Songs like Crystallize by Ruth Barrett
Based on a tempo of (+/- 10%) and a similar genre
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Carlos Rafael Rivera
Sygrayem (Let's Play)
112 bpm • C Maj • 02:11 • -21.46db
50% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
50% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Anne Niktin
Alfie's Book
112 bpm • E Maj • 01:13 • -11.54db
9% Popularity • 50% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 27% Positiveness
9% Popularity • 50% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 27% Positiveness
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Federico Jusid
Coming For Eli Whipp
112 bpm • D min • 01:47 • -14.38db
18% Popularity • 25% Danceability • 36% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
18% Popularity • 25% Danceability • 36% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Regency Players
Sense and Sensibility [BBC 2008 Adaptat...
112 bpm • D Maj • 01:38 • -9.46db
23% Popularity • 22% Danceability • 46% Energy • 20% Liveness
94% Instrumentalness • 6% Positiveness
23% Popularity • 22% Danceability • 46% Energy • 20% Liveness
94% Instrumentalness • 6% Positiveness
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Ruth Barrett
Charlotte and Alexander
112 bpm • E min • 02:42 • -24.85db
15% Popularity • 17% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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BBC Concert Orchestra
Lakes and Flamingos
111 bpm • C Maj • 02:22 • -12.11db
3% Popularity • 25% Danceability • 38% Energy • 18% Liveness
85% Instrumentalness • 12% Positiveness
3% Popularity • 25% Danceability • 38% Energy • 18% Liveness
85% Instrumentalness • 12% Positiveness
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Rael Jones
Footloose and Fancy Free
113 bpm • D Maj • 01:19 • -19.44db
40% Popularity • 21% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 11% Positiveness
40% Popularity • 21% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 11% Positiveness
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Anne Niktin
The Magic Garden
112 bpm • F Maj • 01:03 • -7.35db
14% Popularity • 37% Danceability • 49% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
14% Popularity • 37% Danceability • 49% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Bear McCreary
Setting Sail
113 bpm • G Maj • 08:30 • -17db
30% Popularity • 17% Danceability • 16% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 16% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Shows Dickon Garden
111 bpm • B min • 01:06 • -24.61db
43% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
43% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
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Ruth Barrett
The Bloody Gardener
111 bpm • G Maj • 02:04 • -16.46db
11% Popularity • 22% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
11% Popularity • 22% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Carter Burwell
Toys and Stars
113 bpm • F Maj • 01:23 • -18.88db
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Mark McKenzie
Red's Goodbye
110 bpm • G min • 01:35 • -21.57db
29% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
29% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Mychael Danna
It Was Always Tate
114 bpm • A# Maj • 02:40 • -23.97db
20% Popularity • 18% Danceability • 10% Energy • 12% Liveness
30% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 10% Energy • 12% Liveness
30% Instrumentalness • 4% Positiveness
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Cho Young-Wuk
The Little Drummer Girl
114 bpm • A# min • 01:05 • -13.1db
21% Popularity • 48% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
21% Popularity • 48% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
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Harald Kloser
The Day After Tomorrow
110 bpm • C Maj • 03:27 • -20.47db
49% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
49% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Okinawa Battlefield
110 bpm • E min • 03:59 • -19db
32% Popularity • 16% Danceability • 18% Energy • 4% Liveness
90% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 18% Energy • 4% Liveness
90% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Breaking Horses
114 bpm • E min • 05:58 • -19.89db
22% Popularity • 19% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 7% Positiveness
22% Popularity • 19% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 7% Positiveness
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David Schweitzer
Sifaka Family
110 bpm • F Maj • 01:39 • -28.18db
24% Popularity • 43% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
24% Popularity • 43% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Steven Price
We Took To The Skies
114 bpm • G# Maj • 04:49 • -16.51db
20% Popularity • 17% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 24% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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David Hirschfelder
They Were Starting to Like Me
115 bpm • G min • 02:16 • -22.94db
29% Popularity • 21% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
29% Popularity • 21% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
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Bear McCreary
Destiny on Culloden Moor
110 bpm • D min • 06:27 • -18.12db
26% Popularity • 16% Danceability • 17% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 17% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Kris Bowers
A Grand Finish
109 bpm • G# Maj • 03:33 • -16.71db
51% Popularity • 30% Danceability • 37% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
51% Popularity • 30% Danceability • 37% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Carlos Rafael Rivera
Thirty Horses
114 bpm • B min • 02:46 • -22.33db
31% Popularity • 46% Danceability • 32% Energy • 7% Liveness
84% Instrumentalness • 50% Positiveness
31% Popularity • 46% Danceability • 32% Energy • 7% Liveness
84% Instrumentalness • 50% Positiveness
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Nicholas Bertal
In the Shadows
115 bpm • G min • 02:15 • -24.95db
9% Popularity • 49% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 66% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 66% Positiveness
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Debbie Wiseman
Anna Regina
115 bpm • G min • 04:17 • -17db
16% Popularity • 49% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
16% Popularity • 49% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Ruth Barrett
The Crown
109 bpm • A# min • 03:56 • -13.89db
9% Popularity • 18% Danceability • 46% Energy • 9% Liveness
46% Instrumentalness • 12% Positiveness
9% Popularity • 18% Danceability • 46% Energy • 9% Liveness
46% Instrumentalness • 12% Positiveness
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Jeff Danna
Funeral at Sea
116 bpm • G Maj • 01:18 • -17.05db
8% Popularity • 22% Danceability • 13% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 13% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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Kris Bowers
We Could Form An Attachment
109 bpm • D Maj • 03:07 • -13.14db
56% Popularity • 27% Danceability • 52% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
56% Popularity • 27% Danceability • 52% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Steven Price
Mayflies
108 bpm • F# Maj • 03:08 • -15.57db
28% Popularity • 34% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 34% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Howard Harper-Barnes
Aspire to Inspire
116 bpm • G min • 03:32 • -18db
41% Popularity • 37% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 18% Positiveness
41% Popularity • 37% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 18% Positiveness
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Christophe Beck
Follow The Flower
116 bpm • A min • 03:40 • -19db
24% Popularity • 42% Danceability • 17% Energy • 12% Liveness
62% Instrumentalness • 13% Positiveness
24% Popularity • 42% Danceability • 17% Energy • 12% Liveness
62% Instrumentalness • 13% Positiveness
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Rupert Gregson-Williams
Dressing Down
116 bpm • A min • 03:09 • -19.95db
30% Popularity • 29% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
30% Popularity • 29% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Training With Mr. Schaibel
108 bpm • A min • 03:04 • -24.87db
45% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
45% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Mychael Danna
Clothes From Miss Mabel
116 bpm • B min • 01:38 • -17.63db
32% Popularity • 36% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
32% Popularity • 36% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Steven Price
The Numbers Build
117 bpm • F# min • 05:04 • -11.49db
24% Popularity • 23% Danceability • 50% Energy • 17% Liveness
98% Instrumentalness • 18% Positiveness
24% Popularity • 23% Danceability • 50% Energy • 17% Liveness
98% Instrumentalness • 18% Positiveness
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Ruth Barrett
A Royal Affair
117 bpm • A# min • 02:04 • -16.5db
23% Popularity • 22% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
War and Peace - Main Title
107 bpm • B Maj • 02:34 • -13.06db
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Marcelo Zarvos
I Want You To Have This - Reprise
107 bpm • D# Maj • 01:10 • -27.19db
36% Popularity • 36% Danceability • 3% Energy • 9% Liveness
100% Instrumentalness • 4% Positiveness
36% Popularity • 36% Danceability • 3% Energy • 9% Liveness
100% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Midnight in the Garden
107 bpm • F Maj • 02:15 • -22db
31% Popularity • 28% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 28% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Torin Borrowdale
Valley
107 bpm • B Maj • 01:14 • -16db
26% Popularity • 30% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
26% Popularity • 30% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Carlos Rafael Rivera
Supper at Six
117 bpm • A# Maj • 01:48 • -21.76db
30% Popularity • 39% Danceability • 25% Energy • 28% Liveness
88% Instrumentalness • 38% Positiveness
30% Popularity • 39% Danceability • 25% Energy • 28% Liveness
88% Instrumentalness • 38% Positiveness
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Paolo Buonvino
Love For Duty
118 bpm • G Maj • 03:20 • -14db
36% Popularity • 19% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 19% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Clint Mansell
Starry Night Over The Rhone
106 bpm • D Maj • 01:17 • -17.55db
41% Popularity • 24% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
41% Popularity • 24% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Anne Niktin
This Beautiful Fantastic
118 bpm • A Maj • 02:17 • -9.69db
19% Popularity • 61% Danceability • 39% Energy • 19% Liveness
86% Instrumentalness • 19% Positiveness
19% Popularity • 61% Danceability • 39% Energy • 19% Liveness
86% Instrumentalness • 19% Positiveness
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Mark Bradshaw
Convulsion
118 bpm • B min • 00:52 • -9.3db
9% Popularity • 37% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 37% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Christopher Willis
A Blissful Summer
118 bpm • A Maj • 01:16 • -11.47db
17% Popularity • 47% Danceability • 47% Energy • 12% Liveness
5% Instrumentalness • 32% Positiveness
17% Popularity • 47% Danceability • 47% Energy • 12% Liveness
5% Instrumentalness • 32% Positiveness
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Ruth Barrett
Glory in the Meeting House, Mrs Mcleod's...
119 bpm • B min • 03:43 • -11.11db
19% Popularity • 49% Danceability • 66% Energy • 33% Liveness
82% Instrumentalness • 70% Positiveness
19% Popularity • 49% Danceability • 66% Energy • 33% Liveness
82% Instrumentalness • 70% Positiveness
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Mike Higham
Go to Her
119 bpm • C min • 06:16 • -16db
28% Popularity • 21% Danceability • 15% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 21% Danceability • 15% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
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Will Slater
Green Planet Title
106 bpm • F Maj • 01:00 • -15.15db
38% Popularity • 21% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Guy Farley
The Palace
119 bpm • A min • 01:56 • -21db
35% Popularity • 21% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
35% Popularity • 21% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Philip Glass
The Orange Tree
105 bpm • G min • 01:47 • -17.34db
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
66% Instrumentalness • 8% Positiveness
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
66% Instrumentalness • 8% Positiveness
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Trevor Morris
An Historic Love
105 bpm • D min • 03:00 • -15db
35% Popularity • 21% Danceability • 40% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
35% Popularity • 21% Danceability • 40% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Debbie Wiseman
Wolf Hall
105 bpm • G Maj • 03:18 • -19.02db
30% Popularity • 81% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 61% Positiveness
30% Popularity • 81% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 61% Positiveness
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Ruth Barrett
Heyrick House
120 bpm • C# Maj • 02:31 • -20.85db
11% Popularity • 20% Danceability • 11% Energy • 9% Liveness
58% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 11% Energy • 9% Liveness
58% Instrumentalness • 8% Positiveness
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Burkhard Dallwitz
It's a Life
120 bpm • E Maj • 01:29 • -22db
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
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Miriam Cutler
Ethel Main Title
120 bpm • F Maj • 03:16 • -21.88db
16% Popularity • 43% Danceability • 7% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
16% Popularity • 43% Danceability • 7% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Cesar Benito
Kayleigh
120 bpm • D# Maj • 01:22 • -16.27db
35% Popularity • 49% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 49% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Volker Bertelmann
Reunion Epilogue
120 bpm • G min • 01:27 • -15.39db
11% Popularity • 38% Danceability • 31% Energy • 17% Liveness
81% Instrumentalness • 5% Positiveness
11% Popularity • 38% Danceability • 31% Energy • 17% Liveness
81% Instrumentalness • 5% Positiveness
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Paolo Buonvino
The Bank
120 bpm • E min • 05:31 • -16.83db
27% Popularity • 24% Danceability • 19% Energy • 40% Liveness
94% Instrumentalness • 5% Positiveness
27% Popularity • 24% Danceability • 19% Energy • 40% Liveness
94% Instrumentalness • 5% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Steven Price
My Beloved Spake
120 bpm • E min • 03:10 • -25db
23% Popularity • 29% Danceability • 11% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 11% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Dario Marianelli
Briony
105 bpm • G# Maj • 01:44 • -20.15db
36% Popularity • 64% Danceability • 25% Energy • 18% Liveness
79% Instrumentalness • 70% Positiveness
36% Popularity • 64% Danceability • 25% Energy • 18% Liveness
79% Instrumentalness • 70% Positiveness
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Rupert Gregson-Williams
In This Together
120 bpm • G min • 05:59 • -20db
33% Popularity • 18% Danceability • 12% Energy • 5% Liveness
90% Instrumentalness • 3% Positiveness
33% Popularity • 18% Danceability • 12% Energy • 5% Liveness
90% Instrumentalness • 3% Positiveness
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Rob Simonsen
Gifted
120 bpm • A Maj • 02:21 • -20.07db
21% Popularity • 58% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
21% Popularity • 58% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
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Mychael Danna
The Times Have Already Changed
120 bpm • C Maj • 02:42 • -14.32db
9% Popularity • 72% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
9% Popularity • 72% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
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Carlos Rafael Rivera
Borgov III
120 bpm • D# min • 03:09 • -21.15db
33% Popularity • 42% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 42% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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David Hirschfelder
Need a Lift?
120 bpm • D min • 02:20 • -18.34db
14% Popularity • 65% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 70% Positiveness
14% Popularity • 65% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 70% Positiveness
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Roque Baños
Chase Walking Nantucket
120 bpm • D min • 02:05 • -16db
24% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Sagana
120 bpm • D min • 04:32 • -28.13db
33% Popularity • 17% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Zbigniew Preisner
Leaving The Docks
121 bpm • E min • 01:29 • -23db
41% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
41% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
53% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
53% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Carlos Rafael Rivera
You Lost Your Shadow, Bill
104 bpm • G Maj • 01:26 • -31.01db
36% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
36% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Christian Henson
Maria's Room
122 bpm • B Maj • 01:30 • -21.13db
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Ruth Barrett
Naked Men
122 bpm • D Maj • 02:22 • -14.06db
17% Popularity • 55% Danceability • 60% Energy • 6% Liveness
86% Instrumentalness • 24% Positiveness
17% Popularity • 55% Danceability • 60% Energy • 6% Liveness
86% Instrumentalness • 24% Positiveness
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Gavin Greenaway
Skyline
122 bpm • C# Maj • 04:44 • -21db
19% Popularity • 36% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
19% Popularity • 36% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
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William Ross
We'll Be #1
122 bpm • A# Maj • 01:52 • -22db
37% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
37% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Paul Mottram
Fragile Wonder
123 bpm • D min • 02:59 • -16.16db
21% Popularity • 17% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Mychael Danna
Teach You To Read
102 bpm • G min • 02:43 • -22.76db
23% Popularity • 38% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
23% Popularity • 38% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
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Ruth Barrett
It's Too Late
122 bpm • F Maj • 03:38 • -15.82db
16% Popularity • 18% Danceability • 10% Energy • 18% Liveness
76% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 18% Liveness
76% Instrumentalness • 4% Positiveness
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Nicholas Britell
Opening Music
123 bpm • A min • 03:04 • -23.12db
16% Popularity • 38% Danceability • 13% Energy • 12% Liveness
71% Instrumentalness • 5% Positiveness
16% Popularity • 38% Danceability • 13% Energy • 12% Liveness
71% Instrumentalness • 5% Positiveness
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Harald Kloser
The End
102 bpm • F Maj • 03:18 • -15db
34% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Zbigniew Preisner
First Time Outside
102 bpm • B min • 01:25 • -18db
35% Popularity • 38% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
35% Popularity • 38% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Robin Kelly
Sun City
124 bpm • D Maj • 03:25 • -5.9db
4% Popularity • 60% Danceability • 96% Energy • 5% Liveness
85% Instrumentalness • 96% Positiveness
4% Popularity • 60% Danceability • 96% Energy • 5% Liveness
85% Instrumentalness • 96% Positiveness
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David Schweitzer
A World Of Wonder
101 bpm • D Maj • 01:54 • -21.15db
18% Popularity • 30% Danceability • 14% Energy • 9% Liveness
19% Instrumentalness • 10% Positiveness
18% Popularity • 30% Danceability • 14% Energy • 9% Liveness
19% Instrumentalness • 10% Positiveness
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Ruth Barrett
Vampire Lovers
124 bpm • D# min • 02:49 • -17.14db
12% Popularity • 26% Danceability • 17% Energy • 7% Liveness
81% Instrumentalness • 5% Positiveness
12% Popularity • 26% Danceability • 17% Energy • 7% Liveness
81% Instrumentalness • 5% Positiveness
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Roque Baños
Angelica´s Love
101 bpm • C Maj • 03:49 • -23.58db
9% Popularity • 24% Danceability • 3% Energy • 13% Liveness
60% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 3% Energy • 13% Liveness
60% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Enzo Returns
100 bpm • A# Maj • 01:13 • -25.95db
14% Popularity • 14% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
14% Popularity • 14% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Zbigniew Preisner
Entering The Garden
124 bpm • F Maj • 01:00 • -19db
38% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
38% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Alex Baranowski
Escape to the Woods
125 bpm • B min • 01:16 • -15.56db
19% Popularity • 18% Danceability • 14% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 14% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Peter - Finding Neverland/Soundtrack Ver...
100 bpm • C Maj • 02:20 • -21db
48% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Christopher Willis
Adventures of a London Gentleman
125 bpm • E Maj • 03:49 • -12.79db
31% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
31% Popularity • 27% Danceability • 27% Energy • 20% Liveness
82% Instrumentalness • 15% Positiveness
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Marc Streitenfeld
Pact Sworn in Blood
100 bpm • E min • 02:52 • -19db
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Ian Hultquist
The Costume Institute
100 bpm • G# Maj • 02:06 • -22.31db
22% Popularity • 63% Danceability • 14% Energy • 51% Liveness
91% Instrumentalness • 28% Positiveness
22% Popularity • 63% Danceability • 14% Energy • 51% Liveness
91% Instrumentalness • 28% Positiveness