Songs like Crossing Over (feat. Garnet Gibson) by Glacia Robinson
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Niles
When We All Get To Heaven
113 bpm • D Maj • 04:38 • -9.13db
14% Popularity • 81% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 81% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Juanita Bynum
Like the Dew
112 bpm • D# Maj • 07:31 • -14.56db
28% Popularity • 64% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 64% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Kukudoo
Eye Of The Storm
112 bpm • F Maj • 05:51 • -6.35db
14% Popularity • 32% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 32% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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J Prince
Let Jesus Row
114 bpm • C# min • 03:24 • -5.74db
13% Popularity • 78% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 78% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Petra Kaye
Sovereign God Medley (Live)
112 bpm • G# Maj • 06:24 • -4.74db
15% Popularity • 67% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 67% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Hensley King
No Sin At All
112 bpm • A# Maj • 04:18 • -7.46db
11% Popularity • 80% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 80% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Jadee
Balance Wheel
112 bpm • C Maj • 02:37 • -4.81db
20% Popularity • 84% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 84% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Shepherd
What A Day
114 bpm • C# Maj • 04:06 • -3.4db
8% Popularity • 91% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 91% Danceability • 74% Energy • 42% Liveness
0% Instrumentalness • 70% Positiveness
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Glacia Robinson
For the Glory of God
112 bpm • C# min • 03:25 • -3.84db
2% Popularity • 74% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 74% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Rev. F.C. Barnes
For Your Tears I Died
112 bpm • G# Maj • 05:57 • -4.28db
16% Popularity • 48% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 48% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Revelation Believers
Hold On To Your Victory
114 bpm • C# Maj • 03:45 • -5.58db
27% Popularity • 53% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 53% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Kukudoo
King David
112 bpm • B Maj • 08:25 • -2.57db
21% Popularity • 49% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 49% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Smokie Norful
Nothing Without You
112 bpm • F Maj • 03:55 • -7.74db
17% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Petra Kaye
Oh It Is Jesus (Live)
115 bpm • C Maj • 05:03 • -5.03db
17% Popularity • 39% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 39% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Jabez
Warrior Remix
111 bpm • C# Maj • 05:03 • -4.01db
25% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 61% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Da' Flame
God Answers Prayers
115 bpm • D Maj • 03:48 • -4.32db
31% Popularity • 46% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 46% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rondell Positive
Fire Medley
115 bpm • F Maj • 03:17 • -6.31db
28% Popularity • 79% Danceability • 92% Energy • 2% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 79% Danceability • 92% Energy • 2% Liveness
0% Instrumentalness • 85% Positiveness
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Sherwin Gardner
Best Praise
115 bpm • C Maj • 03:21 • -5.4db
14% Popularity • 77% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 77% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Joseph Niles
This Train - Remix
110 bpm • B Maj • 04:27 • -10.47db
14% Popularity • 52% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 52% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Petra Kaye
Christ Alone Medley
111 bpm • A Maj • 06:42 • -8.22db
25% Popularity • 81% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 81% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Jabez
Mi Bless
111 bpm • F Maj • 04:01 • -3.76db
28% Popularity • 79% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 79% Danceability • 88% Energy • 69% Liveness
0% Instrumentalness • 96% Positiveness
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Joshua Kesler
Blessed Assurance
110 bpm • C# Maj • 04:41 • -9.23db
23% Popularity • 75% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 75% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Michael Reid
Roll Call
110 bpm • G Maj • 04:12 • -3.93db
13% Popularity • 66% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 66% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Kukudoo
Don't Trouble It
110 bpm • C# Maj • 03:10 • -5.1db
17% Popularity • 78% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 78% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Joseph Niles
The High Place I'll Bring Down
110 bpm • F# Maj • 04:31 • -8.71db
15% Popularity • 76% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 76% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Rashell Pearce
Apple of thine eye
116 bpm • E Maj • 04:47 • -4.3db
12% Popularity • 66% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 66% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Jabez
Help Me Through the Storm
111 bpm • B Maj • 04:30 • -4.74db
25% Popularity • 58% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 58% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Glacia Robinson
My Jesus
110 bpm • E Maj • 05:41 • -5.96db
4% Popularity • 56% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
4% Popularity • 56% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Bridget Blucher
Fugitive
116 bpm • G# Maj • 03:50 • -6.86db
17% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Jai Kingston
Save Me
110 bpm • B Maj • 04:13 • -6.2db
19% Popularity • 65% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 65% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Claudelle Clarke
The Prayer
110 bpm • A# Maj • 04:00 • -12.49db
14% Popularity • 54% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 54% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Dawkins & Dawkins
This Praise Is For You
116 bpm • A# min • 04:05 • -6.95db
17% Popularity • 48% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 48% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Jabez
I Thirst
111 bpm • C# Maj • 05:23 • -12.24db
20% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 44% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Glacia Robinson
United
110 bpm • F# Maj • 04:02 • -11.87db
0% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Gladys Knight
Good Morning Heavenly Father
110 bpm • A# Maj • 03:53 • -8db
16% Popularity • 70% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 70% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Sister Scully
Hurry Up
118 bpm • D# Maj • 04:41 • -7db
18% Popularity • 78% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 78% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Stephen Hurd
Above All / Lord I Lift Your Name On Hig...
109 bpm • G Maj • 06:43 • -8.94db
24% Popularity • 42% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 42% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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2nd Chance...RRYMXT
May Pen Medley
118 bpm • A# Maj • 06:52 • -3db
15% Popularity • 76% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 76% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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William McDowell
I Belong To You
118 bpm • G# Maj • 06:56 • -9.27db
39% Popularity • 48% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 48% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 8% Positiveness
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Glacia Robinson
My Hope
110 bpm • A min • 04:44 • -5.65db
0% Popularity • 71% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 71% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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James Moss
Give You More
118 bpm • F# Maj • 04:15 • -6.11db
28% Popularity • 60% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 60% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Bryce Simpson
Are You Washed in the Blood
108 bpm • G Maj • 02:59 • -8.57db
17% Popularity • 74% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 93% Positiveness
17% Popularity • 74% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 93% Positiveness
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Tramaine Hawkins
What Shall I Do?
119 bpm • D Maj • 06:01 • -12db
30% Popularity • 59% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 59% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Martin's Heritage
Eye of the Storm
108 bpm • C Maj • 04:41 • -8.35db
19% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Jessica Reedy
How Can I
119 bpm • B Maj • 05:13 • -8.12db
27% Popularity • 39% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 39% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Glacia Robinson
New Day
110 bpm • D Maj • 02:20 • -12.21db
0% Popularity • 75% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 75% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Rayon Baugh
The Battle Is Won
119 bpm • F# Maj • 04:40 • -7.77db
0% Popularity • 42% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 42% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Bridget Blucher
Miracle Working God - Medley
107 bpm • A# Maj • 07:38 • -5.99db
15% Popularity • 75% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 75% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Isaac Carree
Simply Redeemed
120 bpm • F# Maj • 04:33 • -6.94db
28% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Mr. Vegas
I'm Delivered
120 bpm • D# Maj • 06:12 • -6.41db
3% Popularity • 51% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
3% Popularity • 51% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Adrian Cunningham
Rest in the Arms
120 bpm • A Maj • 04:52 • -11db
17% Popularity • 37% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 37% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Eddie Neblett
Stepping Out
120 bpm • C Maj • 04:16 • -10db
21% Popularity • 75% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 75% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Anointed
Not the I But the You In Me
120 bpm • C# Maj • 04:40 • -13.27db
23% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Bridget Blucher
Hymn - Medley
119 bpm • G# Maj • 06:39 • -9.46db
10% Popularity • 84% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 84% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Sean Daniel
Waving Ting
120 bpm • A Maj • 03:57 • -3.09db
10% Popularity • 82% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 82% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Ramiyah
Waiting
120 bpm • G# Maj • 04:24 • -8db
26% Popularity • 63% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 63% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Junior Tucker
My Redeemer Lives
120 bpm • C# Maj • 04:24 • -5db
23% Popularity • 75% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 75% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Wayne Stoddart
Dance Like David
120 bpm • E min • 03:30 • -6.9db
1% Popularity • 78% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
1% Popularity • 78% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Bryce Simpson
At Calvary
120 bpm • D Maj • 03:18 • -9db
26% Popularity • 72% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 72% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Bridget Blucher
Sometimes I Cry
120 bpm • F min • 03:57 • -5.68db
14% Popularity • 66% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 66% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Eddie Neblett
The Anointing
120 bpm • F Maj • 04:54 • -9db
17% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Golda McFarlane
What a God
106 bpm • F# Maj • 05:08 • -5.93db
12% Popularity • 71% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 71% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 72% Positiveness
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Juanita Bynum
Shake up Again Recitation
120 bpm • C# min • 10:21 • -12.89db
16% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Katalys Crew
That Touch
106 bpm • F Maj • 03:49 • -7db
9% Popularity • 70% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 70% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Bryce Simpson
Stand up Stand up for Jesus
120 bpm • F min • 03:03 • -10.08db
23% Popularity • 68% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 68% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Glacia Robinson
The Lord Is My Keeper (Psalm 121)
106 bpm • G# Maj • 05:34 • -11.84db
1% Popularity • 72% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 72% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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William Murphy
I'm Changing
121 bpm • A Maj • 04:56 • -10.54db
23% Popularity • 50% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 50% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Minister Marion Hall
Cup of Blessings
106 bpm • D# Maj • 03:29 • -3.03db
15% Popularity • 59% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 59% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Juanita Bynum
Behind the Veil
106 bpm • C# min • 06:53 • -7.34db
22% Popularity • 32% Danceability • 59% Energy • 45% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 32% Danceability • 59% Energy • 45% Liveness
0% Instrumentalness • 14% Positiveness
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Katalys Crew
The Blood Of Jesus
106 bpm • F Maj • 03:27 • -6.97db
16% Popularity • 77% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 77% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Bridget Blucher
I'm Glad I Counted
121 bpm • A Maj • 04:29 • -2.5db
11% Popularity • 58% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 58% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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DJ Nicholas
Back 2 D Owner
121 bpm • C Maj • 03:26 • -4.83db
25% Popularity • 94% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 94% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Mark
The Counselor
121 bpm • C Maj • 03:20 • -5db
20% Popularity • 87% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 87% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Joseph Niles
Joy Cometh in the Morning - Medley
105 bpm • F# Maj • 05:02 • -12.21db
10% Popularity • 67% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 98% Positiveness
10% Popularity • 67% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 98% Positiveness
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The Grace Thrillers
Can't Even Walk
105 bpm • D# Maj • 05:31 • -8.56db
32% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Canute "Neil" Ellis
Your Word
105 bpm • C# Maj • 04:13 • -5.65db
0% Popularity • 62% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 62% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Sheri Jones-Moffett
Grace Of God
122 bpm • D Maj • 04:01 • -6db
44% Popularity • 47% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 47% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Kukudoo
Thank You Jesus
105 bpm • B Maj • 04:09 • -4.07db
20% Popularity • 82% Danceability • 80% Energy • 60% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 82% Danceability • 80% Energy • 60% Liveness
0% Instrumentalness • 87% Positiveness
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Glacia Robinson
O How He Loves You and Me
105 bpm • B min • 05:07 • -11.55db
0% Popularity • 87% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 87% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Bryce Simpson
Because He Lives
105 bpm • C# Maj • 03:18 • -6.24db
28% Popularity • 80% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 80% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Jai Kingston
Double for Your Trouble
105 bpm • F# Maj • 04:20 • -4.18db
11% Popularity • 71% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 71% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Oshane Mais
Rock Medley
105 bpm • A# Maj • 07:29 • -8.39db
16% Popularity • 64% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 64% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Vicki Yohe
Deliverance Is Available
105 bpm • F Maj • 05:01 • -5.48db
34% Popularity • 58% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 58% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Kukudoo
Get Behind Me - Glory Glory Riddim
105 bpm • C Maj • 04:00 • -4.35db
13% Popularity • 60% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 60% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Da' Flame
Still (The Prayer)
105 bpm • F Maj • 03:57 • -4.89db
25% Popularity • 43% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 43% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Tasha Page-Lockhart
Faith Come Alive
105 bpm • C# Maj • 04:22 • -7.59db
23% Popularity • 44% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 44% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Helén Teike
I Bless Your Name
105 bpm • C Maj • 07:40 • -8.18db
0% Popularity • 38% Danceability • 56% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 38% Danceability • 56% Energy • 68% Liveness
0% Instrumentalness • 34% Positiveness
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Eddie Neblett
River
105 bpm • F Maj • 03:52 • -10.15db
25% Popularity • 57% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 57% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Vicki Yohe
I Just Want You - I Just Want You Album ...
122 bpm • B Maj • 04:54 • -6.1db
34% Popularity • 52% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 52% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Full Gospel Baptist Church Fellowship International Ministry of Worship
Island Medley: Turned It Around / Hallel...
122 bpm • C# Maj • 06:56 • -6.08db
16% Popularity • 66% Danceability • 88% Energy • 98% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 66% Danceability • 88% Energy • 98% Liveness
0% Instrumentalness • 60% Positiveness
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Bishop Clarence E. McClendon
All Hail the Power
122 bpm • F# Maj • 04:06 • -3.12db
24% Popularity • 19% Danceability • 89% Energy • 97% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 19% Danceability • 89% Energy • 97% Liveness
0% Instrumentalness • 33% Positiveness
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Gerry Thompson
I Love That Man From Galilee
104 bpm • F Maj • 00:56 • -5.97db
19% Popularity • 73% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 73% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Jai Kingston
No Hanky Panky
104 bpm • G Maj • 04:18 • -8.57db
16% Popularity • 75% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 75% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Juanita Bynum
Forever Grateful
104 bpm • F# Maj • 06:35 • -8db
17% Popularity • 55% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 55% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 25% Positiveness
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The Paul-Enenche Family
Turn It Around
104 bpm • F# Maj • 04:56 • -7.08db
21% Popularity • 76% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 76% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 82% Positiveness
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Judith Gayle
Prayers Work
123 bpm • C# Maj • 05:43 • -5.53db
18% Popularity • 52% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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George Gordon
Great Peace
104 bpm • D Maj • 04:53 • -10.16db
17% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Rhoda Isabella
Lest I Forget
104 bpm • C Maj • 06:19 • -6.73db
12% Popularity • 38% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 38% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
