Of Percussion
Mayas Traum
139 bpm • D Maj • 03:13 • -16.07db
2% Popularity • 31% Danceability • 15% Energy • 12% Liveness
73% Instrumentalness • 3% Positiveness
2% Popularity • 31% Danceability • 15% Energy • 12% Liveness
73% Instrumentalness • 3% Positiveness
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Pete La Roca
Basra - Remastered 2004
139 bpm • D Maj • 09:59 • -11db
13% Popularity • 50% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 50% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Lee Konitz
Intuition
122 bpm • G# Maj • 02:29 • -15db
38% Popularity • 53% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
38% Popularity • 53% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Blue Mitchell
Soul Village
121 bpm • F Maj • 06:21 • -9.8db
12% Popularity • 57% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 61% Positiveness
12% Popularity • 57% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 61% Positiveness
