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Cruel
Songs like
Cruel
by
The Aces
Based on a tempo of (+/- 10%) and a similar genre
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Emily Blue
7 Minutes
123 bpm • F Maj • 02:33 • -5.14db
9% Popularity • 76% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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The Aces
Fake Nice
123 bpm • D Maj • 03:23 • -4db
37% Popularity • 73% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Lily J Evans
Gameboy
123 bpm • G# min • 03:40 • -5.81db
23% Popularity • 77% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Moody Joody
Something To Do
123 bpm • F# Maj • 03:04 • -8.38db
27% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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L Devine
Die On The Dancefloor
123 bpm • D Maj • 03:21 • -5.08db
31% Popularity • 73% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Julia Michaels
Wrapped Around
124 bpm • B min • 02:43 • -6.3db
31% Popularity • 53% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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The Wldlfe
The Other Side
123 bpm • A Maj • 04:05 • -8db
30% Popularity • 46% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Aces
Cruel
123 bpm • C# Maj • 03:15 • -6.68db
26% Popularity • 63% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Nightly
time online
124 bpm • C# Maj • 04:06 • -5.73db
27% Popularity • 67% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Sawyer
Emotional Girls
124 bpm • D# Maj • 03:00 • -4db
32% Popularity • 82% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Gatlin
never been in love
124 bpm • F# min • 03:06 • -9db
47% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Orla Gartland
Flatline
124 bpm • D Maj • 03:21 • -5.67db
34% Popularity • 76% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Goodnight Goodbye
Dad Dancing
122 bpm • D Maj • 03:58 • -10.03db
29% Popularity • 70% Danceability • 69% Energy • 12% Liveness
36% Instrumentalness • 78% Positiveness
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The Aces
Going Home
124 bpm • A Maj • 03:55 • -8db
39% Popularity • 66% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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MUNA
Motivation - Recorded at Electric Lady S...
124 bpm • D Maj • 03:26 • -8.79db
46% Popularity • 64% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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King Princess
House Burn Down
124 bpm • G min • 03:10 • -2.76db
35% Popularity • 56% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Valley
sucks to see you doing better
122 bpm • C# Maj • 03:45 • -8db
45% Popularity • 74% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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chloe mk
David Bowie
122 bpm • E Maj • 03:39 • -6db
26% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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FLAVIA
Gay For A Day
124 bpm • D Maj • 02:30 • -7.25db
24% Popularity • 78% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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The Aces
Physical
124 bpm • D Maj • 03:14 • -4.82db
28% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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MUNA
Number One Fan
124 bpm • A Maj • 03:25 • -4.9db
52% Popularity • 75% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Perlo
Love Like You Care
125 bpm • F Maj • 03:13 • -6db
30% Popularity • 69% Danceability • 60% Energy • 12% Liveness
55% Instrumentalness • 66% Positiveness
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ella jane
through the looking glass
125 bpm • A min • 03:28 • -12.36db
28% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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REYNA
Saw You With Somebody Else
125 bpm • C Maj • 03:32 • -8.91db
14% Popularity • 68% Danceability • 74% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Sophie Holohan
Golden Years
125 bpm • B min • 02:57 • -6.01db
23% Popularity • 80% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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The Aces
Miserable
125 bpm • F Maj • 02:38 • -5.06db
33% Popularity • 63% Danceability • 86% Energy • 24% Liveness
4% Instrumentalness • 84% Positiveness
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Emily Blue
The Afterlove
125 bpm • G Maj • 03:29 • -6.61db
23% Popularity • 67% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Zolita
Small Town Scandal
125 bpm • G Maj • 03:30 • -4.46db
59% Popularity • 64% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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The Japanese House
Something Has to Change
125 bpm • A Maj • 03:11 • -8.86db
52% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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BAUM
Fuckboy
125 bpm • A Maj • 03:00 • -3.9db
27% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Gatlin
2000 Miles
125 bpm • C# min • 02:59 • -7db
41% Popularity • 71% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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The Aces
Stuck
125 bpm • F# min • 03:26 • -4db
41% Popularity • 72% Danceability • 75% Energy • 8% Liveness
10% Instrumentalness • 70% Positiveness
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Miki Ratsula
Missing June
125 bpm • F Maj • 02:52 • -9.01db
42% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Leadley
I'm Not That Girl (Anymore)
121 bpm • F# Maj • 02:48 • -7.28db
17% Popularity • 70% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Hollie Col
She Knows
126 bpm • C Maj • 03:10 • -3.35db
34% Popularity • 57% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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chloe mk
I Can't Stop
120 bpm • C Maj • 02:47 • -4.98db
14% Popularity • 58% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Gatlin
Talking to Myself
121 bpm • G# Maj • 03:51 • -6.29db
46% Popularity • 76% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Avenue Beat
parties
120 bpm • A# Maj • 02:44 • -7.1db
19% Popularity • 76% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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The Aces
Stop Feeling
125 bpm • A Maj • 04:05 • -7.26db
32% Popularity • 53% Danceability • 91% Energy • 35% Liveness
6% Instrumentalness • 56% Positiveness
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Betty Who
I CAN BE YOUR MAN
126 bpm • C# min • 03:27 • -4.83db
28% Popularity • 76% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Anna Shoemaker
Sick!
120 bpm • C Maj • 02:34 • -7.92db
18% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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REYNA
Lonely Girl
126 bpm • B min • 03:16 • -5.81db
15% Popularity • 77% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Gatlin
Being Alone
121 bpm • D Maj • 03:31 • -5.95db
22% Popularity • 63% Danceability • 57% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
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Miel
Must Be Fine
120 bpm • G# Maj • 02:30 • -9.86db
25% Popularity • 76% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Aces
Stuck - Spanish Version
125 bpm • F# min • 03:30 • -4.46db
11% Popularity • 75% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Hollie Col
Forgot to Love You
120 bpm • C Maj • 03:25 • -7.11db
17% Popularity • 72% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Natalie Burdick
Backseat Driver
120 bpm • F# min • 03:26 • -12db
15% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Reneé Rapp
Colorado
120 bpm • F Maj • 02:52 • -7.52db
65% Popularity • 82% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Carol Ades
Sunny Disposition
126 bpm • E Maj • 02:58 • -7db
28% Popularity • 44% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Leadley
New Shoes
120 bpm • C min • 03:44 • -6.11db
26% Popularity • 78% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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The Aces
Stuck (Album Version)
125 bpm • F# min • 04:05 • -4.72db
34% Popularity • 72% Danceability • 71% Energy • 15% Liveness
1% Instrumentalness • 62% Positiveness
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Nasty Cherry
What’s The Deal
120 bpm • C Maj • 02:35 • -3.71db
21% Popularity • 84% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Hotel Apache
This Love Rightfully Belongs To Somebody...
120 bpm • A# Maj • 03:14 • -7db
30% Popularity • 66% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Litany
Starsign
120 bpm • F Maj • 03:28 • -9db
32% Popularity • 79% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Griff
1,000,000 X Better
120 bpm • C Maj • 03:11 • -7.87db
47% Popularity • 75% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Maude Latour
Twin Flame
120 bpm • G Maj • 03:03 • -5.32db
36% Popularity • 66% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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DBMK
I Heard You Had a Girlfriend
120 bpm • E Maj • 03:07 • -10.68db
29% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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TRACE
Cool Woman
120 bpm • D min • 03:44 • -8.63db
16% Popularity • 77% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Honeymoon Arcade
Seven Minutes
120 bpm • G Maj • 03:34 • -6.87db
19% Popularity • 77% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Ally Hills
All I Do
120 bpm • C Maj • 03:08 • -6.4db
33% Popularity • 71% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Emily Vu
NY
120 bpm • F Maj • 02:14 • -7.35db
19% Popularity • 82% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Maude Latour
Superfruit
120 bpm • D Maj • 02:18 • -3db
37% Popularity • 73% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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HARLOE
One More Chance
120 bpm • A Maj • 03:26 • -7.16db
13% Popularity • 81% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Betty Who
Marry Me
120 bpm • G Maj • 03:10 • -5db
27% Popularity • 77% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ben Platt
leave my mind
120 bpm • F# Maj • 03:18 • -5.85db
39% Popularity • 55% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
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Maple St.
Rockstar
120 bpm • A Maj • 03:32 • -5.73db
19% Popularity • 77% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
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Bad Bad Hats
Makes Me Nervous
120 bpm • A# Maj • 03:18 • -8db
31% Popularity • 72% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
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The Veronicas
Stealing Cars
120 bpm • G# Maj • 03:43 • -6.62db
29% Popularity • 65% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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ella jane
nothing else i could do
120 bpm • D# Maj • 02:50 • -7.65db
55% Popularity • 79% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Kathleen
Can't Sleep
120 bpm • E Maj • 03:20 • -4.99db
12% Popularity • 61% Danceability • 76% Energy • 61% Liveness
0% Instrumentalness • 22% Positiveness
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Hollie Col
Reruns
120 bpm • D# Maj • 03:34 • -5.43db
21% Popularity • 70% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Leadley
Summer Lovin'
120 bpm • F Maj • 03:04 • -4db
21% Popularity • 69% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Greyson Chance
Hands
120 bpm • C# min • 03:15 • -10.28db
19% Popularity • 74% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Jenna Doe
Pink Slips
127 bpm • C# min • 03:12 • -6.61db
43% Popularity • 57% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Julianna Joy
Mouthes
127 bpm • B min • 03:36 • -8.09db
10% Popularity • 40% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Babygirl
Nevermind
127 bpm • G# Maj • 02:21 • -7.18db
23% Popularity • 66% Danceability • 63% Energy • 35% Liveness
9% Instrumentalness • 47% Positiveness
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L Devine
Off The Grid
119 bpm • F# Maj • 02:36 • -9.9db
15% Popularity • 56% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Maude Latour
Lovesick
128 bpm • C# Maj • 02:50 • -7.68db
31% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Sub-Radio
Cool
128 bpm • D Maj • 03:27 • -5.05db
27% Popularity • 66% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Raffaella
Bardot
128 bpm • C Maj • 03:18 • -8.74db
32% Popularity • 77% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Litany
Single Player Mode
118 bpm • G# Maj • 03:29 • -8.81db
24% Popularity • 67% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Laur Elle
you were in my dream
118 bpm • G# Maj • 03:26 • -7.74db
34% Popularity • 73% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Ryann
One Minute
118 bpm • B Maj • 03:28 • -6.94db
13% Popularity • 78% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Maude Latour
Clean
128 bpm • C# Maj • 03:08 • -6.85db
33% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Blossom Caldarone
Perfect Too
118 bpm • C# Maj • 03:09 • -7.33db
17% Popularity • 79% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Desmond Dekker
You Can Get It If You Really Want It - L...
129 bpm • C# Maj • 02:24 • -10.84db
0% Popularity • 70% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Michaela Slinger
Flux
118 bpm • D Maj • 03:40 • -10.89db
22% Popularity • 76% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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ella jane
Warhol
129 bpm • A Maj • 02:35 • -9.41db
23% Popularity • 79% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Moody Joody
Lockeland
129 bpm • F Maj • 03:41 • -8.94db
20% Popularity • 78% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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The Aces
Aren't You
129 bpm • C Maj • 02:42 • -5.6db
25% Popularity • 83% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Halo Kitsch
All (Your) Fault
129 bpm • G Maj • 03:15 • -7.86db
31% Popularity • 59% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Nightly
you should probably just hang up
117 bpm • C Maj • 02:53 • -5.25db
27% Popularity • 69% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Elah Hale
foolish
117 bpm • G Maj • 02:40 • -5.36db
25% Popularity • 83% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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BLÜ EYES
actually happy
117 bpm • E Maj • 02:59 • -5.94db
37% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Moody Joody
L.A. Anyway
129 bpm • B Maj • 04:20 • -7.71db
18% Popularity • 55% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Tommy Lefroy
Knievel
117 bpm • C# min • 03:02 • -8.15db
31% Popularity • 64% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 25% Positiveness
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All the Rest
Our Youth
117 bpm • C# min • 03:23 • -5.68db
21% Popularity • 82% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Sigrid
Basic
130 bpm • F# min • 03:37 • -6.94db
35% Popularity • 67% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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daena
Close Isn't Enough
130 bpm • A# Maj • 04:21 • -10db
22% Popularity • 57% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Leadley
Never Knew Love
130 bpm • A# min • 03:33 • -9.53db
9% Popularity • 67% Danceability • 48% Energy • 13% Liveness
5% Instrumentalness • 21% Positiveness
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Cruel