Songs like Cruising by Bendik Giske
Based on a tempo of (+/- 10%) and a similar genre
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Domenique Dumont
People On Sunday
144 bpm • F# min • 03:45 • -12.93db
49% Popularity • 66% Danceability • 40% Energy • 14% Liveness
95% Instrumentalness • 28% Positiveness
49% Popularity • 66% Danceability • 40% Energy • 14% Liveness
95% Instrumentalness • 28% Positiveness
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Bendik Giske
Cruising
144 bpm • A# min • 10:26 • -11.46db
32% Popularity • 33% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 60% Positiveness
32% Popularity • 33% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 60% Positiveness
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Nicolas Godin
Approaching the Beast
145 bpm • A min • 02:37 • -17.42db
32% Popularity • 32% Danceability • 17% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 32% Danceability • 17% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Elori Saxl
Blue
144 bpm • G min • 09:56 • -15.55db
18% Popularity • 38% Danceability • 39% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
18% Popularity • 38% Danceability • 39% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Josiah Steinbrick
Full Bloom
143 bpm • C Maj • 02:37 • -17.36db
42% Popularity • 77% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 90% Positiveness
42% Popularity • 77% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 90% Positiveness
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Portico Quartet
Next Stop
145 bpm • G Maj • 06:41 • -10.28db
19% Popularity • 20% Danceability • 72% Energy • 6% Liveness
88% Instrumentalness • 12% Positiveness
19% Popularity • 20% Danceability • 72% Energy • 6% Liveness
88% Instrumentalness • 12% Positiveness
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Time Wharp
Spiro World
143 bpm • C Maj • 04:38 • -18.67db
13% Popularity • 46% Danceability • 15% Energy • 12% Liveness
83% Instrumentalness • 13% Positiveness
13% Popularity • 46% Danceability • 15% Energy • 12% Liveness
83% Instrumentalness • 13% Positiveness
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Stine Janvin
Like Last Night
145 bpm • F# Maj • 03:44 • -19.85db
12% Popularity • 26% Danceability • 25% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
12% Popularity • 26% Danceability • 25% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
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Pablo's Eye
Blind And Quiet
143 bpm • D Maj • 01:27 • -19.95db
23% Popularity • 19% Danceability • 38% Energy • 15% Liveness
98% Instrumentalness • 6% Positiveness
23% Popularity • 19% Danceability • 38% Energy • 15% Liveness
98% Instrumentalness • 6% Positiveness
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Yu Su
Futuro
142 bpm • E min • 03:13 • -16.34db
24% Popularity • 80% Danceability • 45% Energy • 14% Liveness
88% Instrumentalness • 66% Positiveness
24% Popularity • 80% Danceability • 45% Energy • 14% Liveness
88% Instrumentalness • 66% Positiveness
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Tomaga
Reverie for Fragile Houseplants
142 bpm • C Maj • 04:29 • -11.13db
26% Popularity • 29% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
26% Popularity • 29% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Josh Johnson
856
146 bpm • D min • 02:09 • -17db
34% Popularity • 52% Danceability • 23% Energy • 7% Liveness
92% Instrumentalness • 62% Positiveness
34% Popularity • 52% Danceability • 23% Energy • 7% Liveness
92% Instrumentalness • 62% Positiveness
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Jon Hassell
Her First Rain
141 bpm • C Maj • 01:38 • -29db
35% Popularity • 34% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 18% Positiveness
35% Popularity • 34% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 18% Positiveness
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Sofie Birch
Loph
141 bpm • C min • 04:32 • -12.42db
15% Popularity • 24% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
15% Popularity • 24% Danceability • 34% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Bitchin Bajas
Quakenbrück - version
141 bpm • A# min • 04:39 • -16db
22% Popularity • 66% Danceability • 44% Energy • 9% Liveness
75% Instrumentalness • 71% Positiveness
22% Popularity • 66% Danceability • 44% Energy • 9% Liveness
75% Instrumentalness • 71% Positiveness
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Jeremiah Chiu
By Foot By Sea
141 bpm • A# min • 06:32 • -18db
19% Popularity • 20% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
19% Popularity • 20% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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Colleen
Holding Horses
148 bpm • A min • 05:10 • -17db
24% Popularity • 75% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
24% Popularity • 75% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Morita Vargas
Deysa
140 bpm • E min • 03:46 • -10.87db
12% Popularity • 46% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
12% Popularity • 46% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Caterina Barbieri
The Landscape Listens
148 bpm • A min • 08:17 • -13db
19% Popularity • 12% Danceability • 32% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
19% Popularity • 12% Danceability • 32% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
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Forgiveness
Mushroom Umbrella
148 bpm • G Maj • 03:28 • -14.09db
9% Popularity • 62% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 62% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Afrorack
Osc
140 bpm • A min • 04:31 • -14.04db
9% Popularity • 47% Danceability • 46% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 47% Danceability • 46% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Tomaga
More Flowers
148 bpm • C# Maj • 04:55 • -9.36db
18% Popularity • 63% Danceability • 85% Energy • 7% Liveness
83% Instrumentalness • 54% Positiveness
18% Popularity • 63% Danceability • 85% Energy • 7% Liveness
83% Instrumentalness • 54% Positiveness
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Prins Thomas
Hole / 13.1 / Aura in the Kitchen / 13.1...
148 bpm • G Maj • 12:47 • -16.06db
2% Popularity • 18% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Loke Rahbek
Scarlett
140 bpm • A# Maj • 08:04 • -9.02db
12% Popularity • 53% Danceability • 46% Energy • 21% Liveness
80% Instrumentalness • 51% Positiveness
12% Popularity • 53% Danceability • 46% Energy • 21% Liveness
80% Instrumentalness • 51% Positiveness
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Valentina Magaletti
Low Delights
140 bpm • D Maj • 03:29 • -14.75db
8% Popularity • 70% Danceability • 45% Energy • 7% Liveness
76% Instrumentalness • 19% Positiveness
8% Popularity • 70% Danceability • 45% Energy • 7% Liveness
76% Instrumentalness • 19% Positiveness
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Molero
Phasma Gigas
140 bpm • A min • 04:29 • -12.83db
21% Popularity • 36% Danceability • 40% Energy • 6% Liveness
55% Instrumentalness • 13% Positiveness
21% Popularity • 36% Danceability • 40% Energy • 6% Liveness
55% Instrumentalness • 13% Positiveness
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Afrorack
Cowbell
140 bpm • E min • 02:07 • -11db
13% Popularity • 74% Danceability • 63% Energy • 12% Liveness
84% Instrumentalness • 83% Positiveness
13% Popularity • 74% Danceability • 63% Energy • 12% Liveness
84% Instrumentalness • 83% Positiveness
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Astrid Sonne
Mirror Behaviour
140 bpm • A min • 03:05 • -10.36db
20% Popularity • 90% Danceability • 42% Energy • 8% Liveness
75% Instrumentalness • 37% Positiveness
20% Popularity • 90% Danceability • 42% Energy • 8% Liveness
75% Instrumentalness • 37% Positiveness
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Joel Vandroogenbroeck
Fairy Tale - Analog Remaster
139 bpm • E min • 03:05 • -14.61db
31% Popularity • 75% Danceability • 25% Energy • 11% Liveness
63% Instrumentalness • 81% Positiveness
31% Popularity • 75% Danceability • 25% Energy • 11% Liveness
63% Instrumentalness • 81% Positiveness
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Tomaga
The King of Naples
139 bpm • A# min • 05:15 • -7.65db
14% Popularity • 41% Danceability • 70% Energy • 5% Liveness
82% Instrumentalness • 6% Positiveness
14% Popularity • 41% Danceability • 70% Energy • 5% Liveness
82% Instrumentalness • 6% Positiveness
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Lynn Avery
Belt of Venus
139 bpm • C Maj • 03:11 • -15.83db
26% Popularity • 34% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
26% Popularity • 34% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
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Roberto Musci
Nexus On The Beach
150 bpm • F min • 06:09 • -17.8db
32% Popularity • 33% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 33% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Benjamin Lew
Profondeurs des eaux des laques
138 bpm • F# min • 03:38 • -18.65db
14% Popularity • 25% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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drames rurals
l'empelt
150 bpm • A min • 04:43 • -12.51db
28% Popularity • 75% Danceability • 50% Energy • 12% Liveness
88% Instrumentalness • 83% Positiveness
28% Popularity • 75% Danceability • 50% Energy • 12% Liveness
88% Instrumentalness • 83% Positiveness
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Dylan Henner
With Her First Ever Steps She Walked To ...
150 bpm • G# Maj • 02:31 • -15.53db
40% Popularity • 56% Danceability • 43% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
40% Popularity • 56% Danceability • 43% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Andi Otto
Kilani
150 bpm • G# Maj • 06:30 • -11.65db
13% Popularity • 90% Danceability • 48% Energy • 10% Liveness
81% Instrumentalness • 50% Positiveness
13% Popularity • 90% Danceability • 48% Energy • 10% Liveness
81% Instrumentalness • 50% Positiveness
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Nikita Quasim
Framboises
138 bpm • F min • 03:39 • -31.11db
34% Popularity • 48% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
34% Popularity • 48% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Yu Su
Touch-Me-Not
150 bpm • B min • 05:27 • -19.18db
22% Popularity • 59% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 90% Positiveness
22% Popularity • 59% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 90% Positiveness
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Richie Hawtin
Locomotion (In Key)
150 bpm • C# Maj • 08:37 • -16.99db
28% Popularity • 64% Danceability • 38% Energy • 12% Liveness
86% Instrumentalness • 55% Positiveness
28% Popularity • 64% Danceability • 38% Energy • 12% Liveness
86% Instrumentalness • 55% Positiveness
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Vega Trails
Love Your Grace
138 bpm • D Maj • 02:32 • -22db
40% Popularity • 44% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
40% Popularity • 44% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Valentina Magaletti
Per Strada
138 bpm • D min • 02:10 • -18.85db
6% Popularity • 44% Danceability • 58% Energy • 16% Liveness
84% Instrumentalness • 18% Positiveness
6% Popularity • 44% Danceability • 58% Energy • 16% Liveness
84% Instrumentalness • 18% Positiveness
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Koki Nakano
Oceanic Feeling
138 bpm • A# min • 04:48 • -20.42db
19% Popularity • 42% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
19% Popularity • 42% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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Josiah Steinbrick
Moonglow
137 bpm • D# Maj • 01:38 • -17.73db
41% Popularity • 27% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
41% Popularity • 27% Danceability • 15% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
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Bendik Giske
Matter (part 3)
137 bpm • C min • 06:12 • -15.73db
12% Popularity • 40% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
12% Popularity • 40% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
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J. Albert
Uncanny Otion
152 bpm • B min • 04:08 • -14.11db
30% Popularity • 33% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
30% Popularity • 33% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Roméo Poirier
Muscle de sable
137 bpm • G min • 04:01 • -19.63db
19% Popularity • 41% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
19% Popularity • 41% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Valentina Magaletti
Body in a Room
137 bpm • A# Maj • 05:15 • -12.1db
7% Popularity • 60% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
7% Popularity • 60% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Pavel Milyakov
Rebel Funk
152 bpm • A# min • 05:23 • -9.89db
13% Popularity • 71% Danceability • 48% Energy • 11% Liveness
81% Instrumentalness • 94% Positiveness
13% Popularity • 71% Danceability • 48% Energy • 11% Liveness
81% Instrumentalness • 94% Positiveness
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LI YILEI
YAN / 言
152 bpm • D Maj • 02:20 • -21.59db
30% Popularity • 40% Danceability • 35% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
30% Popularity • 40% Danceability • 35% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Labelle
L'homme félin
136 bpm • F Maj • 04:36 • -7.8db
33% Popularity • 73% Danceability • 69% Energy • 7% Liveness
96% Instrumentalness • 60% Positiveness
33% Popularity • 73% Danceability • 69% Energy • 7% Liveness
96% Instrumentalness • 60% Positiveness
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Sam Gendel
Mouthfeel 2
136 bpm • B min • 03:36 • -17.28db
20% Popularity • 82% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 74% Positiveness
20% Popularity • 82% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 74% Positiveness
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Lorenzo Senni
Canone Infinito
136 bpm • F# Maj • 04:59 • -12.5db
34% Popularity • 63% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
34% Popularity • 63% Danceability • 29% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Portico Quartet
Terrain III (Extended) – Live in Studi...
153 bpm • B min • 10:09 • -16.05db
17% Popularity • 30% Danceability • 57% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
17% Popularity • 30% Danceability • 57% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Oren Ambarchi
I
154 bpm • E Maj • 08:01 • -15db
21% Popularity • 61% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 92% Positiveness
21% Popularity • 61% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 92% Positiveness
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Samuel Organ
Guidance
135 bpm • C min • 03:42 • -21.52db
33% Popularity • 53% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
33% Popularity • 53% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Dylan Henner
A New Living Being Opens Its Eyes For th...
135 bpm • F min • 04:44 • -14.4db
22% Popularity • 26% Danceability • 27% Energy • 23% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 27% Energy • 23% Liveness
86% Instrumentalness • 4% Positiveness
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Jon Hassell
Fearless
154 bpm • G Maj • 08:02 • -11.41db
23% Popularity • 59% Danceability • 45% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
23% Popularity • 59% Danceability • 45% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
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Tarwater
Be Late
155 bpm • D min • 03:37 • -9.54db
34% Popularity • 76% Danceability • 52% Energy • 12% Liveness
95% Instrumentalness • 53% Positiveness
34% Popularity • 76% Danceability • 52% Energy • 12% Liveness
95% Instrumentalness • 53% Positiveness
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Radioactive Man
Goodnight Morton
155 bpm • F Maj • 03:50 • -21.12db
29% Popularity • 37% Danceability • 48% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
29% Popularity • 37% Danceability • 48% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
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Oren Ambarchi
II
154 bpm • D Maj • 09:32 • -12.12db
19% Popularity • 55% Danceability • 66% Energy • 11% Liveness
82% Instrumentalness • 41% Positiveness
19% Popularity • 55% Danceability • 66% Energy • 11% Liveness
82% Instrumentalness • 41% Positiveness
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Kaitlyn Aurelia Smith
Understanding Body Messages
133 bpm • C# min • 01:24 • -24db
45% Popularity • 93% Danceability • 37% Energy • 14% Liveness
62% Instrumentalness • 98% Positiveness
45% Popularity • 93% Danceability • 37% Energy • 14% Liveness
62% Instrumentalness • 98% Positiveness
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Kara-Lis Coverdale
Flutter
133 bpm • F min • 04:21 • -15db
21% Popularity • 19% Danceability • 39% Energy • 8% Liveness
58% Instrumentalness • 16% Positiveness
21% Popularity • 19% Danceability • 39% Energy • 8% Liveness
58% Instrumentalness • 16% Positiveness
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Murcof
Mir
133 bpm • G# Maj • 06:39 • -16db
23% Popularity • 76% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 26% Positiveness
23% Popularity • 76% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 26% Positiveness
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Vanishing Twin
The Organism
133 bpm • D# Maj • 04:36 • -12.5db
13% Popularity • 43% Danceability • 54% Energy • 11% Liveness
81% Instrumentalness • 25% Positiveness
13% Popularity • 43% Danceability • 54% Energy • 11% Liveness
81% Instrumentalness • 25% Positiveness
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Maxime Denuc
Agoraphobia
133 bpm • B min • 03:54 • -22.27db
24% Popularity • 62% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
24% Popularity • 62% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Anadol
Ay Çürüdü
132 bpm • C min • 08:56 • -13db
27% Popularity • 40% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
27% Popularity • 40% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Cybe
The Moon Is Shining Above The Ricefields
132 bpm • F Maj • 04:12 • -13db
24% Popularity • 62% Danceability • 44% Energy • 43% Liveness
73% Instrumentalness • 64% Positiveness
24% Popularity • 62% Danceability • 44% Energy • 43% Liveness
73% Instrumentalness • 64% Positiveness
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The Vernon Spring
SK-1
157 bpm • C Maj • 02:02 • -23.21db
49% Popularity • 26% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
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Felicia Atkinson
And All The Spirals Of The World
132 bpm • A min • 06:08 • -26.8db
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Kelly Lee Owens
Arpeggi
158 bpm • B min • 04:45 • -13.06db
38% Popularity • 69% Danceability • 32% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
38% Popularity • 69% Danceability • 32% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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Floating World Pictures
Fairbairn's Floating World
131 bpm • C Maj • 07:28 • -14.36db
15% Popularity • 26% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Dali Muru & The Polyphonic Swarm
Swaddledidaf Rosé
159 bpm • G Maj • 01:49 • -25.96db
25% Popularity • 16% Danceability • 5% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 5% Energy • 18% Liveness
93% Instrumentalness • 4% Positiveness
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Golden Ivy
Kläppen II
159 bpm • C Maj • 05:16 • -9.44db
21% Popularity • 67% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
21% Popularity • 67% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Domenique Dumont
Merry-Go-Round
131 bpm • E min • 01:47 • -16.56db
50% Popularity • 67% Danceability • 19% Energy • 12% Liveness
96% Instrumentalness • 72% Positiveness
50% Popularity • 67% Danceability • 19% Energy • 12% Liveness
96% Instrumentalness • 72% Positiveness
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June11
Who Is Still Dreaming?
131 bpm • B min • 03:32 • -19db
31% Popularity • 24% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Martyna Basta
Slowly Forgetting, Barely Remembering
159 bpm • C Maj • 02:48 • -25db
30% Popularity • 21% Danceability • 16% Energy • 11% Liveness
42% Instrumentalness • 3% Positiveness
30% Popularity • 21% Danceability • 16% Energy • 11% Liveness
42% Instrumentalness • 3% Positiveness
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Lucrecia Dalt
Esotro
159 bpm • A# min • 03:22 • -14.07db
19% Popularity • 60% Danceability • 31% Energy • 14% Liveness
67% Instrumentalness • 21% Positiveness
19% Popularity • 60% Danceability • 31% Energy • 14% Liveness
67% Instrumentalness • 21% Positiveness
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Caterina Barbieri
SOTRS
159 bpm • E Maj • 09:30 • -14db
39% Popularity • 34% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
39% Popularity • 34% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Bendik Giske
High
130 bpm • D min • 04:05 • -11.35db
14% Popularity • 48% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
14% Popularity • 48% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Tomaga
Intimate Immensity
159 bpm • C Maj • 04:44 • -6db
22% Popularity • 51% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 76% Positiveness
22% Popularity • 51% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 76% Positiveness
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Bruce Haack
Untitled #2
160 bpm • B Maj • 02:42 • -26.04db
30% Popularity • 20% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 33% Positiveness
30% Popularity • 20% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 33% Positiveness
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Roméo Poirier
Les encombres
130 bpm • D Maj • 03:31 • -20.37db
11% Popularity • 26% Danceability • 37% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
11% Popularity • 26% Danceability • 37% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
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Richie Hawtin
Contain (In Key)
130 bpm • G# Maj • 08:08 • -25.28db
34% Popularity • 62% Danceability • 13% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
34% Popularity • 62% Danceability • 13% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Uffe
Sunrise, Coffee & Cigarettes
160 bpm • C# min • 06:45 • -13.8db
18% Popularity • 79% Danceability • 56% Energy • 7% Liveness
84% Instrumentalness • 69% Positiveness
18% Popularity • 79% Danceability • 56% Energy • 7% Liveness
84% Instrumentalness • 69% Positiveness
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Maral
wondering dub
160 bpm • C# Maj • 02:07 • -16db
27% Popularity • 62% Danceability • 44% Energy • 18% Liveness
76% Instrumentalness • 45% Positiveness
27% Popularity • 62% Danceability • 44% Energy • 18% Liveness
76% Instrumentalness • 45% Positiveness
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Lauren Auder
in god's childlike hands
160 bpm • F Maj • 04:15 • -9.08db
33% Popularity • 29% Danceability • 31% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
33% Popularity • 29% Danceability • 31% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Cybe
Can You Hear The Rooster Crow
129 bpm • G# Maj • 01:11 • -11.04db
28% Popularity • 20% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 20% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Sofie Birch
Observatory
129 bpm • E min • 05:52 • -25.36db
22% Popularity • 30% Danceability • 15% Energy • 9% Liveness
66% Instrumentalness • 13% Positiveness
22% Popularity • 30% Danceability • 15% Energy • 9% Liveness
66% Instrumentalness • 13% Positiveness
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System Olympia
Tommib
160 bpm • C# Maj • 01:37 • -17.49db
35% Popularity • 53% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
35% Popularity • 53% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Maxime Denuc
Ouverture
129 bpm • B Maj • 05:22 • -19db
33% Popularity • 50% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
33% Popularity • 50% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Jeremiah Chiu
Rocky Passage
161 bpm • G# min • 01:40 • -17db
44% Popularity • 42% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 36% Positiveness
44% Popularity • 42% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 36% Positiveness
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Colleen
November
129 bpm • C# min • 02:08 • -16db
33% Popularity • 34% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 36% Positiveness
33% Popularity • 34% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 36% Positiveness
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The Durutti Column
Opera II
161 bpm • E min • 02:59 • -15.55db
22% Popularity • 47% Danceability • 31% Energy • 12% Liveness
97% Instrumentalness • 38% Positiveness
22% Popularity • 47% Danceability • 31% Energy • 12% Liveness
97% Instrumentalness • 38% Positiveness
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Bendik Giske
Start
162 bpm • G# Maj • 04:15 • -15.6db
15% Popularity • 64% Danceability • 62% Energy • 7% Liveness
93% Instrumentalness • 61% Positiveness
15% Popularity • 64% Danceability • 62% Energy • 7% Liveness
93% Instrumentalness • 61% Positiveness
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Carla dal Forno
Hype Sleep
128 bpm • A min • 03:48 • -15db
28% Popularity • 74% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
28% Popularity • 74% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
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Craig Leon
Standing Crosswise in the Square
128 bpm • A Maj • 06:09 • -11.33db
29% Popularity • 69% Danceability • 64% Energy • 10% Liveness
90% Instrumentalness • 60% Positiveness
29% Popularity • 69% Danceability • 64% Energy • 10% Liveness
90% Instrumentalness • 60% Positiveness
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Sofie Birch
Portal Of
127 bpm • G min • 01:42 • -20db
40% Popularity • 22% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 22% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Rival Consoles
Fragment
127 bpm • B Maj • 01:39 • -23.47db
45% Popularity • 61% Danceability • 39% Energy • 11% Liveness
97% Instrumentalness • 39% Positiveness
45% Popularity • 61% Danceability • 39% Energy • 11% Liveness
97% Instrumentalness • 39% Positiveness
