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Crying Out
Songs like
Crying Out
by
Junior Timba
Based on a tempo of (+/- 10%) and a similar genre
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Pinchers
Agony
167 bpm • D Maj • 03:31 • -9db
12% Popularity • 82% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Conroy Smith
Uptown Girl
167 bpm • C# Maj • 03:01 • -3db
9% Popularity • 75% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Sister Nancy
Ram Dance Daughter
167 bpm • B Maj • 03:18 • -10.67db
18% Popularity • 78% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Junior Timba
Crying Out
167 bpm • E min • 03:41 • -5db
9% Popularity • 70% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Admiral Bailey
Big Belly Man
167 bpm • G Maj • 03:21 • -11.38db
24% Popularity • 84% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Chiney K
Mi God Mi King (Papa Levi Tribute)
166 bpm • D Maj • 03:38 • -6.41db
10% Popularity • 82% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Bounty Killer (feat. Wayne Smith)
Slengteng Resurrection
168 bpm • D Maj • 02:45 • -5.2db
8% Popularity • 58% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Max Romeo
Macabee Version
168 bpm • G Maj • 02:56 • -5.9db
30% Popularity • 77% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Jah Marnyah
Stormy Weathers - Vocal
168 bpm • G min • 03:56 • -9.57db
8% Popularity • 71% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Pad Anthony
In Deh
168 bpm • F Maj • 03:55 • -6db
0% Popularity • 83% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Pinchers
Send Another One Come
168 bpm • B Maj • 03:54 • -13db
22% Popularity • 82% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Misty In Roots
Almighty (The Way)
166 bpm • G Maj • 04:15 • -7.44db
18% Popularity • 77% Danceability • 65% Energy • 6% Liveness
2% Instrumentalness • 75% Positiveness
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Mikey Dread
Break down the Walls
166 bpm • F# min • 04:09 • -15.05db
34% Popularity • 75% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Admiral Tibet
Serious Time
169 bpm • A# min • 03:15 • -13db
35% Popularity • 78% Danceability • 39% Energy • 6% Liveness
1% Instrumentalness • 71% Positiveness
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Little Kirk
Kill A Sound
169 bpm • G Maj • 03:08 • -4db
7% Popularity • 71% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Damian Marley
Khaki Suit
169 bpm • A# min • 02:22 • -10.41db
23% Popularity • 48% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Pinchers
Agony - Remastered
168 bpm • G Maj • 03:25 • -5.71db
32% Popularity • 82% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Manudigital
Digital Kingston Session
165 bpm • B Maj • 03:01 • -9.21db
24% Popularity • 67% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Agent Sasco (Assassin)
Good Over Evil
164 bpm • D Maj • 03:09 • -6.64db
8% Popularity • 57% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Admiral Tibet
Running from Reality
170 bpm • A min • 03:39 • -11.85db
16% Popularity • 71% Danceability • 53% Energy • 8% Liveness
77% Instrumentalness • 70% Positiveness
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Ras Demo
Watch the Things
170 bpm • F Maj • 03:23 • -5.78db
11% Popularity • 66% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Afrikan Simba
Protect I
164 bpm • F min • 06:00 • -11db
18% Popularity • 80% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Shaggy
Don't Stop
170 bpm • G Maj • 02:59 • -6.11db
23% Popularity • 64% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Wayne Marshall
On the Corner
170 bpm • F# Maj • 03:25 • -7.3db
8% Popularity • 60% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Mikey Murka
Downpressor Man
170 bpm • B min • 03:42 • -10.85db
13% Popularity • 82% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Manudigital
Digital Kingston Session
164 bpm • F Maj • 04:33 • -9.56db
18% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Mr Easy
Strangest Thing
170 bpm • C# Maj • 03:50 • -4.77db
22% Popularity • 54% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Echo Minott
Original Fat Thing
164 bpm • D Maj • 03:25 • -5.6db
0% Popularity • 63% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Jamelody
Burn Dem Up
171 bpm • F min • 03:22 • -5.04db
8% Popularity • 48% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Nicodemus
Eagle Feathers
163 bpm • D Maj • 03:34 • -14db
13% Popularity • 70% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Bunny Wailer
Baddest
171 bpm • F Maj • 05:31 • -6.34db
21% Popularity • 79% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Top Cat
Love Me Ses
163 bpm • E Maj • 03:14 • -12db
23% Popularity • 86% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Reggae Roast
Soundsystem
172 bpm • F# min • 02:51 • -4.91db
28% Popularity • 74% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Gappy Ranks
Maad Sick
172 bpm • F min • 04:06 • -7.59db
25% Popularity • 70% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Million Stylez
Can't Stop the Youths
172 bpm • C min • 03:35 • -5.55db
10% Popularity • 67% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Brigadier Jerry
What King Of World
172 bpm • C# Maj • 01:24 • -7.11db
22% Popularity • 69% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Nitty Gritty
Good Morning Teacher - Original Version
172 bpm • F# Maj • 03:12 • -8.54db
19% Popularity • 67% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Junior Timba
Prepare
162 bpm • B Maj • 03:55 • -7.99db
0% Popularity • 84% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Max Romeo
We Love Jamaica
162 bpm • A# Maj • 02:55 • -6.08db
19% Popularity • 74% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Chronixx
Odd Ras(Original Dub Style Remix"
174 bpm • G Maj • 04:02 • -5.92db
17% Popularity • 65% Danceability • 61% Energy • 31% Liveness
1% Instrumentalness • 66% Positiveness
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Admiral Bailey
One Scotch
174 bpm • G# Maj • 02:53 • -10db
16% Popularity • 78% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Dub Syndicate
Bless My Soul
160 bpm • G Maj • 04:17 • -7.27db
18% Popularity • 81% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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iNi Kamoze
Trample
174 bpm • G# Maj • 04:21 • -4.74db
19% Popularity • 76% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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King General
Wicked Them Wicked
160 bpm • A Maj • 03:52 • -5.71db
13% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Norris Man
Heathen Pt 11
160 bpm • G# Maj • 03:50 • -7.58db
16% Popularity • 62% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Culture Freeman
The Fittest
160 bpm • G Maj • 03:50 • -5.84db
15% Popularity • 78% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 33% Positiveness
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Jah Mason
Lion Look
159 bpm • C Maj • 03:01 • -3.67db
11% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Tenor Saw
Lone Ranger And Tonto
159 bpm • F Maj • 03:49 • -5db
20% Popularity • 69% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Eek-A-Mouse
Assassinator
159 bpm • C# Maj • 03:42 • -16.36db
33% Popularity • 74% Danceability • 43% Energy • 27% Liveness
5% Instrumentalness • 97% Positiveness
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Half Pint
Too Late
176 bpm • E Maj • 03:33 • -14.6db
13% Popularity • 66% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Everton Blender
Ghetto People Song
159 bpm • A# min • 03:46 • -10db
26% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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iNi Kamoze
Hill and Gully Ride
158 bpm • E min • 03:24 • -5db
22% Popularity • 73% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Beres Hammond & Zap Pow
Last War
158 bpm • F# min • 06:17 • -8db
17% Popularity • 69% Danceability • 75% Energy • 4% Liveness
4% Instrumentalness • 92% Positiveness
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Admiral Bailey
One Scotch
177 bpm • G# Maj • 02:04 • -8.48db
12% Popularity • 70% Danceability • 59% Energy • 59% Liveness
0% Instrumentalness • 69% Positiveness
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Tony Rebel
The Herb
158 bpm • E min • 03:38 • -6.57db
20% Popularity • 78% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Ras Shiloh
Only King Selassie
157 bpm • F# Maj • 03:32 • -6.87db
21% Popularity • 73% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Junior Timba
Pocket Is Empty
178 bpm • C# Maj • 04:04 • -6.37db
1% Popularity • 73% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Max Romeo
Wet Dreams
156 bpm • C Maj • 03:36 • -7.43db
22% Popularity • 75% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Lyricson
Gvt Life Fe War
156 bpm • C Maj • 04:20 • -4.92db
9% Popularity • 75% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Skarra Mucci
Marihuana
156 bpm • C# Maj • 03:19 • -4.15db
18% Popularity • 80% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Mr. Williamz
Dancehall Hobby
156 bpm • F min • 03:02 • -7.37db
7% Popularity • 68% Danceability • 84% Energy • 45% Liveness
0% Instrumentalness • 82% Positiveness
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Chezidek
Leave the Trees
156 bpm • A Maj • 03:38 • -3.14db
32% Popularity • 76% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Perfect
Handcart Boy
155 bpm • D Maj • 03:43 • -4.39db
22% Popularity • 80% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Beres Hammond & Zap Pow
Last War
155 bpm • F# min • 04:02 • -8.1db
40% Popularity • 68% Danceability • 79% Energy • 64% Liveness
51% Instrumentalness • 96% Positiveness
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Super Cat
Scalp Dem - Dancehall Remix
180 bpm • A Maj • 04:15 • -8.99db
9% Popularity • 72% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Little John
Smoke Ganja Hard
154 bpm • A Maj • 03:19 • -7.8db
22% Popularity • 64% Danceability • 64% Energy • 31% Liveness
6% Instrumentalness • 48% Positiveness
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Perfect Giddimani
30 Pieces
154 bpm • C min • 04:03 • -6.56db
28% Popularity • 86% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Junior Timba
This Is Your Son
154 bpm • D min • 03:45 • -7.36db
0% Popularity • 82% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Little Hero
Ina De Ghetto
155 bpm • F Maj • 03:35 • -4.75db
8% Popularity • 80% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Chuck Fenda
Gwaan Plant
154 bpm • A# min • 02:57 • -6db
34% Popularity • 80% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Super Cat
We Deal Wid Anything
180 bpm • C# Maj • 03:43 • -10.66db
19% Popularity • 81% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Chezidek
Faya Pon Dem
154 bpm • G Maj • 03:52 • -7.8db
26% Popularity • 78% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Linval Thompson
Jah Jah the Conqueror
154 bpm • B min • 03:00 • -11.77db
32% Popularity • 78% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Chuck Fender
Jah Is Worthy
153 bpm • G# Maj • 03:55 • -5db
15% Popularity • 77% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Leroy Smart
Babylon Don't Like Dreadlocks
153 bpm • G# min • 03:23 • -7db
15% Popularity • 72% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Chuck Fenda
Long Road
153 bpm • D# min • 03:39 • -6.33db
8% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Solo Banton
Music Addict
152 bpm • C Maj • 03:01 • -4.99db
17% Popularity • 69% Danceability • 59% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
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Warrior King
Love Jah And Live
153 bpm • C# min • 03:53 • -5.74db
10% Popularity • 60% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Chezidek
Inna Di Road
152 bpm • B min • 03:07 • -6db
10% Popularity • 71% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Ranking Dread
Love A Dub
152 bpm • C# Maj • 04:55 • -7.18db
18% Popularity • 82% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Tenor Saw
I Got To Be There (Roll Call)
151 bpm • G Maj • 03:48 • -4db
22% Popularity • 70% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Manasseh
Natural Roots Orig. 12" Mix
150 bpm • C Maj • 03:46 • -9.01db
30% Popularity • 91% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Captain Sinbad
Skateland Sax
151 bpm • A# min • 03:38 • -5.82db
21% Popularity • 75% Danceability • 63% Energy • 42% Liveness
16% Instrumentalness • 86% Positiveness
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Warrior King
Education Is The Key
152 bpm • A Maj • 03:45 • -6db
11% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Charlie Chaplin
Bubbling Telephone (Chalice)
150 bpm • C# Maj • 03:24 • -4.77db
19% Popularity • 81% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Bounty Killer
Gunz in the Ghetto
150 bpm • G# Maj • 03:34 • -5.48db
9% Popularity • 71% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
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Morgan Heritage
Gunz in the Ghetto
150 bpm • G# Maj • 04:19 • -4.19db
9% Popularity • 73% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 92% Positiveness
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Tony Rebel
Sweet Aroma
150 bpm • F min • 03:53 • -4.28db
13% Popularity • 74% Danceability • 71% Energy • 57% Liveness
0% Instrumentalness • 88% Positiveness
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Daddy Freddy
A Girl Like You
150 bpm • G Maj • 03:53 • -9.3db
9% Popularity • 75% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Solo Banton
Chalice Haffi Blaze
150 bpm • A min • 03:55 • -6db
25% Popularity • 75% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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VC
By His Deeds
150 bpm • A Maj • 04:40 • -7.72db
29% Popularity • 66% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Mighty Diamonds
Bodyguard - 2002 Digital Remaster
149 bpm • G min • 03:31 • -6.84db
16% Popularity • 79% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Max Romeo
Melt Away
150 bpm • A min • 03:34 • -6db
14% Popularity • 76% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Morgan Heritage
Inna Dem Ting Deh
150 bpm • C min • 03:55 • -4.74db
19% Popularity • 81% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Michael Prophet
Guide and Protect You
149 bpm • A Maj • 02:37 • -11.08db
12% Popularity • 75% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Agent Sasco (Assassin)
Rebellious Nature
149 bpm • F# min • 02:36 • -6.97db
11% Popularity • 63% Danceability • 90% Energy • 47% Liveness
0% Instrumentalness • 76% Positiveness
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Micah Shemaiah
Dread at the Control
149 bpm • C Maj • 04:33 • -6.87db
14% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Toyan
Overseas Posse
148 bpm • A Maj • 03:38 • -6db
17% Popularity • 88% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Solo Banton
Don't It
148 bpm • D Maj • 03:30 • -6.9db
20% Popularity • 81% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Morgan Heritage
Dem Man Deh
149 bpm • G min • 03:39 • -4.96db
15% Popularity • 80% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Crying Out