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Crawl Space
Songs like
Crawl Space
by
Art Farmer
Based on a tempo of (+/- 10%) and a similar genre
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David Axelrod
Get Up Off Your Knees
176 bpm • G Maj • 03:38 • -10db
29% Popularity • 37% Danceability • 58% Energy • 11% Liveness
54% Instrumentalness • 70% Positiveness
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Elvin Jones
Half And Half
176 bpm • A# min • 06:25 • -15db
22% Popularity • 31% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Art Farmer
Crawl Space
176 bpm • F min • 08:51 • -12db
27% Popularity • 56% Danceability • 59% Energy • 8% Liveness
85% Instrumentalness • 92% Positiveness
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Medeski, Martin & Wood
I Wanna Ride You
175 bpm • C Maj • 03:28 • -10db
39% Popularity • 50% Danceability • 71% Energy • 26% Liveness
90% Instrumentalness • 75% Positiveness
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Gene Harris
Feeling You, Feeling Me Too!
175 bpm • C Maj • 01:58 • -11db
39% Popularity • 48% Danceability • 73% Energy • 10% Liveness
83% Instrumentalness • 65% Positiveness
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Ahmad Jamal Trio
Patterns
178 bpm • A# Maj • 06:18 • -16db
35% Popularity • 36% Danceability • 41% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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George Duke
Funny Funk
178 bpm • A# min • 05:18 • -16.45db
17% Popularity • 50% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 87% Positiveness
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The Poets Of Rhythm
Discern/Define
178 bpm • D Maj • 04:07 • -8.7db
35% Popularity • 53% Danceability • 78% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Art Farmer
Upper Manhattan Medical Group
176 bpm • C# Maj • 07:04 • -17.55db
4% Popularity • 40% Danceability • 24% Energy • 11% Liveness
44% Instrumentalness • 52% Positiveness
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Janko Nilovic
Interlude
174 bpm • A Maj • 01:47 • -10.58db
32% Popularity • 62% Danceability • 58% Energy • 8% Liveness
88% Instrumentalness • 54% Positiveness
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Weather Report
Barbary Coast
179 bpm • F# Maj • 03:07 • -17db
24% Popularity • 56% Danceability • 53% Energy • 10% Liveness
90% Instrumentalness • 78% Positiveness
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John Lurie
AI AI AI AI
173 bpm • C Maj • 03:11 • -16db
35% Popularity • 59% Danceability • 44% Energy • 27% Liveness
89% Instrumentalness • 92% Positiveness
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Feqadu Amde-mesqel
Asmarina (My Asmara)
173 bpm • A min • 04:58 • -11db
34% Popularity • 39% Danceability • 49% Energy • 14% Liveness
60% Instrumentalness • 70% Positiveness
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Ghost-Note
Weedie B. Good
173 bpm • C# Maj • 07:55 • -9db
23% Popularity • 50% Danceability • 80% Energy • 19% Liveness
30% Instrumentalness • 71% Positiveness
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John Abercrombie
Back-Woods Song
172 bpm • A min • 07:51 • -17.65db
23% Popularity • 42% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 73% Positiveness
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稲垣次郎とソウル・メディア
大ガラスのおしゃべり
171 bpm • D min • 04:00 • -13.34db
24% Popularity • 44% Danceability • 52% Energy • 9% Liveness
88% Instrumentalness • 76% Positiveness
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Tommy Guerrero
So Blue It's Black
171 bpm • A min • 03:29 • -5.78db
31% Popularity • 66% Danceability • 67% Energy • 14% Liveness
78% Instrumentalness • 42% Positiveness
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Kool & The Gang
North, East, South, West
171 bpm • E min • 03:39 • -11db
26% Popularity • 62% Danceability • 72% Energy • 7% Liveness
44% Instrumentalness • 61% Positiveness
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David Axelrod
The Signs Part One - Instrumental
170 bpm • A# Maj • 03:45 • -9.3db
21% Popularity • 38% Danceability • 54% Energy • 9% Liveness
72% Instrumentalness • 52% Positiveness
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Alan Tew
Money Runner
170 bpm • G Maj • 02:14 • -18.53db
29% Popularity • 48% Danceability • 37% Energy • 17% Liveness
87% Instrumentalness • 70% Positiveness
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Gene Russell
Get Down
170 bpm • F min • 03:47 • -16.27db
25% Popularity • 65% Danceability • 43% Energy • 11% Liveness
82% Instrumentalness • 60% Positiveness
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The Sure Fire Soul Ensemble
La Fachada
170 bpm • F# Maj • 03:19 • -10.89db
28% Popularity • 76% Danceability • 64% Energy • 4% Liveness
53% Instrumentalness • 80% Positiveness
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Al Hirt
Harlem Hendoo
182 bpm • E min • 02:39 • -10.17db
34% Popularity • 49% Danceability • 36% Energy • 13% Liveness
62% Instrumentalness • 41% Positiveness
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Galt MacDermot
Duffer in F (Version 2)
169 bpm • F Maj • 03:21 • -9.98db
45% Popularity • 64% Danceability • 52% Energy • 12% Liveness
72% Instrumentalness • 75% Positiveness
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Art Farmer
Soft Shoe
169 bpm • G min • 05:02 • -8.74db
4% Popularity • 55% Danceability • 43% Energy • 7% Liveness
22% Instrumentalness • 87% Positiveness
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Sestetto Dino Piana & Oscar Valdambrini
Omaca
169 bpm • D# min • 02:47 • -7db
35% Popularity • 61% Danceability • 72% Energy • 16% Liveness
84% Instrumentalness • 96% Positiveness
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David Matthews
Sandworms
169 bpm • C Maj • 04:58 • -12db
32% Popularity • 63% Danceability • 41% Energy • 15% Liveness
74% Instrumentalness • 87% Positiveness
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Calvin Keys
Gee-Gee
169 bpm • A min • 07:56 • -15db
11% Popularity • 38% Danceability • 45% Energy • 17% Liveness
91% Instrumentalness • 72% Positiveness
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Chester Thompson
Power House
168 bpm • D Maj • 06:32 • -13.42db
4% Popularity • 46% Danceability • 48% Energy • 30% Liveness
89% Instrumentalness • 55% Positiveness
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Gene Harris
Don't Call Me Nigger, Whitey
184 bpm • G Maj • 03:43 • -10.58db
23% Popularity • 62% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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鈴木宏昌
Screwdriver
168 bpm • C# Maj • 06:42 • -11.79db
23% Popularity • 49% Danceability • 63% Energy • 7% Liveness
63% Instrumentalness • 75% Positiveness
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Let Your Hair Down
Pizza Pie
168 bpm • F min • 03:06 • -3.64db
23% Popularity • 38% Danceability • 85% Energy • 10% Liveness
84% Instrumentalness • 54% Positiveness
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The Cannonball Adderley Quintet
Snakin' The Grass
168 bpm • E min • 06:34 • -13.29db
9% Popularity • 47% Danceability • 67% Energy • 69% Liveness
69% Instrumentalness • 76% Positiveness
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Charles Earland
Happy 'Cause I'm Goin' Home
168 bpm • D min • 11:15 • -7.87db
23% Popularity • 48% Danceability • 86% Energy • 25% Liveness
90% Instrumentalness • 64% Positiveness
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Alan Tew
The Fence (A)
168 bpm • E min • 01:41 • -19.09db
43% Popularity • 59% Danceability • 30% Energy • 9% Liveness
81% Instrumentalness • 81% Positiveness
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The Olympians
Europa and the Bull
185 bpm • C Maj • 02:57 • -7.85db
39% Popularity • 57% Danceability • 65% Energy • 13% Liveness
53% Instrumentalness • 60% Positiveness
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Ahmad Jamal
Swahililand
167 bpm • E min • 04:08 • -25.01db
32% Popularity • 31% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Mary Lou Williams
Ode to Saint Cecilie
167 bpm • A# min • 05:55 • -23.89db
18% Popularity • 47% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 63% Positiveness
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Stanley Clarke
Silly Putty
167 bpm • D Maj • 04:40 • -11.51db
26% Popularity • 63% Danceability • 66% Energy • 10% Liveness
85% Instrumentalness • 67% Positiveness
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Doug Carn
Desert Rain
165 bpm • D Maj • 03:47 • -9.04db
24% Popularity • 38% Danceability • 83% Energy • 9% Liveness
28% Instrumentalness • 52% Positiveness
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Billy Cobham
Le Lis
165 bpm • A# min • 03:20 • -13db
35% Popularity • 46% Danceability • 65% Energy • 10% Liveness
84% Instrumentalness • 96% Positiveness
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The Olympians
Venus
186 bpm • A# min • 04:01 • -7.72db
36% Popularity • 33% Danceability • 52% Energy • 18% Liveness
75% Instrumentalness • 58% Positiveness
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Dizzy Gillespie
Incantation
164 bpm • A min • 06:40 • -12.31db
34% Popularity • 61% Danceability • 52% Energy • 12% Liveness
88% Instrumentalness • 88% Positiveness
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Idris Muhammad
Power of Soul
163 bpm • B min • 07:04 • -7.33db
26% Popularity • 48% Danceability • 76% Energy • 9% Liveness
61% Instrumentalness • 62% Positiveness
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Alan Tew
The Rub
164 bpm • G min • 02:27 • -19.1db
30% Popularity • 68% Danceability • 27% Energy • 10% Liveness
67% Instrumentalness • 48% Positiveness
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Eddie Harris
Look Ahere
161 bpm • C Maj • 03:49 • -16.32db
30% Popularity • 78% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 97% Positiveness
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Piero Umiliani
Lady Magnolia
161 bpm • C Maj • 03:26 • -16.16db
53% Popularity • 38% Danceability • 47% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
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Brazilian Octopus
Summer Hill
159 bpm • A min • 02:00 • -9.26db
29% Popularity • 36% Danceability • 46% Energy • 14% Liveness
40% Instrumentalness • 40% Positiveness
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Mulatu Astatke
Mulatu - Stereo Master
158 bpm • C# Maj • 05:03 • -13.38db
32% Popularity • 46% Danceability • 43% Energy • 18% Liveness
28% Instrumentalness • 76% Positiveness
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The Three Sounds
Black Sugar
158 bpm • F min • 04:15 • -11db
8% Popularity • 41% Danceability • 40% Energy • 12% Liveness
74% Instrumentalness • 36% Positiveness
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Return To Forever
The Shadow Of Lo
158 bpm • F min • 07:30 • -11db
29% Popularity • 32% Danceability • 64% Energy • 66% Liveness
8% Instrumentalness • 36% Positiveness
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Ian Carr
Summer Rain
158 bpm • F Maj • 06:12 • -14db
13% Popularity • 40% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Art Farmer
With Prestige
198 bpm • A# Maj • 05:10 • -9.53db
6% Popularity • 43% Danceability • 42% Energy • 17% Liveness
12% Instrumentalness • 87% Positiveness
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Idris Muhammad
Loran's Dance
156 bpm • A# min • 10:39 • -9.27db
33% Popularity • 53% Danceability • 57% Energy • 11% Liveness
47% Instrumentalness • 51% Positiveness
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Max Roach
Abstrutions
156 bpm • C# min • 03:38 • -13.66db
22% Popularity • 62% Danceability • 42% Energy • 64% Liveness
88% Instrumentalness • 64% Positiveness
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John Tropea
Can't Hide Love
155 bpm • F min • 04:15 • -13db
28% Popularity • 60% Danceability • 45% Energy • 13% Liveness
78% Instrumentalness • 52% Positiveness
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Ill Considered
Building Bridges
155 bpm • A min • 05:36 • -11.28db
20% Popularity • 45% Danceability • 58% Energy • 11% Liveness
79% Instrumentalness • 35% Positiveness
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Donald Byrd
Miss Kane
154 bpm • F min • 06:20 • -6.66db
26% Popularity • 45% Danceability • 84% Energy • 8% Liveness
8% Instrumentalness • 68% Positiveness
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Minoru Muraoka
Soul Bamboo
154 bpm • G min • 05:31 • -11.27db
29% Popularity • 45% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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Ikebe Shakedown
The Beast
153 bpm • A min • 03:45 • -8db
35% Popularity • 74% Danceability • 62% Energy • 7% Liveness
8% Instrumentalness • 87% Positiveness
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Yusef Lateef
Psychicemotus
152 bpm • D Maj • 05:04 • -16.08db
26% Popularity • 66% Danceability • 31% Energy • 8% Liveness
69% Instrumentalness • 63% Positiveness
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Gene Harris & The Three Sounds
Elegant Soul
153 bpm • F min • 03:13 • -12.93db
29% Popularity • 26% Danceability • 38% Energy • 24% Liveness
43% Instrumentalness • 48% Positiveness
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稲垣次郎とソウル・メディア
スクラッチ
152 bpm • A# Maj • 05:25 • -9.28db
33% Popularity • 67% Danceability • 56% Energy • 5% Liveness
87% Instrumentalness • 76% Positiveness
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Eddie Harris
Silver Cycles
152 bpm • A min • 05:53 • -15.67db
7% Popularity • 31% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 17% Positiveness
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David Axelrod
Everything Counts
152 bpm • F Maj • 06:54 • -13.22db
20% Popularity • 45% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 83% Positiveness
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Idris Muhammad
Moon Hymn
151 bpm • G min • 04:17 • -10db
25% Popularity • 33% Danceability • 41% Energy • 8% Liveness
74% Instrumentalness • 23% Positiveness
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Smoke
Shelda
151 bpm • A# min • 05:26 • -20.2db
32% Popularity • 50% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Ruby Rushton
Triceratops / The Caller
150 bpm • A# min • 05:15 • -9db
27% Popularity • 42% Danceability • 62% Energy • 10% Liveness
46% Instrumentalness • 52% Positiveness
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Crawl Space