Songs like Cruella De Ville - from 101 Dalmatians by The Soundlike Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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Michael Price
In Pursuit of Immortality
87 bpm • G Maj • 02:17 • -12.14db
10% Popularity • 38% Danceability • 40% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
10% Popularity • 38% Danceability • 40% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
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Martin Phipps
Maria Altman
87 bpm • G min • 03:10 • -18.39db
19% Popularity • 27% Danceability • 23% Energy • 14% Liveness
96% Instrumentalness • 19% Positiveness
19% Popularity • 27% Danceability • 23% Energy • 14% Liveness
96% Instrumentalness • 19% Positiveness
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Alex North
Unchained Melody
87 bpm • D Maj • 04:28 • -17.45db
35% Popularity • 10% Danceability • 21% Energy • 16% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 21% Energy • 16% Liveness
78% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
Wild At Heart: Dark Spanish Symphony
87 bpm • F min • 03:56 • -18.82db
20% Popularity • 11% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
20% Popularity • 11% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 7% Positiveness
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Rob Lane
Leaving For Philadelphia
87 bpm • D min • 02:20 • -12db
19% Popularity • 24% Danceability • 41% Energy • 15% Liveness
73% Instrumentalness • 12% Positiveness
19% Popularity • 24% Danceability • 41% Energy • 15% Liveness
73% Instrumentalness • 12% Positiveness
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Mychael Danna
Tyrant Main Title Theme
87 bpm • C Maj • 01:57 • -17.93db
10% Popularity • 24% Danceability • 26% Energy • 10% Liveness
66% Instrumentalness • 3% Positiveness
10% Popularity • 24% Danceability • 26% Energy • 10% Liveness
66% Instrumentalness • 3% Positiveness
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Kathleen Battle
Lovers (Title Song)
87 bpm • E min • 04:12 • -12.39db
26% Popularity • 17% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 17% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Gregg Nestor
The Inner Light
86 bpm • D Maj • 02:28 • -17.05db
11% Popularity • 42% Danceability • 14% Energy • 5% Liveness
87% Instrumentalness • 66% Positiveness
11% Popularity • 42% Danceability • 14% Energy • 5% Liveness
87% Instrumentalness • 66% Positiveness
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Johan Söderqvist
Let the Right One In
88 bpm • F# min • 05:49 • -20db
19% Popularity • 16% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
Theme From The Comfort Of Strangers - Ma...
86 bpm • A min • 04:05 • -23.78db
12% Popularity • 9% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 5% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Brian Tyler
Partition End Title
88 bpm • C min • 05:28 • -13.32db
7% Popularity • 9% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Steve Jablonsky
'Til We Meet Again
86 bpm • G Maj • 01:49 • -15.99db
33% Popularity • 21% Danceability • 9% Energy • 32% Liveness
79% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 9% Energy • 32% Liveness
79% Instrumentalness • 4% Positiveness
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City of Prague Orchestra
The English Patient
86 bpm • B min • 04:27 • -13.78db
22% Popularity • 14% Danceability • 23% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 23% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Diverse
Rachel'S Surprise / Who Wants To Live Fo...
88 bpm • E min • 04:12 • -21.73db
18% Popularity • 9% Danceability • 12% Energy • 24% Liveness
72% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 12% Energy • 24% Liveness
72% Instrumentalness • 3% Positiveness
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Daniel Caine Orchestra
The Lonely Man Theme
86 bpm • D min • 02:06 • -15.94db
27% Popularity • 42% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
27% Popularity • 42% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Angelo Badalamenti
The City Of Lost Children (La Cite Des E...
86 bpm • C min • 06:07 • -14db
14% Popularity • 9% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness
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Adrian Johnston
Eddie
88 bpm • B min • 01:37 • -24.51db
7% Popularity • 28% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
7% Popularity • 28% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Daniel Pemberton
The Red Mist (Digital Bonus Track)
88 bpm • A min • 02:10 • -17.44db
18% Popularity • 18% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Marrowbone
86 bpm • G Maj • 04:15 • -11.7db
11% Popularity • 14% Danceability • 19% Energy • 36% Liveness
85% Instrumentalness • 5% Positiveness
11% Popularity • 14% Danceability • 19% Energy • 36% Liveness
85% Instrumentalness • 5% Positiveness
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Richard Harvey
Shroud for a Nightingale
88 bpm • C# Maj • 07:47 • -13.99db
8% Popularity • 12% Danceability • 27% Energy • 38% Liveness
54% Instrumentalness • 5% Positiveness
8% Popularity • 12% Danceability • 27% Energy • 38% Liveness
54% Instrumentalness • 5% Positiveness
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Orchestra Sinfonica Di Milano
Love and Menace - Excerpt from Body Doub...
89 bpm • F Maj • 04:48 • -16.29db
8% Popularity • 18% Danceability • 19% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 19% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
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Roque Baños
It's My Fault - End Credits
85 bpm • G min • 05:25 • -21db
13% Popularity • 9% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Neal Hefti
Duel At Diablo (Main Title)
89 bpm • C Maj • 02:27 • -10.31db
16% Popularity • 52% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
16% Popularity • 52% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
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Javier Navarrete
Whore
89 bpm • F Maj • 03:08 • -22.97db
10% Popularity • 15% Danceability • 8% Energy • 16% Liveness
44% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 8% Energy • 16% Liveness
44% Instrumentalness • 4% Positiveness
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Patrick Cassidy
Say Your Prayers
89 bpm • F# Maj • 04:02 • -16.58db
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Miami Pearls Orchestra
Theme from the English Patient (De "El P...
89 bpm • D# Maj • 01:35 • -15.28db
20% Popularity • 13% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 13% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Trevor Morris
The Tudors Main Title Theme
89 bpm • C Maj • 01:33 • -14.32db
36% Popularity • 20% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 20% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Jeff Russo
Bemidji, MN (Fargo Series Main Theme)
85 bpm • D min • 02:28 • -16.33db
37% Popularity • 17% Danceability • 10% Energy • 58% Liveness
96% Instrumentalness • 7% Positiveness
37% Popularity • 17% Danceability • 10% Energy • 58% Liveness
96% Instrumentalness • 7% Positiveness
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Abel Korzeniowski
Daydreams
89 bpm • D# Maj • 02:16 • -14.88db
32% Popularity • 33% Danceability • 25% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
32% Popularity • 33% Danceability • 25% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
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Fernando Velázquez
Credits
85 bpm • C min • 04:11 • -13db
23% Popularity • 20% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
23% Popularity • 20% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
89 bpm • A min • 03:10 • -25db
16% Popularity • 16% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
16% Popularity • 16% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Sonny Kompanek
Exercise In Darkness
85 bpm • C min • 04:30 • -15.85db
11% Popularity • 9% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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The Soundlike Ensemble
A Way of Life - from The Last Samurai
85 bpm • D min • 04:44 • -11.78db
2% Popularity • 19% Danceability • 24% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
2% Popularity • 19% Danceability • 24% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Mask
Orca - Finale
89 bpm • A min • 04:14 • -12.65db
10% Popularity • 10% Danceability • 23% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
10% Popularity • 10% Danceability • 23% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
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Cinescore
Sense 8 Main Theme (Netflix series) - Co...
90 bpm • D Maj • 02:06 • -11.54db
0% Popularity • 22% Danceability • 58% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 58% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Sergey Yevtushenko
Yasnaya Polyana
90 bpm • F# min • 01:20 • -15db
26% Popularity • 26% Danceability • 27% Energy • 12% Liveness
63% Instrumentalness • 35% Positiveness
26% Popularity • 26% Danceability • 27% Energy • 12% Liveness
63% Instrumentalness • 35% Positiveness
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Klaus Badelt
Suite For Orchestra And Chorus In G Mino...
84 bpm • G min • 02:42 • -24.65db
11% Popularity • 19% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Éric Serra
Flicking Through Time
90 bpm • G min • 02:00 • -16.24db
27% Popularity • 10% Danceability • 15% Energy • 43% Liveness
95% Instrumentalness • 6% Positiveness
27% Popularity • 10% Danceability • 15% Energy • 43% Liveness
95% Instrumentalness • 6% Positiveness
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Marco Betta
Viva la libertÃ
84 bpm • A min • 03:00 • -15.76db
8% Popularity • 16% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
8% Popularity • 16% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Orchestra de Verona
For A Few Dollars More - Music Clock (la...
84 bpm • D min • 03:04 • -12db
27% Popularity • 16% Danceability • 34% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
27% Popularity • 16% Danceability • 34% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
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Mask
Farewell to Cheyenne
90 bpm • E min • 02:46 • -16.22db
14% Popularity • 75% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
14% Popularity • 75% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Rich Douglas
Main Theme / Brothers
90 bpm • C Maj • 03:42 • -12.96db
16% Popularity • 46% Danceability • 48% Energy • 12% Liveness
73% Instrumentalness • 6% Positiveness
16% Popularity • 46% Danceability • 48% Energy • 12% Liveness
73% Instrumentalness • 6% Positiveness
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Daniel Pemberton
The Counselor (Titles)
90 bpm • E min • 04:10 • -11.38db
9% Popularity • 48% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 48% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
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The Meridian Studio Ensemble
BLACK HAWK DOWN: Leave No Man Behind
84 bpm • A min • 05:07 • -16.41db
7% Popularity • 31% Danceability • 17% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
7% Popularity • 31% Danceability • 17% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
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Ramin Djawadi
Sweetwater
84 bpm • E min • 02:53 • -16.16db
42% Popularity • 60% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
42% Popularity • 60% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Garry McDonald
Theme From Thorn Birds
90 bpm • C Maj • 01:53 • -21.25db
13% Popularity • 21% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
13% Popularity • 21% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Stephan Zacharias
Hoffnung am Ende der Welt
84 bpm • D min • 03:21 • -24.57db
18% Popularity • 15% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Alberto Iglesias
Tsunami
84 bpm • E min • 05:33 • -11.24db
8% Popularity • 22% Danceability • 60% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 60% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Marco Beltrami
Father's Funeral
83 bpm • D min • 02:04 • -14.66db
21% Popularity • 13% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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John Frizzell
Murphy's Body
83 bpm • F# min • 01:20 • -22db
19% Popularity • 16% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
19% Popularity • 16% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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The Soundlike Ensemble
Hymn to the Fallen - from Saving Private...
83 bpm • G Maj • 05:10 • -10.76db
0% Popularity • 20% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
0% Popularity • 20% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Edmund Butt
Winter in Yellowstone
83 bpm • F min • 02:18 • -21.04db
9% Popularity • 10% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 19% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Orchestra Sinfonica Di Milano
The Shower - Excerpt from Dressed to Kil...
83 bpm • C Maj • 03:41 • -17.84db
16% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
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Martin Phipps
Titles
91 bpm • C min • 01:05 • -19.16db
11% Popularity • 37% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
11% Popularity • 37% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Klaus Badelt
I Don't Belong Here
91 bpm • A Maj • 03:48 • -13db
26% Popularity • 11% Danceability • 37% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 37% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Javier Navarrete
My Mother
83 bpm • G Maj • 02:31 • -22.47db
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Melbourne Symphony Orchestra
This is a Tale
92 bpm • D min • 04:21 • -15db
17% Popularity • 15% Danceability • 19% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 19% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Gates of Tomorrow
83 bpm • F# Maj • 02:14 • -14.66db
11% Popularity • 15% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
11% Popularity • 15% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Claudio Capponi
Tema di Jane
82 bpm • D Maj • 01:28 • -17.52db
28% Popularity • 18% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
28% Popularity • 18% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Kyle Eastwood
Invictus Theme
92 bpm • G# min • 04:09 • -19.38db
29% Popularity • 12% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Christopher Gunning
Firelight
82 bpm • B min • 07:19 • -21.69db
9% Popularity • 11% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Nicholas Britell
Boring Old Banking
82 bpm • F Maj • 01:15 • -9.38db
21% Popularity • 25% Danceability • 38% Energy • 38% Liveness
93% Instrumentalness • 25% Positiveness
21% Popularity • 25% Danceability • 38% Energy • 38% Liveness
93% Instrumentalness • 25% Positiveness
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Daniel Pemberton
His Name Is Napoleon Solo
82 bpm • F Maj • 02:38 • -15.76db
24% Popularity • 47% Danceability • 29% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
24% Popularity • 47% Danceability • 29% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
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Henry Jackman
Edelweiss - Vocal
82 bpm • G Maj • 01:23 • -23.16db
30% Popularity • 38% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 38% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Incantation
The Shipping News
82 bpm • A# Maj • 04:08 • -10.07db
9% Popularity • 32% Danceability • 49% Energy • 14% Liveness
73% Instrumentalness • 25% Positiveness
9% Popularity • 32% Danceability • 49% Energy • 14% Liveness
73% Instrumentalness • 25% Positiveness
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John Frizzell
The Souls Ascend
82 bpm • D# Maj • 03:24 • -20.81db
11% Popularity • 9% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Patrick Doyle
Orient Express Suite
82 bpm • G Maj • 03:19 • -11db
26% Popularity • 30% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
26% Popularity • 30% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Danny Elfman
Main Title - Ice Dance
82 bpm • C Maj • 05:34 • -26.09db
18% Popularity • 8% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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John Lunn
A Royal Command
82 bpm • A min • 04:49 • -16.24db
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Luis Bacalov
The Grand Duel (Parte Prima) - Kill Bill...
82 bpm • A min • 03:26 • -14.14db
38% Popularity • 13% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
38% Popularity • 13% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
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Nino Rota
Romeo and Juliet: Main Title Theme (arr....
82 bpm • A# min • 03:42 • -11.68db
12% Popularity • 10% Danceability • 16% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 16% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Dominik Hauser
Thelma and Louise (1991) - Thunderbird
82 bpm • E min • 04:05 • -12.73db
9% Popularity • 18% Danceability • 31% Energy • 24% Liveness
89% Instrumentalness • 10% Positiveness
9% Popularity • 18% Danceability • 31% Energy • 24% Liveness
89% Instrumentalness • 10% Positiveness
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The London Film Score Orchestra
The Grand Finale
93 bpm • B Maj • 03:30 • -13.09db
8% Popularity • 12% Danceability • 23% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 23% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Mark Snow
Home Again (X-Files: I Want To Believe O...
82 bpm • G Maj • 04:17 • -26.7db
12% Popularity • 10% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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David Hirschfelder
The Dressmaker Opening Titles
93 bpm • G min • 03:13 • -18.43db
13% Popularity • 39% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
13% Popularity • 39% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 9% Positiveness
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Harry Gregson-Williams
Operation Dinner Out - Original Motion P...
93 bpm • G Maj • 04:50 • -12db
27% Popularity • 28% Danceability • 41% Energy • 13% Liveness
76% Instrumentalness • 5% Positiveness
27% Popularity • 28% Danceability • 41% Energy • 13% Liveness
76% Instrumentalness • 5% Positiveness
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Nino Rota
The Glass Mountain (1949 Film Score)
82 bpm • C Maj • 04:38 • -13.66db
2% Popularity • 9% Danceability • 22% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 22% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Rich Douglas
Wine With Stacey
93 bpm • G# min • 01:55 • -21db
14% Popularity • 19% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Claire Jones
You’re So Cool
93 bpm • F Maj • 03:26 • -20.94db
23% Popularity • 58% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
23% Popularity • 58% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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London Festival Orchestra
The Magnificent Seven: Theme
93 bpm • G# Maj • 03:34 • -14.52db
17% Popularity • 31% Danceability • 29% Energy • 14% Liveness
44% Instrumentalness • 36% Positiveness
17% Popularity • 31% Danceability • 29% Energy • 14% Liveness
44% Instrumentalness • 36% Positiveness
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The Meridian Studio Ensemble
The Da Vinci Code - Chevaliers de Sangre...
81 bpm • A# Maj • 04:06 • -16.12db
7% Popularity • 29% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
7% Popularity • 29% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Los Play Backs
The John Dunbar Theme - Del Film "Dancin...
81 bpm • D# Maj • 02:21 • -8.57db
11% Popularity • 12% Danceability • 36% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
11% Popularity • 12% Danceability • 36% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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Christopher Young
Humility and Love
81 bpm • F min • 06:21 • -14.42db
13% Popularity • 10% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Michael Giacchino
There's No Place Like Home
81 bpm • D Maj • 02:35 • -18.8db
32% Popularity • 12% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
32% Popularity • 12% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Klaus Badelt
Stone Language
81 bpm • C Maj • 04:54 • -16db
25% Popularity • 15% Danceability • 11% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 11% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
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David Arnold
City of Lovers
81 bpm • F Maj • 03:30 • -23db
32% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Dimitri Tiomkin
Main Title: De Guella / The Green Leaves...
94 bpm • D min • 02:11 • -18.85db
19% Popularity • 15% Danceability • 21% Energy • 11% Liveness
47% Instrumentalness • 20% Positiveness
19% Popularity • 15% Danceability • 21% Energy • 11% Liveness
47% Instrumentalness • 20% Positiveness
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Luis Bacalov
Il Grande Duello (Parte Seconda)
81 bpm • C Maj • 02:38 • -13db
14% Popularity • 23% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
14% Popularity • 23% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Dario Marianelli
Knives And Bullets (And Cannons Too)
94 bpm • A# Maj • 07:33 • -16.32db
20% Popularity • 17% Danceability • 39% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
20% Popularity • 17% Danceability • 39% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Kenji Kawai
Red
81 bpm • F min • 03:55 • -20.73db
10% Popularity • 37% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 9% Positiveness
10% Popularity • 37% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 9% Positiveness
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John Scott
Mr. And Mrs. Tideman & End Titles
81 bpm • F Maj • 04:19 • -15.35db
8% Popularity • 25% Danceability • 28% Energy • 20% Liveness
93% Instrumentalness • 19% Positiveness
8% Popularity • 25% Danceability • 28% Energy • 20% Liveness
93% Instrumentalness • 19% Positiveness
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Joseph Kilna MacKenzie
Flying High/Sgt. MacKenzie
94 bpm • F Maj • 02:51 • -19db
35% Popularity • 15% Danceability • 24% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 24% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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EmilÃana Torrini
Gollum's Song
80 bpm • G Maj • 05:51 • -14.24db
46% Popularity • 12% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
46% Popularity • 12% Danceability • 16% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Sofa Sounds
Poldark - Main Theme - Cover Version
94 bpm • B min • 01:00 • -9.07db
7% Popularity • 34% Danceability • 40% Energy • 29% Liveness
34% Instrumentalness • 9% Positiveness
7% Popularity • 34% Danceability • 40% Energy • 29% Liveness
34% Instrumentalness • 9% Positiveness
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The Soundlike Ensemble
Theme/The Picasso Suite - from Summer of...
80 bpm • D min • 03:15 • -11.7db
5% Popularity • 10% Danceability • 29% Energy • 16% Liveness
9% Instrumentalness • 9% Positiveness
5% Popularity • 10% Danceability • 29% Energy • 16% Liveness
9% Instrumentalness • 9% Positiveness
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Nino Rota
Love Theme
80 bpm • D# min • 02:42 • -9.78db
33% Popularity • 19% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Geoff Love & His Orchestra
A Time for Us
80 bpm • C min • 02:31 • -16.62db
16% Popularity • 21% Danceability • 18% Energy • 41% Liveness
84% Instrumentalness • 18% Positiveness
16% Popularity • 21% Danceability • 18% Energy • 41% Liveness
84% Instrumentalness • 18% Positiveness
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Michael Nyman
The Morrow
95 bpm • A# min • 03:10 • -13.1db
27% Popularity • 17% Danceability • 26% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
27% Popularity • 17% Danceability • 26% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
