Songs like Crying In the Chapel by June Valli
Based on a tempo of (+/- 10%) and a similar genre
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The Elegants
Rain, Rain
94 bpm • F# Maj • 02:35 • -10.06db
7% Popularity • 52% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 52% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Crescendos
Oh Julie
94 bpm • A# Maj • 02:44 • -11db
8% Popularity • 43% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
8% Popularity • 43% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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June Valli
Crying In the Chapel
94 bpm • G# Maj • 02:48 • -3.06db
0% Popularity • 37% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 37% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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George Hamilton IV
They Will Understand
94 bpm • F Maj • 02:32 • -10db
19% Popularity • 54% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 54% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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The King Brothers
Mais Oui - 2003 Remaster
94 bpm • G# Maj • 02:19 • -8.98db
9% Popularity • 61% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 61% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Skyliners
Zing Went The Strings Of My Heart
94 bpm • D Maj • 02:34 • -7.94db
14% Popularity • 52% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 52% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Patty Andrews
The Pussycat Song (Nyow! Nyot! Nyow!)
94 bpm • A# Maj • 02:22 • -19.76db
9% Popularity • 65% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 65% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Toni Arden
Non Dimenticar (Don't Forget)
95 bpm • G Maj • 03:35 • -12.48db
0% Popularity • 24% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 24% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Al Trace and His Musicians
Oh! Maria
95 bpm • F Maj • 03:16 • -11.56db
1% Popularity • 68% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 68% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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June Valli
The World We Love In
95 bpm • D# Maj • 02:56 • -7.87db
0% Popularity • 40% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 40% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Kalin Twins
When
93 bpm • F# Maj • 02:26 • -9.82db
41% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
41% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Lew Stone & His Band
Zing! Went The Strings Of My Heart
93 bpm • A min • 02:56 • -19.47db
15% Popularity • 77% Danceability • 19% Energy • 5% Liveness
77% Instrumentalness • 91% Positiveness
15% Popularity • 77% Danceability • 19% Energy • 5% Liveness
77% Instrumentalness • 91% Positiveness
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Joanie Sommers
(Theme From) A Summer Place
95 bpm • C Maj • 02:24 • -15.34db
15% Popularity • 46% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 46% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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The Fleetwoods
So Much in Love
93 bpm • F# Maj • 01:52 • -12.88db
9% Popularity • 55% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 55% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Al Trace and His Musicians
I'll Take You in My Arms
95 bpm • D# Maj • 02:58 • -9.34db
1% Popularity • 85% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
1% Popularity • 85% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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The Timetones
In My Heart
95 bpm • C Maj • 02:30 • -8.01db
27% Popularity • 53% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 53% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Peterson
Answer Me, My Love
95 bpm • F# Maj • 02:21 • -9.58db
30% Popularity • 30% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 30% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Tennessee Ernie Ford
Give Me Your Word
93 bpm • D# min • 03:13 • -6.73db
8% Popularity • 28% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 25% Positiveness
8% Popularity • 28% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 25% Positiveness
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Anthony Newley
If She Should Come to You
96 bpm • D Maj • 02:30 • -12.84db
10% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Tony Brent
Got You on My Mind - 1999 Remaster
96 bpm • G Maj • 03:09 • -15db
10% Popularity • 58% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 58% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Della Reese
Don't Know You - Digitally Mastered 1988
92 bpm • D# Maj • 02:33 • -12.02db
23% Popularity • 20% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 20% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Danny Kaye
Ballin' The Jack
92 bpm • G Maj • 02:21 • -8.25db
10% Popularity • 62% Danceability • 29% Energy • 11% Liveness
17% Instrumentalness • 37% Positiveness
10% Popularity • 62% Danceability • 29% Energy • 11% Liveness
17% Instrumentalness • 37% Positiveness
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Doris Day with Les Brown and His Orchestra
A Kiss To Remember
96 bpm • F min • 01:46 • -8.59db
12% Popularity • 25% Danceability • 38% Energy • 15% Liveness
4% Instrumentalness • 54% Positiveness
12% Popularity • 25% Danceability • 38% Energy • 15% Liveness
4% Instrumentalness • 54% Positiveness
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Linda Scott
This Is My Prayer
96 bpm • F# Maj • 03:00 • -13.29db
23% Popularity • 34% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 34% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jack Jones
Dear Heart
92 bpm • E Maj • 02:36 • -12.07db
32% Popularity • 35% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 35% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ann-Margret
My Last Date (With You)
96 bpm • A# Maj • 02:36 • -13.3db
14% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Toni Arden
Don't Ever Leave Me
96 bpm • A# Maj • 02:53 • -12.88db
0% Popularity • 23% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 23% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Alice Faye
You'll Never Know / No Love, No Nothin -...
96 bpm • F Maj • 03:33 • -15db
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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The Five Discs
Never Let You Go
91 bpm • A Maj • 02:14 • -5.3db
22% Popularity • 24% Danceability • 82% Energy • 52% Liveness
31% Instrumentalness • 81% Positiveness
22% Popularity • 24% Danceability • 82% Energy • 52% Liveness
31% Instrumentalness • 81% Positiveness
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Helen O'Connell
Star Eyes
91 bpm • C# Maj • 02:59 • -17.07db
20% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 46% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dinah Washington
I Do
97 bpm • A# Maj • 02:25 • -14.82db
16% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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![A Little Bird Told Me (with The Stardusters) [1948 Single Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02e075d261d3faa028fd34d444)
Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Mark Dinning
Teen Angel
97 bpm • C Maj • 02:41 • -13.23db
28% Popularity • 51% Danceability • 10% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 51% Danceability • 10% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Dee Clark
Just Keep It Up
97 bpm • A# Maj • 01:57 • -11db
24% Popularity • 68% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 68% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Ray Peterson
Missing You
91 bpm • A Maj • 02:44 • -2.51db
35% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Ann-Margret
Oh, Lonesome Me
97 bpm • E Maj • 02:35 • -11.02db
8% Popularity • 56% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 56% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Gale Storm
Dark Moon
91 bpm • E Maj • 02:29 • -10.53db
14% Popularity • 48% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 48% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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June Valli
My Darling, My Darling
91 bpm • F min • 01:55 • -11.3db
0% Popularity • 42% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 42% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Mark Dinning
Teen Angel - Alternate Take
97 bpm • C Maj • 02:40 • -16db
22% Popularity • 56% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 56% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Tommy Steele
Elevator Rock
98 bpm • G Maj • 01:51 • -8.35db
11% Popularity • 62% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 62% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Debbie Reynolds
City Lights
98 bpm • D Maj • 02:26 • -11.91db
28% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Anthony Newley
I've Waited so Long
90 bpm • G min • 02:45 • -10.14db
10% Popularity • 26% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 26% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Gale Storm
I Hear You Knokin'
98 bpm • C# Maj • 02:22 • -8.91db
15% Popularity • 59% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 59% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Toni Arden
How Sweet - My Love
98 bpm • F Maj • 02:20 • -9.98db
4% Popularity • 51% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
4% Popularity • 51% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Ray Peterson
Richer Than I
90 bpm • D# Maj • 02:26 • -9.7db
12% Popularity • 33% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 33% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Don Cornell
Hold My Hand
90 bpm • F Maj • 02:35 • -17db
11% Popularity • 56% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 56% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Anne Shelton
Seven Days
90 bpm • D Maj • 02:29 • -8db
14% Popularity • 49% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 49% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Les Paul & Mary Ford
Via Con Dios
99 bpm • E Maj • 02:50 • -14.42db
30% Popularity • 58% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
30% Popularity • 58% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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Ed Ames
Time, Time (Tu As Beau Sourire)
89 bpm • G# Maj • 02:51 • -10.44db
13% Popularity • 32% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 32% Danceability • 29% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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The Fontane Sisters
Chanson D'amour
99 bpm • G min • 02:14 • -12db
21% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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June Valli
Oh! What a Day
99 bpm • C min • 02:31 • -11.01db
0% Popularity • 37% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 37% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Debbie Reynolds
Summer Romance
99 bpm • F# Maj • 02:13 • -12.51db
30% Popularity • 32% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 32% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Anne Shelton
Sailor
99 bpm • A Maj • 02:48 • -7db
14% Popularity • 33% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 33% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmy Durante
The Best Things in Life Are Free
99 bpm • C Maj • 02:03 • -12.44db
11% Popularity • 76% Danceability • 40% Energy • 11% Liveness
23% Instrumentalness • 88% Positiveness
11% Popularity • 76% Danceability • 40% Energy • 11% Liveness
23% Instrumentalness • 88% Positiveness
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Johnny Tillotson
I'm So Lonesome I Could Cry
89 bpm • G# Maj • 02:53 • -9.23db
16% Popularity • 35% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 35% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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The Poni-Tails
Before We Say Goodnight
89 bpm • C Maj • 02:31 • -7.13db
18% Popularity • 45% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 45% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Shelley Fabares
Johnny Loves Me
99 bpm • C Maj • 02:22 • -12.65db
12% Popularity • 41% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 41% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Johnny Crawford
Living in the Past
99 bpm • A# Maj • 02:41 • -13db
11% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 60% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Tommy Sands
Teen-Age Crush
89 bpm • A min • 02:23 • -8.2db
14% Popularity • 56% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 56% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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The Beverley Sisters
Green Fields
100 bpm • A# min • 02:53 • -17.48db
11% Popularity • 52% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 52% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Betty Grable
You're MY Little Pin-Up Girl
89 bpm • F# Maj • 02:41 • -9db
8% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Durante
In the Other Fellow's Yard
100 bpm • E Maj • 02:28 • -12.5db
25% Popularity • 34% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 34% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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June Valli
Young and Foolish
100 bpm • G# Maj • 02:58 • -13.34db
0% Popularity • 27% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 27% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Toni Arden
Padre
100 bpm • D Maj • 03:03 • -8.33db
0% Popularity • 31% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 31% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Anthony Newley
Why?
100 bpm • G min • 02:26 • -9.38db
25% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Tony Brent
Walkin' to Missouri
87 bpm • C Maj • 02:46 • -12.21db
12% Popularity • 78% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 78% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Sammy Davis Jr.
The Shelter of Your Arms
101 bpm • E Maj • 02:52 • -11.42db
15% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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June Valli
Dance With Me
101 bpm • F# Maj • 02:00 • -12.08db
0% Popularity • 42% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 42% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Toni Arden
I Can Dream, Can I?
87 bpm • C# min • 03:08 • -12.65db
0% Popularity • 23% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 23% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Ray Noble & His Orchestra
Linda
101 bpm • F Maj • 03:15 • -19db
23% Popularity • 54% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 54% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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Earl Grant
Swingin' Gently
101 bpm • G# Maj • 02:41 • -10.52db
15% Popularity • 62% Danceability • 54% Energy • 9% Liveness
83% Instrumentalness • 79% Positiveness
15% Popularity • 62% Danceability • 54% Energy • 9% Liveness
83% Instrumentalness • 79% Positiveness
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Jackie Wilson
Night
101 bpm • D# Maj • 02:54 • -9.67db
7% Popularity • 22% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 22% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Tony Brent
Girl of My Dreams - 1999 Remaster
87 bpm • E min • 02:33 • -10db
10% Popularity • 42% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 42% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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June Valli
Beauty Isn't Everything
87 bpm • A# Maj • 02:20 • -10db
0% Popularity • 37% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 37% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Anthony Newley
And the Heavens Cried
87 bpm • B Maj • 02:13 • -6.12db
12% Popularity • 32% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 32% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Eckstine
No One but You
87 bpm • G Maj • 03:09 • -11db
33% Popularity • 34% Danceability • 27% Energy • 29% Liveness
1% Instrumentalness • 13% Positiveness
33% Popularity • 34% Danceability • 27% Energy • 29% Liveness
1% Instrumentalness • 13% Positiveness
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Petula Clark
Suddenly There's a Valley
102 bpm • G# Maj • 02:38 • -12.67db
27% Popularity • 28% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 28% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Jimmie Rodgers
Are You Really Mine
102 bpm • F min • 02:28 • -16.6db
24% Popularity • 69% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 69% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Toni Arden
Too Young
102 bpm • G Maj • 03:05 • -14.05db
1% Popularity • 28% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 28% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Shirley Feeney
Johnny Angel
102 bpm • C# Maj • 02:20 • -8.89db
11% Popularity • 44% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 44% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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June Valli
I Get Along Without You Very Well
102 bpm • F Maj • 03:48 • -10.46db
0% Popularity • 36% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 36% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Donna Hightower
All Or Nothing At All
86 bpm • G# Maj • 01:45 • -10.77db
9% Popularity • 70% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 70% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Benny Goodman
Symphony
103 bpm • G# Maj • 03:08 • -18.9db
27% Popularity • 56% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 56% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Sue Thompson
My Hero (That's What You Are)
86 bpm • B Maj • 02:16 • -11db
30% Popularity • 57% Danceability • 35% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 57% Danceability • 35% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Tillotson
Pledging My Love
86 bpm • F Maj • 02:31 • -8.95db
22% Popularity • 39% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 39% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Neil Sedaka
I Found My World In You
86 bpm • G# min • 03:38 • -6.62db
11% Popularity • 17% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 17% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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June Valli
Guess Things Happen That Way
103 bpm • G# Maj • 01:59 • -10.6db
0% Popularity • 47% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 47% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Roy Orbison
Raindrops
103 bpm • G Maj • 01:52 • -9.9db
21% Popularity • 59% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 59% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Malcolm Vaughan
St Therese of the Roses
85 bpm • E Maj • 02:52 • -9.76db
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 24% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Ronnie Hilton
I Still Believe
85 bpm • D# min • 02:33 • -12.11db
13% Popularity • 41% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 41% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Art & Dotty Todd
Chanson D'amour
104 bpm • F Maj • 02:48 • -11db
14% Popularity • 78% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 78% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Anita Bryant
Till There Was You
104 bpm • G# Maj • 02:09 • -9.6db
24% Popularity • 31% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 31% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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June Valli
Love, Tears, and Kisses
103 bpm • E min • 02:10 • -11.1db
0% Popularity • 32% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 32% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Joanie Sommers
One Boy
85 bpm • G Maj • 02:03 • -14.59db
18% Popularity • 47% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 47% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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Malcolm Vaughan
To Be Loved
104 bpm • E Maj • 02:27 • -9.46db
14% Popularity • 37% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 37% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 43% Positiveness
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Ronnie Hilton
Who Are We
85 bpm • F Maj • 02:59 • -10.72db
11% Popularity • 26% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 26% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Al Trace and His Musicians
I Cross My Heart
104 bpm • F Maj • 03:17 • -11.37db
1% Popularity • 36% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 19% Positiveness
1% Popularity • 36% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 19% Positiveness
