Songs like Cublai, gran Khan dei Tartari: Fra i barbari sospetti (Alzima) by Antonio Salieri
Based on a tempo of (+/- 10%) and a similar genre
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George Frideric Handel
La resurrezione, HWV 47: "Disserratevi o...
127 bpm • C# Maj • 04:40 • -13db
7% Popularity • 58% Danceability • 51% Energy • 8% Liveness
23% Instrumentalness • 65% Positiveness
7% Popularity • 58% Danceability • 51% Energy • 8% Liveness
23% Instrumentalness • 65% Positiveness
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Antonio Salieri
Cublai, gran Khan dei Tartari: Fra i bar...
128 bpm • G Maj • 03:37 • -18.13db
14% Popularity • 41% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 41% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Georges Bizet
Carmen, WD 31 / Act I: Séguedille et Du...
127 bpm • F# Maj • 04:36 • -22db
11% Popularity • 39% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 39% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 15% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Sì. Mi chi...
127 bpm • D Maj • 05:32 • -26.97db
10% Popularity • 28% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Teddy Tahu Rhodes
Die Zauberflöte, K. 620, Act I: "Der Vo...
129 bpm • G Maj • 02:52 • -21db
14% Popularity • 48% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 48% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Franz Schubert
Im Abendrot, D.799
129 bpm • D# Maj • 04:05 • -30.32db
9% Popularity • 29% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Da Tempeste Il Legno Infranto (Cleopatre...
129 bpm • D# Maj • 05:57 • -13db
14% Popularity • 48% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 48% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Antonio Salieri
L'Europa riconosciuta: Numi, respiro...A...
127 bpm • G Maj • 06:26 • -19.92db
12% Popularity • 39% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 39% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Juditha Triumphans, RV 644: Armatae face
129 bpm • C min • 03:22 • -18db
23% Popularity • 51% Danceability • 26% Energy • 29% Liveness
2% Instrumentalness • 63% Positiveness
23% Popularity • 51% Danceability • 26% Energy • 29% Liveness
2% Instrumentalness • 63% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater en fa mineur pour soprano, ...
129 bpm • A# min • 05:11 • -18.55db
10% Popularity • 22% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Der Engel
126 bpm • G Maj • 03:11 • -18.84db
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Hugo Wolf
Wolf: Italienisches Liederbuch: No. 11, ...
130 bpm • C# Maj • 02:42 • -32.84db
0% Popularity • 37% Danceability • 1% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
0% Popularity • 37% Danceability • 1% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
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George Frideric Handel
Giulio Cesare, HWV 17, Act III: Da Tempe...
126 bpm • D# Maj • 06:05 • -17.44db
10% Popularity • 54% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 44% Positiveness
10% Popularity • 54% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 44% Positiveness
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Antonio Salieri
Falstaff: Act I Scene 12: Aria: Nell'imp...
130 bpm • A Maj • 03:23 • -15.25db
0% Popularity • 55% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 55% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 3, Scene 1: "J...
126 bpm • D# Maj • 05:04 • -20db
24% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act III, Scene 3, Cor...
125 bpm • F# min • 02:38 • -17.22db
15% Popularity • 53% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 53% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Giovanni Paisiello
Symphony in D Major: III. Allegro
131 bpm • D Maj • 01:14 • -20.48db
27% Popularity • 62% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
27% Popularity • 62% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Giuseppe Verdi
Otello*: 'Fuoco di gioia'
131 bpm • E min • 02:44 • -25.92db
15% Popularity • 35% Danceability • 13% Energy • 8% Liveness
29% Instrumentalness • 29% Positiveness
15% Popularity • 35% Danceability • 13% Energy • 8% Liveness
29% Instrumentalness • 29% Positiveness
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Johann Strauss II
Die Fledermaus, Act I: No. 4, Trio. So m...
131 bpm • C Maj • 03:46 • -14.63db
25% Popularity • 40% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 40% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 14% Positiveness
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Antonio Salieri
Concerto for Oboe, Violin and Cello in D...
129 bpm • D Maj • 08:40 • -22.13db
7% Popularity • 42% Danceability • 5% Energy • 7% Liveness
58% Instrumentalness • 43% Positiveness
7% Popularity • 42% Danceability • 5% Energy • 7% Liveness
58% Instrumentalness • 43% Positiveness
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![Delibes : Lakmé : Act 2 The Bell Song [Lakmé] cover art](https://i.scdn.co/image/ab67616d00001e023400e891a312ae06f69d85af)
Léo Delibes
Delibes : Lakmé : Act 2 The Bell Song [...
131 bpm • G Maj • 07:42 • -25.48db
11% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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George Frideric Handel
Alcina, HWV 34 / Act 1: Tornami a vagheg...
131 bpm • A Maj • 04:41 • -14.91db
19% Popularity • 41% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
19% Popularity • 41% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Wolfgang Amadeus Mozart
Die Entführung aus dem Serail: Martern ...
132 bpm • C Maj • 08:44 • -21.96db
10% Popularity • 42% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 42% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Agostino Steffani
I Trionfi del fato": "Combatton quest'al...
132 bpm • D# Maj • 02:07 • -13.56db
12% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Antonio Salieri
Axur, Re d'Ormus: IV. Andantino
129 bpm • C Maj • 01:34 • -26.25db
2% Popularity • 21% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 19% Positiveness
2% Popularity • 21% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 19% Positiveness
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Antonio Vivaldi
Il Bajazet (Il Tamerlano), RV 703 / Act ...
132 bpm • C Maj • 04:06 • -16.39db
10% Popularity • 59% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 74% Positiveness
10% Popularity • 59% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 74% Positiveness
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Christoph Willibald Gluck
Paride ed Elena / Act 1: "O del mio dolc...
133 bpm • E min • 03:14 • -23db
12% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 1 ...
132 bpm • A# Maj • 04:31 • -20.45db
20% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 2: "...
124 bpm • C min • 03:56 • -17.46db
6% Popularity • 34% Danceability • 22% Energy • 36% Liveness
4% Instrumentalness • 16% Positiveness
6% Popularity • 34% Danceability • 22% Energy • 36% Liveness
4% Instrumentalness • 16% Positiveness
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Giacomo Puccini
Puccini : Messa di Gloria : I Kyrie
123 bpm • G# Maj • 05:09 • -21.64db
18% Popularity • 17% Danceability • 14% Energy • 34% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 14% Energy • 34% Liveness
84% Instrumentalness • 4% Positiveness
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Antonio Salieri
Sinfonia "Il girono onomastico": II. Lar...
127 bpm • A Maj • 05:21 • -33.4db
6% Popularity • 20% Danceability • 1% Energy • 14% Liveness
72% Instrumentalness • 6% Positiveness
6% Popularity • 20% Danceability • 1% Energy • 14% Liveness
72% Instrumentalness • 6% Positiveness
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George Frideric Handel
Alcina, HWV 34, Act I: Tornami a vaghegg...
134 bpm • A Maj • 05:11 • -17.79db
12% Popularity • 43% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 43% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 1, Ball...
122 bpm • G Maj • 01:56 • -19db
21% Popularity • 39% Danceability • 32% Energy • 58% Liveness
56% Instrumentalness • 38% Positiveness
21% Popularity • 39% Danceability • 32% Energy • 58% Liveness
56% Instrumentalness • 38% Positiveness
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Wolfgang Amadeus Mozart
Die Entführung aus dem Serail: Durch Z�...
124 bpm • A Maj • 04:00 • -26.79db
11% Popularity • 41% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 41% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Wagner
Tannhäuser - Paris version / Act II: "F...
122 bpm • B Maj • 07:08 • -14.83db
14% Popularity • 22% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
14% Popularity • 22% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Vivaldi: Bajazet, RV 703, Act 2 Scene 8:...
134 bpm • E min • 02:10 • -13.3db
9% Popularity • 60% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 60% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Antonio Salieri
L'Europa riconosciuta: Quando più irato...
129 bpm • F Maj • 06:34 • -18.95db
9% Popularity • 37% Danceability • 18% Energy • 15% Liveness
7% Instrumentalness • 12% Positiveness
9% Popularity • 37% Danceability • 18% Energy • 15% Liveness
7% Instrumentalness • 12% Positiveness
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Rundfunkorchester des Südwestfunks Baden-Baden
The Magic Flute, K. 620: Act II, No. 18....
134 bpm • D Maj • 02:55 • -23db
17% Popularity • 16% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 1, Ball...
134 bpm • G min • 01:54 • -23.43db
20% Popularity • 24% Danceability • 1% Energy • 54% Liveness
13% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 1% Energy • 54% Liveness
13% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Die Entführung aus dem Serail, K. 384 /...
122 bpm • F Maj • 03:55 • -17.18db
11% Popularity • 40% Danceability • 23% Energy • 59% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 40% Danceability • 23% Energy • 59% Liveness
0% Instrumentalness • 46% Positiveness
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Giacomo Puccini
La Bohème / Act I: "Quando Me'n Vò"
135 bpm • F# min • 02:38 • -16.06db
32% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Bob Hilliard
Fain: Alice in wonderland: "All in the g...
122 bpm • A Maj • 02:15 • -11.55db
4% Popularity • 44% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
4% Popularity • 44% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Antonio Salieri
Axur, Re d'Ormus: VI. Andante un poco ca...
126 bpm • A# Maj • 01:51 • -20.79db
1% Popularity • 31% Danceability • 4% Energy • 15% Liveness
87% Instrumentalness • 25% Positiveness
1% Popularity • 31% Danceability • 4% Energy • 15% Liveness
87% Instrumentalness • 25% Positiveness
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George Frideric Handel
Handel: Giulio Cesare in Egitto, HWV 17,...
135 bpm • D# Maj • 06:45 • -18db
11% Popularity • 29% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 29% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Alessandro Scarlatti
Spesso vibra per suo gioco
135 bpm • G Maj • 01:03 • -22.18db
32% Popularity • 54% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
32% Popularity • 54% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro: Deh, vieni, non tard...
122 bpm • F Maj • 03:01 • -33.06db
12% Popularity • 37% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 37% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Nepomuk Hummel
Variations on 'Tyrolienne'
135 bpm • C Maj • 07:23 • -23.12db
10% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Stephen Sondheim
Stephen / Arr. Steiner: Sweeney Todd: Gr...
121 bpm • A# Maj • 02:57 • -12.19db
4% Popularity • 43% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 43% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Antonio Salieri
Falstaff: Act II Scene 13: Trio: Che ved...
130 bpm • D# Maj • 03:35 • -14.4db
0% Popularity • 44% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 44% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "Les tringl...
121 bpm • C Maj • 04:34 • -19.82db
11% Popularity • 42% Danceability • 16% Energy • 39% Liveness
1% Instrumentalness • 35% Positiveness
11% Popularity • 42% Danceability • 16% Energy • 39% Liveness
1% Instrumentalness • 35% Positiveness
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Giacomo Puccini
Puccini: Messa di Gloria: XVI. Agnus Dei...
136 bpm • C Maj • 02:37 • -27.92db
20% Popularity • 22% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 22% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Vivaldi: Griselda, RV 718, Act 2: "Agita...
136 bpm • A Maj • 05:19 • -19.55db
9% Popularity • 51% Danceability • 25% Energy • 5% Liveness
37% Instrumentalness • 58% Positiveness
9% Popularity • 51% Danceability • 25% Energy • 5% Liveness
37% Instrumentalness • 58% Positiveness
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Richard Strauss
Strauss, R: Mädchenblumen, Op. 22: No. ...
137 bpm • G Maj • 01:21 • -20.22db
4% Popularity • 47% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 47% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Les oisea...
136 bpm • G# Maj • 05:02 • -18db
13% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
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Antonio Salieri
Concerto for Oboe, Violin and Cello in D...
131 bpm • D Maj • 09:17 • -17.42db
11% Popularity • 33% Danceability • 16% Energy • 9% Liveness
87% Instrumentalness • 26% Positiveness
11% Popularity • 33% Danceability • 16% Energy • 9% Liveness
87% Instrumentalness • 26% Positiveness
► Preview
Rundfunkorchester des Südwestfunks Baden-Baden
The Magic Flute, K. 620: Act II, No. 20....
137 bpm • F Maj • 04:05 • -20db
18% Popularity • 38% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 26% Positiveness
18% Popularity • 38% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 26% Positiveness
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Joseph Haydn
Haydn: Stabat Mater, Hob. XXa:1: VIII. S...
120 bpm • F Maj • 06:29 • -25.59db
20% Popularity • 28% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 28% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Mass In C, Op. 86: 1. Kyrie
137 bpm • C Maj • 04:16 • -20.66db
11% Popularity • 18% Danceability • 16% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 16% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Puccini: Messa di Gloria: Sanctus Dominu...
137 bpm • G Maj • 01:25 • -19.87db
25% Popularity • 19% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
25% Popularity • 19% Danceability • 11% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
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June Anderson
La Promessa
120 bpm • G# Maj • 03:37 • -22db
9% Popularity • 39% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 39% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Antonio Salieri
Falstaff: Act I Scene 13: Aria: Or gli a...
131 bpm • A Maj • 04:29 • -14.85db
0% Popularity • 34% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 34% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Giovanni Paisiello
Symphony in D Major: I. Allegro spiritos...
137 bpm • D Maj • 02:57 • -16.82db
18% Popularity • 52% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
18% Popularity • 52% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
► Preview
Hugo Wolf
Wolf: Italienisches Liederbuch: No. 24, ...
119 bpm • D# Maj • 01:47 • -25.46db
0% Popularity • 43% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 43% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Giuseppe Verdi
Requiem: I. Requiem
137 bpm • A Maj • 08:51 • -20.44db
0% Popularity • 15% Danceability • 10% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 10% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Richard Rogers
Rogers: South Pacific, Act 1: I'm in lov...
138 bpm • C Maj • 03:21 • -9.48db
3% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
3% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 2, Orfe...
139 bpm • G Maj • 05:37 • -28db
17% Popularity • 20% Danceability • 3% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 3% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Antonio Salieri
Armida, Atto Terzo Scena 3: Schernita, d...
125 bpm • G# min • 05:05 • -15.6db
2% Popularity • 34% Danceability • 20% Energy • 61% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 34% Danceability • 20% Energy • 61% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Giovanni Paisiello
Nel cor più non mi sento
138 bpm • F Maj • 02:57 • -24.64db
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 37% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Vincenzo Bellini
Bellini: La sonnambula, Act 2: "Ah! non ...
139 bpm • C Maj • 04:06 • -30.01db
10% Popularity • 25% Danceability • 3% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 3% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
Aida / Act 2: "Gloria all'Egitto"
118 bpm • D# Maj • 07:16 • -17db
11% Popularity • 32% Danceability • 16% Energy • 10% Liveness
26% Instrumentalness • 19% Positiveness
11% Popularity • 32% Danceability • 16% Energy • 10% Liveness
26% Instrumentalness • 19% Positiveness
► Preview
Wolfgang Amadeus Mozart
Die Entführung aus dem Serail, K. 384 /...
118 bpm • C Maj • 10:11 • -17.22db
19% Popularity • 41% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 41% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Domenico Cimarosa
Symphony in D Major
118 bpm • A Maj • 07:24 • -22db
12% Popularity • 40% Danceability • 8% Energy • 34% Liveness
82% Instrumentalness • 15% Positiveness
12% Popularity • 40% Danceability • 8% Energy • 34% Liveness
82% Instrumentalness • 15% Positiveness
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Antonio Salieri
Armida, Atto Terzo Scena 4: Siam quasi i...
125 bpm • D Maj • 04:12 • -17.06db
2% Popularity • 52% Danceability • 16% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 52% Danceability • 16% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
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Emmerich Kálmán
Kálmán: Die Faschingsfee: "Liebe, ich ...
140 bpm • D Maj • 04:09 • -15.68db
6% Popularity • 29% Danceability • 16% Energy • 55% Liveness
3% Instrumentalness • 12% Positiveness
6% Popularity • 29% Danceability • 16% Energy • 55% Liveness
3% Instrumentalness • 12% Positiveness
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Johann Christian Bach
Bach, JC: La Clemenza di Scipione, T. 22...
140 bpm • F# min • 04:13 • -13.63db
5% Popularity • 40% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
5% Popularity • 40% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Giuseppe Verdi
Verdi: Rigoletto, Act 1 Scene 13: No. 6,...
118 bpm • E Maj • 07:08 • -26.1db
10% Popularity • 35% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 35% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
La serva padrona: Intermezzo I: Aria: St...
116 bpm • A Maj • 03:35 • -20.5db
9% Popularity • 64% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 64% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Anton Bruckner
Te Deum, WAB 45: III. Aeterna fac
116 bpm • A# Maj • 01:45 • -13db
11% Popularity • 26% Danceability • 24% Energy • 16% Liveness
5% Instrumentalness • 5% Positiveness
11% Popularity • 26% Danceability • 24% Energy • 16% Liveness
5% Instrumentalness • 5% Positiveness
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Antonio Salieri
Armida, Atto primo Scena 3: Che periglio...
131 bpm • A# Maj • 01:18 • -18.76db
7% Popularity • 61% Danceability • 13% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 61% Danceability • 13% Energy • 73% Liveness
0% Instrumentalness • 36% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Viva! Viva Amina!
116 bpm • F# min • 01:06 • -30db
34% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
34% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
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Joseph Haydn
Haydn: Mass in D Minor, Hob. XXII:11 "Ne...
115 bpm • G min • 04:26 • -15db
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Requiem: XVII. Libera Me
118 bpm • C min • 05:52 • -22db
25% Popularity • 27% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 27% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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George Frideric Handel
Scipione, HWV 20, Act II, Scene VIII: Ar...
142 bpm • C# Maj • 04:57 • -21db
8% Popularity • 50% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 48% Positiveness
8% Popularity • 50% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 48% Positiveness
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Isobel Buchanan
The Magic Flute, K. 620: Pa-Pa-Pa-Papage...
115 bpm • D Maj • 02:31 • -17.21db
15% Popularity • 54% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 44% Positiveness
15% Popularity • 54% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 44% Positiveness
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Antonio Salieri
Armida, Atto primo Scena 3: Ecco l'onda ...
125 bpm • A# Maj • 02:24 • -17db
8% Popularity • 41% Danceability • 11% Energy • 50% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 41% Danceability • 11% Energy • 50% Liveness
0% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Clair De Lune Opus 46/2
143 bpm • C min • 02:47 • -23db
19% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Follie! Delirio va...
117 bpm • G# Maj • 04:23 • -18.6db
32% Popularity • 42% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 42% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Johann Strauss II
Strauss II, J: Das Spitzentuch der Köni...
114 bpm • A# Maj • 03:27 • -21.11db
8% Popularity • 29% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 29% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Hugo Wolf
Wolf: Italienisches Liederbuch: No. 25, ...
112 bpm • C Maj • 00:55 • -21.76db
0% Popularity • 59% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
0% Popularity • 59% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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Antonio Salieri
Semiramide: Sento l'amica speme (Semiram...
132 bpm • A# Maj • 06:39 • -18.16db
7% Popularity • 47% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 22% Positiveness
7% Popularity • 47% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 22% Positiveness
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Muzio Clementi
Symphony in D Major, Op. 18, No. 2: IV. ...
146 bpm • D Maj • 04:09 • -27db
19% Popularity • 47% Danceability • 6% Energy • 14% Liveness
77% Instrumentalness • 37% Positiveness
19% Popularity • 47% Danceability • 6% Energy • 14% Liveness
77% Instrumentalness • 37% Positiveness
► Preview
George Frideric Handel
Rodelinda / Act 3: Mio caro, caro bene
112 bpm • F# Maj • 03:54 • -16.6db
10% Popularity • 60% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
10% Popularity • 60% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Giuseppe Verdi
Requiem: XIII. Sanctus
117 bpm • F Maj • 02:36 • -20.8db
26% Popularity • 35% Danceability • 12% Energy • 7% Liveness
94% Instrumentalness • 35% Positiveness
26% Popularity • 35% Danceability • 12% Energy • 7% Liveness
94% Instrumentalness • 35% Positiveness
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Richard Strauss
Strauss, R: Mädchenblumen, Op. 22: No. ...
146 bpm • D# Maj • 02:56 • -22.35db
5% Popularity • 30% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 30% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Robert Schumann
Myrthen, Op. 25: 1. Widmung
111 bpm • G# Maj • 02:04 • -22.13db
14% Popularity • 35% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 35% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Antonio Salieri
Concerto for Flute and Oboe in C Major: ...
124 bpm • C Maj • 07:13 • -21.1db
3% Popularity • 38% Danceability • 12% Energy • 7% Liveness
83% Instrumentalness • 34% Positiveness
3% Popularity • 38% Danceability • 12% Energy • 7% Liveness
83% Instrumentalness • 34% Positiveness
