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Crossing Muddy Waters
Songs like
Crossing Muddy Waters
by
I'm With Her
Based on a tempo of (+/- 10%) and a similar genre
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Sarah Jarosz
Come On Up To The House
115 bpm • D Maj • 04:27 • -9db
34% Popularity • 77% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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The Secret Sisters
Carry Me
115 bpm • B Maj • 04:05 • -8.48db
44% Popularity • 56% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Steve Martin
Sarah Jane And The Iron Mountain Baby
115 bpm • D Maj • 03:12 • -5.63db
18% Popularity • 75% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Duhks
The Wagoner's Lad
115 bpm • D Maj • 03:32 • -10.59db
18% Popularity • 41% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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I'm With Her
Crossing Muddy Waters
115 bpm • D Maj • 03:48 • -9.95db
40% Popularity • 60% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Molly Tuttle
Crooked Tree
115 bpm • B Maj • 03:52 • -8.35db
43% Popularity • 44% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Sarah Jarosz
Build Me Up From Bones
115 bpm • F Maj • 03:36 • -11.96db
49% Popularity • 53% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tatiana Hargreaves
She Left Me Standing On the Mountain
115 bpm • C Maj • 02:52 • -10.43db
13% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Eddie Berman
Easy Rider
115 bpm • E Maj • 03:49 • -10db
46% Popularity • 57% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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The Brother Brothers
Feelin' Good Again
115 bpm • G Maj • 03:31 • -12.55db
32% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Dave Carter
Happytown (All Right With Me)
115 bpm • D Maj • 03:34 • -11.07db
23% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Nickel Creek
The Lighthouse's Tale
116 bpm • E min • 05:01 • -12.15db
42% Popularity • 46% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Amos Lee
Clear Blue Eyes
114 bpm • F# Maj • 03:23 • -11.67db
13% Popularity • 51% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Claire Lynch
Cold Hearted Wind
116 bpm • F# Maj • 03:13 • -10.97db
8% Popularity • 45% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Eliza Gilkyson
Beauty Way
116 bpm • E Maj • 03:02 • -11db
29% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Pug
Hymn #101
116 bpm • D Maj • 04:40 • -9.59db
42% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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River Whyless
The Hunt
114 bpm • D Maj • 03:22 • -10.41db
46% Popularity • 58% Danceability • 59% Energy • 10% Liveness
37% Instrumentalness • 28% Positiveness
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Nickel Creek
21st of May
114 bpm • D# Maj • 02:47 • -10db
35% Popularity • 59% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Caitlin Canty
My Love for You Will Not Fade
114 bpm • F min • 03:52 • -13.65db
27% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Watchhouse
Old Ties and Companions
116 bpm • G Maj • 03:08 • -10db
68% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Carolina Chocolate Drops
Leaving Eden
114 bpm • A min • 04:35 • -10.86db
27% Popularity • 45% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Lindsay Lou
Hot Hands
116 bpm • C Maj • 04:03 • -11db
20% Popularity • 76% Danceability • 44% Energy • 12% Liveness
6% Instrumentalness • 72% Positiveness
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Molly Tuttle
She's A Rainbow
117 bpm • E Maj • 03:49 • -11.85db
29% Popularity • 45% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jeffrey Foucault
Don't Look for Me
113 bpm • A# Maj • 03:05 • -15.85db
38% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jason Isbell
How To Forget
117 bpm • D Maj • 04:04 • -12.27db
18% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Caitlin Canty
Time Rolls By
113 bpm • A# Maj • 03:35 • -12.71db
26% Popularity • 48% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Mipso
A Couple Acres Greener
117 bpm • G# Maj • 03:26 • -11db
38% Popularity • 74% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Aoife O'Donovan
Prodigal Daughter
113 bpm • A Maj • 03:42 • -17.24db
40% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Alison Brown
Carolina in the Pines
113 bpm • D Maj • 04:57 • -10.06db
27% Popularity • 62% Danceability • 60% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
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Uncle Earl
Bony On The Isle Of St. Helena
113 bpm • F Maj • 04:09 • -11db
11% Popularity • 44% Danceability • 39% Energy • 7% Liveness
2% Instrumentalness • 62% Positiveness
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I'm With Her
Ain’t That Fine
113 bpm • D# Maj • 03:08 • -11.95db
34% Popularity • 68% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Hot Rize
You Were on My Mind This Morning
113 bpm • A Maj • 03:02 • -9db
32% Popularity • 61% Danceability • 61% Energy • 11% Liveness
6% Instrumentalness • 88% Positiveness
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Amanda Shires
Pale Fire
117 bpm • C Maj • 03:16 • -14.51db
28% Popularity • 54% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 11% Positiveness
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The Show Ponies
Kalamazoo
117 bpm • G Maj • 05:53 • -6.99db
27% Popularity • 50% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 6% Positiveness
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Ruth Moody
Life Is Long
117 bpm • D Maj • 05:37 • -15.5db
20% Popularity • 35% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
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The Duhks
Mountains O' Things
112 bpm • D Maj • 03:49 • -9db
13% Popularity • 55% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Jeffrey Foucault
Des Moines
117 bpm • D Maj • 03:14 • -11db
24% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sierra Ferrell
Jeremiah
118 bpm • C Maj • 03:03 • -9.23db
55% Popularity • 66% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Pharis & Jason Romero
Ballad of Old Bill
118 bpm • F Maj • 03:44 • -11.99db
22% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Sara Watkins
One Last Time
118 bpm • D Maj • 03:08 • -9.26db
25% Popularity • 62% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Steve Earle
The Mountain
112 bpm • D Maj • 04:43 • -9.5db
34% Popularity • 48% Danceability • 47% Energy • 27% Liveness
10% Instrumentalness • 42% Positiveness
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Punch Brothers
Rye Whiskey
112 bpm • G Maj • 03:29 • -12db
42% Popularity • 63% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Aoife O'Donovan
Hornets
118 bpm • D# min • 03:11 • -9.71db
22% Popularity • 64% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Molly Tuttle
Helpless
118 bpm • D Maj • 04:25 • -6.03db
40% Popularity • 50% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Steve Martin
When You Get To Asheville
112 bpm • C Maj • 03:15 • -11.63db
32% Popularity • 63% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Love Canon
Islands in the Stream
112 bpm • G Maj • 04:04 • -7db
28% Popularity • 64% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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John Smith
Eye to Eye
112 bpm • D# Maj • 03:51 • -10.22db
47% Popularity • 80% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Dave Carter
Cat-Eye Willie Claims His Lover
112 bpm • G Maj • 04:06 • -10.8db
17% Popularity • 60% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Watchhouse
Settled Down
118 bpm • F Maj • 03:03 • -10.22db
57% Popularity • 60% Danceability • 29% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Nickel Creek
Rest of My Life
112 bpm • G# Maj • 03:39 • -10.27db
34% Popularity • 70% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Caitlin Canty
Leaping Out
118 bpm • B Maj • 03:55 • -13.13db
24% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Infamous Stringdusters
Run To Heaven
111 bpm • C Maj • 03:10 • -7.66db
24% Popularity • 54% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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I'm With Her
Hundred Miles
119 bpm • A# Maj • 03:32 • -15.93db
22% Popularity • 37% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Tift Merritt
Sweet Spot
119 bpm • A# Maj • 02:50 • -8db
35% Popularity • 66% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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Watchhouse
Golden Embers
119 bpm • D Maj • 04:45 • -16db
49% Popularity • 65% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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John Hiatt
All The Lilacs In Ohio
111 bpm • G Maj • 03:29 • -10db
46% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Caitlin Canty
Where is the Heart of My Country
111 bpm • D# Maj • 05:13 • -11.44db
29% Popularity • 46% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Tatiana Hargreaves
The Daemons Lament/Sugar Baver
119 bpm • C Maj • 04:09 • -11.77db
16% Popularity • 43% Danceability • 31% Energy • 14% Liveness
2% Instrumentalness • 41% Positiveness
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Carolina Chocolate Drops
Cornbread and Butterbeans
111 bpm • G Maj • 03:09 • -8.48db
39% Popularity • 67% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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I'm With Her
See You Around
119 bpm • A# Maj • 03:48 • -16.78db
30% Popularity • 50% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Abigail Washburn
Sometimes
111 bpm • D Maj • 02:52 • -6.2db
24% Popularity • 55% Danceability • 57% Energy • 8% Liveness
11% Instrumentalness • 41% Positiveness
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Langhorne Slim
Old Things
111 bpm • A Maj • 01:46 • -10.38db
42% Popularity • 62% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Caitlin Canty
Get Up
119 bpm • A Maj • 03:44 • -12.14db
34% Popularity • 57% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 38% Positiveness
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Hem
The Cuckoo
111 bpm • E min • 02:57 • -9.3db
34% Popularity • 59% Danceability • 47% Energy • 14% Liveness
3% Instrumentalness • 91% Positiveness
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Joe Pug
Hymn #35
111 bpm • D Maj • 03:11 • -8.95db
43% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Brother Brothers
Tugboats
120 bpm • D Maj • 03:47 • -6.84db
32% Popularity • 50% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Lucius
Right Down The Line
120 bpm • C# min • 03:55 • -8.08db
46% Popularity • 80% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sarah Jarosz
Annabelle Lee
120 bpm • G min • 03:09 • -7db
32% Popularity • 61% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Caitlin Canty
Pull the Moon
120 bpm • F Maj • 04:02 • -9.93db
33% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Mary Gauthier
Brothers
110 bpm • E Maj • 02:50 • -7db
29% Popularity • 65% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Front Country
One Kind Word
120 bpm • A Maj • 03:24 • -8.34db
12% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Dead Horses
Red Pony
120 bpm • A Maj • 03:53 • -12.01db
12% Popularity • 57% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Nickel Creek
Smoothie Song
110 bpm • G Maj • 03:20 • -11db
43% Popularity • 53% Danceability • 52% Energy • 9% Liveness
4% Instrumentalness • 52% Positiveness
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Hayde Bluegrass Orchestra
Take Me Away
110 bpm • C Maj • 03:38 • -11.82db
13% Popularity • 50% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sean Watkins
Let It Fall
110 bpm • E Maj • 04:01 • -11.18db
17% Popularity • 58% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Sarah Jarosz
Run Away
110 bpm • D# Maj • 03:21 • -10.24db
30% Popularity • 48% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Mipso
Captain's Daughter
110 bpm • F Maj • 03:34 • -11.16db
24% Popularity • 63% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Feral Mouth
Jam
110 bpm • A min • 09:22 • -13.25db
0% Popularity • 28% Danceability • 51% Energy • 86% Liveness
3% Instrumentalness • 48% Positiveness
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Nickel Creek
The Fox
120 bpm • A Maj • 02:30 • -8.46db
43% Popularity • 64% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Pharis & Jason Romero
A Wanderer I'll Stay
121 bpm • D# Maj • 03:37 • -10.62db
16% Popularity • 58% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Dave Carter
Gentle Arms of Eden
110 bpm • C Maj • 03:03 • -10db
31% Popularity • 60% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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The Last Revel
Iron & Ore
121 bpm • A Maj • 03:54 • -6.65db
31% Popularity • 59% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Front Country
Absentminded Melody
121 bpm • D Maj • 03:28 • -10.93db
22% Popularity • 51% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Watkins Family Hour
Early Morning Rain
109 bpm • D Maj • 03:37 • -9.78db
12% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Punch Brothers
Boll Weevil
109 bpm • D Maj • 02:36 • -9.27db
30% Popularity • 64% Danceability • 56% Energy • 9% Liveness
59% Instrumentalness • 64% Positiveness
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Bella White
Just Like Leaving
121 bpm • C Maj • 03:26 • -11.57db
52% Popularity • 59% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Caroline Spence
Hotel Amarillo
121 bpm • C Maj • 04:00 • -7.09db
30% Popularity • 65% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Watchhouse
Waltz About Whiskey
109 bpm • C Maj • 03:46 • -10db
52% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Aoife O'Donovan
Lay My Burden Down
109 bpm • D# Maj • 03:36 • -9.04db
22% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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The Wild Reeds
Love Letter
109 bpm • G Maj • 03:07 • -10.4db
30% Popularity • 56% Danceability • 39% Energy • 21% Liveness
4% Instrumentalness • 41% Positiveness
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Molly Tuttle
Take The Journey
122 bpm • C min • 02:42 • -8.01db
45% Popularity • 57% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Watkins
Thunder Road
109 bpm • A# Maj • 04:58 • -9db
20% Popularity • 76% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Anthony da Costa
Go Steady - Acoustic Version
122 bpm • G Maj • 04:01 • -7.96db
3% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lindsay Lou
Lemon Squeezy
122 bpm • B Maj • 03:36 • -9.96db
10% Popularity • 73% Danceability • 42% Energy • 11% Liveness
30% Instrumentalness • 80% Positiveness
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Aoife O'Donovan
Oh, Mama
109 bpm • G Maj • 04:18 • -8.43db
31% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Free the Honey
Take Me Home
122 bpm • F# min • 03:32 • -14db
28% Popularity • 70% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 50% Positiveness
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Sean Watkins
Local Honey
122 bpm • A Maj • 02:44 • -10.1db
22% Popularity • 50% Danceability • 53% Energy • 24% Liveness
48% Instrumentalness • 61% Positiveness
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Amy Ray
A Mighty Thing
108 bpm • C Maj • 03:16 • -7.43db
12% Popularity • 70% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Cry Cry Cry
Shades Of Gray
108 bpm • B Maj • 05:05 • -11.57db
23% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Riley Etheridge, Jr.
The Maze (Of My Own Creation)
108 bpm • E Maj • 03:34 • -9.29db
0% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Crossing Muddy Waters