Songs like Crushed by Thomston
Based on a tempo of (+/- 10%) and a similar genre
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Virginia To Vegas
outerspace
170 bpm • C# Maj • 02:51 • -9.18db
26% Popularity • 57% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
26% Popularity • 57% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
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GRANT KNOCHE
WISH U WERE DEAD
170 bpm • C# Maj • 02:57 • -8.99db
23% Popularity • 52% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 52% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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push baby
Change My Mind
170 bpm • G Maj • 03:32 • -11.2db
16% Popularity • 41% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 41% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Neptune
all over the world
170 bpm • E Maj • 02:42 • -10.95db
27% Popularity • 54% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 54% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Greyson Chance
Hemingway, 74 rue de Cardinal
170 bpm • D Maj • 04:47 • -9.81db
22% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Thomston
Crushed
170 bpm • C Maj • 03:31 • -10.65db
20% Popularity • 43% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 43% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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BLÜ EYES
Just Life
172 bpm • A# Maj • 03:07 • -8db
23% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Will Heggadon
Desolate Pages
172 bpm • F# Maj • 03:56 • -9.5db
12% Popularity • 34% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 34% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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OSTON
Girl in the Mirror
168 bpm • B Maj • 03:39 • -6.37db
18% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Keni Titus
Bev Hillz
168 bpm • A# Maj • 03:04 • -6.12db
19% Popularity • 60% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 60% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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L Devine
Daughter (stripped)
168 bpm • F# Maj • 03:34 • -7.88db
20% Popularity • 56% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 56% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Harry Hudson
A song about I wanna see you but I proba...
172 bpm • E min • 03:26 • -5db
23% Popularity • 41% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 41% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 22% Positiveness
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Kevin Garrett
Why Don't You
168 bpm • D# Maj • 03:40 • -6.48db
16% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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wens
numb
172 bpm • E Maj • 02:32 • -11.32db
29% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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OSTON
New Year's Eve
172 bpm • G# Maj • 02:37 • -7.57db
12% Popularity • 48% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 48% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Alexander 23
Track 9
167 bpm • G Maj • 02:23 • -13db
31% Popularity • 31% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 31% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Lily Kincade
sweet n low
173 bpm • E min • 03:16 • -7db
27% Popularity • 48% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 48% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
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Cait
Forgetful
166 bpm • F# Maj • 02:52 • -7db
22% Popularity • 55% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 55% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Thomston
Godsend
166 bpm • F Maj • 03:23 • -7.86db
12% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Greyson Chance
Mercury Year
166 bpm • C# min • 04:07 • -6.87db
24% Popularity • 44% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 44% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Tayler Buono
Some Things Aren't Meant Forever
166 bpm • C Maj • 03:05 • -7db
12% Popularity • 56% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 56% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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laye
I Could Die
165 bpm • G Maj • 02:47 • -6.17db
21% Popularity • 67% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 67% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Lily Kincade
At My Funeral
166 bpm • F# Maj • 02:49 • -10db
21% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 48% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Amelia Moore
vinegar
175 bpm • D# Maj • 03:16 • -8.24db
32% Popularity • 39% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 39% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Thomston
The Pacific
166 bpm • G Maj • 03:16 • -7.67db
14% Popularity • 54% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 54% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Quinn Lewis
History Buff
176 bpm • E Maj • 03:49 • -12.4db
16% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Greyson Chance
O Violet
176 bpm • G# Maj • 03:36 • -12db
22% Popularity • 37% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 37% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Gatlin
Whenever He Asks
177 bpm • A min • 02:38 • -8.64db
39% Popularity • 54% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 54% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Haley Joelle
Emergency Contact
163 bpm • G Maj • 02:36 • -8db
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 44% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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A N X
Someone Else's Problem
162 bpm • D Maj • 03:36 • -9.69db
13% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 60% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Thomston
Seconds Away
165 bpm • D Maj • 03:09 • -8.16db
12% Popularity • 58% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 58% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
47% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Mike Taveira
Comedown
180 bpm • B Maj • 04:10 • -7.17db
14% Popularity • 34% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 34% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Carlie Hanson
Your Mom
180 bpm • B Maj • 02:08 • -6.12db
24% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Blake Rose
Movie
160 bpm • F Maj • 04:07 • -9db
37% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 27% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Daya
What If I Told You
160 bpm • D min • 02:48 • -8db
34% Popularity • 49% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 49% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Thomston
Ugly
164 bpm • F Maj • 03:18 • -10.76db
8% Popularity • 34% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 34% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Alexander 23
Hate Me If It Helps
162 bpm • D Maj • 03:16 • -8.84db
46% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 53% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Ivy Adara
Want What I Can't Have
160 bpm • A# min • 02:16 • -6.87db
21% Popularity • 72% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 72% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Lorelei Marcell
Need Me
160 bpm • C# min • 02:20 • -7.99db
13% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Carlie Hanson
Love You Anyway
160 bpm • A Maj • 02:37 • -9.75db
17% Popularity • 48% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 48% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Emilia Tarrant
When It Was Chaotic
160 bpm • A# Maj • 02:56 • -8db
19% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Thomston
One More
160 bpm • B Maj • 03:42 • -9.41db
10% Popularity • 53% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 53% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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liza
What Did I Do?
159 bpm • F# min • 03:14 • -7.99db
14% Popularity • 35% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 35% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Marina Lin
have fun at ur party (but don't)
182 bpm • A Maj • 03:14 • -9.07db
11% Popularity • 38% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 38% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Nightly
i got so much to tell you
183 bpm • C Maj • 04:13 • -6.44db
25% Popularity • 20% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 20% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Ben Kessler
I Think I
159 bpm • D# Maj • 02:49 • -10db
41% Popularity • 56% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
41% Popularity • 56% Danceability • 49% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Cade Hoppe
Everything That's Wrong with You
158 bpm • D Maj • 03:14 • -7.88db
10% Popularity • 61% Danceability • 81% Energy • 14% Liveness
38% Instrumentalness • 76% Positiveness
10% Popularity • 61% Danceability • 81% Energy • 14% Liveness
38% Instrumentalness • 76% Positiveness
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Kevin Garrett
Lonely Like Me
158 bpm • F Maj • 03:04 • -6db
24% Popularity • 77% Danceability • 52% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 77% Danceability • 52% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
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Rosemary Joaquin
Crowded Rooms
183 bpm • A# Maj • 02:23 • -8.12db
16% Popularity • 31% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 31% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 36% Positiveness
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Ashley Kutcher
Nothing's All The Time
183 bpm • B Maj • 02:42 • -10db
38% Popularity • 52% Danceability • 49% Energy • 58% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 52% Danceability • 49% Energy • 58% Liveness
0% Instrumentalness • 45% Positiveness
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Greyson Chance
Clothes
157 bpm • A Maj • 03:22 • -12.44db
17% Popularity • 30% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 30% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Deza
Boy Violet
157 bpm • B Maj • 02:58 • -9db
30% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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FLETCHER
Birthday Girl
157 bpm • G Maj • 03:17 • -9.16db
39% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Wingtip
Leave Yourself Alone
156 bpm • A Maj • 03:09 • -5.39db
20% Popularity • 62% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 62% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Carol Ades
Sadtown USA
156 bpm • E Maj • 03:10 • -7db
26% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Alexander 23
Crash
185 bpm • E Maj • 03:14 • -5.25db
42% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Mallory Merk
Isolate Myself
156 bpm • E Maj • 03:05 • -5.21db
14% Popularity • 56% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 56% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Glades
Say Anything
156 bpm • F# min • 03:44 • -4.69db
4% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Will Bryant
Bethany
155 bpm • B Maj • 02:47 • -10.99db
26% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 70% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Brennan
If Love Could Only Dance
155 bpm • F Maj • 03:11 • -8.43db
23% Popularity • 31% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 31% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Thomston
Magnolia
154 bpm • F# Maj • 03:13 • -10.84db
27% Popularity • 63% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 63% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Aimee Vant
Airbnb
154 bpm • C# Maj • 03:16 • -5.75db
20% Popularity • 63% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 63% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Riley Biederer
mg
154 bpm • G Maj • 02:43 • -8.76db
13% Popularity • 69% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 69% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Violet Skies
The Internet
154 bpm • G# Maj • 03:02 • -10.11db
12% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Adam French
2Am
154 bpm • C# min • 03:18 • -10db
16% Popularity • 50% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 50% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sophie Rose
Frida Kahlo
154 bpm • B min • 03:25 • -9.58db
32% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Alexander 23
Everything's Fine
153 bpm • A Maj • 03:49 • -9db
29% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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GUS
cloudbathing
152 bpm • B Maj • 03:02 • -5.83db
14% Popularity • 57% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 57% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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gnash
The Middle of Nowhere
190 bpm • D Maj • 02:48 • -7.57db
18% Popularity • 50% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
18% Popularity • 50% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
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Natasha Hunt Lee
Fancy Night
190 bpm • C Maj • 03:18 • -12.76db
7% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 39% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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ROLE MODEL
save a seat
152 bpm • C min • 03:07 • -11.22db
33% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Blake Rose
A World Gone By
152 bpm • C Maj • 03:33 • -8.61db
26% Popularity • 45% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 45% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Thomston
The Outskirts (Resurveyed)
190 bpm • C Maj • 02:48 • -12.65db
4% Popularity • 39% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
4% Popularity • 39% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Sody
Old Flame
152 bpm • A Maj • 02:47 • -8.25db
28% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Rainsford
Brutal
151 bpm • G Maj • 03:03 • -11.65db
21% Popularity • 48% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 48% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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James Quick
Sink
150 bpm • G# Maj • 04:01 • -10.55db
26% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Julia Wolf
Falling In Love
150 bpm • C# Maj • 02:47 • -8.76db
30% Popularity • 69% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 69% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Laur Elle
Hate That You Love Me
150 bpm • D Maj • 03:13 • -7.03db
35% Popularity • 77% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 77% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Thomston
JPA989
150 bpm • C Maj • 02:56 • -11.35db
19% Popularity • 66% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 66% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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lovelytheband
your favorite one
150 bpm • A# Maj • 05:38 • -8db
32% Popularity • 41% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 41% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Tayler Buono
Need Another
150 bpm • F# min • 02:52 • -6.31db
13% Popularity • 51% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 51% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Hailey Haus
Flavor of the Month
150 bpm • B min • 02:20 • -6.78db
33% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Oriain
A Little Time
150 bpm • F# Maj • 02:50 • -7.6db
20% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 37% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Luz
counting houses
150 bpm • A# Maj • 03:20 • -12.09db
36% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 57% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Sam MacPherson
How Do You Dress for the Rain?
150 bpm • A# Maj • 02:40 • -12db
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Noah Cyrus
Hardest Part
150 bpm • F# Maj • 03:42 • -9.29db
36% Popularity • 31% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 31% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Alexander 23
Live in me Forever
150 bpm • G Maj • 02:26 • -12.98db
28% Popularity • 58% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 58% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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ROSIE
Sad Sad Sad
193 bpm • D Maj • 03:01 • -8.62db
26% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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bülow
My Mercedes
194 bpm • C# min • 02:32 • -7.05db
23% Popularity • 47% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 47% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Sophie Holohan
in loving
149 bpm • E Maj • 01:39 • -13.97db
0% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Corey Harper
Pink Razor
148 bpm • A Maj • 03:10 • -7db
28% Popularity • 65% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 65% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Lily Kincade
Wish You Would've
148 bpm • C Maj • 03:08 • -6.39db
19% Popularity • 70% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 70% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Moody Joody
Talk It Out
148 bpm • E Maj • 03:39 • -10.17db
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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VILLFORTH
Shouldn't This Feel Easy?
148 bpm • F# Maj • 02:49 • -8.08db
18% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 70% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Oliver Riot
Tingle
148 bpm • F# min • 02:51 • -7.8db
25% Popularity • 28% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 28% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Jansen
When Somebody's Holding Me - Demo
148 bpm • G# Maj • 04:16 • -9db
23% Popularity • 32% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 24% Positiveness
23% Popularity • 32% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 24% Positiveness
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Rachel Bochner
Drunk Crier
147 bpm • F# Maj • 03:03 • -10db
23% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
