Songs like Cuánto (feat. A$AP Nast) by A.CHAL
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Whoo
6 De La Mañana
129 bpm • B min • 02:51 • -8.66db
47% Popularity • 69% Danceability • 64% Energy • 26% Liveness
1% Instrumentalness • 51% Positiveness
47% Popularity • 69% Danceability • 64% Energy • 26% Liveness
1% Instrumentalness • 51% Positiveness
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Metro Boomin
Borrowed Love
129 bpm • B min • 03:50 • -8.81db
64% Popularity • 52% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
64% Popularity • 52% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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A.CHAL
Cuánto
129 bpm • F min • 03:04 • -9.44db
32% Popularity • 78% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 61% Positiveness
32% Popularity • 78% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 61% Positiveness
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11:11
You
129 bpm • F min • 04:12 • -8db
45% Popularity • 48% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 48% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Club 97
Cartier Love
130 bpm • D min • 03:11 • -9db
7% Popularity • 59% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 59% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Pvrx
‘94
130 bpm • E min • 03:49 • -8.66db
21% Popularity • 65% Danceability • 58% Energy • 19% Liveness
1% Instrumentalness • 17% Positiveness
21% Popularity • 65% Danceability • 58% Energy • 19% Liveness
1% Instrumentalness • 17% Positiveness
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Rae Sremmurd
Heartbreak In Encino Hills
130 bpm • B min • 04:13 • -4.24db
36% Popularity • 56% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 56% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Belly
Ballerina
128 bpm • G Maj • 04:13 • -5.95db
43% Popularity • 73% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 73% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 15% Positiveness
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TiDUS
Closer
128 bpm • F# min • 02:44 • -9.23db
18% Popularity • 86% Danceability • 48% Energy • 9% Liveness
80% Instrumentalness • 44% Positiveness
18% Popularity • 86% Danceability • 48% Energy • 9% Liveness
80% Instrumentalness • 44% Positiveness
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A.CHAL
Trust
130 bpm • A# min • 02:37 • -6.59db
37% Popularity • 78% Danceability • 65% Energy • 67% Liveness
2% Instrumentalness • 79% Positiveness
37% Popularity • 78% Danceability • 65% Energy • 67% Liveness
2% Instrumentalness • 79% Positiveness
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Ebenezer
When I Call Em
130 bpm • C# min • 03:36 • -6.05db
24% Popularity • 86% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 86% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Sunny Woe
Up Now
130 bpm • F min • 03:26 • -5.31db
10% Popularity • 78% Danceability • 69% Energy • 11% Liveness
74% Instrumentalness • 61% Positiveness
10% Popularity • 78% Danceability • 69% Energy • 11% Liveness
74% Instrumentalness • 61% Positiveness
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Nbdy
Admissions
128 bpm • D min • 03:17 • -7db
39% Popularity • 72% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 72% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Lais
Consequence
128 bpm • D# min • 03:09 • -6db
13% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Jutes
Give You Up
130 bpm • A Maj • 04:03 • -8.21db
22% Popularity • 45% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 45% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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A.CHAL
Piritu
130 bpm • A# min • 02:31 • -12.8db
37% Popularity • 79% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 79% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Darci
Two Up
130 bpm • G# min • 03:12 • -6.35db
34% Popularity • 66% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 66% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Drai Thomas
You're so Pure (Hell Yeah)
130 bpm • F# Maj • 03:16 • -5.53db
9% Popularity • 67% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
9% Popularity • 67% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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High Klassified
1919
130 bpm • D# min • 03:14 • -5.79db
24% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 51% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Saudin
Sunset
127 bpm • F# min • 03:20 • -9.5db
16% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Drama Relax
Chanel Love
127 bpm • C# Maj • 02:53 • -7.49db
14% Popularity • 86% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 86% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Marvin Dolo
Say It Twice
127 bpm • F# min • 03:27 • -9.7db
13% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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A.CHAL
Fuego
131 bpm • A# min • 03:16 • -6.99db
21% Popularity • 46% Danceability • 68% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 46% Danceability • 68% Energy • 57% Liveness
0% Instrumentalness • 28% Positiveness
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Supa Bwe
I Hate You
127 bpm • D min • 03:19 • -10.71db
20% Popularity • 71% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 71% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Darci
Got U On
132 bpm • D Maj • 03:20 • -5.7db
40% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Rae Sremmurd
Bedtime Stories
132 bpm • E min • 04:52 • -4.53db
50% Popularity • 80% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
50% Popularity • 80% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Dwn2earth
Jodeci
132 bpm • C Maj • 02:48 • -10db
27% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lono Bristol
I Think Im Wavey Now
126 bpm • E min • 03:33 • -11.22db
16% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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A.CHAL
DÉJALO
131 bpm • B min • 03:19 • -10.63db
26% Popularity • 80% Danceability • 39% Energy • 11% Liveness
28% Instrumentalness • 11% Positiveness
26% Popularity • 80% Danceability • 39% Energy • 11% Liveness
28% Instrumentalness • 11% Positiveness
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Tcvvx
Sucka for Love
132 bpm • G min • 03:17 • -12.64db
30% Popularity • 64% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 64% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Quentin Miller
Judge Dread
126 bpm • F# Maj • 02:53 • -6.77db
24% Popularity • 82% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
24% Popularity • 82% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
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Darci
Come Around
132 bpm • G Maj • 03:24 • -8.64db
47% Popularity • 64% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
47% Popularity • 64% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Dwn2earth
Mutombo
126 bpm • C Maj • 03:41 • -10.67db
41% Popularity • 60% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 60% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Yo Trane
Alone
126 bpm • G min • 02:49 • -10.99db
47% Popularity • 80% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 80% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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A.CHAL
Far from Home
126 bpm • A# Maj • 03:36 • -7db
30% Popularity • 67% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 67% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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ODIE
No Signs
126 bpm • A min • 03:37 • -10.29db
36% Popularity • 62% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 62% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Trayce Chapman
The Flux
126 bpm • C# min • 03:18 • -12db
37% Popularity • 79% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 79% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Belly
Maintain
133 bpm • B min • 03:29 • -5db
37% Popularity • 89% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 89% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sean Leon
Possessed
133 bpm • B min • 02:08 • -9.72db
8% Popularity • 75% Danceability • 49% Energy • 39% Liveness
1% Instrumentalness • 41% Positiveness
8% Popularity • 75% Danceability • 49% Energy • 39% Liveness
1% Instrumentalness • 41% Positiveness
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Darci
These Nights
133 bpm • A Maj • 04:07 • -7.61db
41% Popularity • 75% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 75% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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JET THE 3RD
Solitude
133 bpm • C# min • 02:38 • -10.41db
18% Popularity • 94% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 94% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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J-Soul
The Life
133 bpm • G# min • 02:54 • -6db
23% Popularity • 77% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 77% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Asaiah Ziv
Hurricane
133 bpm • F min • 04:27 • -8db
15% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Saudin
Lo Siento
125 bpm • A min • 04:05 • -12.44db
8% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Thutmose
WuWu
125 bpm • G Maj • 03:04 • -6.85db
33% Popularity • 82% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 82% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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D'african
Run to the Money
125 bpm • F min • 02:18 • -6.33db
15% Popularity • 67% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 67% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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DaniLeigh
The Plan
125 bpm • F min • 03:08 • -9.8db
34% Popularity • 86% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 86% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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A.CHAL
To the Light
125 bpm • C Maj • 03:37 • -8.31db
42% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Marvin Dolo
How to Move
125 bpm • F# min • 04:07 • -14db
19% Popularity • 78% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 78% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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ThatsHymn
iKnow
125 bpm • A# min • 03:15 • -10.99db
17% Popularity • 73% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 73% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Nbdy
Warning
124 bpm • F# min • 03:06 • -7db
39% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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ODIE
Crescendo
124 bpm • A min • 04:15 • -9db
42% Popularity • 83% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 83% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Thutmose
Ride with Me
134 bpm • F min • 03:02 • -8.11db
40% Popularity • 77% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 77% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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A.CHAL
PUMP FAKE
134 bpm • C Maj • 02:48 • -7.42db
25% Popularity • 92% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 26% Positiveness
25% Popularity • 92% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 26% Positiveness
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Lithe
Nothing's Changed
134 bpm • B Maj • 02:59 • -9db
32% Popularity • 85% Danceability • 48% Energy • 10% Liveness
18% Instrumentalness • 29% Positiveness
32% Popularity • 85% Danceability • 48% Energy • 10% Liveness
18% Instrumentalness • 29% Positiveness
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Belly
Might Not
134 bpm • C# Maj • 03:44 • -4.84db
63% Popularity • 79% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 79% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Buddy
Trippin'
134 bpm • C# Maj • 03:00 • -6.58db
46% Popularity • 65% Danceability • 55% Energy • 68% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 65% Danceability • 55% Energy • 68% Liveness
0% Instrumentalness • 15% Positiveness
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Bakarie
Sex on the Beach
124 bpm • A# min • 02:54 • -7.61db
17% Popularity • 71% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 71% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Darci
Arts and Crafts
124 bpm • G min • 03:21 • -4.48db
35% Popularity • 79% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 79% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Lule
CHANEL NO.5
124 bpm • A# min • 03:19 • -12.55db
8% Popularity • 83% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 83% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Jaden
Yeah Yeah
124 bpm • F# Maj • 02:53 • -10.17db
39% Popularity • 72% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 72% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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SAINt JHN
3 Below
124 bpm • E min • 03:11 • -4.03db
49% Popularity • 88% Danceability • 78% Energy • 27% Liveness
4% Instrumentalness • 61% Positiveness
49% Popularity • 88% Danceability • 78% Energy • 27% Liveness
4% Instrumentalness • 61% Positiveness
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Xavier Omär
Afraid
124 bpm • E min • 03:40 • -7.86db
48% Popularity • 73% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 73% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Aj Hernz
Blue Faces
124 bpm • C# Maj • 03:09 • -6.18db
15% Popularity • 77% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 77% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Childish Major
For You
124 bpm • A Maj • 03:06 • -6.1db
34% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Saudin
The Road
135 bpm • F# Maj • 03:35 • -6.34db
9% Popularity • 61% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 61% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Derek Pope
Serena Williams
135 bpm • B min • 04:01 • -9.49db
34% Popularity • 71% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 71% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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SAINt JHN
I Heard You Got Too Litt Last Night
135 bpm • F Maj • 03:17 • -7.5db
57% Popularity • 79% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
57% Popularity • 79% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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REGI FLIH
Something For Me
135 bpm • F min • 03:39 • -14.82db
18% Popularity • 76% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 76% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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B1uan
SLIPPIN
135 bpm • A Maj • 03:19 • -8.64db
8% Popularity • 80% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 80% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lou Val
Crisp
135 bpm • B min • 03:27 • -7.51db
28% Popularity • 71% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 71% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jazz Cartier
• RIGHT NOW
123 bpm • E min • 02:22 • -5.83db
39% Popularity • 91% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 91% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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NOAHJVMES
On Lock
123 bpm • G# Maj • 03:32 • -8.1db
10% Popularity • 67% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 67% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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SAINt JHN
Reflex
135 bpm • C# min • 04:01 • -7.25db
58% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Last Night In Paris
Sloo
123 bpm • G min • 03:58 • -9.7db
16% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 58% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Weeknd
Wasted Times
123 bpm • A# min • 03:40 • -6.17db
69% Popularity • 56% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
69% Popularity • 56% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dutchboy
Unlucky, Pt. 2
136 bpm • C# Maj • 03:46 • -5.47db
25% Popularity • 86% Danceability • 55% Energy • 10% Liveness
30% Instrumentalness • 16% Positiveness
25% Popularity • 86% Danceability • 55% Energy • 10% Liveness
30% Instrumentalness • 16% Positiveness
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Notifi
Dramamine
136 bpm • C# Maj • 02:39 • -6.57db
11% Popularity • 69% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 69% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Lithe
Limbo
136 bpm • A Maj • 03:24 • -10.72db
25% Popularity • 86% Danceability • 37% Energy • 11% Liveness
34% Instrumentalness • 29% Positiveness
25% Popularity • 86% Danceability • 37% Energy • 11% Liveness
34% Instrumentalness • 29% Positiveness
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JAHKOY
Crazy Girl
136 bpm • A min • 03:22 • -4.97db
23% Popularity • 72% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 72% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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D'african
I Need to Smoke
122 bpm • G# Maj • 03:17 • -9db
32% Popularity • 70% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 70% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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June3rd
There U Go
136 bpm • A# min • 02:56 • -6.44db
18% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Carnage
Overtime
136 bpm • C Maj • 03:07 • -9.54db
33% Popularity • 69% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 69% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jake Hope
By Your Side
122 bpm • B Maj • 03:10 • -11db
31% Popularity • 79% Danceability • 67% Energy • 12% Liveness
19% Instrumentalness • 6% Positiveness
31% Popularity • 79% Danceability • 67% Energy • 12% Liveness
19% Instrumentalness • 6% Positiveness
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Samsonyte
Lucy
122 bpm • F# min • 03:57 • -9.28db
31% Popularity • 69% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 69% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Fabian Secon
Haze
122 bpm • C# Maj • 04:00 • -6.95db
23% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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A.CHAL
Criminal
122 bpm • E min • 03:02 • -13.02db
23% Popularity • 65% Danceability • 43% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
23% Popularity • 65% Danceability • 43% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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RIZ
Cocoon
122 bpm • A# min • 02:41 • -11.45db
32% Popularity • 67% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 67% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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soso
Primavera
137 bpm • F# min • 03:17 • -8.62db
7% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Chicocurlyhead
LA MOVE
137 bpm • D Maj • 01:54 • -14.97db
14% Popularity • 81% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
14% Popularity • 81% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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12AM
Couple Pills
138 bpm • B min • 03:44 • -6.35db
29% Popularity • 55% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 55% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 17% Positiveness
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Hansaa
Primavera - Oliver Tank Remix
137 bpm • F# Maj • 02:14 • -12.36db
19% Popularity • 76% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 76% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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ROSALÍA
Me Traicionaste
138 bpm • C min • 02:46 • -8.92db
38% Popularity • 80% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 80% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ricky Hil
Nomads
120 bpm • D min • 04:01 • -4.27db
50% Popularity • 70% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 70% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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LVNDVN
Waterfalls
120 bpm • A min • 03:34 • -10db
27% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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benny mayne
ugly
120 bpm • F Maj • 03:32 • -7.93db
22% Popularity • 48% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 48% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Lais
Sometimes
120 bpm • A min • 03:50 • -9db
18% Popularity • 72% Danceability • 44% Energy • 9% Liveness
27% Instrumentalness • 17% Positiveness
18% Popularity • 72% Danceability • 44% Energy • 9% Liveness
27% Instrumentalness • 17% Positiveness
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Lex Aura
4:04 AM
120 bpm • F# min • 02:59 • -9.07db
18% Popularity • 51% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 51% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
